John Legend is expected on a Massachusetts college campus this week to receive a social justice award.

 

The singer-songwriter becomes the first recipient of the Salem Advocate for Social Justice award when he accepts the honor Tuesday at Salem State University.

 

Legend is to perform and also discuss his work on criminal justice, education and other issues.

 

The Salem Award Foundation for Human Rights and Social Justice bestows the award to recognize those who champion social justice issues and advocate for people who are underrepresented.

 

This is the first year the award will be given.
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An English policeman wearing a gorilla costume while crawling the London Marathon has finally finished the race, almost a week after starting.

 

Metropolitan Police officer Tom Harrison, who goes by the name “Mr. Gorilla,” raised a reported 26,000 pounds ($33,650) for the Gorilla Organization, which is dedicated to conserving gorillas in countries including Rwanda and Uganda.

 

The 41-year-old Londoner started the 26.2-mile (42.2-kilometer) route last Sunday and crossed the finish line on Saturday.

Harrison slept at friends’ houses in the evenings after completing around 10 to 12 hours and 4.5 miles per day. He has swapped between crawling on his hands and knees and up on his hands and feet to save his blistered knees.

He crossed the finish line in central London flanked by his two sons – and beating his chest.
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April 30 is International Jazz Day, with events and concerts being held throughout the world. It also marks the end of Jazz Appreciation Month in the United States. Sponsored by the National Museum of American History, it’s designed to stimulate and encourage people to participate, study and listen to a genre of music that is uniquely American. Jazz has a storied place in Voice of America’s 75-year history. For 40 years, millions of people worldwide listened to VOA’s Jazz Hour with Willis Conover. During the Cold War, Conover’s programs created a connection to the United States for millions of people living behind the Iron Curtain. Earlier this past week, Voice of America hosted The Frankie Addison Quintet to mark Jazz Appreciation Month and VOA’s part in keeping the free form music genre alive. Enjoy the music.
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An award-winning Iranian filmmaker imprisoned over his work has been released after serving about five months of his yearlong sentence, though he doesn’t know whether he’ll make movies again in the Islamic Republic.

 

Keywan Karimi told The Associated Press on Sunday that he credited international pressure for his early release, as well as escaping the 223 lashes that were part of his sentence. Others, however, remain imprisoned in the Islamic Republic as part of a hard-line crackdown amid President Hassan Rouhani’s outreach to the wider world through the nuclear deal.

 

Karimi said in an interview over Skype that he served his sentence in Tehran’s Evin prison, which holds political prisoners and dual nationals detained by the security services. He described spending his first month in solitary confinement, a place he described as “very dirty, very cold.”

 

He said he suffered pain in his stomach and leg, but ultimately recovered. He later was put into the general prison population, sharing a room with 20 other prisoners.

 

“You’re far away from freedom, far away from something you love,” Karimi said.

 

Karimi was convicted of “insulting sanctities” in Iran, whose government is ultimately overseen by Supreme Leader Ayatollah Ali Khamenei. The case involved footage from both a “video clip” and a film he directed called “Writing on the City,” which focuses on political graffiti in Iran from its 1979 Islamic Revolution to its contested 2009 election.

 

Karimi is perhaps best known by international film critics for his 2013 black-and-white minimalist film, “The Adventure of the Married Couple.” The short film, based on a story by Italian writer Italo Calvino, follows the grinding routine of a husband and wife working opposite shifts, she in a bottle factory and he at a mannequin store. Neither speaks, the only noise is the hum of the city they live in.

 

The film played in some 40 film festivals and won prizes in Spain and Colombia.

 

Karimi is one of several artists, poets, journalists, models and activists arrested in a crackdown on expression led by hard-liners who oppose Rouhani. His release comes ahead of Iran’s May presidential election, in which Rouhani is seeking re-election.

 

For now, Karimi said he was grateful to be out of prison, though he felt alienated from Iran and its people.

 

“I want to continue filmmaking, but I don’t know how and in which country,” Karimi said.
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Al Pacino was considered too short, Marlon Brando was required to do a screen test, and director Francis Ford Coppola was almost fired.

The director and cast of The Godfather reminisced Saturday in a 45th anniversary reunion in New York about the trials, perseverance and inspiration that resulted in the Oscar-winning Mafia movies.

Coppola, Pacino, Robert De Niro, Diane Keaton, James Caan, Talia Shire and Robert Duvall watched back-to-back screenings of The Godfather (1972) and The Godfather: Part II (1974) along with an audience of 6,000 on the closing night of the Tribeca film festival.

