When the International African American Museum opens to the public Tuesday in South Carolina, it becomes a new site of homecoming and pilgrimage for descendants of enslaved Africans whose arrival in the Western Hemisphere begins on the docks of the Lowcountry coast.

Overlooking the old wharf in Charleston at which nearly half of the enslaved population first entered North America, the 150,000-square-foot (14,000-square-meter) museum houses exhibits and artifacts exploring how African Americans’ labor, perseverance, resistance and cultures shaped the Carolinas, the nation and the world.

It also includes a genealogy research center to help families trace their ancestors’ journey from point of arrival on the land.

The opening happens at a time when the very idea of Black people’s survival through slavery, racial apartheid and economic oppression being quintessential to the American story is being challenged throughout the U.S. Leaders of the museum said its existence is not a rebuttal to current attempts to suppress history, but rather an invitation to dialogue and discovery.

“Show me a courageous space, show me an open space, show me a space that meets me where I am, and then gets me where I asked to go,” said Dr. Tonya Matthews, the museum’s president and CEO.

“I think that’s the superpower of museums,” she said. “The only thing you need to bring to this museum is your curiosity, and we’ll do the rest.”

The $120 million facility features nine galleries that contain nearly a dozen interactive exhibits of more than 150 historical objects and 30 works of art. One of the museum’s exhibits will rotate two to three times each year.

Upon entering the space, eight large video screens play a looped trailer of a diasporic journey that spans centuries, from cultural roots on the African continent and the horrors of the Middle Passage to the regional and international legacies that spawned out of Africans’ dispersal and migration across lands.

The screens are angled as if to beckon visitors towards large windows and a balcony at the rear of the museum, revealing sprawling views of the Charleston harbor.

One unique feature of the museum is its gallery dedicated to the history and culture of the Gullah Geechee people. Their isolation on rice, indigo and cotton plantations on coastal South Carolina, Georgia and North Florida helped them maintain ties to West African cultural traditions and Creole language. A multimedia, chapel-sized “praise house” in the gallery highlights the faith expressions of the Gullah Geechee and shows how those expressions are imprinted on Black American gospel music.

On Saturday, the museum grounds buzzed with excitement as its founders, staff, elected officials and other invited guests dedicated the grounds in spectacular fashion.

The program was emceed by award-winning actress and director Phylicia Rashad and included stirring appearances by poet Nikky Finney and the McIntosh County Shouters, who perform songs passed down by enslaved African Americans.

“Truth sets us free — free to understand, free to respect and free to appreciate the full spectrum of our shared history,” said former Charleston Mayor Joseph Riley, Jr. who is widely credited for the idea to bring the museum to the city.

Planning for the International African American Museum dates back to 2000, when Riley called for its creation in a State of the City address. It took many more years, through setbacks in fundraising and changes in museum leadership, before construction started in 2019.

Originally set to open in 2020, the museum was further delayed by the coronavirus pandemic, as well as by issues in the supply chain of materials needed to complete construction.

Gadsden’s Wharf, a 2.3-acre waterfront plot where it’s estimated that up 45% of enslaved Africans brought to the United States in the late 18th and early 19th centuries walked, sets the tone for how the museum is experienced. The wharf was built by Revolutionary War figure Christopher Gadsden.

The land is now part of an intentionally designed ancestral garden. Black granite walls are erected on the spot of a former storage house, a space where hunched enslaved humans perished awaiting their transport to the slave market. The walls are emblazoned with lines of Maya Angelou’s poem, “And Still I Rise.”

The museum’s main structure does not touch the hallowed grounds on which it is located. Instead, it is hoisted above the wharf by 18 cylindrical columns. Beneath the structure is a shallow fountain tribute to the men, women and children whose bodies were inhumanely shackled together in the bellies of ships in the transatlantic slave trade.

To discourage visitors from walking on the raised outlines of the shackled bodies, a walkway was created through the center of the wharf tribute.

“There’s something incredibly significant about reclaiming a space that was once the landing point, the beginning of a horrific American journey for captured Africans,” said Malika Pryor, the museum’s chief learning and education officer.

Walter Hood, founder and creative director of Hood Design Studios based in Oakland, California, designed the landscape of the museum’s grounds. The designs are inspired by tours of Lowcountry and its former plantations, he said. The lush grounds, winding paths and seating areas are meant to be an ethnobotanical garden, forcing visitors to see how the botany of enslaved Africans and their descendants helped shape what still exists today across the Carolinas.

The opening of the Charleston museum adds to a growing array of institutions dedicated to teaching an accurate history of the Black experience in America. Many will have heard of, and perhaps visited, the Smithsonian’s National Museum of African American History and Culture in the nation’s capital, which opened in 2016.

Lesser-known Afrocentric museums and exhibits exist in nearly every region of the country. In Montgomery, Alabama, The Legacy Museum: From Enslavement to Mass Incarceration and the corresponding National Memorial for Peace and Justice highlight slavery, Jim Crow and the history of lynching in America.

Pryor, formerly the educational director of the Charles H. Wright Museum of African American History in Detroit, said these types of museums focus on the underdiscussed, underengaged parts of the American story.

“This is such an incredibly expansive history, there’s room for 25 more museums that would have opportunities to bring a new curatorial lens to this conversation,” she said.

The museum has launched an initiative to develop relationships with school districts, especially in places where laws limit how public school teachers discuss race and racism in the classroom. In recent years, conservative politicians around the country have banned books in more than 5,000 schools in 32 states. Bans or limits on instruction about slavery and systemic racism have been enacted in at least 16 states since 2021.

Pryor said South Carolina’s ban on the teaching of critical race theory in public schools has not put the museum out of reach for local elementary, middle and high schools that hope to make field trips there.

“Even just the calls and the requests for school group visits, for school group tours, they number easily in the hundreds,” she said. “And we haven’t formally opened our doors yet.”

When the doors are open, all are welcome to reckon with a fuller truth of the Black American story, said Matthews, the museum president.

“If you ask me what we want people to feel when they are in the museum, our answer is something akin to everything,” she said.

“It is the epitome of our journey, the execution of our mission, to honor the untold stories of the African American journey at one of our nation’s most sacred sites.”
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“Spider-Man: Across the Spider-Verse” slung its webs back atop the box office ranks while “The Flash” saw a drop faster than the film’s speedy character. 

The Spidey animated sequel — starring Shameik Moore as the teenage webslinger Miles Morales — reclaimed the No. 1 spot in its fourth week in North American theaters, scoring $19.3 million. The latest number helped the Sony film reach $317.1 million domestically and an impressive $560.3 million worldwide. 

“Spider-Verse” beat out “Elemental,” which took second place for the second week in a row with an estimated $18.5 million. The film held on to the spot after experiencing Pixar’s worst three-day opening last week. 

No other film had such a dramatic drop than “The Flash” with $15.2 million for the big-budget offering. The second week output for the DC and Warner Bros superhero film, starring Ezra Miller, fell off by 72% after opening with a subpar $55 million. 

