Osaka, Japan — One of the largest wooden structures ever built is taking shape in Osaka but hopes that Expo 2025 will unite the world are being dogged by cost blowouts and a lack of public enthusiasm.

The imposing circular centerpiece will be crowned by a 20-meter-high sloping canopy, designed by top architect Sou Fujimoto, known as the “Grand Roof.”

It has a circumference of a staggering 2 kilometers and 161 countries and territories will show off their trade opportunities and cultural attractions at pavilions within the vast latticed ring.

A crane hoisted a block of beams into place this week as organizers said construction was largely on schedule, one year before visitors will be welcomed.

Expo 2025 global PR director Sachiko Yoshimura maintained that global participants would be “united” by the event even though there are conflicts in Ukraine, Gaza and elsewhere.

Russia will not be among the participants at Expo 2025, which will run from April 13 to October 13.

“Of course, there are so many crises around the world, but we want everybody to actually get together and think about the future and sustainability,” Yoshimura said.

It has also met a lukewarm response in Japan, where promotion is ramping up and the red-and-blue Expo 2025 mascot “Myaku-Myaku” — billed by the official website as “a mysterious creature born from the unification of cells and water” — is ever-present.

A recent Kyodo News survey found that 82% of Japanese companies, sponsors and others involved said “fostering domestic momentum” would be a challenge.

Ballooning budget

The construction budget has ballooned 27% from 2020 estimates to $1.5 billion due to inflation and Japan’s chronic worker shortage.

Some say the costs are also hard to justify when 6,300 people are still in evacuation centers and hotels after an earthquake on New Year’s Day devastated parts of central Japan.

Fujimoto’s “Grand Roof” alone has a price tag of 35 billion yen and has been slammed by opposition leader Kenta Izumi as “the world’s most expensive parasol.”

The “Grand Roof” and other structures are temporary, with no clear plan for them other than organizers saying they will be reused or recycled.

The site on an artificial island in Osaka Bay will be cleared after the Expo, with plans to build a resort there containing Japan’s first casino.

Jun Takashina, deputy secretary general of the Japan Association for Osaka 2025, acknowledged budget and regulatory “struggles” among foreign participants but said organizers would help make sure the displays are ready in time.

Among the most hotly anticipated attractions are flying electric cars, which take off vertically, showcasing the event’s technological and environmental aspirations.

But the vehicles — subject to reams of regulations — will be a “kind of experiment,” Yoshimura said.

More than 1.2 million tickets have already been sold, and organizers hope to attract 28.2 million visitors, including 3.5 million from abroad.

That would be 4 million more than the last World Fair in Dubai but pales in comparison to the 64 million people who attended the 1970 Expo in Osaka, a record until it was overtaken by Shanghai in 2010.

Future like science fiction

The first world fair to celebrate culture and industrial progress was held in London in 1851, with the Eiffel Tower built for the 1889 Paris World Fair.

Osaka academic Shinya Hashizume, a specialist in architecture history and town planning, said he was amazed as a 10-year-old when he saw a “future that looked like science fiction” at the 1970 Expo.

The first film in IMAX format was shown at that event and visitors could admire rocks brought back from the moon.

“Those six months were extraordinary for Osaka. Simply put, the whole town was having a party,” he said.

The advent of mass tourism and hyper-connected societies may have since lessened the attraction, but some Osaka residents still think it’s a good idea.

Kosuke Ito, a 36-year-old doctor, said it would “strengthen the economy.”

However, Yuka Nakamura, 26, said she might be put off by adult entry fees ranging from $25 to $50 a day.
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RUN TA EK, Cambodia — It’s been more than a year since Yem Srey Pin moved with her family from the village where she was born on Cambodia’s Angkor UNESCO World Heritage site to Run Ta Ek, a dusty new settlement about 25 kilometers away.

Hers is one of about 5,000 families relocated from the sprawling archaeological site, one of Southeast Asia’s top tourist draws, by Cambodian authorities in an ongoing program that Amnesty International has condemned as a “gross violation of international human rights law.” Another 5,000 families are still due to be moved.

The allegations have drawn strong expressions of concern from UNESCO and a spirited rebuttal from Cambodian authorities, who say they’re doing nothing more than protecting the heritage land from illegal squatters.

Yem Srey Pin’s single-room home is a far cry better than the makeshift tent she lived in with her husband and five children when they first arrived, which did little to protect from the monsoon rains and blew down in the winds.

And their 600-square-meter property is significantly bigger than the 90-square-meter plot they occupied illegally in the village of Khvean on the Angkor site.

But the 35-year-old is also in debt from building the new house. Her husband finds less construction work nearby and his wages are lower, and there are no wild fruits or vegetables she can forage, nor rice paddies where she can collect crabs to sell at her mother’s stand.

“After more than a year here I haven’t been able to save any money and I haven’t earned anything,” she said. 

The Angkor site is one of the largest archaeological sites in the world, spread across some 400 square kilometers in northwestern Cambodia. It contains the ruins of Khmer Empire capitals from the 9th to 15th centuries, including the temple of Angkor Wat.

When it was inscribed as a World Heritage Site in 1992, it was named a “living heritage site” whose local population observed ancestral traditions and cultural practices that have disappeared elsewhere.

Still, UNESCO at the time noted that Angkor was under “dual pressures” from some 100,000 inhabitants in 112 historic settlements who “constantly try to expand their dwelling areas,” and from encroachment from the nearby town of Siem Reap.

Cambodia’s answer was a plan to entice the 10,000 families illegally squatting in the area to resettle at Run Ta Ek and another site, as well as to encourage some from the 112 historic settlements to relocate as their families grow in size.

“The number of people were on the rise, including those coming illegally,” said Long Kosal, spokesperson for the Cambodian agency known as APSARA that’s responsible for managing the Angkor site. “What we did was that we provided an option.”

Cambodia began moving people to Run Ta Ek in 2022, giving those who volunteered to leave their homes in the Angkor area plots of land, a two-month supply of canned food and rice, a tarp and 30 sheets of corrugated metal to use to build a home. Benefits also included a Poor Card, essentially a state welfare program giving them around 310,000 riel (about $75) monthly for 10 years.

In a November report, Amnesty questioned how voluntary the relocations actually were, saying many people they interviewed were threatened or coerced into moving and that the relocations were more “forced evictions in disguise.”

The rights group cited a speech from former Prime Minister Hun Sen in which he said people “must either leave the Angkor site soon and receive some form of compensation or be evicted at a later time and receive nothing.”

