Newspaper comic strips have always operated in a parallel universe, seldom reflecting the problems of the real world.No matter what the reader is going through, Dagwood has never had to apply for unemployment benefits; there’s no global warming in Mark Trail’s forest; and people get old but don’t die in Gasoline Alley.But this Sunday, sharp-eyed readers will find tributes and thank-you’s to front-line workers who have spent the last five months fighting the coronavirus and making sure vital services don’t stop.The artists of more than 70 strips will hide six items associated with the COVID-19 battle lines within the pictures – a medical mask, a steering wheel for those who drive delivery trucks, a supermarket shopping cart, apples for teachers, a fork to thank food service workers and a microscope to salute medical researchers.The idea was the brainchild of Rick Kirkman, who is one of the creators of the comic strip “Baby Blues.”“Every time somebody finds or discovers one of those little symbols in the artwork, to me, I hope that evokes a little bit of gratitude that goes out into the universe,” he said.Kirkman threw out the idea to other cartoonists, and the results can be seen Sunday.“You can hide these things and just be really devious about it,” he said. “You can leave them in the open. You can use them as props. You can even build your gag around them. I don’t care as long as they’re in there.”But working an apple into a cartoon to thank schoolteachers is not as simple as it may sound.Sunday comic strips are drawn and submitted to their syndicates sometimes as much as three months in advance.Bruce Simon is a Berkeley, California-based cartoonist and comics historian.“The coordination problems are horrific with all these people having different deadlines and the syndicates need to work so far ahead,” Simon said.“Wiley Miller who does ‘Non-Sequitur’ actually pulled his scheduled strip and did a new one because he works so far ahead. But he wanted to be a part of it so he did a special one for Sunday and the one he had scheduled will show up some other time,” Simon added.And while it’s easy to camouflage a truck steering wheel into a 21st century-era cartoon, what about a long-running saga of the fifth century?“Prince Valiant. Now, how ‘Prince Valiant’ is going to incorporate a grocery cart or microscope into his historic strip is going to be something interesting,” Simon said.Because no newspaper carries every comic strip, all the strips with a thank-you to front-line workers can be seen after Sunday on the ComicsKingdom.com and GoComics.com websites.    
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The day that George Floyd died in police custody in Minneapolis, Minnesota, a white woman called the police on an African American man birdwatching in New York’s Central Park.”I’m going to tell them there’s an African American man threatening my life,” the woman is heard in a video of the incident posted on Twitter that went viral.Oh, when Karens take a walk with their dogs off leash in the famous Bramble in NY’s Central Park, where it is clearly posted on signs that dogs MUST be leashed at all times, and someone like my brother (an avid birder) politely asks her to put her dog on the leash. pic.twitter.com/3YnzuATsDm
— Melody Cooper (@melodyMcooper) May 25, 2020In the outrage that followed, the woman was fired from her job.But the incident could have gone another way, said Tykee James.”As a black man in America, I know that that kind of discrimination is an easy route to police interaction that could end fatally,” he said.James is a birder himself, and a government affairs coordinator at the National Audubon Society, the nation’s leading bird conservation and advocacy group.As demonstrations against police violence draw thousands to the streets of cities across the United States, James and a group of African American scientists, naturalists and birdwatchers have taken to social media to launch another protest against systemic racism.It’s called #BlackBirdersWeek.’Not for us’With tweets, livestreams and Q&As, the group aims to change the perception that black people are not “outdoorsy” types.”For far too long, black people in the United States have been shown that outdoor exploration activities such as birding are not for us,” Georgia Southern University biology graduate student Corina Newsome said in a Twitter video launching the event.MAJOR ANNOUNCEMENT!!!!!
We at @BlackAFinSTEM are starting the inagural #BlackBirdersWeek to celebrate Black Birders and nature explorers, beginning 5/31!!!!!
Follow the whole group of us here: https://t.co/I23zoT3fFh
Take a look at the thread for the schedule of events! pic.twitter.com/yDsAtwR8te
— Corina Newsome (@hood_naturalist) Black Birders Week is not just for birders. Earyn McGee poses with a Yarrow’s spiny lizard. (Photo courtesy of Earyn McGee/Noel Hamideh)”That’s when I was like, ‘Oh, this is awesome,'” she said.Her love of lizards and the outdoors has persisted. Each Wednesday, she shares lizard facts and photos on her Twitter account, @Afro_Herper, under the hashtag, #FindThatLizard. She may not be a birder, but she is co-organizing Black Birders Week as an African American naturalist.At Howard, she said, “it wasn’t unusual for black people to be interested in science and wildlife.” But going to scientific conferences, she said, she could not help noticing, “the only black people I see, really, are the people who came with me from my university.””It’s really isolating and lonely,” she said. “You worry about, ‘Do I even deserve to be here, or do I belong?'”It’s the same on television, she added.”If you look on Discovery Channel or Animal Planet, most of what you see is white males. … You don’t really get to see a whole lot of stories from black people.”The outpouring of support on social media for Black Birders Week has been great, McGee said, but “we just hope that the support doesn’t stop at Twitter posts.”  
 
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Meghan, the Duchess of Sussex, has shared her sadness about racial divisions in the United States, telling students at her former high school that she felt moved to speak out because the life of George Floyd mattered.
Meghan told graduates at Immaculate Heart High School in Los Angeles that she wrestled with the question of what to tell them given the days of protests after the May 25 death of Floyd, a handcuffed black man who pleaded for air as a white police officer pressed a knee on his neck in Minneapolis.
She said her nervousness arose because her words would be “picked apart,” but she decided to speak anyway.
“I realized the only wrong thing to say is to say nothing, because George Floyd’s life mattered,” she said in the virtual address Wednesday.
Floyd’s deaths sparked days of protests and riots in the United States.
The former Meghan Markle, who is biracial, said the unrest reminded her of the riots that took place in her hometown of Los Angeles after police officers were acquitted in the video-taped beating of Rodney King in 1992.  
“I remember the curfew, and I remember rushing back home and on that drive home, seeing ash fall from the sky and smelling the smoke and seeing the smoke billow out of buildings and seeing people run out of buildings, carrying bags and looting,” she said.  
“And I remember seeing men in the back of a van holding guns and rifles, and I remember pulling up to the house and seeing the tree that had always been there, completely charred. And those memories don’t go away.”
Meghan and her husband Prince Harry, who is a grandson of Queen Elizabeth II, are seeking a new life in California after stepping away from royals duties earlier this year. Having cut off any cooperation with the British tabloid media, they have sought to independently shape their image and speak out on issues important to them..
The duchess’ video, which was first reported by the U.S. magazine Essence, offered encouragement to the graduates, urging them to consider the moments of light and humanity that emerged from the actions of peaceful protesters. Meghan said she wished the graduates were starting their young lives in a better world.
“I know sometimes people say, ‘how many times do we need to rebuild?”’ she said. “Well, you know what? We are going to rebuild and rebuild and rebuild until it is rebuilt. Because when the foundation is broken, so are we.” 
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Several prominent media and entertainment organizations, including Apple and ViacomCBS, paid tribute to the call for racial equality and justice in the United States amid the recent protests, some violent, by pausing regular services and company events on what they are calling “Black Out Tuesday.” 
