new york — Dabney Coleman, the mustachioed character actor who specialized in smarmy villains such asd the chauvinist boss in “9 to 5” and the nasty TV director in “Tootsie,” has died. He was 92. 

Coleman died Thursday at his home in Santa Monica, his daughter, Quincy Coleman, said in a statement to The Associated Press. She said he “took his last earthly breath peacefully and exquisitely.” 

“The great Dabney Coleman literally created, or defined, really — in a uniquely singular way — an archetype as a character actor. He was so good at what he did it’s hard to imagine movies and television of the last 40 years without him,” Ben Stiller wrote on X. 

Coleman’s delivery drew fans

For two decades Coleman labored in movies and television shows as a talented but largely unnoticed performer. That changed in 1976 when he was cast as the incorrigibly corrupt mayor of the hamlet of Fernwood in “Mary Hartman, Mary Hartman,” a satirical soap opera that was so over the top no network would touch it. 

Producer Norman Lear finally managed to syndicate the show, which starred Louise Lasser in the title role. It quickly became a cult favorite. Coleman’s character, Mayor Merle Jeeter, was especially popular and his masterful, comic deadpan delivery did not go overlooked by film and network executives. 

A six-footer with an ample black mustache, Coleman went on to make his mark in numerous popular films, including as a stressed out computer scientist in “War Games,” Tom Hanks’ father in “You’ve Got Mail,” and a firefighting official in “The Towering Inferno.” 

He won a Golden Globe for “The Slap Maxwell Story” and an Emmy Award for best supporting actor in Peter Levin’s 1987 small screen legal drama “Sworn to Silence.” Some of his recent credits include “Ray Donovan” and a recurring role on “Boardwalk Empire,” for which he won two Screen Actors Guild Awards. 

In the groundbreaking 1980 hit “9 to 5,” he was the “sexist, egotistical, lying, hypocritical bigot” boss who tormented his unappreciated female underlings — Jane Fonda, Lily Tomlin and Dolly Parton — until they turned the tables on him. 

Opposite Dustin Hoffman in “Tootsie,” he was the obnoxious director of a daytime soap opera that Hoffman’s character joins by pretending to be a woman.  

Coleman’s obnoxious characters didn’t translate quite as well on television, where he starred in a handful of network comedies. Although some became cult favorites, only one lasted longer than two seasons, and some critics questioned whether a series starring a lead character with absolutely no redeeming qualities could attract a mass audience. 

Underneath all that bravura was a reserved man. Coleman insisted he was really quite shy.

“I’ve been shy all my life. Maybe it stems from being the last of four children, all of them very handsome, including a brother who was Tyrone Power-handsome. Maybe it’s because my father died when I was 4,” he told The Associated Press in 1984. “I was extremely small, just a little guy who was there, the kid who created no trouble. I was attracted to fantasy, and I created games for myself.” 

As Coleman aged, he began to put his mark on pompous authority figures, notably in 1998’s “My Date with the President’s Daughter,” in which he was not only an egotistical, self-absorbed president of the United States, but also a clueless father to a teenager girl. 

Abandons law school to act

Dabney Coleman — his real name — was born in 1932 in Austin, Texas. After two years at the Virginia Military Academy, two at the University of Texas and two in the Army, he was a 26-year-old law student when he met another Austin native, Zachry Scott, who starred in “Mildred Pierce” and other films. 

“He was the most dynamic person I’ve ever met. He convinced me I should become an actor, and I literally left the next day to study in New York. He didn’t think that was too wise, but I made my decision,” Coleman told the AP in 1984. 

Twice divorced, Coleman is survived by four children and five grandchildren. 

“My father crafted his time here on earth with a curious mind, a generous heart, and a soul on fire with passion, desire and humor that tickled the funny bone of humanity,” Quincy Coleman wrote in his honor. 
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LONDON — Paul McCartney is a billionaire Beatle.

According to figures released Friday, the former member of the Fab Four is the first British musician to be worth 1 billion pounds ($1.27 billion).

The annual Sunday Times Rich List calculated that the wealth of the 81-year-old musician and his wife, Nancy Shevell, had grown by 50 million pounds since last year thanks to McCartney’s 2023 Got Back tour, the rising value of his back catalogue and Beyonce’s cover of the Beatles’ “Blackbird” on her “Cowboy Carter” album.

A “final” Beatles song, “Now and Then,” was also released in November and topped music charts in the United States, the United Kingdom and other countries. Surviving Beatles McCartney and Ringo Starr completed a demo track recorded in 1977 by the late John Lennon, adding in a guitar recording by George Harrison, who died in 2001.

