Month: March 2018

AI Has a Dirty Little Secret: It’s Powered by People

There’s a dirty little secret about artificial intelligence: It’s powered by an army of real people.

From makeup artists in Venezuela to women in conservative parts of India, people around the world are doing the digital equivalent of needlework -drawing boxes around cars in street photos, tagging images, and transcribing snatches of speech that computers can’t quite make out.

Such data feeds directly into “machine learning” algorithms that help self-driving cars wind through traffic and let Alexa figure out that you want the lights on. Many such technologies wouldn’t work without massive quantities of this human-labeled data.

These repetitive tasks pay pennies apiece. But in bulk, this work can offer a decent wage in many parts of the world – even in the U.S. And it underpins a technology that could change humanity forever: AI that will drive us around, execute verbal commands without flaw, and – possibly – one day think on its own.

For more than a decade, Google has used people to rate the accuracy of its search results. More recently, investors have poured tens of millions of dollars into startups like Mighty AI and CrowdFlower, which are developing software that makes it easier to label photos and other data, even on smartphones.

Venture capitalist S. “Soma” Somasegar says he sees “billions of dollars of opportunity” in servicing the needs of machine learning algorithms. His firm, Madrona Venture Group, invested in Mighty AI. Humans will be in the loop “for a long, long, long time to come,” he says.

Accurate labeling could make the difference between a self-driving car distinguishing between the sky and the side of a truck – a distinction Tesla’s Model S failed in the first known fatality involving self-driving systems in 2016.

“We’re not building a system to play a game, we’re building a system to save lives,” says Mighty AI CEO Daryn Nakhuda.

Marjorie Aguilar, a 31-year-old freelance makeup artist in Maracaibo, Venezuela, spends four to six hours a day drawing boxes around traffic objects to help train self-driving systems for Mighty AI.

She earns about 50 cents an hour, but in a crisis-wracked country with runaway inflation, just a few hours’ work can pay a month’s rent in bolivars.

“It doesn’t sound like a lot of money, but for me it’s pretty decent,” she says. “You can imagine how important it is for me getting paid in U.S. dollars.”

Aria Khrisna, a 36-year-old father of three in Tegal, Indonesia, says that adding word tags to clothing pictures on websites such as eBay and Amazon pays him about $100 a month, roughly half his income.

And for 25-year-old Shamima Khatoon, her job annotating cars, lane markers and traffic lights at an all-female outpost of data-labeling company iMerit in Metiabruz, India, represents the only chance she has to work outside the home in her conservative Muslim community.

“It’s a good platform to increase your skills and support your family,” she says.

The benefits of greater accuracy can be immediate. At InterContinental Hotels Group, every call that its digital assistant Amelia can take from a human saves $5 to $10, says information technology director Scot Whigham.

When Amelia fails, the program listens while a call is rerouted to one of about 60 service desk workers. It learns from their response and tries the technique out on the next call, freeing up human employees to do other things.

When a computer can’t make out a customer call to the Hyatt Hotels chain, an audio snippet is sent to AI-powered call center Interactions in an old brick building in Franklin, Massachusetts. There, while the customer waits on the phone, one of a roomful of headphone-wearing “intent analysts” transcribes everything from misheard numbers to profanity and quickly directs the computer how to respond.

That information feeds back into the system. “Next time through, we’ve got a better chance of being successful,” says Robert Nagle, Interactions’ chief technology officer.

Researchers have tried to find workarounds to human-labeled data, often without success.

In a project that used Google Street View images of parked cars to estimate the demographic makeup of neighborhoods, then-Stanford researcher Timnit Gebru tried to train her AI by scraping Craigslist photos of cars for sale that were labeled by their owners.

But the product shots didn’t look anything like the car images in Street View, and the program couldn’t recognize them. In the end, she says, she spent $35,000 to hire auto dealer experts to label her data.

Trevor Darrell, a machine learning expert at the University of California Berkeley, says he expects it will be five to 10 years before computer algorithms can learn to perform without the need for human labeling. His group alone spends hundreds of thousands of dollars a year paying people to annotate images.

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90th Oscars Dance Between Honoring and Correcting the Past

Held one year ago, the 90th Academy Awards would have very likely been a rose-colored nostalgia fest.

But this year, with a culture-wide reckoning over decades of sexual misconduct, a film business in decline, a volatile political climate and the fact that last year the esteemed show couldn’t even manage to present its biggest award correctly, the film academy and host Jimmy Kimmel on Sunday staged a complex and sometimes incongruous dance of attempting to both honor and atone for the past.

In many ways, the show inside the Dolby Theatre went exactly as planned – scripted, tight, full of past-looking montages, forward-thinking speeches and produced to appeal to all. Presenters Faye Dunaway and Warren Beatty got a best picture redo, (“What happened last year is Waterhouse under the bridge,” Kimmel quipped) and 86-year-old Rita Moreno got to wear her dress from the 1962 ceremony again.

The Walt Disney Co. sneaked a fair amount of promos (“A Wrinkle in Time,” and “Mary Poppins Returns”) and self-congratulations (for “Black Panther”) into its ABC broadcast and the production did its best to appeal to the “regular moviegoer” by trotting out Gal Gadot and other stars to literally give candy to a theater full of people. 

The awards also effectively skirted the awkwardness of having an accused man in the spotlight by shifting around long-held presenter traditions and having Jodie Foster and Jennifer Lawrence present the best actress award instead of Casey Affleck. Emma Stone got her Natalie Portman moment, presenting the directing award to “four men and Greta Gerwig.”

Activists like #MeToo creator Tarana Burke were included in a song segment. And three Harvey Weinstein accusers, Ashley Judd, Salma Hayek and Annabella Sciorra, were given a moment to themselves on stage for nothing more than the fact that they were brave enough to speak up before a hopeful video played highlighting a changing industry, post #MeToo and more diverse. 

The video highlighted Greta Gerwig, the fifth woman to ever be nominated for best director, Yance Ford, the first transgender nominee for “Strong Island,” Dee Rees, whose “Mudbound” scored a historic cinematographer nomination and the Pakistan-born Kumail Nanjiani, nominated for “The Big Sick.”

The nominees signaled a renaissance. The winners told a slightly different story.

With a more diverse, more international and younger infusion of voting members into the film academy, the movie in love with movies still won the top awards. Guillermo del Toro’s fantasy romance “The Shape of Water,” won best picture, director, score and production design. 

“Growing up in Mexico, I thought this could never happen,” del Toro said. “It happens.”

The acting awards, which have been locked for three months, went to the expected winners – all esteemed veterans and three of whom had never been nominated before: Frances McDormand won best actress for “Three Billboards Outside Ebbing, Missouri” and her co-star Sam Rockwell won for his supporting performance. Gary Oldman picked up the best actor prize for transforming into Winston Churchill in “Darkest Hour” and Allison Janney for becoming Tonya Harding’s mother in “I, Tonya.”

At 89, James Ivory became the oldest Oscar-winner for his adapted screenplay for “Call Me By Your Name.” And Christopher Nolan’s ambitious World War II nail-biter “Dunkirk” picked up three technical awards.

