Moviegoing increasingly looks like it didn’t die during the pandemic. It just went into hibernation.  
John Krasinski’s thriller sequel “A Quiet Place Part II” opened over the Memorial Day weekend to a pandemic-best $48.4 million, according to studio estimates Sunday. Including the Monday holiday, the studio forecasts the film will gross $58.5 million in North America. It added another $22 million in ticket sales overseas.  
The film’s performance cheered a movie industry that has been punished and transformed by the pandemic. Paramount Pictures’ “A Quiet Place Part II,” which was on the cusp of opening in March 2021 before theaters shut, was the first big film this year — and one of the only larger budget COVID-era releases beside Christopher Nolan’s “Tenet” — to open exclusively in theaters.  
Chris Aronson, distribution chief for Paramount, called the opening “an unqualified success.”
“It’s a huge sigh of a relief and a sense of optimism for sure,” Aronson said.
“Movies, moviegoing, movie theaters aren’t dead. Yes, they’ve been threatened but they’re proving once again that they’re resilient and that people do want to have that communal experience.”  
Many studios have trotted out hybrid release plans during the pandemic, debuting films simultaneously in the home. The Walt Disney Co. did that this weekend with its  live-action PG-13 Cruella De Vil prequel, “Cruella,”  making it available to Disney+ subscribers for $30. In theaters, it grossed $21.3 million, Disney said, and an estimated $26.4 million over the four-day weekend. “Cruella” also added $16.1 million in 29 international territories. Disney didn’t say how much the film made on the company’s streaming platform.  
“A Quiet Place II” will also turn to streaming after 45 days in theaters when it becomes available on Paramount+. One clear result of the pandemic is that the theatrical window has shrunk, probably permanently. Three months was once the customary length of a movie’s run in theaters. The year’s previous best debut belonged to Warner Bros.’ “Godzilla vs. Kong,” which opened with $32.2 million, or $48.5 million over its first five days, while simultaneously streaming on HBO Max. 
The contrasting release strategies between “A Quiet Place Part II” and “Cruella” offered a test case for Hollywood. How much does a day-and-date release cost a movie like “Cruella” in ticket sales? Is it worth it? Without knowing how much “Cruella” benefitted Disney+, a true comparison isn’t possible. But the strong returns for the theater-only “A Quiet Place Part II” are telling, says Paul Dergarabedian, senior media analyst for data firm Comscore. He called it a “pivotal weekend” for the movie industry that proved predictions of the movie theater’s demise “flat-out wrong.”  
“That ‘Quiet Place Part II’ did so well makes a strong case that a theatrical-first release for a big movie is the way to go,” Dergarabedian said. “This is the best possible news for an industry that’s been dealing with probably the most profoundly challenging chapter in the history of the movie theater.”  
The debut of “A Quiet Place Part II” was much watched throughout Hollywood as the kickoff to its delayed summer movie season. After largely sitting out the pandemic, or diverting to streaming platforms, a lineup of blockbusters are again queuing up. On tap are Warner Bros.’ “In the Heights,” Universals’ “F9” and Disney’s “Black Widow.”  
Last week, Universal Pictures’ ninth installment in the “Fast & Furious” franchise, “F9,” opened with $162 million in ticket sales in eight international markets, and $135 million in China alone. In its second weekend, “F9,” which opens in North America on June 25, raced toward $230 million worldwide.  Emily Blunt and John Krasinski attend the world premiere of Paramount Pictures’ “A Quiet Place Part II” at Jazz at Lincoln Center’s Frederick P. Rose Hall, March 8, 2020, in New York.”A Quiet Place Part II” had already had its red-carpet premiere in March last year, and spent some of its marketing budget. But it opened remarkably in line with predictions of how many tickets it would sell before the onset of the pandemic.
In the intervening months, Paramount sold off many of its films to streamers — “Coming 2 America,” “The Trial of the Chicago 7” — but Krasinski and the studio felt strongly that the hushed intensity of “A Quiet Place Part II” worked best on the big screen.  
In an interview ahead of the film’s release, Krasinski said a theatrical release was “non-negotiable.” And Krasinski worked hard to stoke excitement, traveling the country in the week leading up to release to surprise moviegoers. Still, given the circumstances, he had little idea whether audiences would come out.  
“As bizarre as the entire year has been is how bizarre whatever opening weekend is,” Krasinski said. “I don’t really know what it is anymore.”  
In the end, “A Quiet Place Part II” performed a lot like how the first one did. That 2018 hit, which ultimately grossed $340 million globally on a $17 million budget, launched with $50.2 million in North American ticket sales. Sequels usually do better than the original but “Part II” had far more challenges due to pandemic.  
Rich Gelfond, chief executive of IMAX, where “A Quiet Place Part II” earned $4.1 million domestically, called the film “the first domestic release this year to cross the threshold from ‘great opening weekend given the pandemic’ to ‘great opening weekend, period.'”
Memorial Day weekend, usually one of the busiest for theaters, still didn’t look like it normally does at the movies. Total box office exceeded $80 million but that’s about a third of the holiday weekend’s normal business. Last Memorial Day, when nearly all operating theaters were drive-ins, ticket sales amounted to $842,000, according to Comscore.  
Many theaters, particularly in New York and Los Angeles, are still operating with social distancing measures. But guidelines are thawing. Last week, the nation’s top theater chains — AMC, Regal, Cinemark — said they would no longer require vaccinated moviegoers to wear face masks. 
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All seven passengers aboard a plane, including “Tarzan” actor Joe Lara and his diet guru wife, are presumed dead after it crashed in a lake near the U.S. city of Nashville, authorities said.
 
The small business jet crashed at around 11:00 am local time Saturday, shortly after taking off from the Smyrna, Tennessee airport for Palm Beach, Florida, Rutherford County Fire & Rescue (RCFR) said on Facebook.
 
The plane went down into Percy Priest Lake, about 19 kilometers south of Nashville.
 
The Federal Aviation Administration confirmed seven people had been aboard the plane, CNN reported.
 
By Saturday night, operations had switched from search and rescue to recovery efforts, RCFR incident commander Captain Joshua Sanders told a press conference.
 
“We are no longer in an attempt to (look) for live victims at this point so we’re now recovering as much as we can from the crash site,” he said.
 
On Sunday afternoon, RCFR said on Facebook that recovery operations had found “several components of the aircraft as well as human remains” in a debris field about half a mile wide.
 
Operations would continue until dark and resume Monday morning, RCFR wrote.
 
Lara played Tarzan in the 1989 television movie “Tarzan in Manhattan.” He later starred in the television series “Tarzan: The Epic Adventures,” which ran from 1996-1997.
 
His wife Gwen Shamblin Lara, whom he married in 2018, was the leader of a Christian weight-loss group called Weigh Down Ministries. She founded the group in 1986, and then in 1999 founded the Remnant Fellowship Church in Brentwood, Tennessee.
 
She is survived by two children from a previous marriage, according to a statement posted on the church’s website.
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Helio Castroneves won the Indianapolis 500 on Sunday for a record-equaling fourth time, in front of the largest crowd to attend a sporting event in the United States since the start of the COVID-19 pandemic.The 46-year-old Brazilian surged to the front with two laps to go and held off a challenge from hard-charging Spanish young gun Alex Palou to claim victory and join AJ Foyt, Rick Mears and Al Unser as the only four-time winners of the “Greatest Spectacle in Racing.”It was the 21st Indy 500 start for Castroneves but his first with Meyer Shank Racing, his other wins in 2001, 2002 and 2009 all coming with Team Penske.With the race back in its traditional U.S. Memorial Day holiday weekend slot, after last year’s event was moved to August and held at an empty track because of the pandemic, a sold-out crowd of 135,000 excited fans flocked to the Indianapolis Motor Speedway.While the crowd was well shy of the nearly 400,000 that the speedway can accommodate, the roars returned to the Brickyard as fans partied in the sunshine.
 