Amnesty also noted Hun Sen’s track record, saying that under his long-time rule Cambodian authorities had been responsible for several forced evictions elsewhere that it alleged “constituted gross violations of human rights.” It said Run Ta Ek — with dirt roads, insufficient drainage, poor sanitation and other issues — did not fulfil international obligations under human rights treaties to provide people adequate housing.

That has now changed: Homes with outhouses have been built, roads paved, and sewers installed. Primitive hand pumps made of blue PVC piping provide water, and electricity has been run in.

There’s a school, a health center, a temple; bus routes were added, and a market area was built but is not yet operating, Long Kosal said.

But Amnesty maintains there are major concerns.

Among other things, families have had to take on heavy debt to build even basic houses, and there is little work to be found, said Montse Ferrer, the head of Amnesty’s research team investigating the Angkor Wat resettlements.

“They had a clear source of income at the time — tourism — but also other sources of income linked to the location at Angkor,” she said. “They are now at least 30 minutes away from the site and can no longer access these sources.”

Following Amnesty’s scathing report, UNESCO moved up the timeline for Cambodia’s submission of its own report on the state of conservation at the Angkor site, specifically asking for the allegations to be addressed.

In that report, submitted to UNESCO in March, Cambodia said it had not violated any international laws with the relocations, saying it was only moving people involved in the “illegal occupation of heritage land” and that in Run Ta Ek many were now property owners for the first time in their lives.

UNESCO said it would not comment on the situation until it has been able to analyze Cambodia’s response.

It referred The Associated Press to previous comments from Lazare Eloundou Assomo, director of the UNESCO World Heritage Center, who stressed the agency had “always categorically rejected the use of forced evictions as a tool for management of World Heritage listed sites.”

Yem Srey Pin said even though Run Ta Ek has slowly improved since she arrived in February 2023, and her new home will be paid off fairly soon, she’d rather return to her village if it were possible.

But with almost all of the village’s 400 families moving out, Yem Srey Pin says there’s nothing left for her there.

“I can’t live in my old village alone,” she said.
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Istanbul — Muslims around the world celebrated the Eid al-Fitr holiday Wednesday, marking the end of the holy month of Ramadan. But events were overshadowed by the worsening crisis in Gaza and Israel’s expected military offensive in Rafah city after six months of war.

“We should not forget our brothers and sisters in Palestine,” imam Abdulrahman Musa said in Kenya’s capital, Nairobi. “They have been subjected to unjustified aggression and a lot of violence (as) the world is watching in silence.”

In a holiday message, Turkish President Recep Tayyip Erdogan sent support to Gaza, which he called a “bleeding wound on the conscience of humanity.”

In Istanbul, thousands of worshipers gathered at the Aya Sofya Mosque for prayers, some carrying Palestinian flags and chanting slogans in support of people in Gaza, where the United Nations and partners warn that more than a million people are at threat of imminent famine and little aid is allowed in.

Elsewhere, people were grateful for the plenty they had after a month of fasting and reflection. Before the Eid al-Fitr holiday, markets around the world teemed with shoppers. Residents poured out of cities to return to villages to celebrate with loved ones.

In Indonesia, the world’s most populous Muslim nation, nearly three-quarters of the population were traveling for the annual homecoming known locally as “mudik.”

“This is a right moment to reconnect, like recharging energy that has been drained almost a year away from home,” said civil servant Ridho Alfian, who lives in the Jakarta area and was traveling to Lampung province at the southern tip of Sumatra island.

For Arini Dewi, Eid al-Fitr is a day of victory from economic difficulties during Ramadan. “I’m happy in celebrating Eid holiday despite the surge of food prices,” said the mother of two.

Jakarta’s Istiqlal Grand Mosque, the largest in Southeast Asia, was flooded with devotees offering morning prayers.

Preachers in their sermons called on people to pray for Muslims in Gaza who were suffering after six months of war.

“This is the time for Muslims and non-Muslims to show humanitarian solidarity, because the conflict in Gaza is not a religious war, but a humanitarian problem,” said Jimly Asshiddiqie, who chairs the advisory board of the Indonesian Mosque Council.

In Berlin, worshipers reflected the world, coming from Benin, Ghana, Syria, Afghanistan and Turkey.

“It’s a day where we feel grateful for everything we have here, and think and give to those who are poor, facing war and have to go hungry,” said Azhra Ahmad, a 45-year-old mother of five.

In Pakistan, authorities deployed more than 100,000 police and paramilitary forces to maintain security at mosques and marketplaces.

In Malaysia, ethnic Malay Muslims performed morning prayers at mosques nationwide just weeks after socks printed with the word “Allah” at a convenience store chain sparked a furor. Many found it offensive to associate the word with feet or for it to be used inappropriately.

Malaysia’s Prime Minister Anwar Ibrahim called for unity and reconciliation in his message on the eve of Eid, saying no groups should be sidelined based on religion or any other reason.

“We must be firm, resolute and unwavering in our commitment to foster values and build a dignified nation,” he said. “However, let us not take this as a license or opportunity to insult, undermine, or damage the cultural practices and way of life of others.”
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HANOI, Vietnam — The Vatican’s top diplomat began a six-day visit to Vietnam on Tuesday as a part of efforts to normalize relations with the communist nation. 

Richard Gallagher, the Holy See’s foreign minister, met his Vietnamese counterpart Bui Thanh Son and expressed the Vatican’s “gratitude” for the progress that has been made to improve ties. The visit took place after Archbishop Marek Zalewski became the first Vatican representative to live and open an office in the Southeast Asian country. 

“The visit is of great importance,” said Son. 

Gallagher will also meet Prime Minister Pham Minh Chinh and visit a children’s hospital in the capital, Hanoi, state-run Vietnam News Agency reported. He will hold Mass in Hanoi, Hue in central Vietnam, and the financial hub of Ho Chi Minh City in the south. 

Gallagher is the Vatican’s No. 2 and his visit to Hanoi was an “important moment” that showed that the relationship was continuing while the sides wait for an upgrade to full diplomatic relations, said Giorgio Bernardelli, the head of AsiaNews, a Catholic Missionary news agency. 

Relations between the Vatican and Vietnam were severed in 1975, after the Communist Party established its rule over the entire country following the end of the Vietnam War. Relations have been strained ever since, although the sides have had regular talks since at least the late 1990s. 

The agreement to appoint the Vatican’s permanent representative in Vietnam was signed in July 2023, during former President Vo Van Thuong’s visit to the Holy See. Thuong also extended an invitation to Pope Francis to visit Vietnam. But Thuong has since resigned, becoming the latest victim of an intense anti-corruption campaign. 