“I haven’t seen these movies for years,” Coppola said. “I found (watching) a very emotional experience. I forgot a lot about the making of it and thought about the story, and the story used a lot of family and my personal stuff.”

Brando too difficult

The two films won nine Oscars and their tale of how an orphan from Sicily emigrated to the United States at the turn of the 20th century and formed the Corleone crime family became movie classics.

But the film had a less than auspicious start. Coppola recalled that Hollywood studio Paramount wanted to set the movie in the 1970s and make something “cheap and quick.”

Coppola was almost fired several times and met stiff resistance to the casting of Pacino as Michael Corleone and Brando as the titular Godfather.

Brando, who died in 2004, had made several box-office flops after a stellar career in the 1950s and had a reputation for being difficult.

“I was told (by studio executives) that having Brando in the film would make it less commercial than having a total unknown,” Coppola said.

The studio later agreed “if Marlon will do a screen test and do it for nothing and put up a $1 million bond that he wouldn’t cause trouble during the production.”

Brando created the rasping voice, jowly cheeks and oiled hair for Corleone in the screen test. Yet three weeks into shooting, there was more trouble.

“They (the studio) hated Brando. They thought he mumbled and they hated the film. … It was very dark,” Coppola said. Brando went on to win an Oscar for his performance.

Pacino too short

Newcomer Pacino had to screen test “countless times” for the role of Michael, the college-educated son who takes charge of the Corleone business of casinos, gambling and racketeering.

Studio bosses though he was too short and wanted to cast Robert Redford or Ryan O’Neal.

Yet Coppola persevered because “every time I read the script, I always saw his (Pacino’s) face, especially in the scenes in Sicily.”

Pacino said he originally wanted the part of the hot-headed son, Sonny, and thought Coppola “was really nuts” about wanting him to play Michael.

“I thought this is either a dream or a joke … and then started the whole trial of them not wanting me and Francis wanting me,” Pacino recalled. The film launched his career as one of the most honored actors of his generation.

Then some luck

Luck played a part in the creation of some of the most memorable scenes in the two films. The revelation by Corleone’s wife Kay (Keaton) that she had aborted their baby because of horror over her husband’s criminal activities was suggested by Talia Shire (Connie).

And the cat Brando cradles in the opening scene of “The Godfather,” making for a stark contrast with his intimidating presence, was a last-minute addition.

“I put that cat in his hands. It was the studio cat. It was one take,” Coppola said. 
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The White House press corps gathered Saturday for its annual black-tie dinner, a toned-down affair this year after Donald Trump snubbed the event, becoming the first incumbent U.S. president to bow out in 36 years.

Without Trump, who scheduled a rally instead to mark his 100th day in office, the usually celebrity-filled soiree hosted by the White House Correspondents’ Association took a more sober turn, even as it pulled in top journalists and Washington insiders.

Most of Trump’s administration also skipped the event in solidarity with the president, who has repeatedly accused the press of mistreatment. The president used his campaign-style gathering to again lambaste the media.

“I could not possibly be more thrilled than to be more than 100 miles away,” he told a crowd in Harrisburg, Pennsylvania, calling out The New York Times, CNN and MSNBC by name.

‘Not fake news’

In Washington, WHCA President Jeff Mason defended press freedom even as he acknowledged this year’s dinner had a different feel, saying attempts to undermine the media was dangerous for democracy.

“We are not fake news, we are not failing news organizations and we are not the enemy of the American people,” said Mason, a Reuters correspondent.

Instead of the typical roasts — presidents of both parties have delivered their own zingers for years — the event returned to its traditional roots of recognizing reporters’ work and handing out student scholarships as famed journalists Bob Woodward and Carl Bernstein presented awards.

“That’s not Donald Trump’s style,” NBC News’ Andrea Mitchell told MSNBC, referring to the self-deprecating jokes presidents in the past have made despite tensions with the press.

Jokes for free speech

Instead, the humor fell to headline comedian Hasan Minhaj.

“We’ve got to address the elephant that’s not in the room,” Minhaj, who plays a correspondent on Comedy Central’s The Daily Show, told the crowd. “The leader of our country is not here. And that’s because he lives in Moscow. It’s a very long flight. As for the other guy, I think he’s in Pennsylvania because he can’t take a joke.”

He also joked about Trump, despite organizers’ wishes, saying he did so to honor U.S. constitutional protection of free speech: “Only in America can a first-generation, Indian-American Muslim kid get on this stage and make fun of the president.”

