The Brazilian coastal city of Santos, which sporting giant Pele turned into a byword for soccer brilliance during a glittering club career, started bidding goodbye to its hero on Monday with a 24-hour wake.

Mourners lined up to see Pele’s body in an open casket in the center of the field at the Vila Belmiro stadium, home of the Santos Football Club. Pele died on Thursday at 82 after battling colon cancer.

“Pele leaves millions of Santos fans across our country. He was the creator of Brazilian soccer,” said Antonio da Paz, a fan outside the stadium for the memorial that began at 10 a.m. (1300 GMT). 

FIFA President Gianni Infantino was among the first to arrive for the service and said he would ask every country to name a stadium after Pele, the only man to win the World Cup three times as a player.

“Pele is eternal,” Infantino told reporters. “FIFA will certainly honor the ‘king’ as he deserves. We have asked all football associations in the world to pay a minute of silence before every game and will also ask them, 211 countries, to name a stadium after Pele. Future generations must know and remember who Pele was.”

Edson Arantes do Nascimento – Pele’s given name – was born in 1940 in the small country town of Tres Coracoes, but moved to Santos in 1956 and lived there for most of his life.

In the early hours Monday, his body arrived under fireworks in the city of about 430,000 people from Sao Paulo’s Albert Einstein Hospital.

Former Brazil midfielder Ze Roberto and Pele’s son Edinho helped placing his coffin in the field, TV footage showed. Floral wreaths were sent by the likes of Neymar, Vinicius Junior and Real Madrid.

On Tuesday, a procession carrying Pele’s coffin will pass through the streets of Santos, ending at the Ecumenical Memorial Necropolis cemetery, where he will be buried in a private ceremony.

Santos’ press office said some 5,000 journalists from all over the world had been accredited to cover the wake of Pele, who scored more than 1,000 goals for Santos.

Several government officials are expected to attend the memorial, including newly sworn-in Brazilian President Luiz Inacio Lula da Silva and Vice President Geraldo Alckmin, a longtime Santos supporter.

Sao Paulo state military police said in a statement they had prepared a special operation called the “King Pele Operation” to ensure public order.

“I’ll be here all day, 24 hours, from 10 a.m. to 10 a.m.,” fan Roberto Santos said. “Pele deserves it.”
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An ancient wooden sarcophagus that was featured at the Houston Museum of Natural Sciences was returned to Egypt after U.S. authorities determined it was looted years ago, Egyptian officials said Monday.

The repatriation is part of Egyptian government efforts to stop the trafficking of its stolen antiquities. In 2021, authorities in Cairo succeeded in getting 5,300 stolen artifacts returned to Egypt from across the world.

Mostafa Waziri, the top official at the Supreme Council of Antiquities, said the sarcophagus dates back to the Late Dynastic Period of ancient Egypt, an era that spanned the last of the Pharaonic rulers from 664 B.C. until Alexander the Great’s campaign in 332 B.C.

The sarcophagus, almost 3 meters (9.5 feet) tall with a brightly painted top surface, may have belonged to an ancient priest named Ankhenmaat, though some of the inscription on it has been erased, Waziri said.

It was symbolically handed over at a ceremony Monday in Cairo by Daniel Rubinstein, the U.S. charge d’affaires in Egypt.

The handover came more than three months after the Manhattan District Attorney’s Office determined the sarcophagus was looted from Abu Sir Necropolis, north of Cairo. It was smuggled through Germany into the United States in 2008, according to Manhattan District Attorney Alvin L. Bragg.

“This stunning coffin was trafficked by a well-organized network that has looted countless antiquities from the region,” Bragg said at the time. “We are pleased that this object will be returned to Egypt, where it rightfully belongs.”

Bragg said the same network had smuggled a gilded coffin out of Egypt that was featured at New York’s Metropolitan Museum. Met bought the piece from a Paris art dealer in 2017 for about $4 million. It was returned to Egypt in 2019.
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Anita Pointer, one of four sibling singers who earned pop success and critical acclaim as The Pointer Sisters, died Saturday at the age of 74, her publicist announced.

The Grammy winner died while she was with family members, publicist Roger Neal said in a statement. A cause of death was not immediately revealed.

“While we are deeply saddened by the loss of Anita, we are comforted in knowing she is now with her daughter Jada and her sisters June & Bonnie and at peace. She was the one that kept all of us close and together for so long,” her sister Ruth, brothers Aaron and Fritz and granddaughter Roxie McKain Pointer said in the statement.

Anita Pointer’s only daughter, Jada Pointer, died in 2003.