Bernardelli said that the pope’s potential visit was likely to be discussed, adding that it also depended on the political situation in Hanoi following the president’s resignation 

He said that an improvement in ties with Vietnam could also have implications for the Holy See’s ties with communist-ruled China. The relationship with Vietnam had always been a “point of reference, but with important differences,” since unlike China, Vietnam has been keen to improve relations with the Vatican and the West. 

Beijing severed diplomatic ties with the Vatican in 1951, after the communists rose to power and expelled foreign priests. 

Catholicism is officially the most practiced religion in Vietnam, with 5.9 million or 44.6% of the 13.2 million people who identified as religious in a 2019 census saying they were Catholic. That works out to more than 6% of the country’s population. 
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SIEM REAP, Cambodia — A baby monkey struggles and squirms as it tries to escape the man holding it by the neck over a concrete cistern, repeatedly dousing it with water.

In another video clip, a person plays with the genitals of a juvenile male macaque sitting on a limestone block from an ancient temple to get it excited for the camera.

The abuse of monkeys at the Angkor UNESCO World Heritage Site in northwestern Cambodia is not always so graphic, but authorities say it is a growing problem as people look for new ways to draw online viewers to generate cash.

“The monkey should be living in the wild, where they are supposed to be living, but the monkey nowadays is being treated like a domestic pet,” said Long Kosal, spokesperson for APSARA, the Cambodian office that oversees the Angkor archaeological site.

“They’re making the content to earn money by having the viewers on YouTube, so this is a very big issue for us.”

APSARA has few tools itself to stop the YouTubers from filming in general, but has opened an investigation with the Ministry of Agriculture to collect evidence for legal action against the most serious abusers — who are rarely on camera themselves, Long Kosal said.

“If we can build a case, they will be arrested for sure,” he said. “Any animal abuser will be seriously punished by law in Cambodia.”

YouTube, Facebook and other sites remove the videos with graphic content, but scores of other clips of cute monkeys jumping and playing remain, generating thousands of views and subscribers.

Just making those videos involves very close interaction with the monkeys, however, which authorities and animal-rights activists say creates a host of other problems, both for the macaques and people visiting one of Southeast Asia’s most popular tourist sites.

On a recent day outside Angkor’s famous 12th-century Bayon Temple, at least a dozen YouTubers, all young men, crowded around a small group of long-tailed macaques, pushing in close to get shots of a mother with a baby on her back and tracking her everywhere she moved.

The wild monkeys feasted on bananas tossed to them by YouTubers and drank from plastic bottles of water. One young macaque briefly amused itself with half-eaten neon-green popsicle discarded at the side of the path, before dropping it to move on to a banana.

A blue-shirted APSARA warden looked on but those filming were unfazed, illustrating the main problem: Simply taking video of monkeys is OK, even though feeding them is frowned upon. At the same time, it’s making them dependent upon handouts, and the close interaction with humans means they’re increasingly becoming aggressive toward tourists.

“The tourists carry their food, and they would snatch the food,” Long Kosal said, flipping through multiple photos on his phone of recent injuries caused by the macaques. “If the tourists resist, they bite and this is very dangerous.”

The search for food from tourists also draws the monkeys from the surrounding jungle in to the ancient sites, where they pull away pieces of the temples and cause other damage, he added.

Tourist Cadi Hutchings made sure to keep her distance from the monkeys, after being warned by her tour guide of the increasing risk of being bitten.

“What they want is your food, but you also need to appreciate that there needs to be a boundary between human intervention in nature,” the 23-year-old from Wales said. “It’s obviously a great thing that so many tourists come because it’s such a lovely place, but at the same time, you have to be careful that with more and more people … the monkeys don’t get too acclimatized.”

Many other tourists, however, stopped to take their own photos and videos — some holding out bananas to draw them closer — before heading to the nearby temple site.

YouTuber Ium Daro, who started filming Angkor monkeys about three months ago, followed a mother and a baby along a dirt path with his iPhone held on a selfie stick to get in close.

The 41-year-old said he hadn’t seen any monkeys physically abused, and that he didn’t see a problem with what he and the others were doing to make a living.

“The monkeys here are friendly,” he said. “After we take their pictures we give them food, so it is like we pay them for them giving us the chance to take their picture.”

As he spoke, a young macaque scrambled up the leg of an onlooker, trying — unsuccessfully — to grab a plastic bottle of water out of his pocket.

One YouTuber said he had started filming monkeys during the COVID-19 pandemic after the numbers of tourists plummeted, making it impossible to earn a living as a tuk-tuk driver.

Daro said he was looking for a way to supplement his income as a rice vendor, and that he’s too new at it to have realized many returns.

Many, like Phut Phu, work as salaried employees of YouTube page operators.

The 24-year-old said he started filming monkeys 2 1/2 years ago when he was looking for a job in the open air to help him deal with a lung problem.

He’s generally at it daily from 7 a.m. to 5 p.m., earning $200 a month — equivalent to a Cambodian minimum-wage job — and said he hoped authorities wouldn’t try and put an end to it.

“I need these monkeys,” he said, holding a Nikon Coolpix camera with an extreme zoom that his employer provided, the same model most of the YouTubers were using.

With the difficulties involved in identifying and catching those responsible for the physical abuse of the monkeys, coupled with the draw of easy money through YouTube videos, Long Kosal said APSARA’s task is a tough one.

“This is the problem for us,” he said. “We need to find solid reasons which we can use against them not to make content by abusing the monkeys.”

For Nick Marx, director of wildlife rescue and care for the Wildlife Alliance — which implements conservation programs across Southeast Asia and is involved in releasing wildlife back into Angkor — the answer is simple, though perhaps equally as elusive.

“The biggest problem is these [videos] are generated to make money,” he said in an interview from Phnom Penh. “If people that don’t like this kind of thing would stop watching them, that would really help solve the problem of abuse.”
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new orleans — Clarence “Frogman” Henry, who was one of New Orleans’ best known old-time R&B singers and scored a hit at age 19 with “Ain’t Got No Home,” has died. He was 87.

Henry died Sunday night, the New Orleans Jazz and Heritage Foundation said on social media. It didn’t give the cause of death.

Henry, who had been scheduled to perform at the New Orleans Jazz & Heritage Festival later this month, imitated the voice of a frog in “Ain’t Got No Home.” It was a hit in 1956 and later brought Henry renewed fame when it was featured on the “Forrest Gump” and “Mickey Blue Eyes” soundtracks.