The newspaper estimated 50 million pounds of the couple’s wealth is due to Shevell, daughter of the late U.S. trucking tycoon Mike Shevell.

McCartney ranked 165th overall on the newspaper’s respected and widely perused list of the U.K.’s 350 richest people. The top spot went to Gopi Hinduja and his family, who own the banking, media and entertainment conglomerate Hinduja Group and are worth an estimated 37 billion pounds ($47 billion).

Other entertainment figures on the list include “Harry Potter” author J.K. Rowling, whose fortune is estimated at 945 million pounds ($1.2 billion), and singer Elton John, estimated to be worth 470 million pounds ($597 million).

King Charles III ranked 258th with an estimated wealth of 610 million pounds ($775 million). The king’s fortune includes the large inherited private estates of Sandringham in England and Balmoral in Scotland. The total does not include items held in trust by the monarch for the nation, such as the Crown Jewels.
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Gigantic metal sculptures made by Kosovo-born artist Petrit Halilaj adorn the rooftop of New York’s Metropolitan Museum of Art in an ode to a childhood affected by war. Garentina Kraja has the story. Camera: Vladimir Badikov 
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General public gets to visit White House grounds in spring and fall
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He captured the most famous faces in 1930s and early ’40s cinema — Garbo, Crawford, Bogart and Gable. Now the work of George Hurrell, one of Hollywood’s greatest portrait photographers, is on display at Washington’s National Portrait Gallery. For VOA News, Cristina Caicedo Smit has the story. Videographer: Hakim Shammo; Video editor: Cristina Caicedo Smit
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NEW YORK — A sprightly miniature poodle named Sage was crowned “Best in Show” on Tuesday at the 148th annual Westminster Kennel Club Dog Show, winning the grand prize in the most prestigious competition among pure-bred canines in the United States.

Sage, the finalist representing 21 breeds classified as non-sporting dogs, triumphed over more than 2,500 top-ranked dogs competing in the two-day contest, held at the USTA Billie Jean King National Tennis Center in the Queens borough of New York City.

Sage, a 4-year-old black-colored female groomed in the fine, fluffy topiary style traditional for poodles, competed head to head against the winners in six other groups — terriers, hounds, herding dogs, working dogs, sporting dogs and toy dogs.

She was the first female to win the top prize at Westminster since 2020, according to commentators on the Fox Sports channel, which broadcast the event live.

And she became the fourth miniature poodle to claim the top prize in the 148-year history of the contest, with the trophy previously going to her breed in 1943, 1959 and 2002, according to kennel club records.

The larger “standard” poodle breed has been declared Best in Show five times, most recently in 2020, and the smaller “toy” poodle breed has won twice.

The poodle originated as a hunting dog in Germany and is now recognized as the national dog of France.

Sage’s handler, Kaz Hosaka, cried tears of joy and carried his prized poodle in his arms around floor of the auditorium to cheers of the crowd as he celebrated what he said was his 45th year participating at the Westminster dog show and the last of his career.

The Westminster dog show bills itself as the second-oldest U.S. sporting event, behind only the Kentucky Derby thoroughbred horse race. This year’s competition drew a field of contenders representing 200 breeds from all 50 U.S. states and 12 other countries.

Mercedes, a female 4-year-old German shepherd, was named runner-up for the overall contest, after first winning the top prize in the herding dog group.

Along with Sage and Mercedes, the two other finalists chosen on Monday were Comet the Shih Tzu, representing the toy group, and Louis, the Afghan hound leading the hound group.

Rounding out the finalists were three group winners chosen on Tuesday – Micah the black cocker spaniel, representing sporting dogs; Monty, the giant schnauzer, leading the working dogs; and Frankie, a colored bull terrier from the terrier group.
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ottawa — Nobel Prize-winning Canadian writer Alice Munro, whose exquisitely crafted tales of the loves, ambitions and travails of small-town women in her native land made her a globally acclaimed master of the short story, has died at the age of 92, her publisher said on Tuesday. 

Munro died at her home in Port Hope, Ontario, said Kristin Cochrane, chief executive officer of McClelland & Stewart.  

“Alice’s writing inspired countless writers … and her work leaves an indelible mark on our literary landscape,” she said in a statement. 

The Globe and Mail newspaper, citing family members, said Munro had died on Monday after suffering from dementia for at least a decade. 

Munro published more than a dozen collections of short stories and was honored with the Nobel Prize in Literature in 2013. 

Her stories explored sex, yearning, discontent, aging, moral conflict and other themes in rural settings with which she was intimately familiar, the villages and farms in the Canadian province of Ontario. She was adept at fully developing complex characters within the limited pages of a short story. 