Trump in Pennsylvania

Trump was indeed in Pennsylvania, having scheduled a rally in Harrisburg to mark his 100th day in office. He began his remarks with a lengthy if familiar attack on the news media while dismissing the dinner and its participants.

 

“A large group of Hollywood actors and Washington media are consoling each other in a hotel ballroom in our nation’s capital right now,” Trump said. He added: “And I could not possibly be more thrilled than to be more than 100 miles away from Washington’s swamp, spending my evening with all of you and with a much, much larger crowd and much better people, right?”

Trump became the first president since Ronald Reagan in 1981 to skip the event — and Reagan was recovering from an assassination attempt. 

In a video message, actor Alec Baldwin, who has raised Trump’s ire playing him on NBC’s “Saturday Night Live” program also encouraged attendees.

Fewer celebrities

Few other celebrities graced the red carpet, although some well-known Washingtonians, such as former Secretary of State Madeleine Albright and Republican Representative Darrell Issa of California, appeared.

Trump attended in 2011, when then-President Barack Obama made jokes at the expense of the New York real estate developer and reality television show host.

In an interview with Reuters this week, Trump said he decided against attending as president because he felt he had been treated unfairly by the media, adding: “I would come next year, absolutely.”

In Pennsylvania, Trump told supporters the media dinner would be boring but was noncommittal on whether he would go in 2018 or hold another rally.

Late night television show host Samantha Bee also hosted a competing event — “Not the White House Correspondents’ Dinner” — that she said would honor journalists, rather than skewer Trump.

Journalists honored

The WHCA awards and this year’s recipients: 

Aldo Beckman Memorial Award winner: Greg Jaffe of The Washington Post for stories on President Barack Obama’s speeches and policies that contrasted the realities of 2016 with the hopes of 2008. 
Merriman Smith Award winner for outstanding White House coverage under deadline: Edward-Isaac Dovere of Politico for his coverage of the historic meeting between Obama and Cuban President Raul Castro.
Edgar A. Poe Award winner: David Fahrenthold of The Washington Post for stories on Donald Trump’s philanthropic claims.

The Associated Press contributed to this report.
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Washington’s once-glitzy “nerd prom” was briefly upstaged Saturday as comedians and Hollywood stars gathered for jokes and jests about President Donald Trump for a tongue-in-cheek event to counter the annual White House Correspondents’ Dinner.

Late-night TV star Samantha Bee pulled in celebrities for the first “Not the White House Correspondents’ Dinner'”: Alysia Reiner of “Orange Is the New Black,” Retta of “Parks and Recreation” and Matt Walsh of “Veep.” Bee’s show, a comedic tribute to American news organizations, featured actor Will Ferrell and other guests roasting Trump and his allies.

The star power of the real correspondents’ dinner took a hit this year when Trump declined to attend, the first president since Ronald Reagan in 1981 to skip it. In Reagan’s case, he was recovering from an assassination attempt. Trump did his own counter-programming, scheduling a rally Saturday night in Harrisburg, Pennsylvania, to mark his 100th day in office.

The absence of the president himself at the WHCA dinner or even officials from the administration seemed to diminish attendance by big names in film, television and sports.

Barack Obama’s humorous remarks had become a highlight at the dinner. Last year, for Obama’s final appearance, the crowd included Will Smith, Emma Watson, Kerry Washington, Helen Mirren and model Kendall Jenner.

For years, the event offered Washington’s press corps an opportunity to wear black tie and stunning gowns while mixing with celebrities. With Trump out, organizers put the focus on the First Amendment and the role of the press in democracy.

The scheduled headliners were Bob Woodward and Carl Bernstein, set to present journalism awards. Woodward told The Washington Post the two planned to speak about “the First Amendment and the importance of aggressive but fair reporting.”

The dinner still booked a master of ceremonies: Hasan Minhaj of The Daily Show. Broadcast coverage was to begin at 9:30 p.m. on C-SPAN, followed by Bee’s event airing on TBS at 10 p.m.

Jeff Mason, the WHCA president, said this year would have been different even if Trump had attended, “based on the tension that has existed in the relationship and some of the things he has said about the press. We were preparing for a different dinner either way.”

Trump has called the media “fake” and “dishonest” and even “the enemy of the people.” In an emailed fundraising appeal before leaving for Pennsylvania, Trump cited among the accomplishments over his first 100 days, “We fought back against the media’s lies.”

Mason promised that Minhaj would use his comedy chops, without “roasting the president in absentia.”

“People don’t want to come to a dinner and feel bored or preached at. Hopefully neither of those things will happen,” Mason said.