But Gerwig’s “Lady Bird” left empty handed, Rachel Morrison did not become the first female cinematography winner (the long-snubbed Roger Deakins got that honor finally for “Blade Runner 2049” after 14 nominations) and Ford was not the first transgender Oscar-winner.

There were glimpses of progress, in Chile’s “A Fantastic Woman,” which starred the transgender actress Daniela Vega, won best foreign film. Disney and Pixar’s celebration of Mexican culture, “Coco,” took best animated feature, as well as best song for “Remember Me.”

“The biggest thank you of all to the people of Mexico,” said director Lee Unkrich to loud applause. “Marginalized people deserve to feel like they belong. Representation matters.”

And Jordan Peele became the first African-American to win best original screenplay for his horror sensation “Get Out.”

Peele said he stopped writing it “20 times,” skeptical that it would ever get made.

“But I kept coming back to it because I knew if someone would let me make this movie, that people would hear it and people would see it,” said Peele. “So I want to dedicate this to all the people who raised my voice and let me make this movie.”

Even McDormand used her moment on stage to make a statement on behalf of women.

“If I may be so honored to have all the female nominees stand with me,” McDormand said.

“We all have stories to tell and projects we need financed,” she added, before uttering the phrase “inclusion rider,” referring to actors signing contracts that mandate a film’s gender and racial inclusivity.

Everyone seemed to take this moment of an industry in flux to heart.

“We can’t let bad behavior slide anymore,” said Kimmel at the show’s start. “The world is watching us.”

And indeed as the last show in this very long season, made even longer thanks to the Olympics, and with an unprecedented pressure to address all the ills of society and 90 years of movies it was perhaps always going to be too big a feat for one group of entertainers to tackle in a single nearly four-hour production.

There’s only so much they can do, after all, and there is no one like Kimmel to remind everyone that it is still the movie industry.

In an aside about the pay disparity between Mark Walhberg and Michelle Williams for “All the Money in the World” reshoots, Kimmel said upon discovering that both actors were represented by the same talent agency that, “This one shook me.”

“If we can’t trust agents, who can we trust?”

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Trump: Planned Steel, Aluminum Tariffs Will Go Away if New NAFTA Deal

U.S. President Donald Trump tweeted Monday that his planned steep tariffs on steel and aluminum imports would only be reversed if a “new and fair” trade deal with Canada and Mexico is reached.

The three countries are currently in negotiations regarding the North American Free Trade Agreement.

In addition to mentioning steel and aluminum tariffs, Trump further said that in a new deal Canada “must treat our farmers better” and Mexico has to do more to stop drugs from reaching the United States.

Canada is the largest U.S. trading partner and last year shipped $7.2 billion worth of aluminum and $4.3 billion of steel to the United States.

The tariffs would also hit other U.S. allies — Britain, Germany, South Korea, Turkey and Japan. But China, the world’s biggest steel producer, only sends 2 percent of its supply to the U.S. and would be less affected.

White House trade adviser Peter Navarro said Sunday that Trump is not planning to exempt any countries from the tariff hike.

Navarro told CNN that final details on Trump’s anticipated 25 percent tax on steel imports and a 10 percent tariff on aluminum should be completed by later in the week or early next week at the latest.

Trump’s new tariffs for the key metals have drawn wide condemnation from business-oriented Republican lawmakers in the U.S., as well as Canada and the European Union. But Navarro said the tariffs are needed to “protect our national security and economic security, broadly defined.”

He dismissed concerns from Defense Department officials who voiced support for targeted tariff increases aimed at specific countries but not increases on the imported metals from throughout the world.

Navarro called it “a slippery slope” to target only some countries with increased tariffs while exempting others. He said there would be a mechanism to exclude some businesses, on a case-by-case basis, from having to pay higher prices for the imported metals.

Navarro said the message to the world on U.S. trade practices is simple: “We’re not going to take it anymore. We don’t get good results,” Navarro said, adding that U.S. trade overseas is “not fair and reciprocal.”

In another news talk show appearance, Commerce Secretary Wilbur Ross told ABC News that Trump has talked with “a number of the world leaders” about his trade tariff plans.

British Prime Minister Theresa May’s office said that in a Sunday phone call with Trump she had “raised our deep concern at the president’s forthcoming announcement on steel and aluminum tariffs, noting that multilateral action was the only way to resolve the problem of global overcapacity in all parties’ interests.”

U.S. Commerce Secretary Ross said the total value of the impending U.S. tariffs amounts to about $9 billion a year, a fraction of 1 percent of the annual $18.6 trillion U.S. economy, the world’s largest.

“So, the notion that it would destroy a lot of jobs, raise prices, disrupt things, is wrong,” Ross said.

Ross dismissed European Union threats of imposing retaliatory tariffs on such prominent American products as Harley Davidson motorcycles, bourbon and Levi’s jeans as unimportant and a “rounding error.”

In response on Saturday, Trump threatened European automakers with a tax on imports if the European Union retaliates against the U.S.

Ross called the possible European levies a “pretty trivial amount of retaliatory tariffs, adding up to some $3 billion of goods. In our size economy, that’s a tiny, tiny fraction of 1 percent. So, while it might affect an individual producer for a little while, overall, it’s not going to be much more than a rounding error.”

Trump weighed in Saturday on his rationale for the tariff hikes with a pair of Twitter comments.

 

“The United States has an $800 Billion Dollar Yearly Trade Deficit because of our ‘very stupid’ trade deals and policies,” he said. “Our jobs and wealth are being given to other countries that have taken advantage of us for years. They laugh at what fools our leaders have been. No more!

“If the EU wants to further increase their already massive tariffs and barriers on U.S. companies doing business there, we will simply apply a Tax on their Cars which freely pour into the U.S.,” he added. “They make it impossible for our cars (and more) to sell there. Big trade imbalance!”

In 2017, the U.S. imported $151 billion more in goods from Europe than it exported to EU countries.

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China Sets Ambitious Growth Target, Promises Steel Cuts

China’s top economic official set a robust growth target Monday and promised more market opening and cuts in a bloated steel industry that has inflamed trade tensions with Washington and Europe.

The growth target of “around 6.5 percent” announced by Premier Li Keqiang to China’s ceremonial legislature, little-changed from last year, would be among the world’s strongest if achieved. The premier also promised progress on developing electric cars and other technology and better regulation of China’s scandal-plagued financial industries.

The meeting of the National People’s Congress is overshadowed by constitutional changes that would allow President Xi Jinping to stay in power indefinitely, but businesspeople and economists also are looking for signs Xi is speeding up reform. That follows complaints Beijing did too little while Xi focused on amassing power since becoming Communist Party leader in 2012.

“We will be bolder in reform and opening up,” said Li in a nationally televised speech to nearly 3,000 delegates to the ceremonial legislature in the Great Hall of the People.

Possible developments this week include the elevation of Xi’s top economic adviser, Liu He, who has told foreign businesspeople he supports free markets, to a post overseeing reform.

“The top priority over the past five years was power consolidation,” said economist Larry Hu of Macquarie Capital in a report. “Now the power consolidation is close to completed. It remains to be seen how policy priority would change for the next five years.”