Anita, Ruth, Bonnie and June Pointer, born the daughters of a minister, grew up singing in their father’s church in Oakland, California.

The group’s 1973 self-titled debut album included the breakout hit, “Yes We Can Can.” Known for hit songs including “I’m So Excited,” “Slow Hand,” “Neutron Dance” and “Jump (For My Love),” the singers gained a star on the Hollywood Walk of Fame in 1994.

The 1983 album “Break Out” went triple platinum and garnered two American Music Awards. The group won three Grammy Awards and had 13 U.S. top 20 hit songs between 1973 and 1985, Neal said.

The Pointer Sisters also was the first African American group to perform on the Grand Ole Opry program and the first contemporary act to perform at the San Francisco Opera House, Neal said.

Bonnie Pointer left the group in 1977, signing a solo deal with Motown Records but enjoying only modest success. “We were devastated,” Anita Pointer said of the departure in 1990. “We did a show the night she left, but after that, we just stopped. We thought it wasn’t going to work without Bonnie.”

The group, in various lineups including younger family members, continued recording through 1993.

June Pointer died of cancer at the age of 52 in 2006.

Anita Pointer announced Bonnie Pointer’s death resulting from cardiac arrest at the age of 69 in 2020. “The Pointer Sisters would never have happened had it not been for Bonnie,” she said in a statement. 
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Avatar: The Way of Water” is the box office king for a third straight week and shows no sign of slowing down.

James Cameron’s long-awaited sequel to the first “Avatar” film brought in an estimated $63 million over the holiday weekend, roughly the same as the previous week, and now has made more than $400 million domestically and more than $1.3 billion globally. “The Way of Water” is already the 15th highest global release ever, just behind the first “Black Panther.”

Numbers released Sunday by Comscore showed “Avatar” far ahead of the runner-up, Universal’s “Shrek” spinoff “Puss in Boots: The Last Wish,” which made an estimated $16 million, and Disney’s “Black Panther: Wakanda Forever,” which brought in around $4.8 million.

The Sony biopic “Whitney Houston: I Wanna Dance With Somebody” made $4.2 million in its second week of release. “Babylon,” the epic of early Hollywood starring Brad Pitt and Margot Robbie, continued to fare badly despite its five Golden Globe nominations. The Paramount release earned just $2.7 million in its second week, a 24% drop, and averaged just $815 per location. By comparison, the new “Avatar,” a 20th Century Studios film, averaged more than $15,000.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Avatar: The Way of Water,” $63 million.

2. “Puss in Boots: The Last Wish,” $16 million.

3. “Black Panther: Wakanda Forever,” $4.8 million.

4. “I Wanna Dance With Somebody,” $4.2 million.

5. “Babylon,” $2.7 million.

6. “Violent Night,” $2.1 million.

7. “The Whale,” $1.3 million.

8. “The Fabelmans,” $1.1 million.

9. “The Menu,” $1.1 million.

10. “Strange World,” $538,000.
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The world welcomed the new year with a packed party in Times Square and fireworks soaring above European capitals, while hoping for an end to the war in Ukraine and a return to post-COVID normality in Asia.

It was a year marked by the conflict in Ukraine, economic stresses and the effects of global warming. But it was also a year that saw a dramatic soccer World Cup, rapid technological change, and efforts to meet climate challenges.

After 2023 descended upon Asia, Africa and Europe, New York rang in the new year in typical style as thousands corralled themselves into pens under pouring rain in Times Square, waiting hours for the ball to drop. A 12-foot (3.7-meter) geodesic sphere made of Waterford crystal triangles slid down a pole atop a 25-story building to mark the calendar change.

Meanwhile, millions watched the accompanying musical acts and countdown on television from dry and warm living rooms around the world.

Tommy Onolfo, 40, a mechanic from nearby Nassau County, said he wore a diaper during his drenched, 14-hour wait in Times Square, as security measures require spectators to deprive themselves of all comforts to maintain a front-row view.

“I’m a lifeguard in the summer so I’m not afraid of water at all,” Onolfo said. “I have my bathroom thing down to a science. I haven’t had to use the diaper yet. It’s just in case.”

Earlier, across the Atlantic, the London Eye turned blue and yellow in solidarity with Ukraine as fireworks saw in midnight in the British capital.

The celebration, which London’s mayor had branded the biggest in Europe, also referenced Queen Elizabeth II, who died in September, the red and white of England’s soccer team, and the rainbow colors of the LGBTQ Pride event, which had its 50-year anniversary in 2022.