He credited disc jockey Poppa Stoppa, whose real name was Clarence Hayman, as coming up with the nickname the “Frogman,” which mimicked Fats Domino’s moniker the “Fatman.”

By 1958, Henry’s popularity waned, and he took to playing nightclubs on Bourbon Street.

“I thought the sun would shine. I thought my record would always stay out there and stay on the top, but in 1958, the rain came and bring me back to New Orleans,” Henry told The Associated Press in 2003.

But in 1960, a new song, “I Don’t Know Why But I Do” by Cajun songwriter Bobby Charles and arranged by Allen Toussaint, brought Henry renewed success.

With the Bill Black Combo and the Jive Five, he opened for the Beatles for 18 dates in 1964 during their first U.S. trip and toured extensively, from Scotland to New Zealand.

In Louisiana, Henry remained popular. He also was one of the few Black New Orleans musicians to cross over into Cajun musical circles.

Henry, who was born in New Orleans on March 19, 1937, started playing the piano at 8, taking up lessons his sister had disliked. He worked for his father until he was 15, often for no money.

He played the trombone and piano in his high school band and later joined The Toppers, traveling around southern Louisiana before making it big.

“When I was going to school, I wanted to be Fats Domino, Professor Longhair, and I would wear a wig with two plaits and call myself Professor Longhair,” Henry told the AP. “I like the Fats Domino rhythm, but I play my own chords and my own style.”

Henry’s national fame faded but he remained popular in Louisiana. He was a Bourbon Street fixture until 1981, when he retired from the grueling club circuit. But he never gave up music and continued to be an annual crowd pleaser at the Jazz & Heritage Festival.

Funeral arrangements are pending at the Murray Henderson Funeral Home.
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New York — “Godzilla x Kong: The New Empire” easily swatted away a pair of challengers to hold on to the top spot at the box office for the second week in a row, according to studio estimates Sunday.

After its above-expectations $80 million launch last weekend, the MonsterVerse mashup brought in $31.7 million over its second weekend, a 60% drop from its debut.

The Warner Bros. and Legendary Pictures release, directed by Adam Wingard, has thus far outperformed any of the studio’s recent monster films except for 2014’s “Godzilla.”

But with $361.1 million worldwide in two weeks, “Godzilla x Kong” could ultimately leapfrog the $529 million global haul of 2014’s “Godzilla.” The latest installment, in which Godzilla and Kong team up, cost about $135 million to produce.

“Godzilla x Kong” extended its box-office reign as another primate-themed movie arrived in theaters. Dev Patel’s “Monkey Man,” an India-set revenge thriller released by Universal Pictures, opened in 3,029 North American theaters with an estimated $10.1 million.

That marked a strong debut for Patel’s modestly budgeted directorial debut in which he stars in a bloody, politically charged action extravaganza. “Monkey Man,” which cost about $10 million to make, was dropped by its original studio, Netflix, after which Jordan Peele and his Monkeypaw Productions swooped in.

The weekend’s other new wide release, “The First Omen,” from Disney’s 20th Century Studios, struggled to make a big impact with moviegoers. It came in fourth with an estimated $8.4 million in ticket sales in 3,375 theaters, while collecting an additional $9.1 million overseas. The R-rated horror film, which cost about $30 million to make, is a prequel to the 1976 Richard Donner-directed original starring Gregory Peck and Lee Remick.

This version, directed by Arkasha Stevenson and starring Nell Tiger Free, Tawfeek Barhom and Bill Nighy, follows 2006’s “The Omen,” which opened to $16 million and ultimately grossed $119 million.

The tepid opening for “The First Omen” allowed Sony’s “Ghostbusters: Frozen Empire” to take third place with $9 million in its third weekend of release. The sci-fi comedy sequel has collected $88.8 million domestically and $138 million worldwide.

Warner Bros.’ “Dune: Part Two” continues to perform strongly. It added $7.2 million in its sixth week, dipping just 37%, to bring its domestic total to $264 million.

One of the week’s biggest performers was in China, where Hayao Miyazaki’s Oscar-winning “The Boy and the Heron” landed in theaters. The acclaimed Japanese anime is setting records for a non-Chinese animated film. After opening Wednesday, its five-day total surpassed $70 million, a new high mark for Miyazaki and Studio Ghibli.

Estimated ticket sales are for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Godzilla x Kong: The New Empire,” $31.7 million.

2. “Monkey Man,” $10.1 million.

3. “Ghostbusters: Frozen Empire,” $9 million.

4. “The First Omen,” $8.4 million.

5. “Kung Fu Panda 4,” $7.9 million.

6. “Dune: Part Two,” $7.2 million.

7. “Someone Like You,” $3 million.

8. “Wicked Little Letters,” $1.6 million.

9. “Arthur the King,” $1.5 million.

10. “Immaculate,” $1.4 million.
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CHARLESTON, W.Va. — Sophomore Christian Adams expected he would be studying Chinese when he enrolled at West Virginia University, with a dream of working in labor or immigration law.

He didn’t foresee switching his major to politics, a change he made after West Virginia’s flagship university in September cut its world language department and dozens of other programs in subjects such as English, math and music amid a $45 million budget shortfall.

And he certainly didn’t expect to be studying — or teaching fellow students — about community organizing.

But the cuts, denounced as “draconian and catastrophic” by the American Federation of Teachers, catalyzed a different kind of education: Adams is co-founder of The West Virginia United Students’ Union. The leading oppositional force against the cuts, the union organized protests, circulated petitions and helped save a handful of teaching positions before 143 faculty and 28 majors ultimately were cut.

Disappointed, they say their work is far from done. Led by many first-generation college students and those receiving financial aid in the state with the fewest college graduates, members say they want to usher in a new era of student involvement in university political life.

“Really, what it is for WVU is a new era of student politics,” Adams said.

The movement is part of a wave of student organizing at U.S. colleges and universities centering around everything from the affordability of higher education and representation to who has access to a diverse array of course offerings and workplace safety concerns.

The university in Morgantown had been weighed down financially by enrollment declines, revenue lost during the COVID-19 pandemic and an increasing debt load for new building projects. Other U.S. universities and colleges have faced similar decisions, but WVU’s is among the most extreme examples of a flagship university turning to such dramatic cuts, particularly to foreign languages.