So far, the numbers “The Flash” has accumulated haven’t measured up for a movie with a $200 million production budget. Some are crediting the film’s struggles to Miller’s off-screen behavior that has included arrests and misconduct. The actor has apologized and sought mental health treatment. 

“The Flash” barely edged out “No Hard Feelings,” starring Jennifer Lawrence and Andrew Barth Feldman. The raunchy comedy, which opened in fourth place with $15.1 million, tells a story about a teen’s parents who hired a woman (Lawrence) to date and boost his confidence. 

“Transformers: Rise of the Beasts” came in fifth place with $11.6 million in its third week with a total $122.9 million. It placed ahead of Wes Anderson’s “Asteroid City,” which did better than expected with $9 million. 

In seventh, “The Little Mermaid” pulled in $8.6 million to bring its total to more than $270 million. 

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

1. “Spider-Man: Across the Spider-Verse,” $19.3 million. 

2. “Elemental,” $18.4 million. 

3. The Flash,” $15.2 million. 

4. “No Hard Feelings,” 15.1 million. 

5. Transformers: Rise of the Beasts,” $11.6 million. 

6. “Asteroid City” $9 million. 

7. “The Little Mermaid,” $8.6 million. 

8. “Guardians of the Galaxy Vol. 3,” $3.5 million. 

9. “The Blackening,” $3 million. 

10. “The Boogeyman,” $2.5 million. 
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Zion Rose is well aware that the percentage of Black U.S. players in Major League Baseball has been on the decline for decades.

But the 18-year-old catcher from Chicago, still sweaty from a workout during MLB’s Draft Combine this week at Chase Field in Phoenix, said he’s got some news: That’s not going to be the case for long.

“You’ll see,” he said. “We’re starting to come through.”

Rose was one of more than 300 players of all backgrounds in Phoenix this week to take part in the combine, which featured workouts, interviews and games in an effort to showcase some of the game’s best amateur talent at the high school and college levels before July’s draft. MLB said that approximately 15% of the players in the showcase were Black.

The hope is that the next Aaron Judge, Mookie Betts or Andrew McCutchen will be in that bunch. Possibly several.

A recent study from The Institute for Diversity and Ethics in Sport at Central Florida found Black U.S. players represented just 6.2% of players on MLB opening day rosters, down from last year’s previous record low of 7.2%. Both figures are the lowest recorded in the study since it began in 1991, when 18% of players were Black. Last year’s World Series was the first since 1950 without a U.S.-born Black player.

There are tangible reasons to believe the percentage of Black players might be on the upswing soon.

Four of the first five players picked in last summer’s amateur draft were Black for the first time ever. Those four were among the hundreds who had participated in diversity initiatives such as the MLB Youth Academy, DREAM Series and the Reviving Baseball in Inner Cities (RBI) program. MLB has also pledged $150 million in a 10-year partnership with the Players Alliance. The nonprofit organization of current and former players works to increase Black involvement at all levels.

Many of those programs started several years ago, and the younger participants are starting to hit draft-eligible age.

Rose is among them. He said the diversity initiatives didn’t just provide exposure to scouts, but also opened a vital pipeline for minority players to connect, share experiences and see faces similar to their own. The catcher said that Black former MLB players and coaches were also in attendance at many of the tournaments, providing role models. He cited Reds pitcher Hunter Greene as a big influence.

“I met most of my best friends at those camps,” Rose said. “Just being able to see people your color playing the game, being able to relate to them, that’s been important.”

Homer Bush Jr. — whose dad played in the big leagues for seven seasons for the Blue Jays, Yankees and Marlins — said baseball is also doing a better job of being social media savvy. The outfielder just finished his junior season in college at Grand Canyon.

Bush said its important that baseball portrays itself as a fun sport. Baseball’s trend of elaborate celebrations for home runs and big hits — like Pittsburgh’s swashbuckling routine — is a good start.

He also said he believes having more Black players in the big leagues should create a snowball effect that brings more young minority players into the game.

“I could talk about it for hours,” Bush said. “But I feel like one of the biggest things is just representation. I had a dad who played in the big leagues, so I had someone to look up to and admire. But most guys — when you click on MLB Network or ESPN — there’s not a ton of Black baseball players.”

Of course, there are other variables to getting more minority players to the big leagues — mainly money and time.

Simply put, developing a big-league ballplayer is usually expensive. There’s the equipment, the costs of joining a travel team and the pricey individual instruction that is sometimes needed — expenses than can easily total thousands of dollars per year. There’s also the time commitment: weekends completely filled with two and sometimes three games each day.

“We took a lot of videos of other players for their parents who couldn’t make it,” said Shaun Rose, Zion’s dad.

Karin Rose, Zion’s mom, said she was fortunate that she has a job as a school nurse, which allowed her to travel with Zion during much of the summer baseball season while Shaun worked at his barber shop. Money wasn’t a huge problem, because both had good jobs and some family members chipped in.

Zion took the additional step of transferring from Brother Rice High School in Chicago to IMG Academy in Florida for his senior season, so he could take advantage of the facilities and year-round baseball weather. He’s ranked by MLB.com as the 144th best prospect in this year’s draft, projecting for roughly the fifth round, where the recommended signing bonus is around $400,000.

“We understood the sacrifice, but it was Zion’s will to be a great player that put us in this position,” Karin Rose said. “We’ve been really blessed with travel ball, lots of support from friends and family.”

Several Black former MLB players were in Phoenix to help with the combine, including Chris Young, who played in the big leagues for 13 seasons and was an All-Star with the Arizona Diamondbacks in 2010. He said the sport’s diversity inititaves are a good way to lessen the financial load, but it will never go away completely.

“I don’t think baseball is going to get any less expensive anytime soon,” the 39-year-old Young said. “It’s an expensive game. It was an expensive game even back when I was a kid.”

He also hopes that more Black athletes will choose baseball over football or basketball, sports that have claimed top baseball prospects in the past like Arizona Cardinals quarterback Kyler Murray. Another of this year’s top prospects — Duce Robinson — is trying to decide between pro baseball or playing tight end at USC.

“We have to make it worth their while,” Young said. “If you’re getting guys like that — I don’t want to overspeak — but you’re getting athletes like Mike Trout. Then it’s just up to each team’s player development.”
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Saudi Arabia has ambitious plans to welcome millions more pilgrims to Islam’s holiest sites. But as climate change heats up an already scorching region, the annual Hajj pilgrimage — much of which takes place outdoors in the desert — could prove even more daunting.

The increased number of pilgrims, with the associated surge in international air travel and infrastructure expansion, also raises sustainability concerns, even as the oil giant pursues the goal of getting half its energy from renewable resources by 2030.

Next week, Saudi Arabia hosts the first Hajj pilgrimage without the restrictions imposed during the coronavirus pandemic. Some 2.5 million people took part in the pilgrimage in 2019, and around 2 million are expected this year.

Under Crown Prince Mohammed bin Salman’s wide-ranging plan to overhaul the kingdom’s economy, known as Vision 2030, 30 million pilgrims would take part in the Hajj and Umrah — a smaller, year-round pilgrimage. That would be an increase of more than 10 million from pre-pandemic levels.