The growth target officially is a basis for planning instead of a promise about how the economy will perform, but allowing activity to dip below that level could erode public confidence and make investors skittish.

The economy grew by 6.9 percent last year but that was supported by a boom in bank lending and real estate sales that regulators are trying to curb due to concern about rising debt. Analysts have questioned whether Beijing can hit this year’s target without stimulus from bank lending and government spending, which would set back reforms aimed at nurturing self-sustaining growth and curbing debt.

Li promised Beijing would open its economy wider to foreign investors by “completely opening up” manufacturing and expanding access to other industries, but gave no details.

Foreign business groups complain previous industry-opening pledges have been diluted by conditions such as ownership limits or requirements to hand over technology that make them unappealing.

At the same time, Li tempered the market-friendly promises by affirming plans to build up state-owned enterprises that dominate most Chinese industries including energy, telecoms and finance.

“Our SOEs should, through reform and innovation, become front-runners in pursuing high-quality development,” he said.

The premier promised “substantive progress” in a multi-year campaign to reduce production capacity in steel, coal and other industries in which supply exceeds demand. The United States and the European Union complain that surplus of Chinese steel and aluminum flooding into global markets depresses prices and threatens jobs.

This year’s targets include eliminating 30 million tons of production capacity in the politically sensitive steel industry, Li said. It was unclear how that might affect China’s annual output of about 800 million tons.

Li also promised to improve oversight of scandal-plagued Chinese financial industries and to control surging corporate debt that prompted rating agencies to cut Beijing’s credit rating last year.

Last month, regulators seized control of one of China’s biggest insurers, privately owned Anbang Insurance Group, amid concern about whether its debt burden was manageable. Authorities announced its founder and chairman would be prosecuted on charges of improper fundraising.

On Monday, the premier tried to defuse worries rising debt could trigger a banking crisis or drag on economic growth by repeating assurances that Beijing is “completely capable of forestalling systemic risks.”

In a sign Beijing might accept slower growth, Li cut the government’s budget deficit target to 2.6 percent of gross domestic product from last year’s 3 percent, which would reduce the stimulus from public spending.

“The government’s bottom line for economic growth is likely to be 6.3 percent,” said Tom Rafferty of the Economist Intelligence Unit in a report. He said that was the minimum required to meet Beijing’s goal of doubling economic output from its 2010 level by 2020.

The proposal to remove term limits for president from China’s constitution has prompted concern a slide toward one-man rule will erode efforts to make economic regulation more stable and predictable.

Officials say China needs continuity as Beijing carries out long-range changes including making state industry more competitive and productive and developing profitable high-tech industry.

Li, the premier, made no mention of the constitutional change or the controversy surrounding it but promised progress on an array of politically challenging goals including the restructuring or bankruptcy of “zombie enterprises,” or money-losing but politically favored companies that are kept afloat by loans from government banks.

The premier said Beijing will speed up state-led development in an array of technology fields including artificial intelligence, integrated circuits, mobile communications, aircraft engines and electric cars.

“We will develop intelligent industries,” said Li.

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Bill Cosby Goes to Court to Stop Accusers From Testifying

Bill Cosby is going to court to stop some of his dozens of accusers from testifying at his April 2 sexual assault retrial.

Cosby’s retooled defense team is due to clash with prosecutors over the potential witnesses at a pretrial hearing on Monday.

Prosecutors want to call as many as 19 women to the witness stand in an attempt to show Cosby engaged in a five-decade pattern of drugging and harming women.

Cosby is only charged in one case, an alleged assault on a former Temple University women’s basketball administrator at his suburban Philadelphia home in 2004.

The 80-year-old entertainer’s first trial ended in a hung jury. A judge had allowed just one other accuser to testify.

Cosby’s lawyers want the same judge to limit the number of accuser witnesses again. They argue some of their claims are “virtually impossible to defend against.”

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‘Shape of Water’ Triumphs at an Oscars Full of Change

The 90th Academy Awards crowned Guillermo del Toro’s monster fable “The Shape of Water” best picture at an Oscars that confronted the post-Harvey Weinstein era and sought to pivot to a vision of a more inclusive movie business. 

A sense of change was palpable at the ceremony Sunday at the Dolby Theatre in Los Angeles, where winners made impassioned arguments for gender equality and diversity.

Guillermo del Toro’s monster fable “The Shape of Water,” which came in with a leading 13 nods, took a leading four awards, including best production design, best score and best director for del Toro. He became the third Mexican-born filmmaker to win the award, joining his friends and countrymen Alejandro Inarritu and Alfonso Cuaron — who once were dubbed “the Three Amigos.”

“The greatest thing that art does, and that our industry does, is erase the lines in the sand,” said del Toro, alluding to his international career. 

Jordan Peele won for his script to his horror sensation “Get Out,” becoming the first African-American to win for best original screenplay. Peele said he stopped writing it “20 times,” skeptical that it would ever get made.

“But I kept coming back to it because I knew if someone would let me make this movie, that people would hear it and people would see it,” said Peele. “So I want to dedicate this to all the people who raised my voice and let me make this movie.”

In a year lacking a clear front-runner the awards were spread around. Christopher Nolan’s World War II epic “Dunkirk” landed three awards, all for its technical craft: editing, sound editing and sound design.

Things went expected in the acting categories, where Frances McDormand won her second Oscar for her performance in “Three Billboards Outside Ebbing, Missouri.” McDormand asked all the attending female nominees stand up in the theater.

“Look around, ladies and gentlemen, because we all have stories to tell and projects that need financing,” declared McDormand. “I have two words to leave with you tonight, ladies and gentlemen, Inclusion Rider.”

Subbing for last year’s best-actor winner, Casey Affleck, in presenting the best-actress award were Jodie Foster and Jennifer Lawrence. “It’s a new day in Hollywood,” said Lawrence.

Three widely admired veteran actors won their first Oscars. Gary Oldman won for his Winston Churchill in “Darkest Hour,” Allison Janney (“I, Tonya”) took best supporting actress, and Sam Rockwell (“Three Billboards”) won best supporting actor. Oldman thanked his “99-years young” mother. “Put the kettle on,” he told her. “I’m bringing Oscar home.”

But many of the show’s most powerful moments came in between the awards. Ashley Judd, Anabella Sciorra and Salma Hayek — who all made allegations of sexual misconduct against Weinstein — together assembled for a mid-show segment dedicated to the #MeToo movement that has followed the downfall of Weinstein, long an Oscar heavyweight. They were met by a standing ovation.

“We work together to make sure the next 90 years empower these limitless possibilities of equality, diversity, inclusion and intersectionality,” said Judd. “That’s what this year has promised us.”

Host Jimmy Kimmel opened with a monologue that mixed Weinstein punchlines with earnest comments about reforming gender equality in Hollywood. And of course, Kimmel — returning to the scene of the flub — dove straight into material about last year’s infamous best-picture mix-up. 

“I do want to mention, this year, when you hear your name called, don’t get up right away,” said Kimmel. “Give us a minute.”