The union called the move to eliminate 8% of majors and 5% of faculty a failure of university leadership to uphold its mission as a land-grant institution, charged since the 1800s with educating rural students who historically had been excluded from higher education. A quarter of all children in West Virginia live in poverty, and many public K-12 schools don’t offer robust language programs at a time when language knowledge is becoming increasingly important in the global jobs market.

As the school continues to evaluate its finances, the union plans to keep a close eye on its budget, mobilize against any additional proposed cuts and prepare alternative proposals to keep curriculum and faculty positions in place.

Another key goal is monitoring and influencing the school’s search for its new president after university head E. Gordon Gee retires next year. Gee, the subject of symbolic motions from a faculty group that expressed no confidence in his leadership, said last year the curriculum cuts came at a time of change in higher education, and that WVU was “leading that change rather than being its victim.”

Higher education nationwide has become “arrogant” and “isolated,” he said, warning that without change, schools face “a very bleak future.”

Union Assembly of Delegates President and Co-Founder Matthew Kolb, a senior math major, said his group doesn’t want a new president who believes running the school as a corporate or business entity is the only option for getting things done properly.

“We know, when push comes to shove, the results of that are 143 faculty getting shoved off a cliff with one vote,” he said.

Adams, a north central West Virginia native who was the first in his family to attend college immediately after high school, said he could transfer to another institution and continue his studies in Chinese. But much of the reason he chose WVU was because of a commitment to the state and a desire to improve its socioeconomic outlook.

“A lot of West Virginians feel trapped in West Virginia and feel like they have to leave — not a lot of people choose to stay here,” Adams said. “I made the conscious decision to go to WVU to stay here to help improve my state.”

The cuts meant reaffirming that commitment, “despite basically being told by my state’s flagship university that, ‘Your major is irrelevant, it doesn’t matter, it’s not worth our time or money to teach.’”

Student union organizations have existed for hundreds of years worldwide. Commonly associated in the U.S. with on-campus hubs where students access dining halls, club offices and social events, in the United Kingdom the union also takes on the form of a university-independent advocacy arm lobbying at the institutional and national level.

Members say they envision the West Virginia United Students’ Union similar to those in the U.K., and it’s a concept they want to help grow.

That has meant a lot of work behind the scenes, strategizing to keep students interested and engaged and building relationships with the university campus workers union, student government and other organizations.

That work with the union helped keep up student morale as they watched faculty scramble to find new jobs and rewrite curriculum, student Felicia Carrara said.

An international studies and Russian studies double major from North Carolina, Carrara said she and many of her peers chose West Virginia University because it was affordable.

“The fact that we would now have to pivot to try and find the scholarships and other money to be able to afford an education anywhere else, or just not get a degree at all or get a degree that’s really bare bones. It’s just really disheartening,” she said.

“When you come to higher ed, you think things are going to be better than they were in high school and in middle school,” she said. “And it’s very sad finding out that they’re not.”

Andrew Ross, a senior German and political science double major, will be the last graduate to major in the language.

A 31-year-old nontraditional student who transferred to WVU in 2022 after earning an associate’s degree, Ross learned about the proposed cuts days after he returned home from a summer program in Germany he attended with the help of a departmental scholarship.

Ross, now the student union’s assembly of delegates vice president, said the cuts “felt like getting slapped in the face.” The university told him to drop the German major. He’s proud of his effort to finish the degree after twists and turns, but it’s bittersweet.

“In some ways and it makes me sad because I hope there isn’t someone who is still growing up that can’t have this experience — we all deserve it,” he said. “This university isn’t just failing me, it’s failing the state.”
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PHILADELPHIA — He surveyed the Arizona crowd that had paid to catch a wrestling glimpse of the planet’s mightiest heavyweight, as measured in both box-office heft and ink-stained muscles. Then The Rock let the abuse fly. And as with so many public outbursts these days, attacking his opponents wasn’t enough. He had to insult the people, too.

“The Rock did a little bit of research, and here’s what he found out. This is the truth. This is a fact. The No. 1 city in America for cocaine and meth use is Phoenix, Arizona,” The Rock said to a roaring crowd that seemed to revel in the insults. Then and only then did he lay the smack down on his WrestleMania opponents.

Were The Rock’s assertions true? Or just an engine for vigorous trash talk? Most importantly: Does anyone really care, as long as the entertainment value is cranked to 11 and WWE churns out more fans to watch and fork over cash for its signature spectacle, WrestleMania, unfolding in Philadelphia this weekend?

Along the murky lines that intertwine sports, entertainment and, yes, politics, the ethos of being bad has never been so good. Say what you want. Do you want. The public eats it up. And for decades, somehow, the garish world of professional wrestling has sat smack in the middle of it all.

Outside the ring, the Superman spandex traded for Clark Kent glasses and a leather jacket, Dwayne Johnson crafts his good-guy image to plug his movies, his tequila label, his men’s care line, his football league — business interests where the bottom line doesn’t require calling the competition a bunch of “roody-poo candy-asses.” But under the house lights each week on live TV, Johnson knows storylines are sold on his Hollywood heel persona.

“I feel like everybody wants to be the good guy, the good girl. Everyone wants to be loved and cheered and considered the hero, which is great and it’s natural,” he says. “But, I have felt in my career, the rare air is when you have the opportunity to grab it by the throat, you don’t let it go. And that’s the opportunity to be a great bad guy.”

Wrestlemania and its cultural pull

The Rock is set to headline one of two nights of the annual WrestleMania event this weekend in Philadelphia, where more than 70,000 fans each night are expected to pack the NFL stadium that is home to the Eagles.

Banners of your favorite wrestlers, or the ones you love to hate, have smothered city street poles. Philly has been overrun by wrestling conventions, autograph signings, independent wrestling shows, podcast tapings, a 2K24 gaming tournament and all the other trappings that have turned the industry into a mainstream cultural phenomenon.

From the start, WrestleMania was born to be different.

Mr. T and Muhammad Ali helped pack Madison Square Garden in 1985, and “The Showcase of the Immortals” quickly turned a night of wrestling usually reserved for smoky arenas into the Super Bowl of entertainment. As WrestleMania approaches 40, it’s never been bigger — even with brainchild Vince McMahon a pariah and ousted from the company in the wake of a sex abuse lawsuit.

Yes, McMahon and Donald Trump even tangled at WrestleMania in 2007 in a “Battle of the Billionaires” match.

“Donald Trump, to a certain extent, represents a great deal of Americana,” McMahon said in 2007. “He’s larger than life, which really fits into what the WWE is.”