It will require a vast expansion of hotels and other infrastructure in Mecca and Medina, ancient cities already largely obliterated by high-rises and shopping malls. The additional pilgrims will require more long-distance flights, more buses and cars, more water and electricity.

The Associated Press reached out to several Saudi officials with detailed questions but received no response. It’s unclear what, if any, studies the government has done on the environmental impact of the pilgrimage or whether that figures into its plans. And well-intentioned measures, like a high-speed railway network, aren’t enough to remove polluting traffic in and around the holy city.

The trains whip through the arid landscape at top speeds of 300 km/h (186 mph), carrying pilgrims in air-conditioned comfort from Jeddah to Mecca. But they stop several kilometers away from the Grand Mosque, meaning pilgrims must either walk at least an hour or take a bus or car to the holy site. The $19 one-way price from Jeddah’s airport to Mecca may also be out of reach for pilgrims on lower incomes.

The Hajj is one of the five pillars of Islam, and all Muslims who are able to are required to undertake it at least once in their lives. For pilgrims, retracing the footsteps of the Prophet Muhammad is a profound religious experience that wipes away sins, deepens one’s faith and unifies Muslims the world over.

The Saudi royal family’s legitimacy is largely rooted in its custodianship of Islam’s holiest sites and its ability to host one of the largest annual religious gatherings on the planet.

Experts have found that the Hajj both contributes to climate change and will be affected by it in the coming decades as one of the hottest places on Earth gets even warmer.

A study of the 2018 Hajj by experts from Victoria University in Melbourne estimated that the five-day pilgrimage produced over 1.8 million tons of greenhouse gases, roughly the amount New York City emits every two weeks. The biggest contributor was aviation, accounting for 87% of emissions.

Abdullah Abonomi, a Saudi researcher and one of the authors of the study, said Saudi authorities have embraced sustainability as part of Vision 2030, which calls for preserving natural resources in order to attract pilgrims, tourists and businesses.

“Everything has changed,” he said, pointing to the establishment of national centers to coordinate sustainable policies, the creation of an environmental police force to crack down on violations and the integration of sustainability into university courses on tourism.

“If you ask four years ago about sustainability … no one understands what sustainability is,” he said. “But today, everything is going to be better. And I know we are late, but better late than never.”

In the past, he says, cars and buses packed with pilgrims filled the streets around Mecca, belching exhaust into the air, but expansion of the Grand Mosque has led to bigger courtyards and increased pedestrianisation in most of the routes leading to the holy site.

Still, human bottlenecks have replaced traffic, and garbage swirls in clouds of heat. For travel around Mina and Arafat, two crucial Hajj locations, cars and buses remain the two most widespread forms of transport. The journey by foot, in sweltering temperatures, is arduous but can prove faster than four wheels.

In its Hajj ambitions, Saudi Arabia faces managing huge numbers of pilgrims in a rapidly warming world.

During the rituals, pilgrims often walk for hours outside, scale a desert hill known as the Mountain of Mercy, where the prophet is said to have delivered his last sermon, and cast stones at pillars representing the devil in a desert plain. They pack into the Grand Mosque in Mecca to circumambulate the Kaaba. On top of the exertions, the Hajj population skews to the elderly, who are more vulnerable to heat.

On an evening this week around sunset in Mecca, temperatures hovered around 37 degrees Celsius (98 degrees Fahrenheit). The crowds made it feel hotter, stifling any airflow. In a bustling basement supermarket near the Grand Mosque, pilgrims bought handheld fans that spray water on the face and every kind of umbrella.

A 2019 study by experts at the Massachusetts Institute of Technology found that even if the world succeeds in mitigating the worst effects of climate change, the Hajj would be held in temperatures exceeding an “extreme danger threshold” from 2047 to 2052 and from 2079 to 2086.

Islam follows a lunar calendar, so the Hajj falls around 11 days earlier each year. In 2030, the Hajj will occur in April, and over the next several years it will fall in the winter, when temperatures are milder.

In recent years, Saudi authorities have installed large awnings and misters around holy sites to cool pilgrims. As temperatures climb, authorities will likely need to step up such measures or introduce new strategies like limiting pilgrim numbers in higher-heat years, the heat stress study concluded.

“People who want to do Hajj should get the opportunity to do it,” said Elfatih Eltahir, one of the study’s authors. “Global warming is going to make it a little bit more difficult — for some years, for some individuals.”

Muslim activists have launched grassroots initiatives aimed at a “green Hajj,” encouraging pilgrims to only make the journey once, to avoid single-use plastics and to offset carbon emissions by planting trees.

The Hajj “can be green and sustainable if there are smart policies and technology to lower the ecological footprint,” said Odeh Jayyousi, a professor at the Arabian Gulf University in Bahrain who researches sustainability and innovation.

The use of biodegradable plastics, reusable tents, and renewable energy would cut down on greenhouse gases, he said. Artificial intelligence could be brought to bear on logistics, streamlining travel and ensuring that planes and busses are full and do not spend too much time idling.

“The young generation are mindful of the trade-offs and the need to change consumption patterns,” Jayyousi said. “Hajj can offer a platform for displaying the best green practices to global audiences.”
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The confessionals where generations of Belgians admitted their sins stood stacked in a corner of what was once Sacred Heart Church, proof the stalls — as well as the Roman Catholic house of worship — had outlived their purpose.

The building is to close for two years while a cafe and concert stage are added as part of the plans to turn it into “a new cultural hot spot in the heart of Mechelen,” almost within earshot of where Belgium’s archbishop lives. Around the corner, a former Franciscan church is now a luxury hotel where music star Stromae spent his wedding night amid the stained-glass windows.

Across Europe, the continent that nurtured Christianity for most of two millennia, churches, convents and chapels stand empty and increasingly derelict as faith and church attendance shriveled over the past half century.

“That is painful. I will not hide it. On the other hand, there is no return to the past possible,” Mgr. Johan Bonny, bishop of Antwerp, told the Associated Press. Something needs to be done and now, ever more of the once-sacred structures are repurposed for anything from clothes shops and climbing walls to nightclubs.

It is a phenomenon seen over much of Europe’s Christian heartland from Germany to Italy and many nations in between. It really stands out in Flanders, in northern Belgium, which has some of the greatest cathedrals on the continent and the finest art to fill them. If only it had enough faithful. A 2018 study from the PEW research group showed, in Belgium, that of the 83% that say they were raised Christian, only 55% still consider themselves so. Only 10% of Belgians still attended church regularly.

Nowadays, visiting international choirs may find that their singers outnumber the congregation.

On average, every one of the 300 towns in Flanders has about six churches and often not enough faithful to fill a single one. Some become eyesores in city centers, their maintenance a constant drain on finances.

Mechelen, a town of 85,000 just north of Brussels is the Roman Catholic center of Belgium. It has two dozen churches, several huddled close to St. Rumbold’s cathedral with its UNESCO World Heritage belfry tower. Mayor Bart Somers has been working for years to give many of the buildings a different purpose.