 
According to Reuters, CBS said it would spend the day reflecting on “building community,” putting business ventures temporarily “on pause.”  
 
The company also said it would broadcast 8 minutes and 46 seconds of breathing sounds with the words “I can’t breathe,” echoing the last words of George Floyd, a man killed last week in Minneapolis.  
 
Floyd’s death has caused international outrage and days of protests across the nation, many turning violent. The officer present at the time of Floyd’s death, Derek Chauvin, has been arrested and charged with third-degree murder and manslaughter.  
 
Black Out Tuesday was initially organized by the music community, the AP reports, although the movement quickly spread across social media to include sports stars, such as Lebron James, and other prominent cultural icons like Kylie Jenner.  
 
There has been some criticism on social media, however, that people tagging #black lives matter on the post has pushed the protest content and resources out of sight and actually has obscured it, rather than help to amplify it. They charge that this approach is not well conceived and is harming the cause rather than helping it. 
 
Rapper Little Nas X called for more exposure, saying the black-out effect shields the public from “what’s going on.”  
 
“This is not helping us,” he tweeted. 
 
Apple Music and iTunes both featured the group Black Lives Matter on their homepage, while streaming service Spotify created black logos for several of their most popular playlists, each captioned with the phrase “black lives matter.”  
 
The company added that it, too, would feature an 8 minute and 46 second track in select playlists and podcasts, and that it would halt social media publications.  
 
Eight minutes and 46 seconds is the length of a video capturing Floyd’s death.  
 
Several artists took to Instagram, posting black squares, some using the hashtag #TheShowMustBePaused or encouraging people to vote.  
 
Grammy-nominated singer Kehlani expressed doubts about the movement’s efficacy on Twitter, citing the various messaging surrounding the event.“The messages are mixed across the board and i really hope it doesn’t have a negative effect,” she tweeted.Several artists and record labels also announced that the release of new singles and albums would be delayed due to their participation in Black Out Tuesday.  
Interscope Geffen A&M Records said it would not release music this week, while new releases from Glass Animals, Chloe x Halle and others all will be pushed back, and will drop in coming weeks.  
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Though Black Out Tuesday was originally organized by the music community, the social media world also went dark in support of the Black Lives Matter movement, joining voices around the world outraged by the killings of black people in the U.S.
Instagram and Twitter accounts, from top record label to everyday people, were full of black squares posted in response to the deaths of George Floyd, Ahmaud Arbery and Breonna Taylor.
Most of the captions were blank, though some posted #TheShowMustBePaused, black heart emojis or encouraged people to vote Tuesday since seven states and the District of Columbia are hosting the largest slate of primary elections in almost three months.
Rihanna, Alicia Keys, Radiohead, Coldplay, Kelly Rowland, Beastie Boys and were among the celebrities to join Black Out Tuesday on social media.
“I won’t be posting on social media and I ask you all to do the same,” Britney Spears tweeted. “We should use the time away from our devices to focus on what we can do to make the world a better place …. for ALL of us !!!!!”
Spotify blacked out the artwork for several of its popular playlists, including RapCaviar and Today’s Top Hits, simply writing “Black lives matter.” as its description. The streaming service also put its Black Lives Matter playlist on its front page, featuring songs like James Brown’s “Say It Loud — I’m Black and I’m Proud,” N.W.A.’s “(Expletive) the Police,” Sam Cooke’s “A Change Is Gonna Come” and Childish Gambino’s “This Is America.”
The opening pages of Apple Music and iTunes focused on supporting Black Lives Matter, and SiriusXM said it will be silencing its music channels for three minutes at 3 p.m. EDT in tribute to “all of the countless victims of racism.”
The company said it “will continue to amplify Black voices by being a space where Black artists showcase their music and talents, and by carrying the message that racism will not be tolerated.”
Some on social media questioned if posting black squares would divert attention away from posts about the Black Lives Matter movement.
“this is the 4th completely different flyer i’ve seen for it,” Grammy-nominated singer Kehlani tweeted about Black Out Tuesday. “”this is the only one without the saying go completely silent for a day in solidarity. the messages are mixed across the board and i really hope it doesn’t have a negative effect.”
When musician Dillon Francis posted that the hashtag for Black Lives Matter was blank on Instagram because users were posting black squares, rapper Lil Nas X responded with: “this is not helping us. bro who the (expletive) thought of this?? ppl need to see what’s going on.”
Several music releases and events were postponed as a result of Black Out Tuesday. Interscope Geffen A&M Records said it would not release music this week and pushed back releases from MGK, 6lack, Jessie Ware, Smokepurp and others. Chloe x Halle said its sophomore album will come out June 12 instead of Friday, while the group Glass Animals postponed the Tuesday release of its new single “Heat Waves.” Instead of being released Wednesday, singer Ashnikko will drop her song “Cry” and its video on June 17.
A benefit for the Apollo Theater will take place Thursday instead of Tuesday, and South by Southwest postponed an event planned with Rachael Ray.
“At SXSW we stand with the black community and will continue to amplify the voices and ideas that will lead us to a more equitable society,” the company said.
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Leaders of the music industry have pledged to “disconnect” from business to support communities fighting against racial inequality as part of “Black Out Tuesday.” In response to a massive wave of outrage following the death last week in Minneapolis, Minnesota, of George Floyd in police custody, major record labels denounced racial injustice on social media. They are calling for a “day of action” on June 2 to reflect and promote accountability, contemplation and change.  “We stand together with the black community against all forms of racism, bigotry, and violence. Now, more than ever, we must use our voices to speak up and challenge the injustices all around us,” Ron Perry, chairman of Columbia Records, a subsidiary of Sony Corporation America, said Thursday night. Warner Records made a similar announcement, pledging that activity at their labels will not continue to operate as usual, and committing to help Black Lives Matter and other organizations battling injustice.Universal Music, part of Vivendi, said on its Twitter account that they “stand with the black community,” under the hashtag #TheShowMustBePaused. Interscope Geffen A&M, part of the Universal group, said it would release no new music this week.#TheShowMustBePausedpic.twitter.com/Qf15vCbMQU— Universal Production Music US (@UniversalPM_US) June 1, 2020 Universal Music Group CEO Lucian Grainge issued a memo to staff over the weekend outlining plans for a task force to “accelerate our efforts in areas such as inclusion and social justice.” “This week, yet again, we saw our society’s most painful realities about race, justice, and inequality brought — cruelly and brutally — into the harsh light of day,” he wrote in the note, according to Reuters. Protests were ignited by a video showing white police officer Derek Chauvin suffocating Floyd, a black 46-year-old man, by kneeling on his neck for nearly nine minutes shortly before his death May 25.  Chauvin has been fired and is facing third-degree murder charges.  Many influential artists have also spoken out on social media about Floyd’s death. Beyoncé posted a video to Instagram calling for her followers to sign a petition seeking “justice for George Floyd.” “We’re broken, and we’re disgusted. … I am not only speaking to people of color. If you are white, black, brown, or anything in between, I am sure you feel (left) hopeless by the racism going on in America right now,” she said to her fans.  “Watching my people get murdered and lynched day after day pushed me to a heavy place in my heart!” Rihanna wrote on Instagram.Other celebrities, including Ariana Grande, J Cole, Yungblud, Camila Cabello, Shawn Mendes and Nick Cannon joined protests over the weekend. Singer Hasley was among the artists seen protesting in Los Angeles and shared her experience via social media.”We were peaceful, hands up, not moving, not breaching the line,” she tweeted, along with photos of police in protective gear. “They opened fire of rubber bullets and tear gas multiple times on us,” the singer said. fired rubber bullets at us. we did not breach the line. hands were up. unmoving. and they gassed and fired. pic.twitter.com/K8YauF0APn— h (@halsey) May 31, 2020National Guard Troops have been deployed in 15 states and Washington, D.C., as tensions at the protests rose. Reuters contributed to this report
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The jersey-wearing camaraderie. The scent of sizzling sausages. The buzz before a big game.