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Workers dig and ferry wheelbarrows laden with sand to open a new shaft at a bustling archaeological site outside of Cairo, while a handful of Egyptian archaeologists supervise from garden chairs. The dig is at the foot of the Step Pyramid of Djoser, arguably the world’s oldest pyramid, and is one of many recent excavations that are yielding troves of ancient artifacts from the country’s largest archaeological site.   As some European countries re-open to international tourists, Egypt has already been trying for months to attract them to its archaeological sites and museums. Officials are betting that the new ancient discoveries will set it apart on the mid- and post-pandemic tourism market. They need visitors to come back in force to inject cash into the tourism industry, a pillar of the economy.   But like countries elsewhere, Egypt continues to battle the coronavirus, and is struggling to get its people vaccinated. The country has, up until now, received only 5 million vaccines for its population of 100 million people, according to its Health Ministry. In early May, the government announced that 1 million people had been vaccinated, though that number is believed to be higher now.   In the meantime, authorities have kept the publicity machine running, focused on the new discoveries.   In November, archaeologists announced the discovery of at least 100 ancient coffins dating back to the Pharaonic Late Period and Greco-Ptolemaic era, along with 40 gilded statues found 2,500 years after they were first buried. That came a month after the discovery of 57 other coffins at the same site, the necropolis of Saqqara that includes the step pyramid.   “Saqqara is a treasure,” said Tourism and Antiquities Minister Khaled el-Anany while announcing the November discovery, estimating that only 1% of what the site contains has been unearthed so far.   “Our problem now is that we don’t know how we can possibly wow the world after this,” he said.   If they don’t, it certainly won’t be for lack of trying.  FILE – Dr. Zahi Hawass, the renowned Egyptian archeologist credited with discovering the site, leads a media tour of the roughly 3,000-year-old “lost golden city” in Luxor, Egypt, Apr. 10, 2021. (Hamada Elrasam/VOA)In April, Zahi Hawass, Egypt’s best-known archaeologist, announced the discovery of a 3,000-year-old lost city in southern Luxor, complete with mud brick houses, artifacts and tools from pharaonic times. It dates to Amenhotep III of the 18th dynasty, whose reign (1390–1353 B.C.) is considered a golden era for ancient Egypt.   That discovery was followed by a made-for-TV parade celebrating the transport of 22 of the country’s prized royal mummies from central Cairo to their new resting place in a massive facility farther south in the capital, the National Museum of Egyptian Civilization.   The Red Sea resort of Sharm el-Sheikh is now home to an archaeological museum, as is Cairo’s International Airport, both opened in recent months. And officials have also said they still plan to open the massive new Grand Egyptian Museum next to the Giza Pyramids by January, after years of delays. Entrance fees for archeological sites have been lowered, as has the cost of tourist visas.   The government has for years played up its ancient history as a selling point, as part of a yearslong effort to revive the country’s battered tourism industry. It was badly hit during and after the popular uprising that toppled longtime autocrat Hosni Mubarak and the ensuring unrest. The coronavirus dealt it a similar blow, just as it was getting back on its feet.   In 2019, foreign tourism’s revenue stood at $13 billion. Egypt received some 13.1 million foreign tourists — reaching pre-2011 levels for the first time. But in 2020, it greeted only 3.5 million foreign tourists, according to the minister el-Anany.   At the newly opened National Museum of Egyptian Civilization, Mahmoud el-Rays, a tour guide, was leading a small group of European tourists at the hall housing the royal mummies.   “2019 was a fantastic year,” he said. “But corona reversed everything. It is a massive blow.”   Tourism traffic strengthened in the first months of 2021, el-Anany, the minister, told The Associated Press in a recent interview, though he did not give specific figures. He was optimistic that more would continue to come year-round.   “Egypt is a perfect destination for post-COVID in that our tourism is really an open-air tourism,” he said.   But it remains to be seen if the country truly has the virus under control. It has recorded a total of 14,950 deaths from the virus and is still seeing more than a thousand new cases daily. Like other countries, the real numbers are believed to be much higher. In Egypt, though, authorities have arrested doctors and silenced critics who questioned the government’s response, so there are fears that information on the true cost of the virus may have been suppressed from the beginning.   Egypt also had a trying experience early on in the pandemic, when it saw a coronavirus outbreak on one of its Nile River cruise boats. It first closed its borders completely until the summer of 2020, but later welcomed tourists back, first to Red-Sea resort towns and now to the heart of the country — Cairo and the Nile River Valley that hosts most of its famous archaeological sites. Visitors still require a negative COVID-19 test result to enter the country.   In a further cause for optimism, Russia said in April that it plans to resume direct flights to Egypt’s Red Sea resort towns. Moscow stopped the flights after the local Islamic State affiliate bombed a Russian airliner over the Sinai Peninsula in October 2015, killing all on board.   Amanda, a 36-year-old engineer from Austria, returned to Egypt in May. It was her second visit in four years. She visited the Egyptian Museum, the National Museum of Egyptian Civilization and Islamic Cairo, in the capital’s historic center.   She had planned to come last year, but the pandemic interfered.   “Once they opened, I came,” she said. “It was my dream to see the Pyramids again.”   El-Rays, the tour guide, says that while he’s seeing tourists starting to come in larger numbers, he knows a full recovery will not happen overnight.   “It will take some time to return to before corona,” he said.  
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Gavin MacLeod, the veteran supporting actor who achieved stardom as Murray Slaughter, the sardonic TV news writer on “The Mary Tyler Moore Show,” before going on to even bigger fame as the cheerful Captain Stubing on “The Love Boat,” has died. He was 90. MacLeod died early Saturday, his nephew, Mark See, told Variety. MacLeod’s health had been poor recently, but no cause of death was given, the trade publication reported. Known to sitcom fans for his bald head and wide smile, MacLeod toiled in near anonymity for more than a decade, appearing on dozens of TV shows and in several movies before landing his “Mary Tyler Moore” role in 1970. He had originally tested for Moore’s TV boss, Lou Grant, a part that went to Ed Asner. Realizing he wasn’t right for playing the blustery, short-tempered TV newsroom leader, MacLeod asked if he could try instead for the wisecracking TV news writer, whose jokes were often made at the expense of dimwitted anchorman Ted Baxter. “The Mary Tyler Moore Show” was a smash from the start and remains a classic of situation comedies. It produced two spinoffs, “Rhoda” and “Phyllis,” starring Valerie Harper and Cloris Leachman, who had portrayed Mary’s neighbors. It was still top-rated when Moore, who played news producer Mary Richards, decided to end it after seven seasons. MacLeod moved on to “The Love Boat,” a romantic comedy in which guest stars, from Gene Kelly to Janet Jackson, would come aboard for a cruise and fall in love with one another. Although scorned by critics, the series proved immensely popular, lasting 11 seasons and spinning off several TV movies, including two in which MacLeod remained at the cruise ship’s helm. It also resulted in his being hired as a TV pitchman for Princess Cruise Lines. “The critics hated it. They called it mindless TV, but we became goodwill ambassadors,” he told the Los Angeles Times in 2013. Private strugglesMacLeod’s lighthearted screen persona was in contrast to his private life. In his 2013 memoir, This Is Your Captain Speaking, MacLeod acknowledged that he had struggled with alcoholism in the 1960s and ’70s. He also wrote that losing his hair at an early age made it hard for him to find work as an actor. “I went all over town looking for an agent, but no one was interested in representing a young man with a bald head,” he wrote. “I knew what I needed to do. I needed to buy myself a hairpiece.” A toupee changed his luck “pretty quickly.” By middle age, he didn’t need the toupee.MacLeod, whose given name was Allan See, took his first name from a French movie and his last from a drama teacher at New York’s Ithaca College who had encouraged him to pursue an acting career. After college, the Mount Kisco, New York-native became a supporting player in “A Hatful of Rain” and other Broadway plays, and in such films as “I Want to Live!” and “Operation Petticoat.” He made guest appearances on TV shows throughout the 1960s, including “Hogan’s Heroes,” “Hawaii Five-O” and “The Dick Van Dyke Show.” He also appeared on “McHale’s Navy” from 1962 to 1964 as seaman Joseph “Happy” Haines.He auditioned for the role of Archie Bunker in “All in the Family.” But he quickly realized that the character, immortalized by Carroll O’Connor, was wrong for him. “Immediately I thought, ‘This is not the script for me. The character is too much of a bigot.’ I can’t say these things,” MacLeod wrote in his memoir. Other movie credits included “Kelly’s Heroes,” “The Sand Pebbles” and “The Sword of Ali Baba.” MacLeod had four children with his first wife, Joan Rootvik, whom he divorced in 1972. He was the son of an alcoholic and his drinking problems helped lead to a second divorce, from Patti Steele. But after MacLeod quit drinking, he and Steele remarried in 1985. The couple later hosted a Christian radio show called “Back on Course: A Ministry for Marriages.” 