“In my city we have a brewery in a church, we have a hotel in a church, we have a cultural center in a church, we have a library in a church. So we have a lot of new destinations for the churches,” said Somers, who as Flemish regional minister is also involved in repurposing some 350 churches spread across the densely populated region of 6.7 million.

A landmark repurposing project in Belgium was Martin’s Patershof hotel in Mechelen, where the interior of the church was gutted to create rooms where the beds have headboards resembling organ pipes and a breakfast room next to the altar where wafers of gold leaf hover overhead.

“We often hear that people come here to relax and enjoy the silence of its former identity,” said hotel manager Emilie De Preter.

With its understated luxury, it offers contemplation, and more.

“In the hotel, people sleep in a church, maybe have sex in a church. So you could say: ethically, is it a good idea to have a hotel in a church? I don’t have so many hesitations,” said Somers. “I am more concerned about the actual architectural value.”

The design value is especially clear at St. Anthony of Padua church in Brussels, also known as Maniak Padoue climbing club these days, where the multicolored hand and footholds on the wall now compete with the stained glass as the prime multicolored attraction.

“The stained glass brings a real shimmering and warm light to the venue when the sun goes through it, so we can really feel the presence of the remains of the church,” said Kyril Wittouck, the co-founder of the club. “The altar is still in place, so we are surrounded by remains and it reminds us where we actually are.”

Also in Brussels, the Spirito night club has taken over a deconsecrated Anglican church and has a drawing of a priest kissing a nun as its logo.

It is not exactly what Bishop Bonny had in mind.

Even if Roman Catholic religion is on the wane, a sense of the sacral or a need for reflection is also still present in society, whether one is religious, agnostic or atheist. And the aura of tranquility emanating from a church is hard to match. So for Bonny, there is no reason to turn churches into supermarkets or discos.

“Those are places for contemplation. And is that not exactly that the care of the church should be about?” he said. Bonny thinks the most successful and gratifying repurposing has been the handing over to other Christian communities, be they Coptic or Eastern European.

At his office, though, he can get weary just looking at the procession of suitors for empty Roman Catholic buildings. His heart is heavy when a real estate agent shows up.

“They see possibilities. And you cannot believe, suddenly, how pious they can become when a financial opportunity presents itself. Suddenly they are more devout than a nun,” he said.

Knowing the winding history of Christianity over centuries, Bonny takes the long view, since the near future does not look bright.

“Every 300 years we nearly had to start again,” he said. “Something new, I’m sure, will happen. But it takes time.”

At the Martin’s Patershof, there is a condition that the church can reclaim the building if it is needed again, said De Preter. The hotel elements were built on steel beams and could be totally disassembled and taken out again.

“If the church, at a certain point, wants the building back — which holds a very small chance, probably — it is possible,” she said.
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At Tyler Malek’s ice cream parlors, one cook’s trash is another chef’s frosty treat.

The head ice cream maker at the Portland, Oregon-based Salt & Straw uses the whey leftover from yogurt makers in upstate New York to make his lemon curd flavor. For chocolate barley milk, he mixes in the remnants of rice and grains from beer brewing to give it a light and creamy taste.

“Instead of calling this food waste, we need to call it wasted food and start decreasing how much wasting we’re doing,” Malek said.

Malek’s ice cream chain is among those at the forefront of the upcycling movement, the process of creating high-quality products from leftover food. Malek’s shops from the Pacific Northwest to Miami now feature flavors like “Cacao Pulp & Chocolate Stracciatella Gelato,” which is made from leftover cacao pulp from chocolate production that otherwise would have gone to waste.

It’s a trend gaining ground as consumers spend more time reading packaging labels and menu ingredients to learn where their food comes from and how it affects the environment. More than 35 million tons (31 million metric tons) of food are wasted every year in the U.S. — about 40% of the country’s food production — costing the national economy more than $200 billion, according to the Upcycled Food Association.

Upcycled food is becoming increasingly common in cake mixes and veggie chips at natural grocery stores. Ingredients include fruits and vegetables from farms nationwide that are perfectly edible but often rejected by restaurants and grocery stores because of their shape or color, like white strawberries, wilted greens and ugly mushrooms.

The Upcycled Food Association, which will celebrate World Upcycling Day on Saturday, issues an official “Upcycling Certified” seal to qualifying products. These seals, which adorn the new Salt & Straw upcycled flavors, raise awareness with consumers that the company making the food used such ingredients.

The association initially certified about 30 products in 2021 and now has 450 carrying the label.

“A lot of the food that is uneaten or thrown away in our supply chain is actually due to archaic cosmetic standards or sort of perceptions that what we think is edible or quality food,” said Angie Crone, the association’s chief executive. “So this is a mark that you can see on the products wherever you go shopping, to be able to understand how that company is reducing food waste in their supply chain.”

The association’s seal also is featured on all products made by Renewal Mill, an Oakland-based company turning byproducts from plant-based milk into pantry stables like baking flour to reduce waste at the manufacturing level.

“Our first product is the pulp leftover from making soy milk. We turn that into a high fiber gluten-free flour called okara flour,” co-founder Caroline Cotto said. “And then we use that flour to make things like baking mixes and ready-to-eat cookies.”

The company’s okara flour is featured in Salt & Straw’s new “Salted Caramel & Okara Cupcakes” flavor.

The movement isn’t confined to recycled products found in a trendy ice cream store, farmers market or natural grocery. In San Francisco, a restaurant serving pizza and wine focuses on upcycled ingredients such as ugly mushrooms, misshapen peppers and discolored tomatoes, as well as offcuts of meat for menu stars like beef heart meatballs.

“I think so many people think about dumpster diving or using rotten ingredients, but we have this wildly overproductive food system that accounts for a ton of waste,” said Kayla Abe, co-owner of Shuggie’s Trash Pie. “Some people might not read that it’s a beef heart meatball and they just might see meatball. They order it and they’re like, that was the best meatball I’ve ever had in my life.”
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The Metropolitan Opera in New York not only organizes concerts and campaigns to support Ukraine but also has offered four Ukrainians an internship. Iryna Solomko has the story, narrated by Anna Rice.
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Titans of business, fashion, entertainment and more made the guest list for Thursday’s big White House dinner in honor India’s Narendra Modi, with the likes of designer Ralph Lauren, filmmaker M. Night Shyamalan and tennis legend Billie Jean King rubbing shoulders with tech leaders from Apple, Google and Microsoft. 

Shyamalan powered past reporters as he arrived, declaring it was “lovely” to be at the White House. Lauren revealed he’d designed first lady Jill Biden’s off-shoulder green gown for the occasion, calling her style “chic and elegant.” And violinist Joshua Bell, part of the after-dinner entertainment, said the evening was a “little different than anything I’ve done before.” 

“I’ll skip out and practice for half an hour” during dinner, he reported. 

Saris and sequins were prominent among those attending the splashy event, with a guest list of about 400 names heavy with prominent Indian Americans. Politicians of both parties also made the cut, notably including Republican House Speaker Kevin McCarthy and House Majority Leader Steve Scalise. 