But while Kimmel spent a few moments on the fiasco known as Envelopegate, he expended far more minutes frankly and soberly discussing the parade of sexual harassment allegations in the wake of the revelations regarding Weinstein. Kimmel cited the industry’s poor record for female directors and equal pay.

“We can’t let bad behavior slide anymore,” said Kimmel. “The world is watching us.”

Gesturing to a giant statue on the stage, he praised Oscar, himself for keeping “his hands where you can see them” and for having “no penis at all.” But Kimmel introduced the broadcast as “a night for positivity,” and cited, among other things, the box-office success of “Black Panther” and “Wonder Woman.” 

“I remember a time when the major studios didn’t believe a woman or a minority could open a superhero movie — and the reason I remember that time is because it was March of last year,” said Kimmel.

Several cinema legends won their first Oscar. James Ivory, 89, won best adapted screenplay for his script to the coming-of-age drama “Call Me By Your Name,” becoming the oldest winner ever. After 14 nominations, revered cinematographer Roger Deakins finally won for his photography on “Blade Runner 2049.” In the category, Rachel Morrison (“Mudbound”) became the first woman nominated for best cinematography.

Pakistan-born comedian Kumail Nanjiani joined Kenyan-born Lupita Nyong’o to salute the so-called Dreamers — immigrants brought to the U.S. illegally as children and here without permanent protection from deportation. “Dreams are the foundation of Hollywood and dreams are the foundation of America. And, so, to all the Dreamers out there, we stand with you,” Nanjiani said.

Later, Pixar’s colorful ode to Mexican culture “Coco” won best animated film as well as best song for “Remember Me.” Best foreign language film went to Chile’s “A Fantastic Woman,” Sebastian Lelio’s drama starring transgender actress Daniela Vega.

“The biggest thank you of all to the people of Mexico,” said director Lee Unkrich to loud applause. “Marginalized people deserve to feel like they belong. Representation matters.” 

Netflix scored its first feature-film Oscar, with best documentary going to “Icarus,” Bryan Fogel’s investigation into doping in sports, aided by the assistance of Grigory Rodchenkov, the head of the Russian anti-doping laboratory who candidly discussed the doping scheme under Vladimir Putin. Fogel dedicated the award to Rodchenkov, “our fearless whistleblower who now lives in grave danger.”

“Darkest Hour” won for best makeup. The period romance “Phantom Thread” won for costume design.

The ceremony was the crescendo of one of Hollywood’s most turbulent awards seasons ever — one that saw cascading allegations of sexual harassment topple movie moguls, upended Oscar campaigns and new movements launched to improve gender equality throughout the industry.

No Golden Globes-style fashion protest was held by organizers of Time’s Up, the initiative begun by several hundred prominent women in entertainment to combat sexual harassment. Their goals go beyond red carpets, organizers said in the lead-up to the Oscars. “We did the dress code thing and now we’re doing the work,” said (hash)MeToo founder Tarana Burke on the red carpet.

The parade of sexual harassment allegations made the normal superficial red carpet a place of sometimes more serious discussion than attire. Scrutiny fell Sunday on E! host Ryan Seacrest after his former stylist, Suzie Hardy, alleged sexual harassment against the red-carpet regular. Seacrest has denied it and E! has supported him. Best supporting actress Oscar nominee Mary J. Blige said Seacrest is “fighting for his life right now.”

Twenty years ago, a “Titanic” sweep won record ratings for the Oscar broadcast. But ratings have recently been declining. Last year’s show drew 32.9 million viewers for ABC, a 4 percent drop from the prior year. Even more worrisome was a slide in the key demographic of adults aged 18-49, whose viewership was down 14 percent from 2016.

Movie attendance also hit a 24-year low in 2017. But this year is already off to a strong start, thanks largely to Ryan Coogler’s “Black Panther,” which many analysts believe will play a prominent role at next year’s Oscars. In three weeks, it has already grossed about $500 million domestically. The film’s star, Chadwick Boseman, was placed front-and-center, at the Dolby Theatre.

This year, the academy prohibited the PwC accountants who handle the envelopes from using cellphones or social media during the show.

With just a few minutes before the show started, Kimmel and his team emerged from his dressing room chanting, “Let’s get it right this time!”

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‘A Fantastic Woman’ Wins Foreign Film Oscar

Chile’s “A Fantastic Woman” has been named the winner of the best foreign language film Academy Award.

The film from director Sebastian Lelio stars transgender actress Daniela Vega as a woman who faces acrimony and scrutiny after the death of her lover. Lelio called Vega the inspiration for the film.

Kimmel launches Oscars, Rockwell wins supporting actor

The 90th Academy Awards brought the most tumultuous awards season in recent memory to a close Sunday with a ceremony that confronted the post-Harvey Weinstein era for Hollywood while honoring the year’s best filmmaking, including the sound design of “Dunkirk,” the production design of “The Shape of Water” and “Three Billboards Outside Ebbing, Missouri” co-star Sam Rockwell.

Host Jimmy Kimmel got the Oscars underway Sunday at the Dolby Theatre in Los Angeles with an opening monologue that mixed Weinstein punchlines with earnest comments about reforming gender equality in Hollywood. And of course, Kimmel – returning to the scene of the flub – dove straight into material about last year’s infamous best-picture mix-up.

“I do want to mention, this year, when you hear your name called, don’t get up right away,” said Kimmel. “Give us a minute.”

But while Kimmel spent a few moments on the fiasco known as Envelopegate, he expended far more minutes frankly and soberly discussing the parade of sexual harassment allegations that have coursed through the movie business in the wake of the revelations regarding Weinstein. He also spoke straightforwardly about the industry’s poor record for female directors and equal pay.

“We can’t let bad behavior slide anymore,” said Kimmel. “The world is watching us.”

Gesturing to a giant statue on the stage, he praised Oscar, himself for keeping “his hands where you can see them” and for having “no penis at all.” But Kimmel introduced the broadcast as “a night for positivity.”

“I remember a time when the major studios didn’t believe a woman or a minority could open a super hero movie – and the reason I remember that time is because it was March of last year,” said Kimmel.

The night’s acting honors are considered fairly locked for nominees, and the first award of the evening – as expected – went to Rockwell for his supporting performance as a dimwitted and racist police officer in Martin McDonagh’s darkly comic revenge drama “Three Billboards Outside Ebbing, Missouri.”

Raising the award, the veteran character actor – celebrating his first Oscar – shouted: “For my buddy, Phil Hoffman.” Philip Seymour Hoffman died in 2014.

Kimmel, with stopwatch in hand, also emphasized keeping acceptance speeches short. He promised the shortest speech would win a Jet Ski. Go long, and winners might get Lakeith Stansfield screaming “Get out!” as the actor briefly reprised his character from the Oscar-nominated “Get Out” on stage.

Early wins went to makeup that adorned Gary Oldman’s Winston Churchill in “Darkest Hour,” the period costume design of “Phantom Thread” and the sound editing for Christopher Nolan’s “Dunkirk.” Guillermo del Toro’s monster fable “The Shape of Water,” which came in with a leading 13 nods, took best production design.