For Ukraine, there seemed to be no end in sight to the fighting that began when Russia invaded in February.

Numerous blasts were heard in Kyiv and in other places around Ukraine and air raid sirens wailed across the country in the early hours of New Year’s Day.

On Saturday, Russia fired a barrage of cruise missiles that Ukraine’s human rights ombudsman described as “Terror on New Year’s Eve.”

Evening curfews remained in place nationwide, making the celebration of the beginning of 2023 impossible in many public spaces. Several regional governors posted messages on social media warning residents not to break restrictions.

In Kyiv, though, people gathered near the city’s central Christmas tree as midnight approached.

“We are not giving up. They couldn’t ruin our celebrations,” said 36-year-old Yaryna, who was celebrating with her husband, tinsel and fairy lights wrapped around her.

In a video message to mark the New Year, Ukrainian President Volodymyr Zelenskiy, Time Magazine’s 2022 Person of the Year, said: “I want to wish all of us one thing – victory.”

Russian President Vladimir Putin devoted his New Year’s address to rallying the Russian people behind his troops.

Festivities in Moscow were muted, without the usual fireworks on Red Square.

“One should not pretend that nothing is happening – our people are dying (in Ukraine),” said 68-year-old Yelena Popova. “A holiday is being celebrated, but there must be limits.” Many Muscovites said they hoped for peace in 2023.

Elsewhere in Europe, fireworks exploded over the Parthenon in Athens, the Brandenburg Gate in Berlin, and the Arc de Triomphe in Paris, where crowds gathered on the Champs-Elysees avenue to watch the French capital’s first New Year fireworks since 2019.

But, like many places, the Czech capital Prague was feeling the pinch economically and so did not hold a fireworks display.

“Holding celebrations did not seem appropriate,” said city hall spokesman Vit Hofman.

Earlier, Australia kicked off the celebrations with its first restriction-free New Year’s Eve after two years of COVID disruptions. Sydney welcomed the New Year with a typically dazzling fireworks display, which for the first time featured a rainbow waterfall off the Harbour Bridge.

In China, rigorous COVID restrictions were lifted only in December as the government abruptly reversed its “zero-COVID” policy, a switch that has led to soaring infections and meant some people were in no mood to celebrate.

While China’s official death toll is barely ticking higher, UK-based health data firm Airfinity estimated last week that around 9,000 people in the country are probably dying each day from COVID.

“This virus should just go and die, cannot believe this year I cannot even find a healthy friend that can go out with me,” wrote one social media user based in eastern Shandong province.

But in the city of Wuhan, where the pandemic began three years ago, thousands of people gathered to despite a heavy security presence.

Barricades were erected and hundreds of police officers stood guard. Loudspeakers blasted out a message on a loop advising people not to gather. But the large crowds of revelers took no notice.

In Shanghai, many thronged the historic riverside walkway, the Bund.

“We’ve all traveled in from Chengdu to celebrate in Shanghai,” said Da Dai, a 28-year-old digital media executive who was visiting with two friends. “We’ve already had COVID, so now feel it’s safe to enjoy ourselves.”
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Sherlock Holmes is finally free to the American public in 2023.

The long-running contested copyright dispute over Sir Arthur Conan Doyle’s tales of a whip-smart detective will finally come to an end as the 1927 copyrights expiring January 1 include Conan Doyle’s last Sherlock Holmes work.

Alongside the short-story collection The Case-Book of Sherlock Holmes, books such as Virginia Woolf’s To The Lighthouse, Ernest Hemingway’s Men Without Women, William Faulkner’s Mosquitoes and Agatha Christie’s The Big Four — an Hercule Poirot mystery — will become public domain as the calendar turns to 2023.

Once a work enters the public domain it can legally be shared, performed, reused, repurposed or sampled without permission or cost. The works from 1927 were originally supposed to be copyrighted for 75 years, but the 1998 Copyright Term Extension Act delayed opening them up for an additional 20 years.

While many prominent works on the list used those extra two decades to earn their copyright holders good money, a Duke University expert says the copyright protections also applied to “all of the works whose commercial viability had long subsided.”

“For the vast majority — probably 99% — of works from 1927, no copyright holder financially benefited from continued copyright. Yet they remained off limits, for no good reason,” Jennifer Jenkins, director of Duke’s Center for the Study of the Public Domain, wrote in a blog post heralding “Public Domain Day 2023.”

That long U.S. copyright period meant many works that would now become available have long since been lost, because they were not profitable to maintain by the legal owners but couldn’t be used by others. On the Duke list are such “lost” films as Victor Fleming’s “The Way of All Flesh” and Tod Browning’s “London After Midnight.”