Other notables on the guest list included social media influencer Jay Shetty, big Democratic donors including Florida lawyer John Morgan and civil rights activist Martin Luther King III. The CEO contingent included Apple’s Tim Cook, Google’s Sundar Pichai and Microsoft’s Satya Nadella. 

Guests were to dine on a plant-based menu of millet, mushrooms and strawberry shortcake, catering to the vegetarian tastes of the prime minister. For guests wanting something more, there was roast sea bass available on request. 

Despite deep differences over human rights and India’s stance on Russia’s war in Ukraine, President Joe Biden extended to Modi the administration’s third invitation for a state visit. It included the state dinner, a high diplomatic honor that the U.S. reserves for its closest allies. 

Biden hopes all the pomp and attention being lavished on Modi — from the thousands who gathered on the White House lawn to cheer his arrival in the morning to the splashy dinner at the end of the day — will help him firm up relations with the leader of a country the U.S. believes will be a pivotal force in Asia for decades to come. 

Guests were riding trolley cars down to a pavilion erected on the White House south grounds decorated in the green and saffron colors of India’s flag. 

Despite concerns about backsliding on democracy in India, Representative Pramila Jayapal, D-Wash., said she was attending to send the message that the nation of 1.4 billion people is important and “we must call out some of the real issues that are threatening the viability of democracy in all of our countries.” 

A group of more than 70 lawmakers, organized by Jayapal, wrote to Biden this week urging him to raise concerns about the erosion of religious, press and political freedoms with Modi. 

Jayapal, who praised Modi’s leadership skills, told The Associated Press earlier that Modi “has the ability to move India and the people in his party back to the values that we have held so dear as a country.” 

Pichai said he looked forward to the dinner as “an exciting time for U.S.-India relations.” 

“I think we have two countries which have a lot of shared foundations, large democratic systems and values,” Pichai said earlier Thursday in an interview. He cited technology as one area of mutual interest between the nations. “So I think it’s an exciting opportunity. I’m glad there is a lot of investment in a bilateral relationship.” 

Jill Biden enlisted California-based chef Nancy Curtis to help in the kitchen. Curtis specializes in plant-based cooking and said the menu “showcases the best of American cuisine seasoned with Indian elements and flavors.” She said she used millet because India is leading an international year of recognition for the grain. 

The dinner featured a salad of marinated millet, corn and compressed watermelon, stuffed Portobello mushrooms and saffron risotto, and a strawberry shortcake infused with cardamom and rose syrup. 

Lotus flowers, which are native to Asia and featured in Indian design, were visible throughout the pavilion, along with saffron-hued floral arrangements that differed from table to table. 

“We hope guests feel as if someone has set that table just for them — because we have,” the first lady said as she and her staff previewed the setup. 

After-dinner entertainment was from Bell; Penn Masala, a South Asian a cappella group founded by students at the University of Pennsylvania; and the U.S. Marine Band Chamber Orchestra. 

India was last honored with a state visit in 2009, when President Barack Obama pulled out all the stops for Prime Minister Manmohan Singh. More than 300 guests attended what was the first big social event of the new administration. 

But it made headlines worldwide after a celebrity-seeking husband and wife were admitted, even though they were not invited, and were able to interact with both leaders. 

The embarrassing episode led the White House and U.S. Secret Service, which protects the president and the executive mansion, to overhaul its clearance and security procedures. 

 
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Introduced in Nigeria by the U.S. Peace Corps in the 1960s, baseball is slowly becoming a sport of note, thanks to the efforts of a few dedicated enthusiasts of the game. Timothy Obiezu reports from Ekiti state.
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Drone photographers and videographers from around the world submitted more than 65,000 pieces of work in an annual online competition. VOA’s Julie Taboh highlights some of the winning entries. Editing: Adam Greenbaum 
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Four temples from ancient Rome, dating back as far as the 3rd century B.C. stand smack in the middle of one of the modern city’s busiest crossroads.

But until Monday, practically the only ones getting a close-up view of the temples were the cats that prowl the so-called “Sacred Area,” on the edge of the site where Julius Caesar was assassinated.

Now, with the help of funding from Bulgari, the luxury jeweler, the group of temples can be visited by the public.

For decades, the curious had to gaze down from the bustling sidewalks rimming Largo Argentina (Argentina Square) to admire the temples below. That’s because, over the centuries, the city had been built up, layer by layer, to levels several meters above the area where Caesar masterminded his political strategies and was later fatally stabbed in 44 B.C.

Behind two of the temples is a foundation and part of a wall that archaeologists believe were part of Pompey’s Curia, a large rectangular-shaped hall that temporarily hosted the Roman Senate when Caesar was murdered.

What leads archaeologists to pinpoint the ruins as Pompey’s Curia? “We know it with certainty because latrines were found on the sides” of Pompey’s Curia, and ancient texts mentioned the latrines, said Claudio Parisi Presicce, an archaeologist and Rome’s top official for cultural heritage.

Ruins among ‘best preserved’

The temples emerged during the demolition of medieval-era buildings in the late 1920s, part of dictator Benito Mussolini’s campaign to remake the urban landscape. A tower at one edge of Largo Argentina once topped a medieval palace.

The temples are designated A, B, C and D, and are believed to have been dedicated to female deities. One of the temples, reached by an imposing staircase and featuring a circular form and with six surviving columns, is believed to have been erected in honor of Fortuna, a goddess of chance associated with fertility.

Taken together, the temples make for “one of the best-preserved remains of the Roman Republic,” Parisi Presicce said after the Mayor of Rome Roberto Gualtieri cut a ceremonial ribbon Monday afternoon. On display in a corridor near the temples is a black-and-white photograph showing Mussolini cutting the ribbon in 1929 after the excavated ruins were shown off.

Also visible are the travertine paving stones that Emperor Domitian had laid down after a fire in 80 A.D. ravaged a large swath of Rome, including the Sacred Area.

Artifacts on display

On display are some of the artifacts found during last century’s excavation. Among them is a colossal stone head of one of the deities honored in the temples, chinless and without its lower lip. Another is a stone fragment of a winged angel of victory.

Over the last decades, a cat colony flourished among the ruins. Felines lounged undisturbed, and cat lovers were allowed to feed them. On Monday, one black-and-white cat sprawled lazily on its back atop the stone stump of what was once a glorious column.

Bulgari helped pay for the construction of the walkways and nighttime illumination, a relief to tourists who step gingerly over the uneven ancient paving stones of the Roman Forum. The Sacred Area’s wooden walkways are wheelchair- and baby-stroller-friendly. For those who can’t handle the stairs down from the sidewalk, an elevator platform is available.

The attraction is open every day except for Mondays and some major holidays, with general admission tickets priced at 5 euros ($5.50).

