VENICE, ITALY — Spanish director Pedro Almodovar’s first English-language movie “The Room Next Door,” which tackles the hefty themes of euthanasia and climate change, won the prestigious Golden Lion award at the Venice Film Festival on Saturday.

Starring Tilda Swinton and Julianne Moore, the film received an 18-minute standing ovation when it premiered at Venice earlier in the week — one of the longest in recent memory.

Almodovar is a darling of the festival circuit and was awarded a lifetime achievement award at Venice in 2019 for his bold, irreverent and often funny Spanish-language features.

He also won an Oscar in the best foreign language category for his 1999 film “All About My Mother.”

Now aged 74, he has decided to try his hand at English, focusing his lens on questions of life, death and friendship. Speaking after collecting his prize, he said euthanasia should not be blocked by politics or religion.

“I believe that saying goodbye to this world cleanly and with dignity is a fundamental right of every human being,” he said, speaking in Spanish.

He also thanked his two female stars for their performances.

“This award really belongs to them, it’s a film about two women and the two women are Julianne and Tilda,” he said.

While “The Room Next Door” had been widely tipped to win, the runner-up Silver Lion award was a surprise, going to Italian director Maura Delpero for her slow-paced drama set in the Italian Alps during World War Two — “Vermiglio.”

Australia’s Nicole Kidman won the best actress award for her risqué role in the erotic “Babygirl,” where she plays a hard-nosed CEO, who jeopardizes both her career and her family by having a toxic affair with a young, manipulative intern.

Kidman was in Venice on Saturday, but did not attend the awards ceremony after learning that her mother had died unexpectedly.

France’s Vincent Lindon was named best actor for “The Quiet Son,” a topical, French-language drama about a family torn apart by extreme-right radicalism.

Road to Oscars

The best director award went to American Brady Corbet for his 3-1/2 hour-long movie “The Brutalist,” which was shot on 70mm celluloid and recounts the epic tale of a Hungarian Holocaust survivor played by Adrien Brody, who seeks to rebuild his life in the United States.

“We have the power to support each other and tell the Goliath corporations that try and push us around: ‘No, it’s three-and-a-half hours long and it’s on 70mm,” he told the auditorium Saturday.

The festival marks the start of the awards season and regularly throws up big favorites for the Oscars, with eight of the past 12 best director awards at the Oscars going to films that debuted at Venice.

The prize for best screenplay went to Murilo Hauser and Heitor Lorega for “I’m Still Here,” a film about Brazil’s military dictatorship, while the special jury award went to the abortion drama “April,” by Georgian director Dea Kulumbegashvili.

Among the movies that left Venice’s Lido island empty-handed were Todd Phillips’s “Joker: Folie à Deux,” starring Joaquin Phoenix and Lady Gaga, the sequel to his original “The Joker” which claimed the top prize here in 2019.

Luca Guadagnino’s “Queer,” with Daniel Craig playing a gay drug addict, and Pablo Larrain’s Maria Callas biopic “Maria,” starring Angelina Jolie as the celebrated Greek soprano, also won plaudits from the critics but did not get any awards.

The Venice jury this year was headed by French actress Isabelle Huppert.
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NEW YORK — Belarusian Aryna Sabalenka beat American sixth seed Jessica Pegula 7-5, 7-5 in the U.S. Open women’s final on Saturday.

Sabalenka blocked out the wild cheers of the home crowd in Arthur Ashe Stadium to break Pegula in the final game and win her first title at Flushing Meadows.

A year after coming up short in the final, the second seed fought back from a break down in both sets to claim victory and fell to the court in her moment of triumph.

The 30-year-old Pegula had waited a long time to reach her first major final but could not match her opponent’s raw power despite the noisy backing of the New York crowd.

The roof on Arthur Ashe Stadium was closed because of heavy rain, and the players traded breaks twice as they settled into the stormy affair in front of a celebrity-packed house.

Sabalenka held her serve through a four-deuce 11th game and fought through a spine-tingling 12th, mixing precision at the net with her usual power from the baseline before breaking her opponent on the fifth set point.

Pegula struggled with her rackets throughout the match, complaining to her coaches as she seemed unable to find the right tension on her strings, and it looked as though she would not put up a fight in the second set when Sabalenka went 3-0 up.

But the American found another level and brought the fans to their feet when she won the next five games in a furious fight back.

Sabalenka leveled when she sent over a forehand winner that just kissed the line on break point in the 10th game and sought to bring a swift end to the contest, holding serve and then applying pressure from the baseline in the final game.

The tears flowed immediately for Sabalenka as she claimed her third Grand Slam title after winning the Australian Open twice, and she high-fived fans as she ran up the stands to share a joyful celebration with her team.
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Six years after Jifeng Bookstore was forced to close its doors in Shanghai, the shop has reopened in Washington to bring debate and literature to a new audience. Liam Scott has the story for VOA News. Videographer: Yi Ruokun
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RIO DE JANEIRO — Sergio Mendes, the celebrated Brazilian musician whose 1966 hit “Mas Que Nada” made him a global superstar and helped launch a long, Grammy-winning career, has died after months battling the effects of long COVID. He was 83.