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As French cultural institutions reopen after months of coronavirus restrictions, a spectacular new museum has made its debut in Paris, housing the contemporary art collection of French billionaire Francois Pinault, including a number of prominent Black artists.A wax replica of The Rape of the Sabine Women by 16th century artist Giambologna at the Pinault Collection. (L. Bryant/VOA)A chandelier shaped like a basketball net, by American artist David Hammons, a slow-burning wax replica of a 16th century sculpture aimed to melt completely in six months, the works of Chinese-born painter Xinyi Cheng and British artist Lynette Yiadom-Boakye — the Pinault Collection is an eclectic mix of contemporary art.A crystal chandelier shaped as a basketball net by Black American artist David Hammons. (L. Bryant/VOA)”It’s giving different kind of offers to a general public in Paris, but being more of today, so to speak,” said Curator Caroline Bourgeois. “We are focused on today’s question. Even David Hammons is 70s years old, but he speaks a lot of today.”Bourgeois says the private Pinault Collection complements the raft of other Paris museums, offering completely contemporary works focusing on young artists. This opening exhibit is just a taste of the 10,000 artworks 84-year-old Francois Pinault has collected over the years.A wax replica of The Rape of the Sabine Women by 16th century artist Giambologna at the Pinault Collection. (L. Bryant/VOA)A number of them include a number Black artists like Hammons — a friend of Pinault’s, with this show including about 30 of his works. But Bougeois says showcasing race or gender is not the point. “We don’t want to put them ghettos, to show them just as women artists. This is unfair,” Bourgeois said. “Or to show the Black artists as Black artists only. This is also unfair. For us, it’s important that they can dialogue — the dialogues between the generations, the origin…”The Pinault Collection includes works by a number of prominent Black artists, including British painter Lynette Yiadom-Boakye. (L. Bryant/VOA)This Pars museum embodies a years-long goal by Pinault, a self-made billionaire from humble origins in Brittany. As other European museums struggle to stay afloat after months of coronavirus closures, this one sank nearly $200 million into redeveloping a former Paris grain exchange to house it.It’s an amazing space — rented for 50 years from the city of Paris. The building’s circular shape is inspired by Roman monuments. The top offers views of Paris—including the Pompidou Center, which also offers contemporary as well as earlier, modern art.A view of Paris from the Pinault museum, including the Pompidou center, which also exhibits contemporary but also modern art. (L. Bryant/VOA)Restored 19th-century frescoes flank the ceiling, depicting colonial-era trade. It’s a sharp and studied contrast with this collection. Frescoes on the ceiling of Bourse de Commerce, housing the Pinault Collection, depict colonial-era trade. (L. Bryant/VOA)Outside, there’s a long line to get in, even on a weekday afternoon. For those lucky enough to get tickets these first days, it’s a discovery.Francoise, who didn’t want to give her last name, says she knows some of Pinault’s collection from his museums in Venice. This one is luminous, she says, and beautiful.It’s like reliving after months of lockdown, her friend Jocelyne adds. You can’t imagine what it’s like to see art everywhere.Curator Bourgeois says she’s been moved by the many visitors who thank her.Crowds pack the Pinault Collection days after its opening. (L. Bryant/VOA).”The most beautiful compliment I had about this first show is that it’s made for everyone. And I had that a few times,” said Bourgeois. “That everyone can recognize themselves.”She won’t say when or what the next exhibit will be. This one is called “Ouvert” or “open” — a word that suggests many things.   
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In the Heights, a film about the dreams and struggles of the Latino community in a New York neighborhood, is Lin Manuel Miranda’s love letter to the place where he grew up. It also represents Miranda’s high-stakes bet that people will flock to the theater after months of COVID restrictions. VOA’s Penelope Poulou has more from the cast and the filmmaker.  
Camera: Penelope Poulou      Producer: Penelope Poulou
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Some veteran Hollywood actors say a law intended to help gig economy workers has the unintended consequence of threatening nonprofit theaters.  Mike O’Sullivan has the story from Los Angeles.
Camera: Roy Kim, Rodmy Dorcil and Arturo Martinez
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After so many years — and episode re-watches — could there BE anything left to learn about “Friends”?As the highly-anticipated, almost two-hour reunion special for HBO Max shows (and with apologies to Matthew Perry for continuing to borrow his lines), “Yes, yes, a thousand times, yes.”One thing that we didn’t need to learn (because we already knew it) was just how truly there these six characters were for the audience.In the 1990s and early-aughts, the cast of “Friends” provided hours of joy — first just on Thursday nights when new episodes aired, but soon enough five nights a week in syndication. Within the past decade, diehard and casual fans alike could spend any time of any day with Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Perry and David Schwimmer, as the show became available on streaming services. This sextet has helped their audience get through so much, now including the COVID-19 pandemic. Not only did “Friends” see a spike in viewership in the earliest lockdown days according to Nielsen, but also, just before the world fully reopens, they gathered together to shoot “Friends: The Reunion.””It was life-changing, not only for us but for whoever watched it, and that’s just such a great feeling,” Cox said of her experience on “Friends.”Within the special, they reminisced over their time working together while walking around recreated versions of Joey and Chandler’s apartment, Monica and Rachel’s (turned Monica and Chandler’s) apartment and the Central Perk coffeehouse, as well as while sitting down on the ironic orange couch for an outdoors interview with “The Late Late Show’s” James Corden.They performed scene readings from “The One Where Ross Finds Out,” “The One Where Everybody Finds Out” and the Season 4 premiere, “The One With The Jellyfish.” They also took part in a trivia game, designed and shot identically to the one in “The One With The Embryos.”In doing all of these things, they revealed behind-the-scenes tidbits and showed off special relationship dynamics that expanded even the biggest fan’s knowledge of their favorite show. The one thing they did NOT do was dance in a fountain.Here are 18 things learned from “Friends: The Reunion.”The one where Ross and Rachel were on a break!
Corden asked the six stars to reveal whose side of that infamous argument they fell on, and they all agreed that Ross and Rachel were on a break when he slept with Chloe (Angela Featherstone). Admittedly, they all had different levels of enthusiasm about that belief, but the authorities have spoken, so debate no more!The one with the crush
Borrowing a question that Janice (Maggie Wheeler) once posed to the six characters, Corden asked the six actors who became romantically involved with each other while filming. “The first season I had a major crush on Jen,” Schwimmer admitted. “It was reciprocal,” she shared. But, he went on, “It was like two ships passing because one of us was always in a relationship and we never crossed that boundary. We respected that.” LeBlanc piped up with a fake cough and a “Bullshit,” which sent the audience into wild applause. But he was joking, and Aniston clarified that she once told Schwimmer, “It’s going to be such a bummer if the first time you and I kiss is on national television.” But, “sure enough, the first time we kissed was in that coffee shop. So we just channeled all of our adoration and love for each other into Ross and Rachel.”The one where Ross and Rachel almost didn’t end up together
“Friends” co-creator David Crane, who was sitting in the COVID-safe audience during Corden’s interview and gave in an off-site interview for the special, shared that in working on the final season, the writers’ room did consider more ambivalent endings about the status of Ross and Rachel. But ultimately love won out definitively because, “People have been waiting 10 years to see this couple get together, we’ve got to give them what they want, we just have to find a way to do it so the journey is unexpected.”The one without a movie
For anyone holding out hope that the experience these actors had coming together for only the second time since “Friends” wrapped in 2004 would spark interest in more, we’re sorry to burst your bubble, but that is not going to happen. “That’s all up to Marta and David,” Kudrow said. “I once heard them say, and I completely agree, that they ended the show very nicely, everyone’s lives are very nice, and they would have to unravel all of those good things in order for there to be stories. And I don’t want anyone’s lives to be unraveled.” Kudrow also added, “At my age, saying like, ‘Floopy’ — stop. You have to grow up.” Aniston took things farther and said they probably wouldn’t even do another reunion like this.The one with where they are now
Kudrow may have crushed many people’s dreams about actually seeing where the characters would be at this place in time, but she said she imagines Phoebe is still married to Mike (Paul Rudd), with kids, living in Connecticut. “I think she was probably the advocate for her kids…and all of the other kids who were a little different, creating the arts program,” she said. Aniston said Ross and Rachel got married and had some kids, and Ross still “played with bones.” Cox said she believed that because Monica is so competitive, she would still be “in charge of the bake sale in elementary school,” even though her and Chandler’s kids would be out of school by now. “She’s just got to keep things going, PTA. And you are still making me laugh every day,” she said to Perry. “Just wanted to make sure I factored in somewhere,” he replied. And Joey? “I think he probably opened a sandwich shop on Venice Beach,” LeBlanc said.The one where the audience inspired Monica and Chandler’s relationship