Curiously, the square owes its name not to the South American country but to the Latin name of Strasbourg, France, which was the home seat of a 15th-century German cardinal who lived nearby and who served as master of ceremonies for pontiffs, including Alexander VI, the Borgia pope.
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A new film charts the response of the large Iranian community in Los Angeles to the brutal crackdown on anti-government protests in Iran. As Henry Ridgwell reports from Paris, Iranian communities across the world are coming together to try the help their countrymen and women back home. Camera: Vahid Karami
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June 21 marks the longest day of the year in the Northern Hemisphere – in Seattle, Washington, the summer solstice was celebrated this past weekend with the annual Fremont Solstice Parade. Natasha Mozgovaya has more.
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The smell of pineapple bread fills the kitchen of “Vida Libre,” or “free life,” a gang rehabilitation program founded in El Salvador by American pastor Kenton Moody in 2021.

The trust that Moody puts in former gang members is not widely shared. Thousands of lives have been destroyed in this Central American country after decades of gang violence.

Over the past year, President Nayib Bukele’s security forces have cracked down harshly on gangs, arresting more than 68,000 people suspected of criminal involvement, though human rights groups say innocent people are also being detained.

Ministries like Moody’s are caught in the middle. Dozens of men who were part of evangelical rehabilitation ministries were also arrested and taken back to prison. Of the 38 members of Vida Libre, ten have been detained by the government.

Inside the Vida Libre complex, in the impoverished city of Santa Ana, Moody frequently hugs the young men under his care and assigns them chores.

On a recent day, Angel and Kevin sprinkled sugar over pastries in the bakery. Salvador replaced light bulbs in the barnyard. Moody asked that they be identified by their first names for their safety.

Andy, who crafts wooden key chains to sell, said a gang recruited him when he was 12. The 29-year-old joined Moody’s program two years ago after almost a decade in prison.

“Maybe humanity sees me as someone bad, but I hope that with my attitudes changing day by day, I can prove that I’m different,” he said.

The first of the big gangs were born far from El Salvador.

To flee the country’s civil war, half a million Salvadorans migrated to the United States in the 1980s. The majority settled in Los Angeles and there, after joining Mexican criminal groups, the Mara Salvatrucha 13 (MS-13) and Barrio 18 gangs were formed.

In the 1990s, the U.S. deported 4,000 gang members to El Salvador. The government estimates the current number of gang members is as high as 76,000.

After arriving in El Salvador, MS-13 took control of over roughly half the territory and Barrio 18 most of the rest. A few spots were considered neutral.

Many Salvadorans were forced to internalize unwritten rules, such as avoiding enemy neighborhoods, dressing according to gang standards and paying extortion demands to survive.

Last year, after a surge in gang violence, Bukele issued an emergency decree that suspended certain civil liberties, including access to a lawyer and the right to be informed of the reason for an arrest.

About 5,000 people were released after the government failed to link them to criminal groups, according to official records.

Moody founded Vida Libre after visiting a juvenile prison where gang members from a nearby community were incarcerated for burying a woman alive.

Fearing that they might return to gang life upon their release, he wondered: How can I truly help?

“A church is the basis for supporting people to get ahead,” he said.

His evangelical church, “La Puerta Abierta,” which means “open door,” is a cornerstone for social projects funded mostly by U.S. donors.

Vida Libre, one of the church’s programs, takes in minors who are nearing the end of their prison sentence. Its goal is to provide an adequate transition to society, said Allan Espinoza, who leads the project.

The stigma of prison makes it difficult for ex-convicts to resume their studies or find employment. Vida Libre offers workshops in agriculture, carpentry, automotive painting and baking.

Participants arise at 5 a.m. to attend a morning service, and they read the Bible daily. Breaking the rules leads to expulsion and rehabilitation takes time, Espinoza said. Some tell him they want to leave, but he asks them to be patient.

Others knock on his door to talk and, once in his office, they just cry.

Not all evangelical churches in El Salvador open their doors to gang members, but in most marginalized communities there are pastors willing to take the risk.

“Within the evangelical tradition, the worst sinner provides the Holy Spirit with the biggest opportunity to demonstrate the power of the Gospel and Jesus to transform people,” said Robert Brenneman, professor of criminal justice and sociology at Goshen College in Indiana.

He spent years in Central America studying gang youth who wanted a stable, nonviolent lifestyle.

Evangelical-Pentecostal congregations offer resources for transformation — and expect converts to stay away from crime, alcohol and drugs.

“These organizations address what they believe to be the root causes of gang affiliation and participation: poverty, weak schools and unemployment,” Brenneman said.

In the last two decades, three Salvadoran presidents have imposed strict measures to fight gangs. The two prior to Bukele failed in the long term.

Brenneman said, “The crisis is larger than the gangs … Salvadoran leaders have been able to scapegoat the gangs and direct attention away from the inequality that drives so much of the violence.”

While walking through an empty room behind Eben-Ezer Church in San Salvador, the Rev. Nelson Moz speaks with sadness about a man named Raúl, an ex-gang member who came under Moz’s wing in 2012.

Raúl and more than 40 men from Moz’s ministry are now back in jail.

According to the pastor, Raúl converted to Christianity in prison. The pastor placed a mattress in his office and offered temporary refuge for Raúl after his initial release. They shared lunch and long conversations there.

“That’s how I got to understand,” Moz said. “Imprisonment might be necessary to take out of circulation a person who is causing harm to society, but there’s a background to it.”

Gang members understood this. To those in need, they offered food, clothing and protection. For thousands of Salvadorans who lacked homes, the gang became their family.

The beds are still made in the empty rooms of Eben-Ezer Church.

Some new mattresses are wrapped in plastic. Before the detention of Raúl and other ex-gang members in his program, Moz was planning to expand. “True change can happen,” he said.

Moz and Moody do what they can to support families whose members have been recently imprisoned by the government. Moody builds wooden homes for single mothers and provides free school for children. Moz looks for people willing to take in orphans.

“Young people can change the course of the family, help the country’s poverty if they have education and work,” Moody said.

Rooting out gangs will take years, he thinks. The weeds have been cut, but as long as the roots remain hidden, the breeding ground — the marginalization — will also subsist.
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The PGA Tour and Saudi Arabia-backed LIV Golf have long battled in court over competing claims affecting men’s professional golf. But in a surprise move last week, the groups announced they would merge commercially. Some U.S. senators are alarmed. VOA’s Laurel Bowman reports.
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Can you pay my bills?

That seems to be what Sweden is asking Beyoncé after the star came to town.

When the singer launched her global tour last month in Stockholm, tens of thousands of fans from around the world swarmed the Swedish capital. But it’s not all fun and games for the host of the kickoff of Beyoncé’s first solo tour in seven years.

A senior economist at a top Scandinavian bank says Beyoncé had something to do with Sweden’s higher-than-expected inflation rate last month.

Consumer prices rose 9.7% last month in Sweden compared with a year earlier, the country’s statistics agency, Statistics Sweden, said Wednesday. Costs for certain goods and services, including hotels, rose.

That was a drop from 10.5% in April — the first time that inflation in Sweden has fallen below 10% in more than six months — but it was still slightly higher than economists had predicted.

Michael Grahn, chief economist for Sweden at Danske Bank, thinks Beyoncé’s concert may help explain why.

“Beyonce’s start of her world tour in Sweden seems to have coloured May inflation,” he said on Twitter on Wednesday.