Best documentary went to Netflix’s “Icarus,” Bryan Fogel’s investigation into doping in sports, aided by the assistance of Grigory Rodchenkov, the head of the Russian anti-doping laboratory who candidly discussed the doping scheme under Vladimir Putin. It’s the first feature film Oscar for Netflix. Fogel dedicated the award to Rodchenkov, “our fearless whistleblower who now lives in grave danger.”

“At least now we know Putin didn’t rig this election,” said Kimmel after the “Icarus” win.

In another topical moment, Pakistan-born comedian Kumail Nanjiani joined Kenyan-born Lupita Nyong’o to salute the so-called Dreamers – immigrants brought to the U.S. illegally as children and here without permanent protection from deportation. “Dreams are the foundation of Hollywood and dreams are the foundation of America. And, so, to all the Dreamers out there, we stand with you,” Nanjiani said.

The ceremony is the crescendo of one of Hollywood’s most turbulent awards seasons ever – one that saw cascading allegations of sexual harassment topple movie moguls, upended Oscar campaigns and new movements launched to improve gender equality throughout the industry.

No Golden Globes-style fashion protest was held by organizers of Time’s Up, the initiative begun by several hundred prominent women in entertainment to combat sexual harassment. Their goals go beyond red carpets, organizers said in the lead-up to the Oscars. “We did the dress code thing and now we’re doing the work,” said #MeToo founder Tarana Burke on the red carpet.

Yet the #MeToo movement is sure to have a prominent place in the awards. Greta Gerwig (“Lady Bird”) is just the fifth woman nominated for best director. Rachel Morrison “Mudbound” is the first woman nominated for best cinematography. Ashley Judd, the first big-name actress to go on the record with allegations of sexual misconduct against Weinstein, is among the scheduled presenters.

Before he was tossed out of the film academy after a storm of sexual harassment and sexual abuse allegations, Weinstein was for the last two decades the grand poobah of the Oscars. By one study’s findings, Weinstein was thanked more often than God in acceptance speeches.

The parade of sexual harassment allegations has made the normal superficial red carpet a place of sometimes more serious discussion than attire. Scrutiny was falling Sunday on E! host Ryan Seacrest after his former stylist, Suzie Hardy, alleged sexual harassment against the red-carpet regular. Seacrest has denied it and E! has supported him. Best supporting actress Oscar nominee Mary J. Blige said Seacrest is “fighting for his life right now.”

It’s been an unusually lengthy – and often unpredictable – awards season, already an increasingly protracted horse race begun as most of the contenders bowed at film festivals last September. The Academy Awards were moved a week later this year because of the Olympics.

While the night’s other major acting categories are widely expected to go to Frances McDormand (“Three Billboards Outside Ebbing, Missouri”), Gary Oldman (“Darkest Hour”) and Allison Janney (“I, Tonya”), the long season hasn’t produced a clear best-picture favorite.

Twenty years ago, a “Titanic” sweep won record ratings for the Oscar broadcast. But ratings have recently been declining. Last year’s show drew 32.9 million viewers for ABC, a four percent drop from the prior year. Even more worrisome was a slide in the key demographic of adults aged 18-49, whose viewership was down 14 percent from 2016.

Movie attendance also hit a 24-year low in 2017. But this year is already off to a strong start, thanks largely to Ryan Coogler’s “Black Panther,” which many analysts believe will play a prominent role at next year’s Oscars. In three weeks, it has already grossed about $500 million domestically. The film’s star, Chadwick Boseman, was placed front-and-center, at the Dolby Theatre.

This year, the academy prohibited the PwC accountants who handle the envelopes from using cellphones or social media during the show. Neither of the PwC representatives involved in the mishap last year, Brian Cullinan or Martha Ruiz, will return to the show.

However, multiple reports say that Warren Beatty and Faye Dunaway will be returning to again present best picture, a year after they announced “La La Land” as the winner instead of “Moonlight,” because Cullinan handed them the wrong envelope. The “Bonnie and Clyde” duo will, 12 months later, get “take two.”

With just a few minutes before the show started, Kimmel and his team emerged from his dressing room chanting, “Let’s get it right this time!”

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Airship Drones Could Stay Aloft for Days

Battery-powered drones have mostly replaced manned aircraft in a range of tasks, from scientific measurements to aerial photography, with one persistent disadvantage – the limit of their power source. A startup company in San Francisco says their airship can do a lot of those tasks while staying in the air much longer. VOA’s George Putic reports.

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Applications for Facial Recognition Increase as Technology Matures

From a shopping center and an airport to a concert venue or even your own phone, these are all places facial recognition technology can now be used due to technological advancements in the last few years. The types of applications are growing in a world where the idea of privacy is constantly evolving. VOA’s Elizabeth Lee explains.

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Drama in Red and Neutrals on Oscars Red Carpet

Looks in neutrals, reds and purples brought the drama Sunday on the Oscars carpet at Hollywood’s biggest fashion show.

Salma Hayek looked like exotic royalty in a custom Gucci gown in lilac. It was heavily jeweled and had a busy, ruffled tiered skirt. Rita Moreno, meanwhile, honored Academy Awards history by donning the same gown (with a bold patterned full skirt) she wore in 1962, when she won an Oscar for “West Side Story.”

“It’s been hanging in my closet this whole time,” Moreno told The Associated Press.

Among the walkers in Los Angeles were a few recently returned Olympians, including skier Lindsey Vonn in a fringed black gown and diamond choker with statement red stones. Figure skaters Adam Rippon and Mirai Nagasu walked together. He wore belt-leather straps that crossed his chest and she chose a sheer, long-sleeve gown in soft blue.

In Photos: Oscars Red Carpet Looks

Allison Williams of “Get Out” went for neutral. So did Gina Rodriguez in a nude sheath with silver embellishment, a plunging neckline and full princess skirt, courtesy of Zuhair Murad.

Among those in red was Allison Janney of “I, Tonya,” in long sleeves that fell to the ground. Sofia Carson wore a red cape gown with 26.10 carats of diamonds in her Chopard choker. Meryl Streep also wore red, a deep plunge at the neck. Last year’s best actress Emma Stone chose skinny trousers and a pink-belted, red tuxedo jacket.

The purple peeps also included presenter Ashley Judd, who went strapless in a dark shade by Badgley Mischka, accompanied by diamond strands.

There was an abundance of white, including fitted looks worn by Margot Robbie, Jane Fonda, Laura Dern (in Calvin Klein) and Mary J. Blige. One actress, Taraji P. Henson, was all leg in ethereal black with a high slit.

Among the standout guys: “Get Out” writer-director Jordan Peele, in a creamy white tuxedo jacket, and Chadwick Boseman, who honored his kingly T’Challa character in “Black Panther” with a long embellished coat.

Boseman’s co-star, Lupita Nyong’o, repped Wakanda in royal, one-sleeved gold with a studded sash element that had black detailing.

One of the evening’s brightest pops of color came on Viola Davis in electric pink from the Michael Kors Collection, hoops in her ears and a clutch to match. “Lady Bird” star Saoirse Ronan wore soft pink from Calvin Klein, while Greta Gerwig, who wrote and directed the coming of age film, offered another bright pop – hers in marigold yellow.