“Alice Munro was a Canadian literary icon. For six decades, her short stories captivated hearts around Canada and the world,” Canadian Heritage Minister Pascale St-Onge said on the X social media network. 

Munro, who wrote about ordinary people with clarity and realism, was often likened to Anton Chekhov, the 19th century Russian known for his brilliant short stories, a comparison the Swedish Academy cited in honoring her with the Nobel Prize. 

Calling her a “master of the contemporary short story,” the Academy also said: “Her texts often feature depictions of everyday but decisive events, epiphanies of a kind, that illuminate the surrounding story and let existential questions appear in a flash of lightning.” 

In an interview with the Canadian Broadcasting Corporation after winning the Nobel, Munro said, “I think my stories have gotten around quite remarkably for short stories, and I would really hope that this would make people see the short story as an important art, not just something that you played around with until you’d got a novel written.” 

Munro’s works included “Dance of the Happy Shades” (1968), “Lives of Girls and Women” (1971), “Who Do You Think You Are?” (1978), “The Moons of Jupiter” (1982), “Hateship, Friendship, Courtship, Loveship, Marriage” (2001), “Runaway” (2004), “The View from Castle Rock” (2006), “Too Much Happiness” (2009) and “Dear Life” (2012). 

The characters in her stories were often girls and women who lead seemingly unexceptional lives but struggle with tribulations ranging from sexual abuse and stifling marriages to repressed love and the ravages of aging. 

“Last month I reread all of Alice Munro’s books. I felt the need to be close to her. Every time I read her is a new experience. Every time changes me. She will live forever,” Canadian author Heather O’Neill said in a post on X. 

Munro’s story of a woman who starts losing her memory and agrees to enter a nursing home titled “The Bear Came Over the Mountain,” from “Hateship, Friendship, Courtship, Loveship, Marriage,” was adapted into the Oscar-nominated 2006 film “Away From Her,” directed by fellow Canadian Sarah Polley. 

‘Shame’ a driving force of characters 

Canadian novelist Margaret Atwood, writing in The Guardian after Munro won the Nobel, summarized her work by saying: “Shame and embarrassment are driving forces for Munro’s characters, just as perfectionism in the writing has been a driving force for her: getting it down, getting it right, but also the impossibility of that. Munro chronicles failure much more often than she chronicles success, because the task of the writer has failure built in.” 

American novelist Jonathan Franzen wrote in 2005, “Reading Munro puts me in that state of quiet reflection in which I think about my own life: about the decisions I’ve made, the things I’ve done and haven’t done, the kind of person I am, the prospect of death.” 

The short story, a style more popular in the 19th and early 20th century, has long taken a back seat to the novel in popular tastes and in attracting awards. But Munro was able to infuse her short stories with a richness of plot and depth of detail usually more characteristic of full-length novels. 

“For years and years, I thought that stories were just practice, ’til I got time to write a novel. Then I found that they were all I could do and so I faced that. I suppose that my trying to get so much into stories has been a compensation,” Munro told the New Yorker magazine in 2012. 

Second Canadian to win Nobel

Munro was the second Canadian-born writer to win the Nobel literature prize but the first with a distinctly Canadian identity. Saul Bellow, who won in 1976, was born in Quebec but raised in the U.S. city of Chicago, Illinois, and was widely seen as an American writer. 

Munro also won the Man Booker International Prize in 2009 and the Giller Prize — Canada’s most high-profile literary award — twice. 

Alice Laidlaw was born to a hard-pressed family of farmers on July 10, 1931, in Wingham, a small town in the region of southwestern Ontario that serves as the setting for many of her stories, and started writing in her teens. 

She married James Munro in 1951 and moved to Victoria, British Columbia, where the two ran a bookstore. They had four daughters, one died just hours old, before divorcing in 1972. Afterward, Munro moved back to Ontario. Her second husband, geographer Gerald Fremlin, died in April 2013. 
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cannes, france — Film director Mohammad Rasoulof, who has secretly fled Iran for an undisclosed location in Europe, urged the world film community on Tuesday to provide “strong support” to his colleagues.

Rasoulof, who was sentenced to jail on national security charges, and whose latest movie will compete at this month’s Cannes film festival, said he fears for the “safety and well-being” of fellow filmmakers still in Iran.

“The global film community must provide strong support to the makers of these films,” Rasoulof said in a statement to Agence France-Presse.

Rasoulof announced on Monday he had escaped clandestinely from Iran, just days after it emerged that he had been sentenced to eight years in prison for “collusion against national security.”