 
The distinctive atmosphere of live sports, that feeling in the air, will return in time as pandemic restrictions are eased. But will that very air be safe in a closed arena with other fans in attendance?
The billions of dollars spent on state-of-the-art sports facilities over the last quarter-century have made high-efficiency air filtration systems more common, thanks in part to the pursuit of green and healthy building certifications. Upgrades will likely increase in the post-coronavirus era, too.
The problem is that even the cleanest of air can’t keep this particular virus from spreading; if someone coughs or sneezes, those droplets are in the air. That means outdoor ballparks have high contaminant potential, too.  
“Most of the real risk is going to be short-distance transmission, people sitting within two, three or four seats of each other,” said Ryan Demmer, an epidemiologist at the University of Minnesota’s School of Public Health. “It’s not really about the virus spreading up, getting into the ventilation system and then getting blown out to the entire stadium because this virus doesn’t seem to transmit that way. It doesn’t aerosolize that well.”
The three hours spent in proximity to thousands of others is part of the fan experience. It’s also why major sports leagues have been discussing plans to reopen in empty venues, for now. High-touch areas with the potential to spread the virus — called fomite transmission — are plentiful at the ballgame, of course. Door handles. Stair rails. Restroom fixtures. Concession stands.
Hand washing by now has become a societal norm, but disinfectant arsenals need to be brought up to speed, too.
“I can’t really find good hand sanitizer easily in stores. So think about trying to scale that up, so everybody who comes into U.S. Bank Stadium gets a little bottle of Purel. Things like that can be modestly helpful,” Demmer said.  
There is much work to be done. Vigilant sanitizing of the frequent-touch surfaces will be a must. Ramped-up rapid testing capability during pre-entry screening could become common for fans. Minimizing concourse and entry bottlenecks, and maintaining space between non-familial attendees, could be mandatory. Mask-wearing requirements? Maybe.
Most experts, including those at the Center for Disease Control and Prevention, believe the primary mode of transmission for COVID-19 is close person-to-person contact through breathing, coughing or sneezing but there’s no consensus on some of the details.
“There’s still widespread disagreement between experts on which mode of transmission dominates for influenza. So the likelihood of us figuring this out soon for this virus is low,” said Joe Allen, director of the Healthy Buildings Program and an assistant professor at Harvard’s School of Public Health. “We may never figure it out, but I also think it’s irrelevant because it’s a pandemic and we should be guarding against all of them.”
Including, of course, the air.
The American Society of Heating, Refrigeration and Air Conditioning Engineers designed the Minimum Efficiency Reporting Value (MERV) scale to measure a filtration system’s effectiveness (from 1-16) at capturing microscopic airborne particles that can make people sick. Not just viruses, but dust, pollen, mold and bacteria. Most experts recommend a MERV rating of 13 or higher, the minimum standard for Leadership in Energy and Environmental Design (LEED) certification.
An emerging technology in this area is called bipolar ionization. Connecticut-based AtmosAir has a bipolar ionization air treatment system in about 40 sports venues. Staples Center in Los Angeles was one of the first major sports customers. TD Garden in Boston and Bridgestone Arena in Nashville are among the others who’ve signed on.
The Minnesota Sports Facilities Authority approved last year a 10-year contract for a little more than $1 million with AtmosAir to install its system in U.S. Bank Stadium, home of the Vikings and the first indoor NFL stadium to use it. The building, which measures 1.8 million square feet, has 53 air handling units with AtmosAir tubes installed, including 30 in the seating bowl.
The ions act like fresh air, reducing the amount of outside air needed to be introduced for the cleansing process. The protein spikes in the coronavirus particles make them easier to catch and kill, said Philip Tierno, a New York University School of Medicine professor of microbiology and pathology.
Said AtmosAir founder and CEO Steve Levine: “We’re never going to create a mountaintop, but we’re going to put in maybe three to four times the ions over the ambient air and then let those ions attack different pollutants in the air. The ions grab onto particles and spores and make them bigger and heavier, so they’re much easier to filter out of the air.”
The next time fans do pass through the turnstiles, in a few weeks or a few months, in most cases they will probably encounter an unprecedented level of cleanliness.  
“There will be some controls that are visible, extra cleaning and disinfection, but some of it will be invisible, like for what’s happening in the air handling system,” said Allen, the Harvard professor.
“The consumers will decide when they feel comfortable going back, and that’s going to depend on what strategies are put in place in these venues and stadiums and arenas and, most importantly, how well these organizations communicate that to the paying public.”
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Christo, known for massive, ephemeral public arts projects died Sunday at his home in New York. He was 84.His death was announced on Twitter and the artist’s web page. No cause of death was given.Along with late wife Jeanne-Claude, the artists’ careers were defined by their ambitious art projects that quickly disappeared soon after they were erected. In 2005, he installed more than 7,500 vinyl gates in New York’s Central Park and wrapped the Reichstag in Berlin in fabric with an aluminum sheen in 1995. Their $26 million Umbrellas project erected 1,340 blue umbrellas installed in Japan and 1,760 blue umbrellas in Southern California in 1991.The statement said the artist’s next project, L’Arc de Triomphe, Wrapped, is slated to appear in September in Paris as planned. An exhibition about Christo and Jeanne-Claude’s work is also scheduled to run from July through October at the Centre Georges Pompidou.FILE – In this June 16, 2016, photo, artist Christo Vladimirov Javacheff walks on his monumental installation ‘The Floating Piers’ he created with late Jeanne-Claude during a press preview at the lake Iseo, northern Italy.”Christo lived his life to the fullest, not only dreaming up what seemed impossible but realizing it,” his office said in a statement. “Christo and Jeanne-Claude’s artwork brought people together in shared experiences across the globe, and their work lives on in our hearts and memories.”Born in Bulgaria in 1935, Christo Vladimirov Javacheff studied at the Fine Arts Academy in Sofia before moving to Prague in 1957, then Vienna, then Geneva. It was in Paris in 1958 where he met Jeanne-Claude Denat de Guillebon. They were born on the same day (June 13) in the same year (1935), and, according to him, “In the same moment” and would become partners in life and art.Christo was already wrapping smaller found objects, like cars and furniture. After he met Jeanne-Claude, their scale broadened. Within three years they were working together on an installation of oil drums and tarp on the docks in Cologne.Although their large-scale outdoor and indoor projects were collaborative, they were all credited solely to Christo until 1994, when they revealed Jeanne-Claude’s contributions. The decision, they said, was theirs and deliberate since it was difficult enough for even one artist to make a name for himself.The pair moved to New York in 1964, where they liked to say that they were illegal aliens in an illegal building in SoHo for a few years. They eventually bought that building and would call the city home for the rest of their lives.Jeanne-Claude died in 2009 at age 74 from complications of a brain aneurysm. After her death, Christo said she was argumentative and very critical and always asking questions and he missed all of that very much.In a 2018 interview with The Art Newspaper, Christo spoke about his signature wrapping aesthetic. In the instance of the Reichstag, he said, covering it with fabric made the Victorian sculptures, ornament and decoration disappear and “highlight the principal proportion of architecture.””But, like classical sculpture, all our wrapped projects are not solid buildings; they are moving with the wind, they are breathing,” he said. “The fabric is very sensual and inviting; it’s like a skin.”The two made a point of paying for all of their works on their own and did not accept scholarship or donations.”I like to be absolutely free, to be totally irrational with no justification for what I like to do,” he said. “I will not give up one centimeter of my freedom for anything.” 