1927 portended the silent film era’s end with the release of the first “talkie” — a film with dialogue in it. That was “The Jazz Singer,” the historic first feature-length film with synchronized dialogue also notorious for Al Jolson’s blackface performance.

In addition to the Alan Crosland-directed film, other movies including “Wings” — directed by William A. Wellman and the “outstanding production” winner at the very first Oscars — and Fritz Lang’s seminal science-fiction classic “Metropolis” will enter the public domain.

Musical compositions — the music and lyrics found on sheet music, not the sound recordings — on the list include hits from Broadway musicals including “Funny Face” and jazz standards from the likes of legends such as Louis Armstrong and Duke Ellington, in addition to Irving Berlin’s “Puttin’ on the Ritz” and “(I Scream You Scream, We All Scream for) Ice Cream” by Howard Johnson, Billy Moll and Robert A. King.

Duke’s Center for the Public Domain highlighted notable books, movies and musical compositions entering the public domain — just a fraction of the thousands due to be unleashed in 2023.

Books

— The Gangs of New York, by Herbert Asbury (original publication)

— Death Comes for the Archbishop, by Willa Cather

— The Big Four, by Agatha Christie

— The Tower Treasure, the first Hardy Boys mystery by the pseudonymous Franklin W. Dixon

— The Case-Book of Sherlock Holmes, by Arthur Conan Doyle

— Copper Sun, by Countee Cullen

— Mosquitoes, by William Faulkner

— Men Without Women, by Ernest Hemingway

— Der Steppenwolf, by Herman Hesse (in German)

— Amerika, by Franz Kafka (in German)

— Now We Are Six, by A.A. Milne with illustrations from E.H. Shepard

— Le Temps retrouvé, by Marcel Proust (in French)

— Twilight Sleep, by Edith Wharton

— The Bridge of San Luis Rey, by Thornton Wilder

— To The Lighthouse, by Virginia Woolf

Movies

— “7th Heaven,” directed by Frank Borzage

— “The Battle of the Century,” a Laurel and Hardy film directed by Clyde Bruckman

— “The Kid Brother,” directed by Ted Wilde

— “The Jazz Singer,” directed by Alan Crosland

— “The Lodger: A Story of the London Fog,” directed by Alfred Hitchcock

— “Metropolis,” directed by Fritz Lang

— “Sunrise,” directed by F.W. Murnau

— “Upstream,” directed by John Ford

— “Wings,” directed by William A. Wellman

Musical compositions

— “Back Water Blues,” “Preaching the Blues” and “Foolish Man Blues” (Bessie Smith)

— “The Best Things in Life Are Free,” from the musical “Good News” (George Gard “Buddy” De Sylva, Lew Brown, Ray Henderson)

— “Billy Goat Stomp,” “Hyena Stomp” and “Jungle Blues” (Ferdinand Joseph Morton)

— “Black and Tan Fantasy” and “East St. Louis Toodle-O” (Bub Miley, Duke Ellington)

— “Can’t Help Lovin’ Dat Man” and “Ol’ Man River,” from the musical “Show Boat” (Oscar Hammerstein II, Jerome Kern)

— “Diane” (Erno Rapee, Lew Pollack)

— “Funny Face” and “‘S Wonderful,” from the musical “Funny Face” (Ira and George Gershwin)

— “(I Scream You Scream, We All Scream for) Ice Cream” (Howard Johnson, Billy Moll, Robert A. King)

— “Mississippi Mud” (Harry Barris, James Cavanaugh)

— “My Blue Heaven” (George Whiting, Walter Donaldson)

— “Potato Head Blues” and “Gully Low Blues” (Louis Armstrong)

— “Puttin’ on the Ritz” (Irving Berlin)

— “Rusty Pail Blues,” “Sloppy Water Blues” and “Soothin’ Syrup Stomp” (Thomas Waller)
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Photo collage above: Top row, from left, former Japanese Prime Minister Shinzo Abe, singer Ronnie Spector, actor Sidney Poitier, Queen Elizabeth, former Secretary of State Madeleine Albright, former Soviet Union President Mikhail Gorbachev. Bottom row, from left, actress Angela Lansbury, singer Jerry Lee Lewis, Pakistani doctor who championed women’s health and rights Nafis Sadik, Soviet cosmonaut Valery Polyakov, Palestinian American journalist Shireen Abu Akleh, revered Zen Buddhist monk Thich Nhat Hanh and NBA star Bill Russell.
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