Rasoulof had been under pressure from Iranian authorities to withdraw his latest film, “The Seed of the Sacred Fig,” from Cannes, where it will compete for the prestigious event’s top prize, the Palme d’Or.

Cannes director Thierry Fremaux said the festival was working with the French Foreign Ministry in the hope of ensuring that Rasoulof, 51, can attend his premiere next week.

Rasoulof’s statement said he did not yet know if he could attend the premiere.

“I arrived in Europe a few days ago after a long and complicated journey,” said Rasoulof, who won the Berlin International Film Festival’s Golden Bear in 2020 for “There Is No Evil.”

He said his latest movie set out to portray a version of Iran “that is far from the narrative dominated by censorship in the Islamic Republic and is closer to reality.”

After he and his filmmaking colleagues came under pressure from the authorities, Rasoulof learned that his “unfair” eight-year sentence would be enforced imminently, and he felt he had no choice but to flee.

“I had to choose between prison and leaving Iran,” he wrote. “With a heavy heart, I chose exile.”

While some colleagues involved in the film were also able to leave the country, others remain there.

“My thoughts go to every single one of them, and I fear for their safety and well-being,” he said.
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LOS ANGELES — “Kingdom of the Planet of the Apes” reigned over the weekend box office with a $56.5 million North American opening, according to studio estimates Sunday, giving a needed surge to an uncertain season in theaters.

The film from 20th Century Studios and Disney that built on the rebooted “Apes” trilogy of the 2010s had the third highest opening of the year, after the $81.5 million debut of “Dune: Part Two” in early March and the $58.3 million domestic opening of “Kung Fu Panda 4” a week later.

The strong performance for “Kingdom of the Planet of the Apes” — it played even better internationally with a global total of $129 million — comes a week after a tepid start for Ryan Gosling’s “The Fall Guy” signaled that the summer of 2024 is likely to see a major drop-off after the “Barbenheimer” magic of 2023.

“Planet of the Apes” easily made more than the rest of the top 10 combined.

“The Fall Guy” fell to No. 2 with a $13.7 million weekend and a two-week total of $49.7 million for Universal Pictures.

Zendaya’s “Challengers” was third with $4.7 million and has earned $38 million in three weeks for Amazon MGM studios.

The opening for “Kingdom of the Planet of the Apes,” helmed by “Maze Runner” director Wes Ball, was the second best in the series, after the $72 million opening weekend of 2014’s “Dawn of the Planet of the Apes.”

It’s the 10th movie in the “Planet of the Apes” franchise that began in 1968 with the Charlton Heston original with a twist ending.

“This franchise has never been allowed to lose its momentum,” said Paul Dergarabedian, the senior media analyst for Comscore. “There are very few franchises that have this kind of longevity.”

And it really is the property itself. The new film shares no central actors or characters with its predecessors.

“There’s just this love for the way it melds sci-fi with social commentary and straight-up popcorn entertainment,” Dergarabedian said.

“Kingdom” came with strong reviews and positive buzz (80% fresh on Rotten Tomatoes and a “B” CinemaScore). It was especially praised for its visual effects and the way its CGI has caught up with its primates-on-horseback aesthetic even since the last film, 2017’s “War for the Planet of the Apes.”

Mark Kennedy of The Associated Press called it “thrilling” and “visually stunning.”

The shot in the arm is welcome for the movie business, but there is little certainty in the forthcoming summer.

The year so far, lacking an early Marvel movie like 2023’s “Guardians of the Galaxy Vol. 3,” is running 21% last year’s mid-May total.

While there are potential blockbusters that feel like safe bets including “Despicable Me 4” and “Deadpool & Wolverine” in July, others like “Furiosa: A Mad Max Saga” later this month and “Twisters” later in the summer feel like they could break either way.

Pixar once brought almost guaranteed hits, but June’s “Inside Out 2” may not thrive like the 2015 original.

“There used to be sure bets we cannot necessarily bank on anymore,” Dergarabedian said. “It is going to be a bit of a hit-or-miss slate.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Kingdom of the Planet of the Apes,” $56.5 million.

2. “The Fall Guy,” $13.7 million.

3. “Challengers,” $4.7 million.

4. “Tarot,” $3.45 million.

5. “Godzilla x Kong: The New Empire,” $2.5 million.

6. “Unsung Hero,” $ 2.25 million.

7. “Kung Fu Panda 4,” $2 million.

8. “Civil War,” $1.8 million.

9. “Star Wars: Episode 1 – The Phantom Menace,” $1.5 million.

10. “Abigail,” $1.1 million.
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