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Using their virtual paint brushes, two Chinese-American artists are honoring frontline fighters in the battle against COVID-19.  And as VOA’s Jiu Dao reports, they are also documenting what New York City’s Chinatown is going through during these challenging times. Lin Yang narrates. 
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A decade after the “Hunger Games” series had apparently ended, readers were clearly ready for more.
Suzanne Collins’ “The Ballad of Songbirds and Snakes” sold more 500,000 copies last week, even as many of the country’s bookstores were closed or offering limited service because of the coronavirus pandemic. The total includes print, e-books and audiobooks, according to Collins’ publisher, Scholastic.  
NPD BookScan, which tracks around 85 percent of the print market, reported Wednesday that “Songbirds and Snakes” topped last week’s list with 270,000 copies sold. Collins’ book, a prequel to her previous “Hunger Games” novels, came 10 years after the author seemingly wrapped up the Dystopian series with “Mockingjay.” The Associated Press in a review  praised the new novel, released May 19, as “mesmerizing” and called Collins “a master of building a fascinating world around complex characters.”
The opening for “Songbirds and Snakes” was slightly higher than the numbers reported for “Mockingjay” in 2010, when Scholastic announced first week sales of more than 450,000. Collins’ novels, which also include “The Hunger Games” and “Catching Fire,” have sold more than 100 million copies worldwide and are the basis for a billion dollar movie franchise.
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Apple Music is launching its first radio show in Africa.The streaming platform announced Thursday that “Africa Now Radio with Cuppy” will debut Sunday and will feature a mix of contemporary and traditional popular African sounds, including genres like Afrobeat, rap, house, kuduro and more.  Cuppy, the Nigerian-born DJ and music producer, will host the weekly one-hour show, which will be available at 9 a.m. EDT.”The show represents a journey from West to East and North to South, but importantly a narrative of Africa then to Africa now,” Cuppy in a statement.African music and artists have found success outside of the continent and onto the pop charts in both the U.S. and U.K. in recent years. Acts like Drake and Beyoncé have borrowed the sound for their own songs, while performers like South African DJ Black Coffee as well as Davido, Burna Boy, Tiwa Savage, Wizkid and Mr Eazi — all with roots in Nigeria — continue to gain attention and have become household names.Apple Music’s announcement comes the same week Universal Music Group said it was launching Def Jam Africa, a new division of the label focused on representing hip-hop, Afrobeat and trap talent in Africa. The label said it will be based in Johannesburg and Lagos but plans to sign talent from all over the continent. 
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Olympic chief Thomas Bach on Wednesday held talks with International Olympic Committee members on the potential consequences of the coronavirus pandemic that has seen the Tokyo Games pushed back a year to 2021, sources said.Bach was to address the 100 IOC members in three different sessions decided by language and local time zone.Bach’s aim is to canvas the members for their view on “how to handle the consequences of the coronavirus pandemic,” a source told AFP.The IOC president wants to hear “thoughts, ideas and experiences of all members across the globe,” the source said.While Bach addressed all Olympic actors on March 24 when announcing the postponement of the Tokyo Games, it was the first time since the COVID-19 outbreak that he had specifically consulted IOC members.Bach was backed up by Olympic Games executive director Christophe Dubi, IOC sports director Kit McConnell, IOC director general Christophe De Kepper and chief operating officer Lana Haddad.The IOC’s medical and scientific director, Richard Budgett, also took to the floor to discuss “the issue of a vaccine,” according to a second source.’Last option’Bach warned last week that 2021 was the “last option” for holding the delayed Tokyo Games, stressing that postponement could not go on forever.He said he backed Japan’s stance that the games would have to be canceled if the coronavirus pandemic wasn’t under control by next year.The German wouldn’t say whether a vaccine was a prerequisite for going ahead with the Olympics, but he was lukewarm on the idea of holding them without fans.In March, the Tokyo 2020 Olympics were postponed to July 23, 2021, over the coronavirus, which has killed hundreds of thousands around the world and halted international sport and travel. It was the first peacetime postponement of the Olympics.The IOC has already set aside $800 million to help organizers and sports federations meet the extra costs of a postponed Olympics.According to the latest budget, the games were due to cost $12.6 billion, shared among the organizing committee, the government of Japan and Tokyo city.
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— Larry Kramer, the playwright whose angry voice and pen raised theatergoers’ consciousness about AIDS and roused thousands to militant protests in the early years of the epidemic, has died at 84.
Bill Goldstein, a writer who was working on a biography of Kramer, confirmed the news to The Associated Press. Kramer’s husband, David Webster, told The New York Times that Kramer died Wednesday of pneumonia.
“We have lost a giant of a man who stood up for gay rights like a warrior. His anger was needed at a time when gay men’s deaths to AIDS were being ignored by the American government,” said Elton John in a statement.
Kramer, who wrote “The Normal Heart” and founded the AIDS Coalition to Unleash Power, or ACT UP, lost his lover to acquired immune deficiency syndrome in 1984 and was himself infected with the virus. He also suffered from hepatitis B and received a liver transplant in 2001 because the virus had caused liver failure.
He was nominated for an Academy Award for his screenplay for “Women in Love,” the 1969 adaptation of D.H. Lawrence’s novel. It starred Glenda Jackson, who won her first Oscar for her performance.
He also wrote the 1972 screenplay “Lost Horizon,” a novel, “Faggots,” and the plays “Sissies’ Scrapbook,” “The Furniture of Home,” “Just Say No” and “The Destiny of Me,” which was a finalist for the Pulitzer Prize in 1993.
But for many years he was best known for his public fight to secure medical treatment, acceptance and civil rights for people with AIDS. He loudly told everyone that the gay community was grappling with a plague.
Tributes from the arts community flooded in Wednesday, with Lin-Manuel Miranda on Twitter saying “What an extraordinary writer, what a life.” Dan Savage wrote: “He ordered us to love ourselves and each other and to fight for our lives. He was a hero.”
