Hulu is teaming with Marvel to make four separate animated series based on comic book characters like Howard the Duck.

Director Kevin Smith and comics Chelsea Handler and Patton Oswalt are among the people who have signed deals with the streaming service to help produce the cartoons. Smith will work on the Howard the Duck series.

Other shows revolve around M.O.D.O.K., a villain with an enormous head; Hit-Monkey, about a Japanese snow monkey turned assassin; and Tigra and Dazzler, two superheroes who work in Los Angeles.

Hulu senior vice president Craig Erwich said Monday animation is a particular favorite for its users. Since the deal was just signed, there’s no estimate on when the series will be ready.
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Hulu is teaming with Marvel to make four separate animated series based on comic book characters like Howard the Duck.

Director Kevin Smith and comics Chelsea Handler and Patton Oswalt are among the people who have signed deals with the streaming service to help produce the cartoons. Smith will work on the Howard the Duck series.

Other shows revolve around M.O.D.O.K., a villain with an enormous head; Hit-Monkey, about a Japanese snow monkey turned assassin; and Tigra and Dazzler, two superheroes who work in Los Angeles.

Hulu senior vice president Craig Erwich said Monday animation is a particular favorite for its users. Since the deal was just signed, there’s no estimate on when the series will be ready.
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Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio economic and racial divisions and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film. VOA’s Penelope Poulou has more.
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Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio economic and racial divisions and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film. VOA’s Penelope Poulou has more.
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Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s “This Is America” becoming the first rap-based song to win record and song of the year.

Kacey Musgraves’ “Golden Hour” picked up album of the year, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino was the night’s big winner, picking up four honors, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake, who rarely attends awards shows, won the honor for his massive hit “God’s Plan.”

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won,” he said at the Staples Center in Los Angeles.

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys). 

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives – a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

​Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidary with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honors in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Gaga, now a nine-time Grammy winner, won best pop solo performance for “Joanne,” while hit “Shallow,” from “A Star is Born,” was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s “By the Way, I Forgive You,” Janelle Monae’s “Dirty Computer,” Cardi B’s “Invasion of Privacy” and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist. 

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for “Golden Hour,” best country solo performance for “Butterflies” and best country song for “Space Cowboy.”

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Musgraves performed “Rainbow” from “Golden Hour” during the show, and hit the stage for a second time to honor Dolly Parton. Musgraves and Katy Perry joined forces for “Here You Come Again,” later joined by Parton herself. The icon sang a duet version of “Jolene” with Miley Cyrus, who often covers the classic song. But the country music icon truly shined when she sang “Red Shoes,” with country foursome Little Big Town providing background vocals.

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of “(You Make Me Feel Like) A Natural Woman” in honor Aretha Franklin, who died last year. 

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform “Reach Out and Touch (Somebody’s Hand)” and “The Best Years of My Life.” She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

​R&B singer H.E.R., who won best R&B performance for “Best Part” with Daniel Caesar, stunned as she played her guitar and sang. Chloe x Halle impressed when they sang Donny Hathaway and Roberta Flack’s “Where Is the Love.” Monae grooved onstage during “Make Me Feel,” backed by several dancers. Post Malone performed with Red Hot Chili Peppers, and Cardi B grinded onstage during her latest single, “Money.”

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

Tori Kelly and Lauren Daigle won two awards each. Beyonce, Jay-Z, Ella Mai, Pharrell Williams, Hugh Jackman, Stingy, Shaggy, Dave Chappelle, “Weird Al” Yankovic, the late Chris Cornell, Greta Van Fleet and even former President Jimmy Carter also picked up early awards ahead of the live show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s “Nice for What” lost to Anderson Paak’s “Bubblin”’ and Kendrick Lamar, Jay Rock, Future and James Blake’s “King’s Dead,” from the “Black Panther” soundtrack.