The audience reaction was so loud — and long — at the reveal that Chandler and Monica slept together in “The One With Ross’ Wedding Part 2,” it made the writers re-think plans for that storyline. Originally, Crane said, it was going to be a “brief thing where we had fun with it afterward, ‘What did we do?'” Since that episode was the fourth season finale, the writers and producers had time to reflect on the reaction, and ultimately expanded it from being “just one night in London,” as Crane said it was originally meant to be. This opened up a wealth of stories, from dating in secret, to having multiple characters find out about the relationship at different times, to eventually getting engaged, married and adopting twins.The one with the grudge against MarcelWhen asked what part of the show the cast members did not enjoy, poor Marcel came to mind immediately. Cox clarified that this was because “the monkey scared me,” but Schwimmer had some serious complaints. “The monkey didn’t do its job right,” he said. Marcel (real name: Katie) was a trained working capuchin, of course, but Schwimmer noted there would be choreographed bits the human actors worked out that didn’t perfectly align with the monkey’s own timing to hit his mark, “so we’d have to reset, we’d have to go again, because the monkey didn’t get it right. This kept happening over and over.” But he didn’t stop there: Schwimmer also remembered how Marcel would be fed live grubs while sitting on his shoulder. “I’d have monkey grubby hands all over. It was just time for Marcel to [expletive] off.” (The irony is that the producers shared a story about how Schwimmer had such a bad time doing a previous TV show he had quit this side of the biz to only focus on theater and in order to get him to agree to do “Friends,” they had to swear up and down it would be different. And it was different, but not always better for him, judging by his still-palpable anger about the monkey all these decades later.)The one with missing set pieces
As detail-oriented as the production design team and art department were in rebuilding the sets for this special reunion, they could not replace every item exactly. Cox pointed out that the cookie jar in Monica’s kitchen was different because the “original cookie jar is at Lisa Kudrow’s house.” Additionally, Aniston shared she took a mug from the original set and LeBlanc took the foosball from that iconic table. While those items are small enough that the casual viewer would never know, “Friends” fans have been re-watching the old episodes for years in anticipation of a reunion like this and certainly would have freeze-framed moments in the kitchen to call out that cookie jar, if nothing else, had Cox not said something.The one with the beam
The beam should have been the seventh billed in the “Friends” reunion, as almost every cast member called it out when stepping onto the set of Monica’s apartment. In early episodes (and others that James Burrows directed), there was a wooden archway that separated the kitchen and living room sets on that part of the soundstage. It provided a convenient piece of story in Season 3’s “The One with the Giant Poking Device” when Monica banged her nephew’s head into it, but it limited camera angles and interfered with lighting, so it was usually absent, wreaking havoc with continuity and raising questions about just how much work a renter could do on a New York City apartment. It was restored in all of its nostalgic glory for the reunion special, truly bringing the experience full-circle.The one with Courteney Cox’s cheat sheets
As LeBlanc walked through Monica’s meticulously-recreated kitchen during the special, he paused at the table and pondered aloud whether Cox’s line would still be written on it. Although he sounded like he was kidding at first, he revealed to Aniston, Kudrow and Schwimmer that he caught her doing it once and asked her what it was. “Mind your business,” he recalls her telling him. While he didn’t name what episode this happened during, it would not be a surprise if she did it often. The writers used to rework jokes during the live tapings so much that the show became notorious for its tapings running extremely late. Their bar for quality was so high, they would finesse as much as they could based on the live audience’s reaction on Stage 24 on the Warner Bros. lot, which required the cast members to be quick on their feet to absorb the new material immediately. Cox ended up joining the group as they were reminiscing over her keeping scripts in the sink and she added, “I had so much of my dialog within these apples,” while messing with the bowl on the table.The one where they gambled on Jennifer Aniston
Don’t let Rachel herself know, but Crane referred to the character as “incredibly selfish, self-involved, spoiled.” He noted that, “In the wrong hands, you don’t like Rachel.” This is partially why she was the last character cast. When they found Aniston, they felt she was perfect but she was already committed to a show called “Muddling Through.” They hired her anyway and shot the pilot, as well as a few subsequent episodes, figuring they’d see what show won later. “If CBS would have picked [‘Muddling Through’] up,” Crane recalled, “we would have had to reshoot the first three episodes of ‘Friends.'” Aniston added that she loved “Friends” so much she actually went to her other producers and asked to be released from it. The response? “That show’s not going to make you a star,” she remembered being told.The one with Janice’s laugh
Maggie Wheeler, who played Chandler’s on-again-off-again girlfriend Janice, shared that she created Janice’s iconic laugh (second only to her delivery of, “Oh my god”) because she was acting opposite Perry, who was so funny she knew she would end up laughing in the scene and potentially ruining the take. So she worked a unique laugh into the scene as Janice’s response to Chandler, and the rest is history.The one with Matthew Perry’s confession
Perry revealed to his former cast mates that he often “felt like I was going to die if [the audience] didn’t laugh” at his jokes on tape night. “It’s not healthy, for sure, but I would sometimes say a line and they wouldn’t laugh and I would sweat and just go into convulsions. … I would freak out.” It was something he kept to himself while working on the show, but he said he felt like that “every single night.”The one with technology
Schwimmer, who directed 10 episodes of “Friends” (and two of its spinoff “Joey!”) marveled at the sitcom cameras on the stage today, compared to what they used on “Friends.” These, he noted, could be operated by one person, but back then, each one required three. “It was a huge crew,” he said. ” four cameras, the choreography was incredible.”The one with memory lapses
Much fun was to be had with the fading memories of cast members — but to be fair, they don’t binge their own show. In fact, a few of whom shared they never watch the show at all. “There are seasons I’ve never seen,” said Kudrow, which Perry seconded. Schwimmer said he only recently looked back at some episodes because his daughter has started watching the show. LeBlanc seemed to have the most details teed up and ready to be talked about (somehow he magically even correctly identified Joey’s hand twin just by looking at hands), but even he didn’t remember that the length of Rachel’s letter to Ross was 18 pages… front and back. Perry didn’t remember that by the end of the series, the foosball table had been destroyed; Aniston still thought Chandler’s job was a transponster; Schwimmer didn’t remember the titular plot in “The One With The Ball” (Season 5) even though his character started the challenge of not dropping the ball in the story. Nobody remembered Mr. Heckles’ name — though Kudrow knew the actor who played him was Larry Hankin (who made a surprise guest appearance, in costume) and no one could finish the lyrics to the barbershop quartet’s message from Ross in the third season episode, “The One With All The Jealousy.” Behind-the-scenes details fared better, though: Aniston even remembered what some of her fellow actors were wearing during the first table read.The one with real-life friends as character inspirations
Co-creators Marta Kauffman and Crane have always talked about being inspired by their own lives in New York City in their 20s when creating the show, but here Kauffman revealed that the character of Chandler was even named after one of her friends. (We hope he didn’t take offense when, in the fourth season, Joey listed multiple reasons Chandler is a terrible name when he was trying to get Phoebe to name one of the triplets Joey instead of Chandler.) In this same interview package, Crane shared the one-line pitch for the show as being “about that time in your life when your friends are your family,” which seems both like a perfectly universal show any network would want and also way too broad to be sold on that alone today.The one with the rough audition
The night before LeBlanc was set to audition for “Friends,” he told Corden, he was running lines with a friend who said that because the show was about a group of friends hanging out, they should go out drinking. They did, and LeBlanc crashed at his place after, where, after he “got up [to go to the bathroom] too fast, I kind of blacked out, as you do, and fell face-first into the toilet,” he said. “A huge chunk of meat came off my nose.” When he went in the next day, Kauffman asked what happened. “I told the truth and got the job,” he said. What made this story even more special was that executive producer Kevin Bright revealed in an interview package that the role of Joey, in the end, came down to LeBlanc and Louis Mandylor — who went on to play Carl, the guy Joey hired to pretend to be his twin brother to get into a medical science study in the sixth season.The one with an on set injury
Not to make this all about LeBlanc, but the reunion special also revealed how he dislocated his shoulder during the third season of “Friends,” which resulted in him wearing a sling for a few episodes. In “The One Where No One’s Ready,” he had to dive for the chair after Chandler came back into Monica’s apartment fully dressed and vying for the vacated seat. During one take, which the cast watched raw footage of together, LeBlanc landed wrong on his left arm, resulting in production being paused so he could go to the hospital. Although they wrote the sling into a few episodes so everybody could go back to work, they didn’t finish filming this particular episode until LeBlanc’s arm was healed. “What started out the simplest ‘Friends’ episode,” Bright said, “ended up taking the longest amount of time to shoot.” If you’re superstitious, you might say the reason this episode went so wrong was because the cast didn’t do their usual pre-show huddle that night. “It was sort of early on, but then after that we’d say, ‘Do we need to do the huddle?’ And he’d say, ‘Yeah,'” Kudrow said of LeBlanc. 
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Actor and professional wrestler John Cena has apologized to fans in China after he called Taiwan a country in a promotional interview for his upcoming film and became the latest celebrity to face the fury of Chinese nationalists.
In a short video posted Tuesday on Chinese social media site Weibo, Cena did not refer to Taiwan or go into much detail about the incident, which occurred earlier this month when he was doing a promotion for “Fast & Furious 9” with Taiwanese media.