In 1981, when AIDS had not yet acquired its name and only a few dozen people had been diagnosed with it, Kramer and a group of his friends in New York City founded Gay Men’s Health Crisis, one of the first groups in the country to address the epidemic.
He tried to rouse the gay community with speeches and articles such as “1,112 and Counting,” published in gay newspapers in 1983.
“Our continued existence as gay men upon the face of this earth is at stake,” he wrote. “Unless we fight for our lives, we shall die.”
The late journalist Randy Shilts, in his best selling account of the AIDS epidemic “And the Band Played On,” called that article “inarguably one of the most influential works of advocacy journalism of the decade” and credited it with “crystallizing the epidemic into a political movement for the gay community.”
Kramer lived to see gay marriage a reality — and married himself in 2013 — but never rested. “I’m married,” he told The AP. “But that’s only part of where we are. AIDS is still decimating us and we still don’t have protection under the law.”
Kramer split with GMHC in 1983 after other board members decided to concentrate on providing support services to people with AIDS. It remains one of the largest AIDS-service groups in the country.
After leaving GMHC, Kramer wrote “The Normal Heart,” in which a furious young writer — not unlike Kramer himself — battles politicians, society, the media and other gay leaders to bring attention to the crisis.
The play premiered at The Public Theater in April 1985. Associated Press drama critic Michael Kuchwara called it an “angry but compelling indictment of a society as well as a subculture for failing to respond adequately to the tragedy.”
A revival in 2011 was almost universally praised by critics and earned the best revival Tony. Two actors from it — Ellen Barkin and John Benjamin Hickey — also won Tonys. Joe Mantello played the main character of Ned Weeks, the alter ego of Kramer.
“I’m very moved that it moved so many people,” he said at the time. Kramer often stood outside the theater passing out fliers asking the world to take action against HIV/AIDS. “Please know that AIDS is a worldwide plague. Please know there is no cure,” it said.
The play was turned into a TV film for HBO in 2014 starring Mark Ruffalo, Jonathan Groff, Matt Bomer, Taylor Kitsch, Jim Parsons, Alfred Molina, Joe Mantello and Julia Roberts. It won the Emmy for best movie. Kramer stood onstage in heavy winter clothing as the statuette was presented to director Ryan Murphy.
The 1992 play “The Destiny of Me,” continues the story of Weeks from “The Normal Heart.” Weeks, in the hospital for an experimental AIDS treatment, reflects on the past, particularly his relationship with his family. His parents and brother appear to act out what happened in the past, as does the young Ned, who confronts his older self.
In 1987, Kramer founded ACT UP, the group that became famous for staging civil disobedience at places like the Food and Drug Administration, the New York Stock Exchange and Burroughs-Wellcome Corp., the maker of the chief anti-AIDS drug, AZT.
ACT UP’s protests helped persuade the FDA to speed the approval of new drugs and Burroughs-Wellcome to lower its price for AZT. He also battled — and later reconciled — with Dr. Anthony Fauci, the longtime director of the National Institute of Allergy and Infectious Diseases, who has been leading the national response to the coronavirus pandemic.
Kramer soon relinquished a leadership role in ACT UP, and as support for AIDS research increased, he found some common ground with health officials whom ACT UP had bitterly criticized.  
Kramer never softened the urgency of his demands. In 2011, he helped the American Foundation for Equal Rights mount their play “8” on Broadway about the legal battle over same-sex marriage in California.
“The one nice thing that I seem to have acquired, accidentally, is this reputation of everyone afraid of my voice,” he told The AP in 2015. “So I get heard, whether it changes anything or not.”
One of his last projects was the massive two-volume “The American People,” which chronicled the history of gay people in America and took decades to write.  
“I just think it’s so important that we know our history — the history of how badly we’re treated and how hard we have to fight to get what we deserve, which is equality,” he told The AP.  
At the 2013 Tonys, he was honored with the Isabelle Stevenson Award, given to a member of the theater community for philanthropic or civic efforts.  
A few months later, Kramer married his longtime partner, architect David Webster, in the intensive care unit of NYU Langone Medical Center, where Kramer was recovering from surgery for a bowel obstruction. 
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The founder of the Knights of Colombus, the influential U.S.-based lay Catholic organization, is moving a step closer to possible sainthood.
Pope Francis has approved a miracle attributed to the intercession of the Rev. Michael McGivney, a Connecticut priest who died at age 38 of pneumonia in 1890 during a pandemic similar to the current coronavirus outbreak.
He would be the first U.S. parish priest to be beatified, the first major step before canonization.
The Vatican said Wednesday that Francis had signed off on the miracle required. The Knights said it concerned the medically inexplicable cure of a baby with a life-threatening condition who was healed in utero in 2015 “after prayers by his family to Father McGivney.”
McGivney founded the Knights of Columbus in 1882 in New Haven, Connecticut, to encourage greater, active participation of lay Catholics in their faith and to care for families when the breadwinner died. Today the Knights are one of the biggest Catholic organizations in the world, known for their charitable efforts and counting about 2 million members in the Americas, Caribbean, Asia and Europe.
The organization is also an insurer, boasting more than $100 billion in financial protection for members and their families.  
No date has been set for the beatification, which the Knights said would be held in Connecticut.
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If you add garlic to your guacamole, we have bad news: You’re not doing it right. Do you mince the onion? That’s also a no-no. And, please, leave the avocado lumpy.So says 97-year-old Diana Kennedy, a foremost authority on traditional Mexican cuisine. Over many decades, she has mastered, documented and become fiercely protective of the culinary styles of each region.  This summer, a portrait as zesty as her dishes comes in the form of the documentary ” Diana Kennedy: Nothing Fancy,” which marks director Elizabeth Carroll’s feature film debut.The documentary traces the unlikely rise of an Englishwoman who became one of the most respected authorities on Mexican food. She’s been called “the Julia Child of Mexico,” “the Mick Jagger of Mexican Cuisine” and even the “Indiana Jones of food.”Carroll’s camera follows Kennedy as she navigates Mexico in her trusty Nissan truck, walks through her remarkable garden, teaches professional chefs in a harrowing class in her home, and meticulously makes coffee — toasting her beans in an antique toaster.”It’s some of the best coffee I’ve ever had. I know that sounds like what I’m supposed to say, but it’s true,” said Carroll, laughing.The film includes various TV appearances by Kennedy during her career as well as interviews with notable chefs, including Alice Waters, José Andrés, Rick Bayless, Pati Jinich and Gabriela Cámara. It’s less a cooking lesson than a beautifully drawn character study.”I just felt really drawn to her and very comfortable with her, like there was some kind of unspoken understanding between us when we would look at each other,” said Carroll. “I think she’s somebody who operates a lot on instinct and I think that there was just an instinct of trust between us.”Kennedy, a culinary purist, arrived in Mexico in the late 1950s and has traveled thousands of miles throughout the country, often alone, seeking out regional foods.  She’s written nine cookbooks, faithfully acknowledging where and from whom the recipes were obtained. Kennedy has received the Order of the Aztec Eagle from the Mexican government — the highest award given to foreigners for service to Mexico.”She saw a need for recording recipes that were potentially being lost by industrialization,” said Carroll. “Nobody was recording those recipes in an official way. She saw an opening there to take on a responsibility like that and she obviously devoted her life to it.”When Kennedy makes guacamole, she uses serrano peppers (“Keep your hands off the jalapeno, por favor!” she says in the film). Add salt, finely chopped tomatoes, but no lime. There is cilantro, and if some guests don’t like it she has this advice — “Don’t invite them.””She sees it as her responsibility to share and perfect the original way that things have been done. And that if other people want to deviate from that, they have to know the rules first,” said Carroll.Jinich, host and co-producer of PBS’ two-time James Beard award-winning “Pati’s Mexican Table,” said Kennedy’s outsider perspective helped as she documented the pillars of the cuisine.  “It’s no coincidence that this British woman had to come and see and recognize and be fascinated with everything that for us Mexicans was just our Mexican food,” Jinich said. “I feel like the entire country of Mexico is indebted to Diana Kennedy.”Kennedy and Carroll met in a serendipitous way in 2013. The filmmaker was in Austin, Texas, and beginning to research a film about how recipes and traditions are passed down. She soon realized she’d have to talk to Kennedy.But how? Kennedy lived in the mountains of western Mexico. Carroll looked around online for an hour, gave up and went to a bookstore. She pulled into the parking lot and looked up to see the marquee: “Book signing with Diana Kennedy tomorrow.””It was confusing and exciting and wild and special all at the same time,” said Carroll. “I was like, ‘OK. There’s some divine games happening here.'”  The film took more than six years to make and it captures a woman confronting her own mortality but still insistent that her work continue. “What are you going to do when I’m gone?” she asks in the film. “Who else is going to start screaming?”