Bee, who hosts TBS’ weekly show Full Frontal, said she cared deeply about the press.

“For God’s sake, we could not do our show if things were more restricted. So, boy, nobody needs press freedom more than we do,” she told The Associated Press in an interview.

Bee’s taped show singled out the Committee to Protect Journalists, the nonprofit group that will receive proceeds from the show. The show humorously assailed topics like “alternative facts,” a remark once made by Trump adviser Kellyanne Conway that drew heavy criticism.

The official WHCA dinner began in 1921. Most people trace the development of the celebrity guests to 1987, when Baltimore Sun reporter Michael Kelly brought Fawn Hall, the secretary at the center of the Iran-Contra affair.
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If you’ve been walking through downtown Nairobi lately, you may have seen Moses Odhiambo. The 29-year-old self-taught saxophonist has been drawing crowds and inspiring a love of music in young people who, like himself, are growing up on the streets.

Moses Odhiambo plays his saxophone amid the usual buzz of evening rush hour in Nairobi’s central business district.

 

He performs here every Tuesday and Thursday.

 

A small crowd gathers. Today marks one year since he started performing like this. But he is no stranger to the streets.

At 10 years old, he left home with his three brothers. Their mother couldn’t afford to feed them. Odhiambo spent several homeless years in the slums of Nairobi’s Kayole Soweto area. Through sponsorship programs, he was able to complete high school, where he played trumpet.

He showed a knack for music.   

“So the director called me and told me, before we get a professional teacher come and try teaching these students,” said Odhiambo. “So when I went there. I saw the saxophone and fell in love with it and I picked it up, taught myself from scratch up to where I am today”.

When he is not performing in the streets, Odhiamdo is teaching music in two public primary schools or giving private lessons. But the streets remain his source of inspiration.

“I could choose to be in the house and do my practice in the house but I saw that being not so productive for me so I wanted to go out and make a difference,” said Odhiambo. “Because of my background having been a street child, I thought of coming out into the streets and make a difference.”

After his performances, Odhiambo sets aside time to talk with street kids he meets.

“They can make a difference in life if indeed they pursue their passion,” he said.

Rafael Mwangi sings a song he composed. The 14-year-old has lived on the streets for over six years now.

He says “when I saw Moses play, it gave me so much hope. I felt it was time to also start singing… I started writing music and when I showed Mose my writings, he told me he could see my future.”

On Thursdays, Odhiambo is joined by another young musician, Steven Muthama, on the guitar.

 

Muthama says performing on the street creates a powerful connection.

“People just take time to come and listen,” said Muthama. “Tired people from work taking time to just stop in the street, not knowing you, just seeing you there, listening and appreciating, maybe dropping a shilling or two but just the time and the effort to stand there and listen is really amazing.”

 

Music has been Odhiambo’s ticket to a better life. He hopes to pass that opportunity on to the next generation.

 

 
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San Antonio, Texas, is home to the greatest concentration of Catholic missions in North America, including The Alamo, the state’s first mission dating to 1718. The most visited historic landmark in Texas was also a fort and the site of a battle that played a pivotal role in the state’s dramatic history.

San Antonio Missions

In the 18th century, the government of Spain established Catholic missions in the American southwest, in an attempt to exert control and expand its influence in the region. The Spanish Crown looked upon the natives as potential subjects and saw the missions as a way to convert as many of them as possible to Catholicism.

But the native tribes in what is now east Texas showed little interest in what Spain had to offer. So in 1731, the missions there were relocated westward to the San Antonio River, where, according to the U.S. National Park Service, the hunter-gatherer tribes proved “more receptive” to the Spanish message. Upon entering a mission, tribal members were expected to give up their traditional life, accept a new religion and pledge loyalty to a distant and unseen king.

Most of the missions lasted as fully functional religious sites for six decades.

A perfect union

National parks traveler Mikah Meyer, who’s on a quest to visit all of the more than 400 sites within the U.S. National Park Service, described the relationship between the Spanish government and its Catholic priests as “a perfect marriage.”

“The Crown of Spain wanted to expand the territory and the Catholic priests wanted to help spread [Catholicism], so within that, it was kind of a magical partnership,” he said. “So these mission sites preserve a lot of that heritage.”

Today the National Park Service operates the San Antonio Missions National Historical Park, which helps preserve four of the five missions — San José, Concepción, San Juan and Espada. They were added to the list of national parks in 1978 under then-President Jimmy Carter.  