Beck was a double winner during the pre-telecast, taking home best alternative music album and best engineered album (non-classical) for “Colors.” Emily Lazar, one of the engineers who worked on the album and won alongside Beck, was the first female mastering engineer to win in the latter category.
…

Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s “This Is America” becoming the first rap-based song to win record and song of the year.

Kacey Musgraves’ “Golden Hour” picked up album of the year, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino was the night’s big winner, picking up four honors, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake, who rarely attends awards shows, won the honor for his massive hit “God’s Plan.”

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won,” he said at the Staples Center in Los Angeles.

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys). 

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives – a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

​Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidary with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honors in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Gaga, now a nine-time Grammy winner, won best pop solo performance for “Joanne,” while hit “Shallow,” from “A Star is Born,” was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s “By the Way, I Forgive You,” Janelle Monae’s “Dirty Computer,” Cardi B’s “Invasion of Privacy” and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist. 

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for “Golden Hour,” best country solo performance for “Butterflies” and best country song for “Space Cowboy.”

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Musgraves performed “Rainbow” from “Golden Hour” during the show, and hit the stage for a second time to honor Dolly Parton. Musgraves and Katy Perry joined forces for “Here You Come Again,” later joined by Parton herself. The icon sang a duet version of “Jolene” with Miley Cyrus, who often covers the classic song. But the country music icon truly shined when she sang “Red Shoes,” with country foursome Little Big Town providing background vocals.

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of “(You Make Me Feel Like) A Natural Woman” in honor Aretha Franklin, who died last year. 

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform “Reach Out and Touch (Somebody’s Hand)” and “The Best Years of My Life.” She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

​R&B singer H.E.R., who won best R&B performance for “Best Part” with Daniel Caesar, stunned as she played her guitar and sang. Chloe x Halle impressed when they sang Donny Hathaway and Roberta Flack’s “Where Is the Love.” Monae grooved onstage during “Make Me Feel,” backed by several dancers. Post Malone performed with Red Hot Chili Peppers, and Cardi B grinded onstage during her latest single, “Money.”

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

Tori Kelly and Lauren Daigle won two awards each. Beyonce, Jay-Z, Ella Mai, Pharrell Williams, Hugh Jackman, Stingy, Shaggy, Dave Chappelle, “Weird Al” Yankovic, the late Chris Cornell, Greta Van Fleet and even former President Jimmy Carter also picked up early awards ahead of the live show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s “Nice for What” lost to Anderson Paak’s “Bubblin”’ and Kendrick Lamar, Jay Rock, Future and James Blake’s “King’s Dead,” from the “Black Panther” soundtrack.

Beck was a double winner during the pre-telecast, taking home best alternative music album and best engineered album (non-classical) for “Colors.” Emily Lazar, one of the engineers who worked on the album and won alongside Beck, was the first female mastering engineer to win in the latter category.
…

The National Enquirer committed neither extortion nor blackmail by threatening to publish intimate photos of Amazon CEO Jeff Bezos, an attorney for the head of the tabloid’s parent company said Sunday.

Elkan Abromowitz, an attorney for American Media Inc. chief executive David Pecker, said on Sunday a “reliable source” well-known to Bezos and his mistress provided the story about the billionaire’s extramarital affair.

Bezos has said AMI threatened to publish the explicit photos of him unless he stopped investigating how the Enquirer obtained his private exchanges with his mistress, former TV anchor Lauren Sanchez, and publicly declare that the Enquirer’s coverage of him was not politically motivated. Bezos also owns The Washington Post.

Bezos’ investigators have suggested the Enquirer’s coverage of his affair was driven by dirty politics, and the high-profile clash has pitted the world’s richest man against the leader of America’s best-known tabloid, who is a strong backer of President Donald Trump. Trump has been highly critical of Bezos over his ownership of The Washington Post and Amazon, and the Post’s coverage of the White House.