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It may have been plagued with controversy after Oprah Winfrey pulled out as executive producer, but “On the Record” has moved on. The the new #MeToo documentary about rape accusations against hip-hop mogul Russell Simmons is a powerful look at one woman’s agonizing decision to go public, and an exploration of misogyny and sexual harassment in the music industry. Most importantly, though, it shines a light on the unique burden faced by women of color, who are often not believed or accused of being traitors to their own community if they come forward with accusations. The film premieres Wednesday on the new streaming service HBO Max.  There’s an elegant, almost poetic silence to one of the most compelling scenes of “On the Record,” a powerful new documentary about sexual violence that knows just when to dial down to a hushed quiet.In the early morning darkness of Dec. 13, 2017, former music executive Drew Dixon walks to a coffee shop and buys the New York Times. On the front page is the story in which she and two others accuse the powerful hip-hop mogul Russell Simmons, her former boss, of rape. Dixon examines the article, carefully folds the paper back up, puts on a wool cap as if for protection — and crumples into silent tears.They are tears of fear, surely, about the ramifications of going public — but also, clearly, relief. It feels as if the poison of a decades-old toxic secret is literally seeping out of her.  “It saved my life,” she now says of that decision.”On the Record,” by Kirby Dick and Amy Ziering, provides a searingly intimate portrayal of the agonizing process of calculating whether to go public. Beyond that, it shines an overdue light on the music industry, where sexual harassment is “just baked into the culture,” in the words of Sil Lai Abrams, another Simmons accuser featured in the film.Most importantly, it puts a spotlight on women of color, and the unique and painful burden they often face in coming forward.The project also has been associated with controversy, of course, due to Oprah Winfrey’s well-documented withdrawal as executive producer just before the Sundance Film Festival, scuttling a distribution deal with Apple. Winfrey later acknowledged Simmons had called her and waged a pressure campaign, but said that wasn’t why she bailed.But the film has moved on. It opened at Sundance anyway to cheers and two emotional standing ovations, and was soon picked up by HBO Max, where it premieres Wednesday.For Dixon, vindication at Sundance was sweet.”Just standing there, on our own, and realizing that we were enough,” she said in an interview last week along with Abrams and accuser Sherri Hines, of the premiere. “That our courage was enough. That none of us waffled. None of us buckled. That we were strong enough to defend ourselves and each other.”Less than two years earlier, Dixon had been plagued by doubt. She’d expected that the film, which began shooting before she decided to go public, would be a general look at #MeToo and the music industry. But then the directors wanted to focus more on her journey.”The idea of being blackballed by the black community was really scary,” she says. “But I also felt this pressure, this responsibility to be brave, to highlight the experience of black women as survivors. The opportunity might never come again.”Dixon was in her 20s when she got her dream job at Simmons’ Def Jam Recordings. The daughter of two Washington, D.C. politicians — her mother, Sharon Pratt, was mayor — she attended Stanford University, then moved to New York to join the exciting world of hip-hop.As her star rose at Def Jam, she assumed that would immunize her from what she describes as Simmons’ constant harassment. He would come into her office, lock the door and expose himself.  But he wasn’t violent. Until the night in 1995 when, she says, he lured her to his apartment with the excuse of a demo CD she needed to hear. He told her to get it from the bedroom, she says, and then came in wearing only a condom, and raped her.Simmons has denied all allegations of nonconsensual sex.The film weaves together Dixon’s and multiple other accusations against Simmons with key voices of women of color like Tarana Burke, who founded the #MeToo movement, and law professor Kimberle Williams Crenshaw.”A lot of black women felt disconnected from #MeToo initially,” Burke says. “They felt, ‘that’s great that this sister is out there and we support her, but this movement is not for US.'”When black women do seek to come forward, they risk not only not being believed, but being called traitors to their community, both Burke and Dixon explain.”There’s this added layer in the black community that we have to contend with, like, ‘Oh you’re gonna put THIS before race?'” says Burke. “You let this thing happen to you, now we have to pay for it as a race? And we’re silenced even more.’Dick and Ziering, who’ve made several films about sexual assault, say they saw it as essential to go beyond the current #MeToo discussion and focus on the experience of black women.”Now you can come forward — but what about women of color? What do they face?” asks Ziering. “There are so many impediments.”For Dixon, coming forward was clearly worth it. It’s more complicated for Abrams. Even as the audience was applauding at Sundance, Abrams, who attempted suicide after her alleged rape by Simmons, was weeping next to her young adult son, worrying about him as he learned the full details for the first time, she says.  Abrams also says that “as a result of coming forward, my career has stalled. Everything just dried up.”Dixon says it remains to be seen whether she will be punished within the music industry. She says she recently was up for a job, things were going well, and suddenly all went quiet. “They must have Googled me,” she says.But she feels, most importantly, like she rescued a part of herself: her creativity, her drive, her very sense of who she is.For more than 20 years, she says, “I had banished the young woman who came to New York City prepared to work really hard in a man’s game, to prove she could do it, but not expecting that she would be raped.””In order to banish the pain I banished part of her light,” she says. “When I said it out loud, those parts of me lit up again.”Her message to any other survivors out there — and she hopes they will come forward: “Facing it frees parts of yourself that you don’t even know you’ve missed.”  