Maybe wrestling really does represent who we are as a nation. But even if you still scrunch your nose like you took a whiff of curdled milk over the very idea that anyone would like this flavor of wrestling, odds are you’ve still heard of The Rock and Hulk Hogan. Andre the Giant and John Cena. You’ve snapped into a Slim Jim because Randy Savage ordered you to, or let out a “Woooo!” at a hockey game like Ric Flair. Dave Bautista won a WrestleMania championship before he ever guarded the galaxy.

“Look at the way it was marketed in the 80s, when Vince McMahon really changed the whole industry forever,” said author Brad Balukjian, whose new book is on 1980s WrestleMania stars. “He’s got the action figures, he’s got the cartoon and the bedsheets and the lunch boxes. He turned these guys into the Batmans and the Marvel Cinematic Universe of the 80s, in a way.”

Revel in the universally accepted fakery

Fans have long been in on the con — and embraced it. It’s a mutual agreement forged for even paying customers to play their own roles in the four-sided ring performance. So they cheer. They boo. And despite all evidence to the contrary, they openly accept that each move is as legitimate a sporting action as anything found in a weeknight ballgame.

Wrestling pretended for so long to be on the up-and-up. Comedian Andy Kaufman drew gasps when he was slapped by wrestler Jerry Lawler on Late Night with David Letterman. But the curtain was yanked open long ago. On Wednesday, Johnson and WWE Universal Champion Roman Reigns appeared on the The Tonight Show without any manufactured theatrics on their final hype job ahead of WrestleMania.

Former WWE star Dave Schultz slapped a 20/20 reporter in the 1980s for calling wrestling fake. Now ESPN, The Athletic, Sports Illustrated and CBS Sports have dedicated pages that report on both storylines and behind-the-scenes news, where the real drama is more likely found. Wrestling news is treated as seriously as any other sport’s.

But is it? A sport, that is.

Debate the definition all you want. Wrestling — a precursor to reality TV and all the Real Housewives — isn’t going anywhere. And its biggest fans are often the athletes who want to emulate the super-sized stars.

This week, Joel Embiid was about to divulge that he suffered from depression during an injury that cost him two months of his NBA career. But before the Philadelphia 76ers big man unburdened himself, he pulled on a WWE T-shirt emblazoned with the slogan of the wrestling company’s most boorish faction, Degeneration X: “Suck It.”

For pro wrestling, momentum is at hand. WWE’s weekly television show Raw will move to Netflix next year as part of a major streaming deal worth more than $5 billion. That’s some serious cash that even the “Million Dollar Man” Ted DiBiase would envy.

So go ahead. Sneer at wrestling. Or let go, turn a blind eye to the subterfuge and embrace Hulkamania and the frenzy that followed as a staple of the global sports landscape. Because it’s not leaving the building anytime soon.

Consider John Kruk, retired Phillies star and team broadcaster. You’d think that the pinnacle moment of baseball each year would be a must-see for him. But if pro wrestling is coming to town, as he told wrestler Kofi Kingston on TV recently, other priorities prevail.

“If it was a World Series game, if the Phillies aren’t participating, and wrestling was on,” Kruk said, “I’m watching wrestling.”
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RABAT, Morocco — When Morocco ‘s King Mohamed VI visited Havana in 2017, Cuban-American gallery owner Alberto Magnan impressed him with a “full immersion” in the Caribbean island’s art and culture, drawing a line between the cultural and historical themes tackled by Cuban artists and those from across Africa.

Seven years after that encounter, one of the first exhibitions of Cuban art at an African museum is showing at Morocco’s Mohammed VI Museum of Modern and Contemporary Art.

It’s part of an effort to give visitors a view beyond the European artists who often remain part of the school curriculum in the North African nation and other former French colonies, museum director Abdelaziz El Idrissi said.

“The Moroccan public might know Giacometti, Picasso or impressionists,” El Idrissi said. The museum has shown them all. “We’ve seen them and are looking for other things, too.”

The Cuba show contains 44 pieces by Wifredo Lam — a major showing of the Afro-Cuban painter’s work more than a year before New York City’s Museum of Modern Art will honor him with a career retrospective show in 2025.

“We’re kind of beating MoMA to the punch,” Magnan said.

The Morocco show also marks the first time that the work of another luminary, Jose Angel Toirac, is being displayed outside Cuba. Previously, his paintings depicting the country’s late anti-capitalist president Fidel Castro in the iconography of American advertisements and consumer culture were not allowed off the island.

Other works in Cuban Art: On the other side of the Atlantic — open until June 16 — show prevalent themes in Cuban art ranging from isolation and economic embargo to heritage and identity.

In Cuba, almost half of the population identifies as mixed race and more than 1 million people are Afro-Cuban. The island’s diversity is a recurring subject for its painters and artists, including Lam. That’s why it was important to show his work — including paintings of African-inspired masks and use of vibrant color — in Africa, Magnan said.

Morocco is among countries that have shown new interest in Cuban art since the United States restored diplomatic ties with Cuba in 2014 and Castro died in 2016. American art dealers and major museums flocked to the previously difficult-to-visit island.

But the intrigue was curbed by the COVID-19 pandemic and former U.S. President Donald Trump’s decision to redesignate the country as a “state sponsor of terrorism,” Magnan said.

Meanwhile, Morocco has increased funding for arts and culture in an effort to boost its “geopolitical soft power” in North Africa and beyond.

In both Morocco and Cuba, 20th century artists responded to political transition — decolonization in Morocco, revolution in Cuba — by drawing from history and engaging in trends shaping contemporary art worldwide.

But the current show does not touch on Moroccan-Cuban diplomatic relations, which were restored following King Mohamed VI’s 2017 visit to Cuba.

The countries had cut ties decades ago over Cuba’s position on the disputed Western Sahara, which Morocco claims. Cuba has historically trained Sahrawi soldiers and doctors and backed the Polisario Front’s agenda at the United Nations. 
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Discrimination dating back decades has often meant Chinese Muslims living in Indonesia have had a difficult time blending in with others of their faith. Several mosques in the country now aim to bridge that gap, as VOA’s Ahadian Utama reports. VOA footage by Gregorius Giovanni.
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Los Angeles — The Godzilla-King Kong combo stomped on expectations as “Godzilla x Kong: The New Empire” roared to an $80 million opening on 3,861 North American screens, according to Sunday studio estimates.

 

The monster mash-up from Warner Bros. and Legendary Pictures starring Rebecca Hall and Brian Tyree Henry brought the second-highest opening in what has been a robust year, falling just short of the $81.5 million debut of “Dune: Part 2.”  Projections had put the opening weekend of “Godzilla x Kong: Frozen Empire” at closer to $50 million.