Federal prosecutors are looking into whether the Enquirer violated a cooperation and non-prosecution agreement that recently spared the gossip sheet from charges for paying hush money to a Playboy model who claimed she had an affair with Trump, two people familiar with the matter told The Associated Press on Friday. The people weren’t authorized to discuss the matter and spoke on condition of anonymity.

But asked during an interview with ABC’s “This Week” whether he was concerned the Bezos matter could jeopardize the noncooperation agreement, Abramowitz said: “Absolutely not.”

Abramowitz defended the tabloid’s handling of the situation as part of a standard legal negotiation.

“I think both Bezos and AMI had interests in resolving their interests,” Abramowitz said. “It’s absolutely not a crime to ask somebody to simply tell the truth. Tell the truth that this was not politically motivated, and we will print no more stories.”

Bezos’ affair became public when the Enquirer published story on Jan. 9 about his relationship with Lauren Sanchez, who is also married. Bezos then hired a team of private investigators to find out how the tabloid got the texts and photos the two exchanged.

​Bezos’ personal investigators, led by his security consultant Gavin de Becker, have focused on Sanchez’s brother, according to a person familiar with the matter. The person wasn’t authorized to discuss the matter publicly and spoke on condition of anonymity. Michael Sanchez is his sister’s manager, a Trump supporter and an acquaintance of Trump allies Roger Stone and Carter Page.

Abramowitz would not comment when asked whether Michael Sanchez was the Enquirer’s source but said that “Bezos and Ms. Sanchez knew who the source was.”

Michael Sanchez has declined to speak with AP on the record. In a Jan. 31 tweet, he said without evidence that de Becker “spreads fake, unhinged conservative conspiracy theories.”

Investigators working for Bezos have identified who they believe provided text messages to the Enquirer, the person familiar with the matter told the AP on Sunday. Bezos’ investigators concluded their probe into the text message leak and turned over the results to attorney Richard Ben-Veniste for review and possible referral to law enforcement, the person said. Ben-Veniste had served as special prosecutor during the Watergate scandal. 

In his blog post on Thursday, Bezos alluded to a possible relationship between Saudi Arabia and AMI, but Adel al-Jubeir, Saudi Arabia’s minister of state of foreign affairs, said he had “no idea” about such a relationship and doubted the kingdom played any role in urging AMI to run negative stories about Bezos. Last year, the tabloid produced a glossy magazine that included 97 pages saluting Saudi Arabia, ahead of Crown Prince Mohammed bin Salman’s arrival in the U.S. on a public relations blitz to transform his country’s image.

“It’s like a soap opera,” al-Jubeir said of Bezos’ allegations during a roundtable on Friday with reporters in Washington.

Asked about AMI’s recent $450 million debt restructuring, Abramowitz said “not a penny” of that money came from the Saudi kingdom. The company had sought financing from the Saudis but never received any, he said.

After Bezos on Thursday posted the exchanges with AMI in an extraordinary blog post on Medium.com, several celebrities and journalists posted on social media that they too had been threatened by AMI. Ronan Farrow said he and “and at least one other prominent journalist” involved in reporting on the tabloid had “fielded similar ‘stop digging or we’ll ruin you’ blackmail efforts from AMI” and actor Terry Crews alleged the company tried to “silence him” by “fabricating stories of me with prostitutes.”

Abramowitz said he didn’t know of any AMI employees blackmailing celebrities or journalists or “committing any crime at all.”

In recent months, the Trump-friendly tabloid acknowledged secretly assisting Trump’s White House campaign by paying $150,000 to Playboy centerfold Karen McDougal for the rights to her story about an alleged affair with Trump. The company then buried the story until after the 2016 election.

Trump’s longtime personal attorney and fixer Michael Cohen pleaded guilty last year to charges that included helping to broker that transaction.

As part of a non-prosecution agreement in that case, AMI promised not to break the law. The deal requires top executives, including Pecker and the Enquirer’s editor, Dylan Howard, to cooperate with federal prosecutors. A violation of the agreement could lead to criminal charges over the McDougal payments.
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