“In one interview, I made a mistake,” he said in heavily accented Mandarin Chinese. “I need to say now that this is very, very, very, very, very important. I love and respect China and the Chinese people. I’m very, very sorry. As for my mistake, I really apologize for it.”FILE – Actor John Cena attends the Road to “Fast & Furious 9” Concert at Maurice A. Ferre Park in Miami Beach, Fla.In his interview with TVBS, a Taiwanese cable channel, Cena was also speaking in Mandarin when he said Taiwan would be the first “country” to be able to see the film. That led to an uproar in China, which considers the self-governing democracy its own territory to be taken back by force if necessary.
It was unclear if Cena’s apology worked, as many comments on Chinese social media in response to his video were negative. Likewise, Cena was also facing scorn back in the United States, where Sen. Tom Cotton called the apology “pathetic” and others lashed out at him on social media as a “coward.”
Global companies and celebrities seeking to maintain access to the lucrative Chinese market have to tread a fine line on many issues as online nationalistic outrage can spark boycotts.  
China has increasingly pressured foreign firms over their statements on Taiwan, Hong Kong, Xinjiang, Tibet, the South China Sea and other issues Beijing considers sensitive.  
Airlines and other multinational companies have been pushed to refer to Taiwan as a part of China on their websites or risk damage to their business in China.  
Chinese state broadcaster CCTV cut ties with the NBA for a year in response to a tweet by Houston Rockets general manager Daryl Morey backing pro-democracy protesters in Hong Kong, even though the post was quickly deleted.  
News about Chloe Zhao, a Chinese director, winning an Oscar was censored in April after old interviews surfaced where she said that she grew up in a place where there were “lies” everywhere.
Brands including Swedish retailer H&M, Adidas and Nike have been targeted for consumer boycotts after state media criticized them for expressing concern about reports of forced labor in China’s western region of Xinjiang.
Meanwhile, “Fast & Furious 9” — the latest in the Hollywood franchise — appeared to be doing well in China despite the uproar. The film has taken in $155 million at the box office in China since it opened on May 21, according to local media reports.
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While studying at Howard University, young Chadwick Boseman helped lead a student protest against plans to merge his beloved College of Fine Arts into the College of Arts and Sciences.  
He failed in that goal, but 20 years later, the acclaimed actor is being posthumously honored as the namesake of Howard’s newly re-established Chadwick A. Boseman College of Fine Arts.  
Boseman, who graduated in 2000 with a bachelor’s degree in directing, died in August at 43 of colon cancer. He rose to prominence playing a succession of Black icons in biographical films: Jackie Robinson, singer James Brown and Thurgood Marshall.
The South Carolina native’s portrayal of African superhero Black Panther spawned a thousand memes and its cultural impact launched him to broader stardom. At the time of his death, Boseman’s character was poised to become an anchor of the Marvel Comics movie machine, with multiple sequels planned.  
Howard University President Wayne Frederick said he and Boseman discussed ways of reviving the College of Fine Arts multiple times.  
“It was always important to him,” Frederick told The Associated Press. “His commitment was very strong.”
The announcement comes a few weeks after fellow Howard alum Phylicia Rashad was announced as the fine arts college’s new dean. Boseman and Rashad met during his undergrad years, and Boseman publicly cited her as a mentor.  
Boseman declared his love for the school in a 2018 commencement speech, praising, “the magic of this place. Almost anything can happen here.”  
Boseman’s family said his student protest proved his passion for his alma mater.  
“Chad fought to preserve the College of Fine Arts during his matriculation at Howard and remained dedicated to the fight throughout his career, and he would be overjoyed by this development,” the Boseman family said in a statement.  
Boseman’s widow, Simone Ledward-Boseman, called him “a very proud Bison” and said the naming of the school “brings this part of his story full-circle and ensures that his legacy will continue to inspire young storytellers for years to come.”
Howard Fine Arts alumni include actors Taraji P. Henson, Oscar-nominated cinematographer Bradford Young, and singers Roberta Flack and Jessye Norman, as well as Rashad and her sister, Kennedy Center Honors recipient Debbie Allen.
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Amazon is going Hollywood.
The online shopping giant is buying MGM, the movie and TV studio behind James Bond, “Legally Blonde” and “Shark Tank,” with the hopes of filling its video streaming service with more stuff to watch.
Amazon is paying $8.45 billion for MGM, making it the company’s second-largest acquisition after it bought grocer Whole Foods for nearly $14 billion in 2017.  
The deal is the latest in the media industry that’s aimed at boosting streaming services to compete against Netflix and Disney+. AT&T and Discovery announced on May 17 that they would combine media companies, creating a powerhouse that includes HGTV, CNN, Food Network and HBO.  
Amazon doesn’t say how many people watch its Prime Video service. But more than 200 million have access to it because they’re signed up for its Prime membership, which gives them faster shipping and other perks. Besides Prime Video, Amazon also has a free streaming service called IMDb TV, where Amazon makes money by playing ads during movies and shows.
Buying MGM would give Amazon access to more films, shows and famous characters, including Rocky, RoboCop and Pink Panther. Amazon will also get a cable channel: Epix, which MGM owns.  
Known for its roaring lion logo, MGM is one of the oldest Hollywood studios, founded in 1924 when films were silent. It has a long list of classics in its library, including “Singin’ in the Rain.”
More recent productions include reality TV staples “Shark Tank” and “The Real Housewives of Beverly Hills,” as well as the upcoming James Bond movie “No Time to Die” and an Aretha Franklin biopic called “Respect.”  
Amazon already has its own studio but has had mixed results. Two of its shows, “The Marvelous Mrs. Maisel” and “Fleabag,” won best comedy series Emmys. But many of its films have failed to click with audiences at the box office. Recently, Amazon has been spending on sports and splashy shows. It will stream “Thursday Night Football” next year and is producing a “Lord of the Rings” show, which reportedly cost $450 million for its first season alone.
The deal, which is subject to customary approvals, will make Amazon, already one of the most powerful and valuable companies in the world, even bigger. Regulators around the world are scrutinizing Amazon’s business practices, specifically the way it looks at information from businesses that sell goods on its site and uses it to create its own Amazon-branded products.  
A report by the House Judiciary Committee in October called for a possible breakup of Amazon and others, making it harder for them to buy other businesses and imposing new rules to safeguard competition.
Amazon, founded in 1995 as an online bookstore, has become a $1.6 trillion behemoth that does a little bit of everything. It has a delivery business network that gets orders to people in two days or sooner; sells inhalers and insulin; has a cloud-computing business that powers the apps of Netflix and McDonald’s; and has plans to send more than 3,200 satellites into space to beam internet service to Earth.
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The Japanese government Tuesday was quick to deny a U.S. warning for Americans to avoid traveling to Japan would have an impact on Olympians wanting to compete in the postponed Tokyo Games. U.S. officials cited a surge in coronavirus cases in Japan caused by virus variants that may even be risks to vaccinated people. They didn’t ban Americans from visiting Japan, but the warnings could affect insurance rates and whether Olympic athletes and other participants decide to join the Games that begin July 23. Most metro areas in Japan are under a state of emergency and expected to remain so through mid-June because of rising serious COVID-19 cases that are putting pressure on the country’s medical care systems. That raises concern about how the country could cope with the arrival of tens of thousands of Olympic participants if its hospitals remain stressed and little of its population is vaccinated. Japan’s Chief Cabinet Secretary Katsunobu Kato told a regular news conference Tuesday that the U.S. warning does not prohibit essential travel and Japan believes the U.S. support for Tokyo’s effort to hold the Olympics is unchanged. “We believe there is no change to the U.S. position supporting the Japanese government’s determination to achieve the Games,” Kato said, adding that Washington has told Tokyo the travel warning is not related to participation of the U.S. Olympic team. The United States Olympic & Paralympic Committee said it still anticipates American athletes will be able to safely compete at the Tokyo Games. Fans coming from abroad were banned from the Tokyo Olympics months ago, but athletes, families, sporting officials from around the world and other stakeholders still amount to a mass influx of international travelers. The Japanese public in opinion surveys have expressed opposition to holding the Games out of safety concerns while most people will not be vaccinated. The U.S. warning from the Atlanta-based Centers for Disease Control and Prevention said: “Because of the current situation in Japan even fully vaccinated travelers may be at risk for getting and spreading COVID-19 variants and should avoid all travel to Japan.” The State Department’s warning was more blunt. “Do not travel to Japan due to COVID-19,” it said. 
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The Italian glam rock band that won the Eurovision Song Contest returned home Sunday to the adulation of fans, congratulations from the government and so much speculation that the lead singer had snorted cocaine during the show that he vowed to take a drug test.
“We want to shut down the rumors,” Maneskin lead singer Damiano David told reporters at Rome’s Leonardo da Vinci airport as the band arrived home after their victory in Rotterdam, Netherlands.
 