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J.K. Rowling is publishing a new story called The Ickabog, which will be free to read online to help entertain children and families stuck at home during the coronavirus pandemic. The Harry Potter author said Tuesday she wrote the fairy tale for her children as a bedtime story over a decade ago. Set in an imaginary land, it is a stand-alone story “about truth and the abuse of power” for children from 7 to 9 years old and is unrelated to Rowling’s other books. Rowling said the draft of the story had stayed in her attic while she focused on writing books for adults. She said her children, now teenagers, were “touchingly enthusiastic” when she recently suggested retrieving the story and publishing it for free.  “For the last few weeks I’ve been immersed in a fictional world I thought I’d never enter again. As I worked to finish the book, I started reading chapters nightly to the family again,” she said.  “‘The Ickabog’s first two readers told me what they remember from when they were tiny and demanded the reinstatement of bits they’d particularly liked (I obeyed).”The first two chapters were posted online Tuesday, with daily installments to follow until July 10.The book will be published in print later this year, and Rowling said she will pledge royalties from its sales to projects helping those particularly affected by the pandemic.  
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Stanley Ho, the man credited with transforming Macau from a sleepy former Portuguese colony into one of the world’s gambling meccas, has died at the age of 98. His daughter, Pansy, said Ho died Tuesday at a hospital in his native Hong Kong. The son of a once-influential and wealthy Hong Kong family who lost their fortune in the Great Depression of the 1930s, Stanley Ho escaped to Macau during World War Two when Japanese forces captured Hong Kong.  He built his fortune smuggling luxury goods from Macau to China, turning that into a successful trading company.  Ho’s gambling empire began when he successfully bid for a casino monopoly from Portuguese authorities in 1962.  He built a harbor to ferry high-stakes gamblers from Hong Kong to his casino, and also had stakes in numerous businesses in the enclave, including department stores, luxury hotels and horse racing tracks.   By the time China gained control of Macau and opened it to foreign competition in 2002, Ho had become notorious not only for his wealth but his flamboyant lifestyle, his love of ballroom dancing and the 17 children he fathered with four wives.  He was forced to restructure his business in 2012 after a legal battle broke out within the family. Ho was also dogged by allegations that he had ties to Chinese criminal gangs known as triads, which he denied.  
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Longtime broadcast news executive William J. Small, who led CBS News’ Washington coverage during the civil rights movement, Vietnam War and Watergate and was later president of NBC News and United Press International, died Sunday, CBS News said. He was 93. Small, whose career spanned from overseeing the news operation at a small radio station to testifying in Congress about press freedom, died in a New York hospital after a brief illness unrelated to the coronavirus, the network said. During a six-decade career, Small supervised, guided and in some cases hired generations of some of the best-known reporters and anchors in television news, among them: Dan Rather, Eric Sevareid, Daniel Schorr, Connie Chung, Diane Sawyer, “60 Minutes” correspondents Ed Bradley and Lesley Stahl and “Face the Nation” anchor Bob Schieffer. “He was heroic and steadfast, especially during Watergate, when it seemed we were getting angry calls from the White House every night,” Stahl said in a statement. “He made us want to be better — and nobody wanted to disappoint him.” Small hired the current CBS News president, Susan Zirinsky, to her first job at the network when she was 20. She remembered Small as a “hero to journalism” and said, “every one of us carries Bill Small’s legacy with us — it’s the core to who we are as journalists.” Picture showing the logo of the NBC Television in front of the Channel building in Burbank, Calif., Oct.11, 2006.Small, born in 1926 in Chicago, broke into broadcasting after fighting in the Army in World War II, including stints as news director at WLS-AM in Chicago and WHAS-TV in Louisville. Less than a year after he arrived, the Kentucky station was honored in 1957 as the nation’s top news operation by the organization that is now known as the Radio Television Digital News Association. Impressed by Small’s work in Louisville, CBS executives hired him in 1962 to be assistant news director of the network’s Washington bureau. He was promoted to bureau director within a year and “put together a TV News bureau the likes of which Washington had never known,” reporter Roger Mudd wrote in his 2009 book, “The Place to Be: Washington, CBS, and the Glory Days of Television News.” JFK assassinationEarly in his tenure, Small presided over the network’s coverage of the 1963 assassination of President John F. Kennedy, scrambling cameras to the White House and Capitol Hill and turning a station wagon into a makeshift broadcast truck so they could get live pictures from Vice President Lyndon Johnson’s home. Small didn’t leave the bureau for four days, “from the shooting to the burial,” he told The Associated Press in 2013. “When I finally got home, I asked my wife, What was it like?' She said,There was no one on the streets. Everyone was watching television.'” Kennedy’s assassination marked a seminal moment for television, then still in its nascence, as a source of news and solace — from CBS anchor Walter Cronkite’s tearful announcement of the president’s death to live, wall-to-wall coverage of the funeral procession to Arlington National Cemetery. There would be others on Small’s watch, including clashes over civil rights legislation, bitter divides over the Vietnam War and the 1972 Watergate break-in that prompted myriad legal and journalistic inquiries into President Richard Nixon’s involvement and ultimately led to his resignation. “Backed by the mystique of Murrow’s CBS and his own uncanny judge of talent, Small helped attract a stream of reporters, analysts and producers whose learning, talent, skill and experience were without precedent in news broadcasting,” Mudd wrote, calling him a “sophisticated judge of journalistic horseflesh.” Small remained in charge of the Washington bureau until 1974, when CBS moved him to a senior position at its New York headquarters. Testified before Congress in 1978The promotion put him next in line to become president of CBS News, but after he testified before Congress in 1978 urging strong limits on police entering newsrooms, the network instead assigned him to be its chief lobbyist in Washington. Small defected to NBC in 1979, becoming president of the network’s news division and hiring away several CBS reporters, including Mudd and Marvin Kalb. In 1982, he became president of the UPI wire service. Small and his late wife, Gish, had two daughters and six grandchildren. He is the author of two books on the role of the media in politics and society, taught communications and media management at Fordham University and was on the sociology faculty at the University of Louisville. Small spent the last decade of his career as chairman of the National Academy of Television Arts and Sciences, which hands out Emmy Awards for television news and documentaries, retiring in 2010. In 2014, the organization honored Small with its lifetime achievement award. In its presentation, it recognizing him as a television news icon whose work in Washington was “paramount in the dramatic evolution of network news that continues today.”  