“How much is uncertain,” he added, but the concert “probably” contributed to 0.2 of the 0.3 percentage points that restaurant and hotel prices added to the monthly increase in inflation.

An estimated 46,000 people attended each of Beyoncé’s two Stockholm concerts. Fans from around the world took advantage of Sweden’s relatively weaker currency to buy tickets that were cheaper than in other countries, such as the United States.

“The main impact on inflation, however, came from the fact that all fans needed somewhere to stay,” Grahn told The New York Times. The popularity of the concerts meant some fans had to venture up to 40 miles [64 kilometers] away to find a room, he said.

Grahn told the Financial Times that the phenomenon was “quite astonishing.”

But he added on Twitter that he predicts the situation will return to normal in June.

“We expect this upside surprise to be reversed in June as prices on hotels and tickets reverse back to normal,” he said.
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Cormac McCarthy, the Pulitzer Prize-winning novelist who in prose both dense and brittle took readers from the southern Appalachians to the desert Southwest in such novels as The Road, Blood Meridian and All the Pretty Horses, died Tuesday. He was 89.

McCarthy died of natural causes in Santa Fe, New Mexico, publisher Alfred A. Knopf said.

McCarthy, raised in Knoxville, Tennessee, was compared to William Faulkner for his Old Testament style and rural settings. McCarthy’s themes, like Faulkner’s, often were bleak and violent and dramatized how the past overwhelmed the present. Across stark and forbidding landscapes and rundown border communities, he placed drifters, thieves, prostitutes and old, broken men, all unable to escape fates determined for them well before they were born.

McCarthy’s own story was one of belated, and continuing, achievement and popularity.

Little known to the public at age 60, he would become one of the country’s most honored and successful writers despite rarely talking to the press. He broke through commercially in 1992 with All the Pretty Horses and over the next 15 years won the National Book Award and the Pulitzer, was a guest on Oprah Winfrey’s show and saw his novel No Country for Old Men adapted by the Coen brothers into an Oscar-winning movie.

The Road, his stark tale of a father and son who roam a ravaged post-apocalyptic landscape, brought him his widest audience and highest acclaim. It won the 2007 Pulitzer Prize for fiction and was selected by Winfrey for her book club. In his Winfrey interview, McCarthy said that while typically he didn’t know what generates the ideas for his books, he could trace The Road to a trip he took with his young son to El Paso, Texas, early in the decade. Standing out of the window of a hotel in the middle of the night as his son slept nearby, he started to imagine what El Paso might look like 50 or 100 years in the future.

“I just had this image of these fires up on the hill … and I thought a lot about my little boy,” he said.

He told Winfrey he didn’t care how many people read The Road.

“You would like for the people that would appreciate the book to read it. But, as far as many, many people reading it, so what?” he said.

McCarthy dedicated the book to his son, John Francis, and said having a child as an older man “forces the world on you, and I think it’s a good thing.”

In 2022, Knopf made the startling announcement that it would release McCarthy’s first work in more than 15 years, a pair of connected novels he had referred to in the past: The Passenger and Stella Maris, narratives on a pair of mutually obsessed siblings and the legacy of their father, a physicist who had worked on atomic technology. Stella Maris was notable, in part, because it centered on a female character, an acknowledged weakness of McCarthy’s.

“I don’t pretend to understand women,” he told Winfrey.

His first novel, The Orchard Keeper — written in Chicago while he was working as an auto mechanic — was published by Random House in 1965. His editor was Albert Erskine, Faulkner’s longtime editor.

Other novels include Outer Dark, published in 1968; Child of God in 1973; and Suttree in 1979. The violent Blood Meridian, about a group of bounty hunters along the Texas-Mexico border murdering Indians for their scalps, was published in 1985. His Border Trilogy books were set in the Southwest along the border with Mexico: All the Pretty Horses (1992) — a National Book Award winner that was turned into a feature film — The Crossing (1994) and Cities of the Plain (1998).

McCarthy said he was always lucky. He recalled living in a shack in Tennessee and running out of toothpaste, then going out and finding a toothpaste sample in the mailbox.

“That’s the way my life has been. Just when things were really, really bleak, something would happen,” said McCarthy, who won a MacArthur Fellowship — one of the so-called “genius grants” — in 1981.

McCarthy attended the University of Tennessee for a year before joining the Air Force in 1953. He returned to the school from 1957 to 1959 but left before graduating. As an adult, he lived around the Great Smoky Mountains before moving West in the late 1970s, eventually settling in Santa Fe.
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A young actress drags a suitcase despondently up a tree-shaded street, as a crew shoots a scene in a film about director Norris Wong’s unachieved dream of becoming a Cantopop lyricist. 

The movie “The Lyricist Wannabe” is the latest from Wong and part of an unprecedented trend in Hong Kong’s moviemaking history — the growth of its indie films.  

Hong Kong films used to be made by big production companies. They were exported around the world in the industry’s heyday from the 1970s to early ’90s when Hong Kong was considered the Hollywood of Asia, turning out stars such as Bruce Lee, Jackie Chan, Chow Yun-Fat and recent Oscar Best Actress winner Michelle Yeoh. 

But the industry has declined in recent decades. Hollywood blockbusters flooded in and companies switched to making movies that appealed to China’s bigger and more lucrative market, according to industry players. 

“The Hong Kong market had totally collapsed. Very experienced directors all went to the mainland. They make $10 million films there, so they won’t make $1 million films here,” said Mani Man, vice president of mm2, a company that supports indie films. “It’s like the parents have all left, we’re like orphans creating a new world.”  

Now, Hong Kong may be starting to see a revival in its film industry. In the five years before COVID-19 hit, 275 locally produced movies were made, more than the 256 in the previous five years, including independent films by new directors, according to the Hong Kong Motion Picture Industry Association. 

Fewer films were made during the pandemic, but several enjoyed great success, breaking box office records. 

What has helped drive this trend are Hong Kong’s tough COVID-19 travel restrictions, which kept directors and audiences at home, giving the former a chance to make local films and the latter the time to watch them. 

The government has also provided $50 million in funding to revive the industry in the past 15 years, including $30 million in just the past six years, enabling many small- and medium-budget films and new directors’ first feature to be made, according to statistics from the Film Development Council.  

Also, the 2019 social and political unrest in Hong Kong and Beijing’s passage of a national security law in response to it have made some worry about changes to their way of life. Industry experts say there is a yearning among audiences in the city for films that reflect their lives. 

“Because of all these uncertainties in Hong Kong society, it inspired some local movies which try to tell the stories about Hong Kong people,” said Dorothy Lau, a professor at Hong Kong Baptist University’s Academy of Film. “People are trying to pursue their own identity, stories that belong to themselves.” 

For example, the highest recent local earner, “A Guilty Conscience,” a film about a lawyer trying to find evidence to get his innocent client acquitted, dealt with the issue of justice — a theme that resonated with moviegoers as they see pro-democracy activists, a newspaper publisher and protesters tried under the new law.  

“In the mind of many local residents, they look for justice but feel disappointed when they see reality. When they watch ‘A Guilty Conscience,’ they feel somebody is speaking their mind to inspire them to stay hopeful in what they see as the bleak reality,” Lau said. 