Rumors spread on social media after David was seen bending over a table during the Saturday night live television broadcast. Asked at a post-victory news conference whether he’d snorted cocaine, David said he doesn’t use drugs and that he’d bent over because another band member had broken a glass at their feet.  
Eurovision confirmed that broken glass was found under the table in question, but announced David had offered to take the test, which is scheduled for Monday.
In Italy, the drug claim didn’t mar the praise that poured in Sunday from the Italian establishment for the victory of the rather anti-establishment Maneskin, a glam rock band that got its start busking on Rome’s main shopping drag.
Their win gave Italy a sorely needed boost after a dreadful year as one of the countries worst hit by the coronavirus and will bring next year’s competition back to the place where European song contests began.  
The band was the bookmakers’ favorite going into the Eurovision finale and sealed the win early Sunday with the highest popular vote in the enormously entertaining, and incredibly kitsch, annual song festival.  
“We are out of our minds!” Florence’s Uffizi Galleries tweeted, echoing Maneskin’s winning song lyrics, along with an image of a Caravaggio Medusa and the hashtag #Uffizirock.
Maneskin, Danish for “moonlight” and a tribute to bass player Victoria De Angelis’ Danish ancestry, won with a total of 529 points. France was second while Switzerland, which led after national juries had voted, finished third.
“It is amazing. It is amazing,” band members said as they got off the plane and were met by a gaggle of reporters outside baggage claim.  
De Angelis said the band was shocked at the claims of drug use, which were echoing particularly loudly in runner-up France, where mainstream media prominently reported the suspicions and the country’s foreign minister, Jean-Yves Le Drian, was even asked about them on a news show Sunday.  
Le Drian stayed clear on the controversy, saying: “If there is a need to do tests, they’ll do tests.”
De Angelis said the band wants to put the controversy behind them because drug use goes against their ethos and message.  
“We are totally against cocaine and the use of drugs and we would have never done it of course, so we are shocked that many people believe this,” she said.  
The band got its start performing on Via del Corso, the main commercial thoroughfare in downtown Rome. Their scrappy performances in front of a Geox shoe store were a far cry from the over-the-top, flame-throwing extravaganza Saturday night that literally split David’s pants.
David told a news conference this week that starting out on the street was embarrassing, since the group had to contend with other musicians vying for the same prized piece of sidewalk while neighbors complained about the noise.  
“They were always calling the police,” De Angelis said, laughing.
Maneskin’s win was only Italy’s third victory in the contest and the first since Toto Cutugno took the honor in 1990. The victory means Italy will host next year’s competition, with cities bidding for the honor.  
Launched in 1956 to foster unity after World War II, Eurovision evolved over the years from a bland ballad-fest to a campy, feel-good extravaganza. It has grown from seven countries to include more than 40, including non-European nations such as Israel and far-away Australia.  
Legend has it that Eurovision got its inspiration from Italy’s Sanremo Music Festival, which began in 1951 as a post-war effort to boost Italian culture and the economy of the Ligurian coastal city that has housed it ever since.
Perhaps best known for having launched the likes of Andrea Boccelli and one of Italy’s most famous songs “Nel blu, dipinto di blu” — popularly known as “Volare” — the Sanremo festival usually picks Italy’s official selection for the Eurovision contest.  
Maneskin won Sanremo this year with the same song, “Zitti e Buoni” (“Quiet and good”) that it performed Saturday night in Rotterdam.
De Angelis said she hoped that their victory would send a message to future Italian contestants that ballads aren’t the only genre that can win contests.
“We think maybe from now on more bands will have the chance to play what they want and not be influenced by the radios or what the main genre is in Italy,” she said. “They can feel themselves and play rock music too.”
 