Meyer traveled on the scenic Mission Hike and Bike Trail that follows the San Antonio River and links all five sites. “Each of these mission sites tells part of the story in a different way, depending on how much of the site has been preserved,” he remarked.

“The outlying walls and buildings showcase where the religious figures would have lived, where the students would have lived who were being taught by the missionaries, and a lot of what the daily life would have looked like for these early Spanish colonizers,” he added.

And what life must have been like for Native Americans under Spanish rule, he noted.

“Some people would say they stole their culture from them. Other people would say they provided a means for survival in a changing world that was no longer nomadic and that was becoming agricultural,” he said.

 

“What’s really incredible about these sites are how well intact and preserved the churches are,” he said. “Most at least have their chapel still maintained.” In fact, all four of the churches remain active parishes, which means services are held in them every week.

The heart of San Antonio

Mission San Antonio de Valero, more commonly known as The Alamo, was established by the Franciscans in 1718. It is not a unit of the National Park Service but owned by the state of Texas and is a National Historic Landmark. The 3-century-old compound was a mission from 1718-1793, a fort from 1803-1835 and a battlefield from 1835-1836.

Many consider The Alamo the most enduring symbol of independence in Texas.

Remember The Alamo!

The historic compound is best known as the site of a 1836 battle that marked a turning point in the state’s history. At the time, Texas was a province of Mexico, and colonists (primarily from the United States) grew resentful of increasingly centralized Mexican government. On October 2, 1835, they launched a revolution for independence.

On February 23 the next year, Mexican President Santa Anna’s army began a siege of the Alamo Mission and overran it 13 days later, killing all of the defenders — known at the time as Texians. Among the dead were well-known men such as garrison commander William Travis, American pioneer Jim Bowie and Tennessee Congressman Davy Crockett.

The deadly siege motivated many Texians to join the Texian Army. They defeated the Mexican forces the following month at the Battle of San Jacinto, on April 21, 1836, ending the revolution, and starting Texas’ decade-long status as an independent republic, until it joined the United States as the 28th state.

Mission accomplished

Today, the Alamo compound is the state’s most visited landmark — two centuries after Spain lost most of its influence throughout the Americas.

Meyer noted that considering the historic, life-altering events that took place at The Alamo compound, “it’s not that big of a building … but it’s impressive that it’s become such a well-known part of our culture.”

“It really seems like the town has embraced this part of their history and built a lot of their current day infrastructure around it,” he added.

All five missions were designated UNESCO World Heritage sites on July 5, 2015

As he prepared to depart Texas and head west, Meyer remarked how impressed he was by the Lone Star state’s vast landscape and diverse culture.

“It’s so huge that you got a very rich diversity of natural landscapes, and with that comes a rich diversity of history,” he said.

The national parks traveler invites you to join him as he continues his journey across the American southwest by visiting his website, Facebook and Instagram.

 
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A hacker claims to have stolen the upcoming season of Netflix’s hit series “Orange Is The New Black,” and is demanding that the video streaming service pay an unspecified ransom to prevent all the new episodes from being prematurely released online.

 

The hacker, operating under the name The Dark Overlord, has purportedly uploaded the first episode to an illegal file-sharing service. The Associated Press could not legally confirm the authenticity of that uploaded file.

 

New episodes of “Orange” are scheduled for official release June 9.

Vendor suffered breach 

Netflix said that a small production vendor that works with several major TV studios had suffered a breach. The Los Gatos, California, company described it as an “active situation” that’s being investigated by the FBI and other authorities.

 

Pirated copies of “Orange” could dent Netflix’s subscriber growth and the company’s stock price.

 

In the ransom note, The Dark Overlord claimed to have stolen series from other studios, too, by breaking into a single company. The purported hacker promised to also release those titles unless ransoms are paid.

Rumors for months

Rumors of a massive leak of Hollywood films and TV episodes have been circulating online for months, fed by purported screenshots of the footage and a copy of a proposed deal to delete the stolen material in return for tens of thousands of dollars in electronic currency.

 

When the AP contacted The Dark Overlord in February, the hacker said the purloined video wouldn’t be made publicly available after all, making the far-fetched claim that “no one really (cares) about unreleased movies and TV show episodes.”

 

It’s not clear what triggered The Dark Overload’s renewed ransom demands.

 

Netflix is counting on “Orange” to help it add 3.2 million subscribers from April through June. That’s substantially higher than the company’s average gain of 1.8 million subscribers in the same period over the past five years.

 

Whenever Netflix’s quarterly subscriber gains fall shy of management’s projections, the company’s stock usually plunges. 
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