The government has said the law has restored peace after disruptive and sometimes violent anti-government protests in 2019. 

The film, which raked in $15 million, setting a record for a Hong Kong film, is among three that made it onto the list of Hong Kong box office hits over the past year, a list previously dominated by Hollywood blockbusters. 

Low-budget movies also made profits or broke even, while winning local and regional awards as they took on subjects that big studios neglected. Some of those include the struggles of blue-collar workers (“The Narrow Road”), the repressed love of closeted elderly gay men (“Twilight’s Kiss”), and homelessness (“Drifting”).

“It’s important for Hong Kong to have its own movies and stories to be told on the big screens because cinema has always been a very good medium that preserves local culture,” said the 36-year-old Wong, who cobbled together $294,000 for her latest movie, with a loan from a director friend and earnings from her debut film “My Prince Edward,”  which is about a woman who learns to assert herself. 

Still, there are limits to the kinds of topics that can be featured. The national security law and subsequent amendments to film censorship guidelines make subjects with political content untouchable. 

Several documentaries about the 2019 pro-democracy protests have been banned, according to media reports. Some content deemed sensitive has been deleted from films, including three being screened at a local film festival this month. 

In response to questions from VOA, the Office for Film, Newspaper and Article Administration issued a statement saying the amendments “did not change the fact that the public and the film industry continue to enjoy freedom of creation and freedom of speech under the premise of abiding by the law and protecting national security.” 

It said that since the amended guidelines took effect in 2021, it has approved all but six of the more than 4,100 applications for film classification and public screening.  

Directors meanwhile continue to make films about Hong Kong, with some showing them overseas or switching to less sensitive topics. At the Fresh Wave International Short Film Festival, which runs from June to July, filmmakers highlighted censorship by replacing deleted scenes with black images and muted sound.  

Independent film and documentary maker Lam Sum’s 2021 film “May You Stay Forever Young” — about the 2019 protests — was not approved. But he went on to be nominated for Best Director at the Hong Kong Film Awards this year for “The Narrow Road.”    

“I didn’t think about giving up because I really like to make films. To me, this is a challenge for creators — how to tell stories in this space,” said Lam, 37.  

Despite the concerns about censorship, funding, and fewer audiences with the lifting of travel restrictions, directors believe now is as good a time as any to make films.  

“I’m quite optimistic. … We no longer need to have big production companies’ support to make a film,” Wong said. “It will bring about more Hong Kong homegrown films.” 
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In its heyday, Hong Kong was the Hollywood of Asia, turning out stars such as Bruce Lee, Jackie Chan, Chow Yun-Fat and recent Best Actress Oscar winner Michelle Yeoh. While the industry has seen a decline over the past two decades, Hong Kong is experiencing what some say is a film revival, despite stricter controls and censorship. For VOA, Cindy Sui reports from Hong Kong.
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A “final Beatles record”, created with the help of artificial intelligence, will be released later this year, Paul McCartney told the BBC in an interview broadcast on Tuesday.

“It was a demo that John (Lennon) had, and that we worked on, and we just finished it up,” said McCartney, who turns 81 next week.

The Beatles — Lennon, McCartney, George Harrison and Ringo Starr — split in 1970, with each going on to have solo careers, but they never reunited.

Lennon was shot dead in New York in 1980 aged 40 while Harrison died of lung cancer in 2001, aged 58.

McCartney did not name the song that has been recorded but according to the BBC it is likely to be a 1978 Lennon composition called “Now And Then”.

The track — one of several on a cassette that Lennon had recorded for McCartney a year before his death — was given to him by Lennon’s widow Yoko Ono in 1994.

Two of the songs, “Free As A Bird” and “Real Love”, were cleaned up by the producer Jeff Lynne, and released in 1995 and 1996.

An attempt was made to do the same with “Now And Then” but the project was abandoned because of background noise on the demo.

McCartney, who has previously talked about wanting to finish the song, said AI had given him a new chance to do so.

‘Now and Then’

Working with Peter Jackson, the film director behind the 2021 documentary series “The Beatles: Get Back”, AI was used to separate Lennon’s voice and a piano.

“They tell the machine, ‘That’s the voice. This is a guitar. Lose the guitar’,” he explained.

“So when we came to make what will be the last Beatles’ record, it was a demo that John had (and) we were able to take John’s voice and get it pure through this AI.

“Then we can mix the record, as you would normally do. So it gives you some sort of leeway.”

McCartney performed a two-hour set at last year’s Glastonbury festival in England, playing Beatles’ classics to the 100,000-strong crowd.

The set included a virtual duet with Lennon of the song “I’ve Got a Feeling”, from the Beatles’ last album “Let It Be”.

Last month, Sting warned that “defending our human capital against AI” would be a major battle for musicians in the coming years.

The use of AI in music is the subject of debate in the industry, with some denouncing copyright abuses and others praising its prowess.

McCartney said the use of the technology was “kind of scary but exciting because it’s the future”, adding: “We’ll just have to see where that leads.”
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Skyscrapers, bridges and other landmarks in South Korea’s capital will be lit up in purple Monday as the country begins celebrating the 10th anniversary of K-pop band BTS, whose global popularity is a source of national pride.

The lights will provide the backdrop for various social media-driven events marking the 2013 debut of the seven-member group, which is now on a temporary hiatus as its singers take turns releasing solo material while the others begin to serve their mandatory military duties.

From Monday evening, numerous Seoul structures, including City Hall, the 123-story Lotte World Tower, several Han River bridges, and the futuristic DDP — a Zaha Hadid-designed aluminum and concrete dome that’s often used for visual art — will be bathed in purple, a color associated with BTS, according to city officials and the group’s management company, Hybe.

Messages congratulating BTS were displayed on digital screens in buildings across Seoul, while postal authorities issued stamps marking the group’s anniversary, which will be available at post offices starting Tuesday.

Seoul officials hope that the celebrations, which will continue for around two weeks, will boost tourism. The city has designated more than a dozen sites associated with BTS, including places where the group held major performances or shot some of their famous videos.

Fireworks are planned at a park Saturday night near the Han River, hours after one of the BTS singers, RM, holds a live talk with fans that will be broadcast online.

Quickly garnering huge followings in Asia following their debut, BTS’ popularity expanded across the globe with their 2020 megahit “Dynamite,” the band’s first all-English song that made it the first K-pop act to top Billboard’s Hot 100. BTS has since performed in sold-out arenas around the world and was invited to speak at United Nations meetings, supported by a legion of global followers who call themselves the “Army.”

BTS’ activities as a full group are currently on hold as the artists begin to serve in the military. Two BTS singers – Jin and J-Hope – have already started their compulsory 18-month service and other members are to follow in the coming months, which likely means the group will reconvene around 2025.

In South Korea, all able-bodied men are required to serve in uniform 18-21 months under a system meant to deter aggression from rival North Korea.
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The new Modern Art gallery at the Denver Art Museum includes two painters from Ghana. VOA’s Scott Stearns gives us a look.
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