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It was a family affair at the Billboard Music Awards: Pink twirled in the air in a powerful performance with her daughter, and Drake was named artist of the decade, accepting the honor alongside his 3-year-old son.
Drake, who extended his record as the most decorated winner in the history of the awards show to 29 wins Sunday, was surrounded by family and friends who presented him with the Artist of the Decade Award. He walked onstage outside the Microsoft Theater in Los Angeles with his son Adonis holding his hand.
“I wanna dedicate this award to my friends, to my longtime collaborators … to my beautiful family, and to you,” he said, looking to Adonis and picking him up to kiss him.
Drake placed his first song on the Billboard Hot 100 chart in 2009, and since has logged the most songs ever on the chart, with 232 entrees. He’s also logged a record 45 Top 10 hits on the Hot 100 and a record 22 No. 1s on the Hot R&B/Hip-Hop songs chart.
He was also named top streaming songs artist Sunday.
Pink received the Icon Award and was joined onstage by her 9-year-old daughter — showing off their powerful gymnastic skills as they spun in the air in a jaw-dropping performance. Known for her signature aerial and acrobatic moves, Pink was matched by Willow Sage Hart as “Cover Me In Sunshine” played in the background, Pink’s song featuring vocals from her daughter.
“Willow, you nailed it,” Pink said after the performance. “I love what I do and I love the people that I get to do it with, and we’re pretty good at what we do, but it wouldn’t matter if no one came to see us and play with us. So all you guys out there … thank you for coming out!”
Pink’s performance was one of several pre-taped moments at the awards show, which aired on NBC and was hosted by Nick Jonas. Live performances were held outdoors, in front of feverish audience members wearing masks.
The Weeknd was on hand to accept the most wins of the night — 10. He walked into the show with 16 nominations, winning honors like top artist, top male artist, top Hot 100 song for “Blinding Lights” and top R&B album for “After Hours.”
“I wanna take this opportunity to thank you, my parents,” he said. “I am the man I am today because of you. And thank you to my fans, of course. I do not take this for granted.”
The late rapper Pop Smoke was also a big winner: He posthumously earned five honors, including top new artist and top rap artist, while his debut — “Shoot for the Stars, Aim for the Moon” — won top rap album and top Billboard 200 album, which his mother accepted onstage.
“Thank you to the fans for honoring the life and spirit of my son, so much that he continues to manifest as if he was still here in flesh,” Audrey Jackson said.  
Another late rapper was also honored during the show. Before presenting top rap song to DaBaby, Swizz Beatz dedicated a moment to those who have recently died in hip-hop, including his close friend and collaborator DMX. And Houston rapper and activist Trae Tha Truth, who earned the Change Maker Award, ended his speech with a powerful sentence: “We still gon’ need justice for Breonna Taylor.”
Other winners Sunday included Bad Bunny and BTS, who both won four awards and also performed. Breakthrough country singer Gabby Barrett won three awards, including top female country artist and top country song for the hit “I Hope.” The song’s remix featuring Charlie Puth won top collaboration.
“Oh my gosh. Thank y’all so much. This means so much to me,” Barrett said as she broke into tears. “I’ve been performing for 10 years really hard. …We’ve worked so hard to get here.”
Another country star also won big Sunday though he wasn’t allowed to participate in the show.
Morgan Wallen, who was caught on camera using a racial slur earlier this year, won three honors, including top country artist and top country album for “Dangerous: The Double Album,” which has had major success on the pop and country music charts despite his fallen moment.
Wallen was nominated for six awards, and Billboard Awards producer Dick Clark productions said it couldn’t prevent Wallen from earning nominations, or winning, because finalists are based on album and digital sales, streaming, radio airplay and social engagement. The producers did ban Wallen from performing or attending the show.
The Billboard Awards kicked off with a collaborative performance by DJ Khaled, H.E.R. and Migos, who brought the concert vibe back to life a year after live shows were in the dark because of the pandemic. Doja Cat and SZA — accompanied by futuristically dressed background dancers — sang their big hit “Kiss Me More” inside the venue, where the seats were empty. Alicia Keys, celebrating the 20th anniversary of her groundbreaking debut “songs in A minor,” sang songs from the album including the hit “Fallin’.” The performance was introduced by former first lady Michelle Obama.
Other performers included Karol G, twenty one pilots, Duran Duran, Jimmy Jam & Terry Lewis, Jonas Brothers and Glass Animals.
Stars like Taylor Swift, Lady Gaga and Kanye West won honors at the show though they didn’t attend. Machine Gun Kelly, who started in rap but has had recent success on the rock charts, won top rock artist and top rock album.
“I released my first mixtape 15 years ago and this is the first big stage I’ve ever been invited to accept an award on,” he said, kissing his actor-girlfriend Megan Fox before walking to the stage.
“To the box that society keeps trying to put me, you need stronger material because you can’t keep me in it,” he proclaimed.
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Phil Mickelson has delivered so many thrills and spills over 30 years of pure theater that no one ever knows what he will do next.His latest act was a real stunner: A major champion at age 50.Mickelson captured his sixth major and by far the most surprising Sunday at the PGA Championship. He made two early birdies with that magical wedge game and let a cast of contenders fall too far behind to catch him in the shifting wind of Kiawah Island.He closed with a 1-over 73, building a five-shot lead on the back nine and not making any critical mistakes that kept him from his place in history.“This is just an incredible feeling because I believed it was possible, but everything was saying it wasn’t,” said Mickelson, who had gone more than two years since his last win and had not won a major in nearly eight years. He had not even contended in a major in five years.Julius Boros for 53 years held the distinction of golf’s oldest major champion. He was 48 when he won the 1968 PGA Championship in San Antonio.Pure chaos broke out along the 18th hole after Mickelson hit 9-iron safely to just outside 15 feet that all but secured a most improbable victory. Thousands of fans engulfed him down the fairway — a scene typically seen only at the British Open — until Mickelson emerged into view with a thumbs-up.That might have been the most pressure he faced on the back nine of the Ocean Course.“I don’t think I’ve ever had an experience like that, so thank you for that,” Mickelson said at the trophy ceremony. “Slightly unnerving, but exceptionally awesome.”Just like he plays the game.Chants of “Lefty! Lefty! Lefty!” chased him onto the green and into the scoring tent, his final duty of a week he won’t soon forget.Three months after 43-year-old Tom Brady won a seventh Super Bowl, Mickelson added to this year of ageless wonders. Mickelson became the first player in PGA Tour history to win tournaments 30 years apart. The first of his 45 titles was in 1991 when he was still a junior at Arizona State.Mickelson became the 10th player to win majors in three decades, an elite list that starts with Harry Vardon and most recently added Tiger Woods.“He’s been on tour as long as I’ve been alive,” Jon Rahm said. “For him to keep that willingness to play and compete and practice, it’s truly admirable.”Brooks Koepka and Louis Oosthuizen had their chances, but only briefly. Koepka was 4 over on the par 5s when the game was still on and closed with a 74. Oosthuizen hit into the water as he was trying to make a final run and shot 73.“Phil played great,” Koepka said. “It’s pretty cool to see, but a bit disappointed in myself.”Mickelson finished at 6-under 282.The victory came one week after Mickelson accepted a special exemption into the U.S. Open because at No. 115 in the world and winless the last two years, he no longer was exempt from qualifying. He had not finished in the top 20 in his last 17 tournaments over nearly nine months. He worried that he was no longer able to keep his focus over 18 holes.And then he beat the strongest field of the year — 99 of the top 100 players — and made it look easy.The PGA Championship had the largest and loudest crowd since the return from the COVID-19 pandemic — the PGA of America said it limited tickets to 10,000, and it seemed like twice that many — and it was clear what they wanted to see.The opening hour made it seem as though the final day could belong to anyone. The wind finished its switch to the opposite direction from the opening rounds, and while there was low scoring early, Mickelson and Koepka traded brilliance and blunder.Koepka flew the green with a wedge on the par-5 second hole, could only chip it about 6 feet to get out of an impossible lie and made double bogey, a three-shot swing when Mickelson hit a deft pitch from thick grass behind the green.Mickelson holed a sand shot from short of the green on the par-5 third, only for Koepka to tie for the lead with a two-shot swing on the sixth hole when he made birdie and Lefty missed the green well to the right.Kevin Streelman briefly had a share of the lead. Louis Oosthuizen was lurking, even though it took him seven holes to make a birdie.And then the potential for any drama was sucked out to sea.Oosthuizen, coming off a birdie to get within three, had to lay up out of the thick grass on the 13th and then sent his third shot right of the flag and into the water, making triple bogey.Just like that, Mickelson was up by five and headed toward the inward holes, the wind at his back on the way home with what seemed like the entire state of South Carolina at his side. 
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The singer for Italy’s Eurovision Song Contest winning rockers Maneskin will take a voluntary drug test after denying speculation that he was snorting cocaine during the broadcast, organizers said Sunday. Red lederhosen-clad vocalist Damiano David will be tested after going back to Italy, following viral footage of him leaning over a table in the hospitality area of the competition in Rotterdam.  “We are aware of the speculation surrounding the video clip of the Italian winners of the Eurovision Song Contest in the Green Room last night,” the European Broadcasting Union (EBU) said in a statement.  “The band have strongly refuted the allegations of drug use and the singer in question will take a voluntary drug test after arriving home,” it added.  “This was requested by them last night but could not be immediately organized by the EBU.”  The Maneskin singer was asked about the footage during the winners’ press conference early on Sunday, and said he had been looking down because guitarist Thomas Raggi had broken a glass.  “I don’t use drugs. Please, guys. Don’t say that really, no cocaine. Please, don’t say that,” David said.  The band later said on their Instagram stories that they were “ready to get tested because we have nothing to hide.”   “We are really shocked about what some people are saying about Damiano doing drugs. We really are AGAINST drugs and we never used cocaine,” they said. The EBU said evidence at the scene backed up David’s account about the glass smashing.  “The band, their management and head of delegation have informed us that no drugs were present in the Green Room and explained that a glass was broken at their table and it was being cleared by the singer,” its statement said.  “The EBU can confirm broken glass was found after an on site check. We are still looking at footage carefully and will update with further information in due course.”  Maneskin fought off stiff competition from France and Switzerland, surging to victory on the back of the public vote to win with 524 points. 
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Italy woke up Sunday to news that a glam rock band who got their start busking on Rome’s main shopping drag had won the Eurovision Song Contest and was bringing next year’s competition back to the place where Europe’s song contests began. From the premier’s office on down, congratulations poured in Sunday from the Italian establishment for the rather anti-establishment group Maneskin, giving Italy a sorely needed boost after a dreadful year as one of the countries worst hit by the coronavirus. The band was the bookmakers’ favorite going into the Eurovision finale and sealed the win early Sunday with the highest popular vote in the enormously entertaining, and incredibly kitsch, annual song festival. “We are out of our minds!” Florence’s Uffizi Galleries tweeted, echoing Maneskin’s winning song lyrics, along with an image of a Caravaggio Medusa and the hashtag #Uffizirock. Maneskin, Danish for “moonlight” and a tribute to bass player Victoria De Angelis’ Danish ancestry, won with a total of 529 points. France was second while Switzerland, which led after national juries had voted, finished third. “Rock’n’roll never dies, tonight we made history. We love u,” the band tweeted before heading back home from Rotterdam, Netherlands, where this year’s contest was held. The band got its start performing on Via del Corso, the main commercial thoroughfare in downtown Rome. Their scrappy performances in front of a Geox store were a far cry from the over-the-top, flame-throwing extravaganza Saturday night that literally split lead singer Damiano David’s pants. David told a news conference this week that starting out on the street was embarrassing, since the group had to contend with other musicians vying for the same prized piece of sidewalk while neighbors complained about the noise. “They were always calling the police,” De Angelis said, laughing. Maneskin’s win was only Italy’s third victory in the contest and the first since Toto Cutugno took the honor in 1990. The victory means Italy will host next year’s competition, with cities bidding for the honor. Launched in 1956 to foster unity after World War II, Eurovision evolved over the years from a bland ballad-fest to a campy, feel-good extravaganza. It has grown from seven countries to include more than 40, including non-European nations such as Israel and far-away Australia. Legend has it that Eurovision got its inspiration from Italy’s Sanremo Music Festival, which began in 1951 as a post-war effort to boost Italian culture and the economy of the Ligurian coastal city that has housed it ever since. Perhaps best known for having launched the likes of Andrea Boccelli and one of Italy’s most famous songs “Nel blu, dipinto di blu” — popularly known as “Volare” — the Sanremo festival usually picks Italy’s official selection for the Eurovision contest. Maneskin won Sanremo this year with the same song, “Zitti e Buoni” (“Quiet and good”) that it performed Saturday night in Rotterdam. 
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Move over sequins, disco beats and power ballads. A four-piece band of Italian rockers won the Eurovision Song Contest in the early hours of Sunday.Maneskin’s win was only the third victory for Italy in the immensely popular contest and the first since Toto Cutugno took the honor in 1990.Italy, the bookmakers’ favorite, trailed Switzerland, France and Malta after the national juries delivered their votes but were propelled to victory by votes from the viewing public.Ahead of the show, crowds gathered outside the Ahoy arena in the Dutch city of Rotterdam. Drag queens mingled with families as a man in a gold suit waited to get into the venue.The hugely popular music festival that oozes flamboyance is seen as a significant step toward a post-pandemic return to live entertainment, but not everybody managed to avoid the virus.The popular Icelandic band Dadi og Gagnamagnid, known for its kitsch dance moves and green leisurewear costumes, is in the final, but can’t perform live because one member tested positive for the virus earlier in the week. Instead, viewers will see a recording of one of the band’s dress rehearsals.”The point was to go and actually experience how it was to compete in Eurovision, and that’s just really not happening,” lead singer Dadi Freyr said from isolation in Rotterdam.While the entertainment world has changed in the pandemic, the Eurovision final formula familiar to its worldwide legion of fans has not. The event is being hosted as usual by the last winner, the Netherlands, except that it won in 2019.After acts from 26 countries perform their songs Saturday night, they are awarded points by panels of music industry experts and by members of the public voting by phone, text message or via the contest’s app. The winner takes home a glass microphone trophy and a potential career boost.For the fans, there is still plenty of the over-the-top spectacle that has become Eurovision’s trademark.Norwegian singer Andreas Haukeland, whose stage name TIX is a reference to growing up with Tourette syndrome, sings his song “Fallen Angel” in a pair of giant white wings while chained to four prancing devils.Cyprus’ Elena Tsagrinou is flanked by four dancers in skintight red costumes as she performs “El Diablo,” a song that ignited protests among Orthodox Christians in the Mediterranean island nation who claim it glorifies satanic worship. Tsagrinou says it’s about an abusive relationship.San Marino has enlisted the help of U.S. rapper Flo Rida to join performer Senhit in her bid to win the title for the first time for the tiny city-state surrounded by Italy.
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The IOC vice president in charge of the postponed Tokyo Olympics said Friday the games would open in just over two months even if the city and other parts of Japan were under a state of emergency because of rising COVID-19 cases.
 