 

Last week’s No. 1 at the box office, “Ghostbusters: Frozen Empire,” was second with $15.7 million for a two-week total of $73.4 million.

 

“Dune: Part Two” stayed strong in its fifth week, falling in the third spot with an $11.1 million take and a domestic total of $252.4 million.

 

The last matchup of the two monsters from Warner Bros. and Legendary, 2021’s “Godzilla vs. Kong,” had a much smaller opening weekend of $48.5 million, but that was a huge number for a film slowed by the coronavirus pandemic and released simultaneously on HBO Max.

 

The newer film had the second biggest opening of the studios’ broader MonsterVerse franchise. “Godzilla” brought in $93.2 million in 2014.

 

Estimated ticket sales are for Friday through Sunday at U.S. and Canadian theaters,  

according to Comscore. Final domestic figures will be released Monday.

 

1. “Godzilla x Kong: The New Empire,” $80 million.

2. “Ghostbusters: Frozen Empire,” $15.7 million.

3. “Dune: Part Two,” $11.1 million.

4. “Kung Fu Panda 4,” $10.2. million.

5. “Immaculate,” $3.3 million.

6. “Arthur the King,” $2.4 million.

7. “Late Night With the Devil,” $2.2 million.

8. “Tillu Square,” $1.8 million.

9. “Crew,” $1.5 million.

10. “Imaginary,” $1.4 million.
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Vatican City — Pope Francis on Sunday celebrated Easter Mass with tens of thousands of Catholics at Saint Peter’s Square in Vatican City before his traditional blessing, as concerns persist over his health.

The 87-year-old arrived in a wheelchair to preside over the Mass from 10 a.m. (0800 GMT) in cloudy and windy weather, with the events broadcast live around the globe.

Francis will pronounce the “Urbi et Orbi” (To the City and the World) blessing at midday where he is expected to bring up the international conflicts raging worldwide.

For Christians, Easter Sunday marks the resurrection of Jesus Christ and is the culmination of Holy Week, a major part of the Catholic calendar followed by 1.3 billion people.

The pope on Saturday presided over the Easter Vigil at the Vatican in front of some 6,000 people from around the world, a day after his last-minute cancellation at a major Good Friday procession revived questions about his health.

He delivered a 10-minute homily in Italian, speaking without any undue difficulty and condemning “the walls of selfishness and indifference” in the world.

At the end of the 2½-hour service he showed little sign of fatigue, taking time to greet and bless some of the worshippers.

In a brief statement Friday, the Vatican had said that “to preserve his health ahead of tomorrow’s vigil and the Easter Sunday Mass, Pope Francis will this evening follow the Way of the Cross at the Colosseum from the Santa Marta Residence,” where he lives.

Health concerns

The last-minute decision raised questions about how long Francis can continue to lead the Catholic Church.

A Vatican source told AFP on Friday there was “no particular concern” about his health and the decision to pull out had been “simply a measure of caution.”

The Argentinian Jesuit had also canceled his participation in the “Via Crucis” in 2023, but that followed a three-day hospital stay for bronchitis, and was announced well ahead of time. Weeks later, he underwent a hernia operation.

Up until Friday, the pope had attended his various engagements throughout the week, but he recently appeared tired and has sometimes delegated speaking roles to colleagues.

Francis, who never takes holidays, made his last trip in September, to the southern French city of Marseille. In December, he canceled a much-anticipated attendance at the COP28 climate summit in Dubai.

His next scheduled trip is to Venice on April 28. The Vatican has not yet confirmed a planned trip to Asia and Pacific Ocean nations for this summer.

Francis has previously left the door open to stepping down if he can no longer do the job. That would follow the example of his immediate predecessor, Benedict XVI, who in 2013 became the first pope since the Middle Ages to voluntarily step aside.

But in a memoir published this month, Francis wrote that he did “not have any cause serious enough to make me think of resigning.” 
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Washington/Los Angeles — A California college is seeking the return, “no questions asked,” of an iconic image of Chinese Communist Party founder Mao Zedong created by famed American artist Andy Warhol.

Two weeks ago, Orange Coast College discovered that one of Warhol’s signed silkscreen prints of Mao was missing from its vault. The portrait has an estimated value of $50,000.

Doug Bennett, executive director for college advancement at Orange Coast College, told VOA’s Mandarin Service that the print was purchased by a person close to the school from a gallery in Laguna Beach, California, in 1974 and donated to the school anonymously in September 2020.

But now, even before it was put on display, it’s gone missing.

Bennett said he hopes someone just took the print by mistake, adding that the college wouldn’t ask questions if it was returned.

“Someone perhaps took it and put it in their office or put it in their home and thought it was OK to do. Or maybe it was misplaced, but I don’t think it was like a ring of art thieves that stole it,” he said.

Warhol made the portraits of Mao in the 1970s after U.S. President Richard Nixon’s historic visit to China.

“When it [the portrait of Mao] first came out in the 1970s, it was very controversial, still maybe to some people,” Bennett said.

From 1972-73, Warhol used the image of Mao from the Little Red Book, widely circulated in China, as a template to create 199 richly colored Mao silkscreen works in five series.

The school immediately launched an internal investigation after discovering the print was missing on March 13. A week later, a report was made to the Costa Mesa Police Department in Orange County, where the school is located. The police are investigating.

“It’s a high priority for the police department, and two detectives are assigned to the case and are working on it,” Bennett said.

The Costa Mesa Police Department told VOA the investigation is ongoing but did not provide any new details.

Police and the school are appealing for anyone with information to come forward.

Warhol, who is known as the godfather of the pop art movement, began using ubiquitous objects such as Campbell’s soup cans and Coca-Cola bottles as subjects for his creations in the 1960s, kicking off the movement.

A summary of the Mao portraits by the Metropolitan Museum of Art in New York says this about the series: “As interpreted by Warhol, these works, with their repeated image painted in flamboyant colors and with expressionistic marks, may suggest a parallel between political propaganda and capitalist advertising.”

In 1982, Warhol visited China and took a photo in front of the portrait of Mao in Tiananmen Square. Five years later, Warhol died.

In 2013, Warhol’s works toured China, but the Mao series was forced to be withdrawn. At the time, Chinese state media claimed that the Mao in the works “far exceeded the officially acceptable image.”