In beauty, a side-part trend took hold, both in updos and loose.

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Washington Braces for Possible Trump-Induced Trade War

Washington is bracing for the start of a possible trade war between the United States and its closest allies and biggest commercial partners and a radical departure from America’s trading posture of the last seven decades. VOA’s Michael Bowman reports, the Trump administration is not backing down from last week’s announcement of looming tariffs on foreign-made steel and aluminum, with further details expected in coming days

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Oscars Fashion through The Years: The Great and The Puzzling

A radiant Grace Kelly glided from her seat, pulling up her long opera gloves, her little evening bag balanced on one arm, as she collected a best actress trophy for “The Country Girl” at the 1955 Academy Awards.

She kept her speech short and sweet: “The thrill of this moment keeps me from saying what I really feel. I can only say thank you with all my heart to all who made this possible for me. Thank you.”

It was a moment that might not have endured without the cool mint satin gown designed for her by Edith Head. At the time, Kelly was the screen’s most memorable blonde, radiating a sophisticated glamour pre-Princess of Monaco. Today, the thin-strapped gown is among the top fashion moments in the Oscars’ 90-year history.

It was also an inspiration for designers to come, said Hal Rubenstein, who wrote the book “100 Unforgettable Dresses.” The gently draped sheath with a near-bustle effect received a riff in soft pink by Ralph Lauren for Gwyneth Paltrow (albeit a little saggy up top) for the 1998 ceremony. Escada’s take in sherbet green was made for Kim Basinger’s Oscars turn the year before.

Kelly wore the gown two other times, at the film’s premiere before the Oscars and on the cover of Life magazine after. It offered a level of glamour that didn’t exist in 1929 at the very first Academy Awards, when best actress winner Janet Gaynor wore a simple skirt and sweater with a casual scarf draped cross her shoulders.

 

“Edith Head was a costume designer rather than a couturier. Worn with elbow length gloves and little other adornment, Grace Kelly set the bar for a new modern glamour and yet the color is deliciously unorthodox,” said Jo Ellison, fashion editor at the Financial Times and author of the book “Vogue: The Gown.”

 

The 1960s and ’70s provided some fashion wow, of course, but red carpet frenzy reached stratospheric heights among designers in the 1980s, Rubenstein said.

“If it wasn’t for Armani, nobody would have cared,” he said. “He’s the one who discovered the PR quality in dressing people for the Oscars. He’s the one who latched on to Anjelica Huston and Jodie Foster and Michelle Pfeiffer.”

 

Among Ellison’s top Oscar moments: Lauren Hutton in 1980, in a shiny gold short playsuit by Zoran.

“Wearing gold to the Academy Awards is today such a cliche. I hardly notice, but this gold lame stops me in my tracks every time – the glossiest, most glamorous and most glorious gold outfit to grace the red carpet ever,” she said.

 

Today, the Oscars is the most important carpet of the awards season, but those moments depend as much on the human inside the outfit.

It was Lupita Nyong’o’s vibrant red Ralph Lauren gown with cape at the 2014 Golden Globes that launched her as a fashion It Girl in 2014, but it was her soft blue Cinderella Prada later that year, with its crystal sparkle in the pleats, low V neck and delicate headband that secured her spot, let alone on screen with “12 Years a Slave” and, now, “Black Panther.”

“She took it to the next level,” said Joyann King, editor of HarpersBazaar.com. “It was stunning and it really set her apart.”

The next year, Nyong’o wore a white faux pearl-embellished dress by Calvin Klein to the Oscars. Yes, it’s the one that was stolen soon after but later returned by the thieves.

Sometimes, it’s all about color. Oscar fashion moments based on that factor include Michelle Williams in her ruffled buttercup yellow Vera Wang in 2006 and Nicole Kidman’s 1997 embellished chartreuse Dior by John Galliano, Ellison and others said.

​”Nicole Kidman completely transformed the red carpet culture,” Ellison said. “It was one of the rare times an actress had worn a designer gown from a French couture house, cementing the union between high fashion and the film aristocracy.”

For Williams’ look, it was as much about style and personality, she said.

“The dress was totally captivating with the strong color and the red lip, all accessorized with her beaming smile. It earns my nomination for the best Academy look of all time,” Ellison said.

King points to precursors who took some risks.

Arnold Scaasi put Barbra Streisand in a see-through sparkly trouser look in 1969, the year she tied with Katharine Hepburn for an Oscar for “Funny Girl.” The sheer set with a white Peter Pan collar, black bow at the neck and wide white cuffs remains one of the more puzzling fashion moments for a major star in Oscar history.

The pants included huge, swishy flares that began below the knee and tripped her up a tad on the stairs on her way to collect her statuette, which she greeted with a resounding: “Hello, gorgeous.”

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1.5 Million Penguins Discovered on Remote Antarctic Islands

A thriving “hotspot” of 1.5 million Adelie penguins, a species fast declining in parts of the world, has been discovered on remote islands off the Antarctic Peninsula, surprised scientists said Friday.

The first bird census of the Danger Islands unearthed over 750,000 Adelie breeding pairs, more than the rest of the area combined, the team reported in the journal Scientific Reports.

The group of nine rocky islands, which lie off the northern tip nearest South America, in the northwest Weddell Sea, housed the third- and fourth-largest Adelie penguin colonies in the world, they found.

“It is certainly surprising and it has real consequences for how we manage this region,” study co-author Heather Lynch of Stony Brook University told AFP.

Just 160 kilometres (100 miles) away on the west of the peninsula — a thin limb jutting out of West Antarctica — Adelie numbers have dropped about 70 percent in recent decades due to sea ice melt blamed on global warming.

“One of the ways in which this is good news is that other studies have shown this area [the eastern side of the Antarctic Peninsula] is likely to remain more stable under climate change than the western Antarctic Peninsula,” said Lynch.

“So we end up with a large population of Adelie penguins in a region likely to remain suitable to them for some time.”

Adelies are one of five penguin species that live in and around the Antarctic continent.

A medium-sized penguin, they grow to about 70 centimeters (almost 28 inches) tall, and weigh three to six kilograms (about seven to 13 pounds). They are identified by a white ring around the eye.

They are carnivores, and krill — shrimp-like creatures that are commercially fished in the area — is an Adelie staple.

The Danger Islands group was discovered thanks to Earth-monitoring satellites, said the research team from America, Britain and France.

“This is called the Danger Islands for a reason,” said Lynch.

“The area is covered by heavy sea ice most of the year, and even in the height of summer it is difficult to get into this region to do surveys.”

 ‘Very lucky’

Even the most visited of the isles, Heroina Island at the chain’s northeastern tip, receives only about one ship landing per year.

Evidence of the previously-unknown penguin colony first emerged in data from the Landsat Earth-monitoring satellites run by NASA and the US Geological Survey.

Lynch and her team “then went and looked at higher resolution commercial imagery to confirm the guano staining that our algorithms had picked up in the Landsat imagery,” she said.

When the Landsat data originally suggested the presence of hundreds of thousands of penguins on the islands, she thought it “was a mistake”.