John Coates, speaking from Australia in a virtual news conference with Tokyo organizers at the end of three days of meetings, said this would be the case even if local medical experts advised against holding the Olympics.
 
“The advice we have from the [World Health Organization] and all other scientific and medical advice that we have is that — all the measures we have outlined, all of those measures that we are undertaking are satisfactory and will ensure a safe and secure games in terms of health,” Coates said. “And that’s the case whether there is a state of emergency or not.”
 
Public opinion in Japan has been running at 60-80% against opening the Olympics on July 23, depending on how the question is phrased. Coates suggested public opinion might improve as more Japanese get fully vaccinated. That figure is now about 2%.
 
“If it doesn’t then our position is that we have to make sure that we get on with our job,” Coates said. “And our job is to ensure these games are safe for all the participants and all the people of Japan.”
 
IOC officials say they expect more than 80% of the residents of the Olympic Village, located on Tokyo Bay, to be vaccinated and be largely cut off from contact with the public. About 11,000 Olympic and 4,400 Paralympic athletes are expected to attend.
 
Coates said about 80% of spots in the Olympics would be awarded from qualifying events, with 20% coming from rankings.
 
Coates left no doubt that the Switzerland-based International Olympic Committee believes the Tokyo Games will happen. The IOC gets almost 75% of its income from selling broadcast rights, a key driver in pushing on. And Tokyo has officially spent $15.4 billion to organize the Olympics, though a government audit suggests the real number is much higher.
 
Tokyo, Osaka and several other prefectures are currently under a state of emergency and health-care systems are being stretched. Emergency measures are scheduled to end on May 31, but they are likely to be extended.
 
“If the current situation continues, I hope the government will have the wisdom not to end the emergency at the end of May,” Haruo Ozaki, head of the Tokyo Medical Association, told the weekly magazine Aera.
 
Ozaki has consistently said government measures to control the spread of COVID-19 have been insufficient. About 12,000 deaths in Japan have been attributed to the virus, and the situation is exacerbated since so few in Japan have been fully vaccinated.
 
Ozaki warned that if the emergency conditions are not extended, the virus and contagious variants will spread quickly.
 
“If that happens, there will be a major outbreak, and it is possible that holding the games will become hopeless,” he added.
 
Ozaki is not alone with this warning.
 
The 6,000-member Tokyo Medical Practitioners’ Association called for the Olympics to be cancelled in a letter sent last week to Prime Minister Yoshihide Suga, Tokyo Governor Yuriko Koike, Olympic Minister Tamayo Marukawa, and Seiko Hashimoto, the head of the organizing committee.
 
“We believe the correct choice is to the cancel an event that has the possibility of increasing the numbers of infected people and deaths,” the letter said.
 
Hashimoto addressed the worry of ordinary Japanese.
 
“At present there are not a few people who feel uneasy about the fact the games are going to be held where a lot of people are coming from abroad,” she said. “There are other people who are concerned about the possible burden on the medical system of Japan.”
 
She said the number of “stakeholders” coming to Japan from abroad had been reduced from 180,000 to about 80,000. She said Olympic “stakeholders” would amount to 59,000, of which 23,000 were Olympic family and international federations. She said an added 17,000 would involve television rights holders, with 6,000 more media.
 
She also said 230 physicians and 310 nurses would be needed daily, and said about 30 hospitals in Tokyo and outside were contacted about caring for Olympic patients.
 
Organizers have said previously that 10,000 medical workers would be needed for the Olympics.
 
Hashimoto said retired nurses might also be called in. Separately, the IOC has said it will make available an unspecified number of medical personnel from unnamed national Olympic committees.
 
Fans from abroad were banned months ago. Hashimoto said the number of spectators — if any — at venues would “depend on the spread of the infection.” She has promised a decision on venue capacity next month.
 
Kaori Yamaguchi, a bronze medalist in judo at the 1988 Seoul Olympics and a member of the Japanese Olympic Committee, hinted in an interview with the Kyodo news agency this week that organizers were cornered. She has been skeptical about going ahead.
 
“We’re starting to reach a point where we can’t even cancel anymore,” she said.
The IOC’s most senior member, Richard Pound, said in an interview with Japan’s JiJi Press that the final deadline to call off the Olympics was still a month away.
 
“Before the end of June, you really need to know, yes or no,” JiJi quoted Pound as saying.
 
Pound repeated — as the IOC has said — that if the games can’t happen now they will be cancelled, not postponed again.
 
IOC President Thomas Bach now plans to arrive in Tokyo only July 12. He was forced to cancel a trip to Japan this month because of rising COVID-19 cases.
 
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An inquiry into how the BBC secured the 1995 interview with Britain’s Princess Diana in which she disclosed intimate details of her failed marriage concluded on Thursday that the journalist involved had acted deceitfully. The BBC set up the investigation, headed by former senior Court judge John Dyson, in November following allegations from Diana’s brother Charles Spencer that forged documents and “other deceit” were used to trick him to introduce Diana to journalist Martin Bashir. FILE – Martin Bashir, then one of the anchors of the ABC news program ‘Nightline’, taking part in a panel discussion at the ABC television network Summer press tour for television critics in Beverly Hills, California, July 26, 2007. ​Dyson’s report found that Bashir, then a little known reporter, had shown Spencer fake bank statements to induce him to arrange a meeting with Diana. “Mr Bashir acted inappropriately and in serious breach of the 1993 edition of the Producers’ Guidelines on straight dealing,” the report said. He also concluded the BBC had fallen short of “the high standards of integrity and transparency which are its hallmark” in its response to allegations of impropriety. During the explosive interview, watched by more than 20 million viewers in Britain, Diana shocked the nation by admitting to an affair and sharing details of her marriage to the heir to the throne, Prince Charles. It came at a nadir for the royal family and was the first time Diana, who died in a Paris car crash in 1997, had made public comments about her doomed marriage. Her remark that “there were three of us in this marriage, so it was a bit crowded” — a reference to Charles rekindling his relationship with Camilla Parker Bowles, now his second wife — was particularly damaging to the Windsors. Last week, the BBC announced that Bashir was leaving his current job as the publicly-funded broadcaster’s religious affairs editor because of ill health. Bashir apologized but said he did not believe the faked statements had prompted Diana to give the interview, PA Media reported. Spencer says Bashir had persuaded him to get his sister to agree to the interview by telling him Diana was being bugged by the security services and that two senior aides were being paid to provide information about her. Both Diana’s sons, Prince William and Prince Harry, have welcomed the investigation as a chance to find out the truth of what had happened. “While the BBC cannot turn back the clock after a quarter of a century, we can make a full and unconditional apology. The BBC offers that today,” BBC director-general, Tim Davie, said in a statement. 
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The Ivory Coast resort town of Grand-Bassam is known for its beaches and French colonial architecture. Recent flooding and the passage of time have taken a toll on the city’s historic buildings, but some people are determined to fix things, as Yassin Ciyow found in this report narrated by Carol Guensberg.Camera: Yassin Ciyow 
Produced by: Robert Raffaele 
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