However, the Mao series has become one of Warhol’s most sought-after celebrity portraits by collectors. According to data from Sotheby’s auction house, in 2015, a Mao painting was sold for $47.5 million. In 2017, another painting of Mao was sold for $12.7 million.
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DES MOINES, Iowa — The Powerball jackpot climbed to an estimated $975 million after no one matched the six numbers drawn Saturday night, continuing a nearly three-month stretch without a big winner.

The winning numbers drawn were: 12, 13, 33, 50, 52 and the red Powerball 23.

No one has won Powerball’s top prize since New Year’s Day when a ticket in Michigan hit for $842.4 million, bringing the number of consecutive drawings without a jackpot winner to 38. That winless streak nears the record of 41 consecutive drawings, set twice in 2022 and 2021.

The $975 million prize is for a sole winner who chooses an annuity paid over 30 years. A winner opting for cash would be paid $471.7 million. The prizes would be subject to federal taxes, and many states also tax lottery winnings.

As the prizes grow, the drawings attract more ticket sales and the jackpots subsequently become harder to hit. The game’s long odds for Saturday’s drawing were 1 in 292.2 million.

Powerball is played in 45 states plus Washington, D.C., Puerto Rico and the U.S. Virgin Islands.
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ROME — Pope Francis presided over the Vatican’s somber Easter Vigil service on Saturday night, delivering a 10-minute homily and baptizing eight people, a day after suddenly skipping the Good Friday procession at the Colosseum as a health precaution.

Francis entered the darkened, silent St. Peter’s Basilica in his wheelchair, took his place in a chair and offered an opening prayer. Sounding somewhat congested and out of breath, he blessed an elaborately decorated Easter candle, the flame of which was then shared with other candles until the whole basilica twinkled.

Over an hour later, Francis delivered a 10-minute homily in a strong voice, clearing his throat occasionally.

The evening service, one of the most solemn and important moments in the Catholic liturgical calendar, commemorates the resurrection of Jesus. The Vatican had said Francis skipped the Good Friday procession to ensure his participation in both the vigil service Saturday night, which usually lasts about two hours, and Easter Sunday Mass a few hours later.

The 87-year-old Francis, who had part of one lung removed as a young man, has been battling respiratory problems all winter that have made it difficult for him to speak at length. He and the Vatican have said he has had bronchitis, a cold or the flu.

He has canceled some audiences and often asked an aide to read aloud some of his speeches. But the alarm was raised when he ditched his Palm Sunday homily altogether last week at the last minute and then decided suddenly Friday to stay home rather than preside over the Way of the Cross procession at the Colosseum reenacting Christ’s crucifixion.

The Vatican said in a brief explanation that the decision was made to “conserve his health.”

The decision appeared to have paid off Saturday night, as Francis was able to recite the prayers of the lengthy vigil service and perform the sacrament of baptism for the eight adults. The baptism is a traditional feature of the Vatican’s Easter Vigil service.

In his homily Francis referred to the stone that the faithful believe was removed from Christ’s tomb after his death. Francis urged Catholics to remove the stones in their lives that “block the door of our hearts, stifling life, extinguishing hope, imprisoning us in the tomb of our fears and regrets.”

“Let us lift our eyes to him and ask that the power of his resurrection may roll away the heavy stones that weigh down our souls,” he said.

Holy Week is trying for a pope under any circumstance, given four days of liturgies, rites, fasting and prayer. But that is especially true for Francis, who canceled a trip to Dubai late last year, just days prior, on doctor’s orders because of his respiratory problems.

In addition to his respiratory problems, Francis had a chunk of his large intestine removed in 2021 and was hospitalized twice last year, including once to remove intestinal scar tissue from previous surgeries to address diverticulosis, or bulges in his intestinal wall. He has been using a wheelchair or cane for nearly two years because of bad knee ligaments.

In his recently published memoirs, Life: My Story Through History, Francis said he isn’t suffering from any health problems that would require him to resign and that he still has ” many projects to bring to fruition.”
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ROME — The Vatican confirmed Pope Francis would preside over the Easter Vigil service Saturday night, after he decided at the last minute to skip his participation in the Good Friday procession at the Colosseum as a health precaution.

The Vatican’s daily bulletin confirmed Francis would lead the lengthy vigil in St. Peter’s Basilica, one of the most solemn and important moments in the Catholic liturgical calendar. The service, which is due to begin at 7:30 p.m. and usually lasts two hours, commemorates the resurrection of Jesus and includes the sacrament of baptism for eight adult converts.

The 87-year-old Francis, who had part of one lung removed as a young man, has been battling respiratory problems all winter that have made it difficult for him to speak at length.

He has canceled some audiences and often asked an aide to read aloud some of his speeches. But he ditched his Palm Sunday homily altogether and decided at the last minute Friday to stay home rather than preside over the Way of the Cross procession at the Colosseum reenacting Christ’s crucifixion.

The Vatican said in a brief explanation that the decision was made to “conserve his health” in view of the vigil service Saturday and his even more taxing obligations on Easter Sunday. The pope is due to preside over a morning Easter Mass in St. Peter’s Square and deliver his Urbi et Orbi (to the city and the world) speech praying for an end to global crises.

While Francis also skipped the chilly Good Friday procession last year because he was recovering from bronchitis, his sudden absence from the event this year raised concern. His chair was in place on the podium, and his aides were preparing for his arrival when the Vatican announced five minutes before the official start time that he wasn’t coming.

In addition to his respiratory problems, Francis had a chunk of his large intestine removed in 2021 and was hospitalized twice last year, including once to remove intestinal scar tissue from previous surgeries to address diverticulosis, or bulges in his intestinal wall. He has been using a wheelchair or cane for nearly two years because of bad knee ligaments.

In his recently published memoirs, “Life: My Story Through History,” Francis said he isn’t suffering from any health problems that would require him to resign and that he still has “many projects to bring to fruition.”
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new york — Doris Kearns Goodwin, Laurie Anderson and the president of the Harlem School of the Arts, James C. Horton, are being honored by the American Academy of Arts and Letters. 

The academy announced Friday that Goodwin, the Pulitzer Prize-winning historian, is receiving a Gold Medal for biography. Anderson, the celebrated avant-garde performer, will be given a Gold Medal for music. Horton, who has run the renowned Harlem school since 2022 and has worked in education for decades, is being cited for his “significant contribution to the arts.” 

All three will be presented their awards in May, when the academy formally inducts its new members, among them the Oscar-winning composer John Williams and the novelist Alice McDermott. 

The arts academy is an honor society founded in 1898 that has 300 core members and each year awards numerous prizes and grants.
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