“We were surprised to find so many penguins on these islands, especially because some of these islands were not known to have penguins.”

Then followed a field expedition for a census using a combination of drone footage, pictures taken on the ground, and an old fashioned walk-about headcount.

“We were… very lucky to have a window of time where the sea ice moved out and we could get a yacht in,” said Lynch.

The Danger Islands, said the team, has felt the ravages of climate change less than the western peninsula, and knew very little human activity.

Now it turns out, the area may need stronger protection from overfishing.

“The most important implication of this work is related to the design of Marine Protected Areas in the region,” said Lynch.

“Now that we know this tiny island group is so important, it can be considered for further protection from fishing.”

In addition to Adelies, the team also found about 100 nests of gentoo penguins, and about 27 nests of chinstrap penguins.

The polar regions are warming more rapidly than the rest of Earth as heat-trapping greenhouse gasses from fossil fuel-burning build up in the atmosphere.

 

 

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Politics a Subtext at Oscars

The Academy Awards, or Oscars, will be presented in Hollywood on Sunday, celebrating the movies and showcasing Hollywood glamour. Mike O’Sullivan reports, the ceremony will probably have some political moments in a year when many in Hollywood have their minds on politics.

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China Doesn’t Want Trade War, but Says It Will Respond if Necessary

China has added its voice to a growing chorus of concern about the rising threat of a trade war and tariffs that U.S. President Donald Trump is expected to impose on steel and aluminum imports later this week.

 

A top Chinese diplomat says that while Beijing does not want a trade war with Washington, it will defend its interests if necessary.

 

Speaking at a press conference ahead of China’s annual legislative meetings, Vice Foreign Minister Zhang Yesui also gave assurances that the rise of world’s second largest economy and a rise in military spending was no cause for alarm.

 

“China does not want a trade war with the Untied States, but we will absolutely not sit idly by and watch as China’s interests are damaged,” Zhang said.

 

Tit for tat

Last week, the U.S. president announced plans to slap tariffs of 25 percent on steel and 10 percent on aluminum imports.

 

China is a key country Washington is aiming to target with the tariffs, but the decision also has sparked a global backlash with leaders of other affected nations such as Canada and Europe, which are warning they, too, are prepared to take countermeasures.

 

Analysts have said that if President Trump follows through on his pledges to get tough with China on trade, Beijing could respond by targeting the airline and agricultural sectors, even focusing on communities in the United States where support for the president was strong during the 2016 election.

 

Zhang, who also is serving as the rotating spokesperson of the National People’s Congress (NPC) said the best way to improve trade is to open up markets further and expanding the “pie of cooperation.”

 

“If policies are made on the basis of mistaken judgments or assumptions, it will damage bilateral relations and bring about consequences that neither country wants to see,” Zhang said.

 

Rising concerns about a trade war are likely to be a hot topic during the annual political meetings. China’s Premier Li Keqiang will deliver a government work report on Monday to the NPC during its opening session. That speech may highlight Beijing’s concerns as it forecasts the government outlook for the economy in 2018.

 

Moderate increase

The report also will provide details about another closely watched item, China’s military spending.

 

Zhang said China will see a moderate increase in its military budget this year, but argued that was to make up for a shortfall from previous years, upgrade equipment, and improve training and living conditions at the grassroots level for troops, among other reasons.

Zhang did not say how much of a percentage increase China might see this year in its defense spending, but he stressed that the country’s military does not threaten anyone.

 

Analysts tell VOA that spending could grow by about 10 percent, but they note that the real figure is perhaps much larger.

 

“China’s defense budget takes up a smaller share of its gross domestic product [GDP] and national fiscal expenditure than other major world countries. Its military spending per capita is also lower than other major countries,” he said.

 

Last year, China disclosed that it spent nearly $165 billion on its military about one-fourth of what the United States plans to spend on defense this year.

 

China model

Despite assurances, China’s broader strategic intentions are still something that Washington and other countries in the region watch closely.

 

Under Xi Jinping’s leadership, China has begun assuming a bigger role on the global stage and has launched several initiatives of its own, including a massive trillion-dollar trade and infrastructure project called the “Belt and Road” initiative.

During this year’s annual meetings, China’s communist party aims to solidify its self-proclaimed position as the only political organization qualified to rule the country, with the passage of 21 constitutional amendments.

 

One key amendment in the package is a proposal to scrap restrictions regarding the number of terms the president can serve in office. The proposal paves the way for Xi to become China’s president indefinitely, although state media denies Xi will be granted tenure for life.

When asked, Zhang did not respond to the question of whether the changes would give Xi lifelong tenure. He only said that the amendments would help unify the country’s leadership under Xi as China’s “core leader.”

 

The proposal, along with China’s growing ambitions to showcase what it calls the China model or “China Solution” has led to concerns that Beijing’s communist leaders will seek to spread their model of rule.

 

Zhang said that each country has its own development path and model, and Beijing will not import models from other countries, nor will it export its own.

 

“We will not ask other countries to copy China’s practices, but of course if some countries are interested in learning China’s experiences and practices, we are ready and willing to share our experiences with them,” Zhang said.

 

Zhang added that China will not impose anything on others and has no intention of overthrowing the existing international order or trying to start again.

 

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EU Aims to Tax Internet Giants at ‘Two to Six Percent’: France

The EU will soon unveil a plan for taxing major internet companies like Amazon and Facebook by imposing a levy of two to six percent on revenues in every country where they operate, French finance minister Bruno Le Maire said Sunday.

“The range will be from two to six percent; but closer to two than to six,” Le Maire told the Journal du Dimanche newspaper.

The European Commission has said it will present by end March an overhaul of its tax rules, which currently allow US digital economy giants to report their income from across the bloc in any member state.

That leads them to pick low-tax nations like Ireland, the Netherlands or Luxembourg, depriving other nations of their share of the revenue even though they may account for more of a company’s earnings.

“The heads of these companies know themselves that this system can’t continue,” Le Maire said.

Critics say the tax-avoidance strategies used by the tech titans known as GAFA — Google, Amazon, Facebook and Apple — deprive EU governments of billions of euros while giving them an unfair advantage over smaller rivals. 

The Organisation for Economic Cooperation and Development says such strategies cost governments around the world as much as $240 billion (195 billion euros) a year in lost revenue, according to a 2015 estimate.

Asked if the proposed rate might be criticised as too low, Le Maire said: “I would rather have a law that can be implemented quickly instead of drawn-out negotiations.”

American tech giants appear to believe the European tax revamp is in the cards, with several already announcing pledges to pay more in each country where they operate as governments step up their fiscal demands.

Amazon said last month that it had settled a major tax claim in France and that it would start declaring all its earnings in the country.

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Students Build Program That Sniffs Out Twitter ‘Bots’

For months, university students Ash Bhat and Rohan Phadte had been tracking about 1,500 political propaganda accounts on Twitter that appeared to have been generated by computers when they noticed something odd.

In the hours after the February school shooting in Parkland, Florida, the bots, short for robots, shifted into high gear, jumping into the debate about gun control.