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Jimmy Cobb, a percussionist and the last surviving member of Miles Davis’ 1959 Kind of Blue groundbreaking jazz album that transformed the genre and sparked several careers, died Sunday. His wife, Eleana Tee Cobb, announced on Facebook that her husband died at his New York City home from lung cancer. He was 91. Born in Washington, D.C., Cobb told The Associated Press in 2019 he listened to jazz albums and stayed up late to hear disc jockey Symphony Sid play jazz in New York City before launching his professional career. He said it was saxophonist Cannonball Adderley who recommended him to Davis, and he ended up playing on several Davis recordings. Cobb’s role as a drummer on the Kind of Blue jam session headed by Davis would forever change his career. That album also featured Adderley and John Coltrane. FILE – The “Kind of Blue” album cover is on display at Bull Moose record store in Portland, Maine, August 17, 2019, the 60th anniversary of the album’s release.Kind of Blue, released on Aug. 17, 1959, captured a moment when jazz was transforming from bebop to something newer, cooler and less structured. The full takes of the songs were recorded only once, with one exception, Cobb said. Freddie Freeloader needed to be played twice because Davis didn’t like a chord change on the first attempt, he said. Davis, who died in 1991, had some notes jotted down, but there weren’t pages of sheet music. It was up to the improvisers to fill the pages. “He’d say, ‘this is a ballad. I want it to sound like it’s floating.’ And I’d say, ‘OK,’ and that’s what it was,” Cobb recalled. The album received plenty of acclaim at the time, yet the critics, the band and the studio couldn’t have known it would enjoy such longevity. Cobb and his bandmates knew the album would be a hit but didn’t realize at the time how iconic it would become. “We knew it was pretty damned good,” Cobb joked. Kind of Blue has sold more than 4 million copies and remains the best-selling jazz album of all time. It also served as a protest album for African American men who looked to Davis and the other jazz musicians to break stereotypes about jazz and black humanity.  Cobb would also work with such artists as Dinah Washington, Pearl Bailey, Clark Terry, Dizzy Gillespie, Sarah Vaughan, Billie Holiday, Wynton Kelly and Stan Getz. He’d also release a number of albums on his own. He performed well into his late 80s and played in Albuquerque, New Mexico, in 2017, as part of the New Mexico Jazz Festival. Jazz fans from throughout the American Southwest came to pay their respects in what many felt was a goodbye.  Cobb released his last album, This I Dig of You, with Smoke Sessions Records in August 2019. 
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Country music singer Morgan Wallen apologized Sunday following his weekend arrest on public intoxication and disorderly conduct charges.
Wallen, 27, was arrested Saturday night after he was kicked out of Kid Rock’s bar in downtown Nashville, news outlets reported.
Wallen said on Twitter that he and some friends were “horse-playing” after a few bar stops.
“We didn’t mean any harm, and we want to say sorry to any bar staff or anyone that was affected,” Wallen tweeted. “Thank you to the local authorities for being so professional and doing their job with class. Love y’all.”
Wallen’s hits include “Whiskey Glasses” and “Chasin’ You.” He competed on “The Voice” in 2014 and co-wrote songs for Jason Aldean and Kane Brown.
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With no congregational prayers or family gatherings, Salsabiel Mujovic has been worried that this year’s Eid al-Fitr celebration will pale. Still, she’s determined to bring home holiday cheer amid the coronavirus gloom.  Her family can’t go to the mosque, but the 29-year-old New Jersey resident bought new outfits for herself and her daughters. They are praying at home and having a family photo session. The kids are decorating cookies in a virtual gathering and popping balloons with money or candy inside — a twist on a tradition of giving children cash gifts for the occasion.”We’re used to, just like, easily going and seeing family, but now it’s just like there’s so much fear and anxiety,” she said. “Growing up, I always loved Eid. … It’s like a Christmas for a Muslim.”Like Mujovic, many Muslims in America are navigating balancing religious and social rituals with concerns over the virus as they look for ways to capture the Eid spirit this weekend.  Eid al-Fitr — the feast of breaking the fast — marks the end of Ramadan, when Muslims abstain from food and drink from sunrise to sunset. Just like they did during Ramadan, many are resorting to at-home worship and relying on technology for online gatherings, sermons and, now, Eid entertainment.  This year, some Muslim-majority countries have tightened restrictions for the holiday which traditionally means family visits, group outings and worshippers flooding mosques or filling public spaces.  The Eid prayer normally attracts particularly large crowds. The Fiqh Council of North America, a body of Islamic scholars, encouraged Muslims to perform the Eid prayer at home.  “We don’t want to have gatherings and congregations,” Sheikh Yasir Qadhi, who prepared the council’s fatwa, or religious edict, said in an interview. “We should try to keep the spirit of Eid alive, even if it’s just in our houses, even if we just decorate our houses and wear our finest for each other.”Qadhi, resident scholar at East Plano Islamic Center in Texas, has been dreading delivering an Eid sermon broadcast online with no worshippers.”It’s going to be very strange to dress up in my Eid clothes and to walk to an empty place and to deliver a sermon to an empty facility,” he said before the start of the holiday. “It’s going to be very, very disheartening.”But, he said, it’s the wise decision.  Even as restrictions have eased, the mosque is still closed to worshippers, he said. Like a few others, it is holding a drive-by Eid ceremony to safely distribute thousands of bags of sweets and goodies to children in cars.  While some are eager for mosques to reopen, Qadhi said, “We don’t want to be a conduit for the situation exacerbating. We need to think rationally and not emotionally.”A woman accept treats during a drive-through Eid al-Fitr celebration outside a closed mosque in Plano, Texas, May 24, 2020.The North Texas Imams Council, of which he is a member, has recommended mosques remain closed. He said he expected the majority of mosques to stay closed to the public, though he worries about smaller mosques re-opening.In Florida, the Islamic Center of Osceola County, Masjid Taqwa is holding the Eid prayer outdoors in the parking lot with social distancing rules in place.  Guidelines posted online include worshippers bringing their own prayer rugs, wearing mandatory masks and praying next to their cars while staying at least six feet apart. Participants are told not to hug or shake hands and to listen to the sermon from their cars.  “Eid is important but more important is the health of the people,” said Maulana Abdulrahman Patel, the imam. “We’ve been taking a lot of precautions,” and not acting on “sentiments or emotional feelings,” he said, adding they have been consulting with health and other officials.  Major Jacob Ruiz, the major of administration at Osceola County Sheriff’s Office, said he and the sheriff met with Patel before the celebration.  “They wanted to have something, and they felt it was important, but they wanted to do it with pretty much the blessing and the guidance of the sheriff’s office and the sheriff,” he said. “Everybody was in agreement that it’s going to be something that’s gonna be successful for them.”  The Muslim community in the county “has been very receptive and proactive in ensuring that they keep safety guidelines,” he said.The Masjid Taqwa prayer is for men only, the mosque said, citing “constraints.” Plans for men-only prayers announced by at least one other mosque prompted objections by some about excluding women. For Masjid Taqwa, the decision to include just men was taken because having families together would make crowd control more difficult, Patel said.In Michigan, the Michigan Muslim Community Council is organizing a televised Eid ceremony. It will include the Eid sermon, greetings from local elected officials and members of Muslim communities. “People will be at home seeing each other instead of gathering in large numbers,” said council chairman Mahmoud Al-Hadidi.”It’s just to keep people connected,” he said, adding that “we’re trying to avoid any spread of the coronavirus.”Normally, Eid is an all-day celebration with large gatherings over meals and a carnival for kids, he said. “Eid is a huge thing here.”Back in New Jersey on the holiday’s eve, Mujovic and two of her daughters joined friends and others online to decorate cookies. Squeezing icing out and spreading it on cookies shaped like Ramadan lanterns or spelling out the word “EID,” the girls stopped to lick their fingers or munch on the treats.As children waved, squealed and showed off their creations, it started to feel like Eid for Mujovic. “It was nice seeing happy faces,” she said. 
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