The hashtag #guncontrol gained traction among the bot network. In fact, all of the top hashtags among the bots were about the Parkland shooting, Bhat and Phadte noticed.

Explainer: What Is a Twitter Bot?

Twitter under fire

Since the 2016 U.S. presidential election, technology companies have come under fire for how their services were used by foreign-backed operations to sow discord among Americans before and after the election.

Twitter, in particular, has been called out repeatedly for the sheer number of computerized accounts that tweet about controversial topics. The company itself has said 50,000 accounts on its service were linked to Russian propaganda efforts, and the company recently announced plans to curtail automated, computer-generated accounts.

On Monday, executives from Twitter are expected to be on Capitol Hill to brief the Senate Commerce committee about how the service was manipulated in the wake of the Parkland shooting.

For Bhat and Phadte, students at the University of California, Berkeley, the growing public scrutiny on bots couldn’t come fast enough.

Figuring out Twitter fakes

Childhood friends from San Jose, Calif., the two work out of their shared apartment in Berkeley on ways to figure out what is real and fake on the internet and how to arm people with tools to tell the difference.

“Everyone’s realizing how big of a problem this is becoming,” Bhat, co-founder of RoBhat Labs, said. “And I think we’re also at a weird inflection point. It’s like the calm before the storm. We’re building up our defenses before the real effects of misinformation hit.”

One of their projects is Botcheck.me, a way for Twitter users to check whether a person on Twitter is real or fake. To use botcheck.me, users can download a Google Chrome extension, which puts the blue button next to every Twitter account. Or users can run a Twitter account through the website botcheck.me.

Some of the characteristics of a fake Twitter persona? Hundreds of tweets over a 24-hour period is one. Another, mostly retweeting others. A third clue, thousands of followers even though the account may be relatively new.

Polarizing the debate

The result is a digital robot army ready to jump into a national debate, they say.

“The conversation around gun control was a lot more polarizing in terms of for and against gun control, as opposed to seeing in the Parkland shooting other issues, such as mental illness,” Bhat said.

The two do not speculate who may be behind the bots or what their motives may be. Their concern is to try to bring some authenticity back into online discussions.

“Instead of being aggravated and spending an hour tweeting and retweeting, or getting madder, you can find out it’s a bot and stop engaging,” Bhat said.

In recent months, the students say they have seen a lot of Twitter accounts they have been tracking suspended.

But as fast as Twitter can get rid of accounts, the students say new ones are popping back up. And suspicious accounts are starting to look more like humans. They may tweet about the weather or cars for awhile before switching over into political content.

“You can sort of see these bots evolve,” Bhat said. “And the scary thing for us is that if we aren’t keeping up on their technological progress, it’s going to be impossible to tell the difference.”

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New Plan Increases Cardiac Arrest Survival Rate

More people in Columbus, Ohio, are now surviving when their hearts suddenly develop an abnormal beat and stop beating altogether. VOA’s Carol Pearson reports their survival is due to a new procedure developed after the hospital partnered with a local fire department.

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Patients and Caregivers Use Comics to Document Medical Journeys

A graphic medicine exhibit has opened at the U.S. National Library of Medicine at the National Institutes of Health, showcasing comics that show the medical journeys experienced by patients and caregivers. Organizers hope this ‘new language’ will give clinicians and policy makers a more personalized way of understanding the issues faced by them both. From Washington, VOA’s Jill Craig has more.

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Students Create Program to Identify Fake Twitter Accounts

Social media users like to have friends and followers on various platforms. But how many accounts are real and how many are generated by computers? Two university students in California say they have a way of detecting if you’re communicating with a human or a “bot”. Michelle Quinn reports.

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Trump Threatens to Tax European-built Cars as Trade War Rhetoric Builds

President Donald Trump threatened on Saturday to impose a tax on European cars if the European Union chooses to retaliate against his plans to place tariffs on imported steel and aluminum.

In a tweet Saturday morning, Trump said the U.S. had an “$800 Billion Dollar Yearly” trade imbalance because of “very stupid” trade deals and policies. He warned that if the EU increased “tariffs and barriers” against American-made products, “we will simply add a Tax on their Cars.”

Presently, the U.S. imposes a 2.5 percent tariff on European-built cars and Europe imposes a 10 percent tariff on U.S.-built cars.

Earlier this week, Trump announced that he plans sometime in the coming week to impose tariffs of 25 percent on steel and 10 percent on aluminum imports. He said the tariffs would be in effect for a long period of time.

Trump’s tweet Saturday appeared to be in response to European Commission President Jean-Claude Juncker’s warning that the EU could respond by taxing quintessentially American-made products, such as bourbon whiskey, blue jeans and Harley-Davidson motorcycles.

Juncker told German media Friday that he does not like the words “trade war.” “But I can’t see how this isn’t part of warlike behavior,” he said.

Trump had tweeted earlier in the day: “Trade wars are good, and easy to win.”

Trump’s announcement, made during a meeting with steel and aluminum industry executives at the White House, led a sharp drop in the U.S. markets and sparked concerns of a trade war Friday.

China, Canada respond

Later Friday, China warned about the “huge impact” on global trading if Trump proceeds with his tariff plans.

Wang Hejun, head of China’s commerce ministry’s trade remedy and investigation bureau, said in a statement the tariffs would “seriously damage multilateral trade mechanisms represented by the World Trade Organization and will surely have huge impact on normal international trade order.” 

The Chinese official added, “If the final measures of the United States hurt Chinese interests, China will work with other affected countries in taking measures to safeguard its own rights and interests.”

China ranks 11th among the countries that export steel to the U.S. 

Canada is the United States’ biggest foreign source of both materials.

Canadian Prime Minister Justin Trudeau said Friday that Trump’s tariff plans were “absolutely unacceptable.” He said he is prepared to “defend Canadian industry” and warned the tariffs would also hurt U.S. consumers and businesses by driving up prices.

The director of the World Trade Organization, Roberto Azevedo, responded coolly, saying, “A trade war is in no one’s interests.” 

Trump spent Friday defending his threat to impose the tariffs, saying potential trade conflicts can be beneficial to the United States.

“When a country (USA) is losing many billions of dollars on trade with virtually every country it does business with, trade wars are good, and easy to win,” Trump wrote in a post on the social media site Twitter. “Example, when we are down $100 billion with a certain country and they get cute, don’t trade anymore – we win big. It’s easy!” 

A Japanese government official told VOA that Tokyo “has explained several times to the U.S. government our concerns,” but declined to comment further on any ongoing discussions with Washington.

“While we are aware of the president’s statement, we understand that the official decision has not been made yet,” the Japanese official said. “If the U.S. is going to implement any measures, we expect the measures be WTO-rules consistent.” 

China on Friday expressed “grave concern” about the matter. 

Trump said Thursday the tariffs of 25 percent on steel and 10 percent on aluminum imports will be in effect for a long period of time. He said the measure will be signed “sometime next week.” 

In 2017, Canada, Brazil, South Korea and Mexico accounted for nearly half of all U.S. steel imports. That year, Chinese steel accounted for less than 2 percent of overall U.S. imports.

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