The death Thursday of the Brazilian pianist, songwriter and arranger was confirmed in a statement by his family.

“His wife and musical partner for the past 54 years, Gracinha Leporace Mendes, was by his side, as were his loving children,” the statement said Friday. “Mendes last performed in November 2023 to sold out and wildly enthusiastic houses in Paris, London and Barcelona.”

Mendes was born in Niteroi, Rio de Janeiro’s sister city, and studied classical music at a conservatory before joining jazz groups. In the late 1950s and early 1960s, he began playing Bossa Nova as the genre was heating up in Rio’s nightclub scene with Antonio Carlos Jobim, Joao Gilberto and others.

In 1962, they traveled to New York for a Bossa Nova festival at Carnegie Hall. During the trip, Cannonball Adderley invited Mendes to collaborate on the album “Cannonball Adderley and The Bossa Rio Sextet,” leading to his first American record, “The Swinger from Rio,” after signing with Atlantic Records.

Two years later, Mendes moved to California and formed Brazil ’64, which evolved into Brazil ’66 after he added two female vocalists. The group’s debut album, produced by Herb Alpert, featured “Mas Que Nada.” Sung entirely in Portuguese, “Mas Que Nada” was a mid-tempo Samba number originally released in 1963 by composer Jorge Ben Sor and updated three years later by Mendes, who had been playing the song in clubs and gave it a jazzier, more hard-hitting feel.

“I put a band together called Brasil ’66,” he told The Guardian in 2019. “I’d always had instrumental groups, but when I added the two female singers — Lani Hall and Bibi Vogel — it made a different kind of sound. We recorded the song in Los Angeles, with me, the drums, bass and guitar all performing live.”

Mendes’ version was a worldwide hit that helped perpetuate the Brazilian music boom of the 1960s. In 2006, a modern version of the song topped U.S. charts, as performed by the Black Eyed Peas. It was included in his album “Timeless,” produced by will.i.am and also featuring Stevie Wonder, Justin Timberlake and John Legend, among others.

“Sergio Mendes was my brother from another country,” trumpet player Alpert wrote on Facebook, along with a photo from decades ago, sitting next to Mendes at the piano. “He was a true friend and extremely gifted musician who brought Brazilian music in all its iterations to the entire world with elegance.”

Mendes’ other hits were an eclectic blend ranging from covers of the Beatles’ “The Fool on the Hill” and “With a Little Help from My Friends,” to his own Brazilian chant, “Magalenha.” Mendes also composed the soundtrack for the film “Pele,” featuring saxophonist Gerry Mulligan, and even produced an album recorded by the great Brazilian soccer player.

Mendes won the 1992 Grammy Award for Best World Music Album for “Brasileiro” and two Latin Grammy Awards. He also received an Oscar nomination in 2012 for Best Original Song for “Real in Rio,” from the animated film “Rio.”

“Brazilian soul was there,” pianist, singer, and songwriter Marcos Valle told GloboNews about Mendes’ music. Valle also noted that it was Mendes who helped open doors for other Brazilian artists of his generation, including himself, to reach foreign audiences.
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Music cassette tapes are making a comeback in the U.S, with more than 430,000 sold in 2023 – about five times the number sold just a decade ago. Cassette tapes are especially popular with younger generations who grew up with digital music. Karina Bafradzhian has the story. Videographer: Sergii Dogotar
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LONDON — Disgraced Hollywood producer Harvey Weinstein won’t face charges of indecent assault in Britain, prosecutors announced on Thursday.

The Crown Prosecution Service, which in 2022 authorized two charges of indecent assault against Weinstein, said it decided to discontinue proceedings because there was “no longer a realistic prospect of conviction.”

“We have explained our decision to all parties,” the CPS said in a statement. ”We would always encourage any potential victims of sexual assault to come forward and report to police, and we will prosecute wherever our legal test is met.”

Weinstein became the most prominent villain of the #MeToo movement in 2017 when women began to go public with accounts of his behavior. After the revelations emerged, British police said they were investigating multiple allegations of sexual assault that reportedly took place between the 1980s and 2015.

In June 2022, the Crown Prosecution Service said it had authorized London’s Metropolitan Police Service to file two charges of indecent assault against Weinstein in relation to an alleged incident that occurred in London in 1996. The victim was in her 50s at the time of the announcement.

Unlike many other countries, Britain does not have a statute of limitations for rape or sexual assault.

Weinstein, who has denied that he raped or sexually assaulted anyone, remains in custody in New York while awaiting retrial in Manhattan, prosecutors said in August.

After the retrial, he is due to start serving a 16-year sentence in California for a separate rape conviction in Los Angeles, authorities said. Weinstein was convicted in Los Angeles in 2022 while already serving a 23-year sentence in New York.

His 2020 conviction in Manhattan was thrown out earlier this year when the state’s top court ruled that the judge in the original trial unfairly allowed testimony against Weinstein based on allegations that weren’t part of the case.

Weinstein, the co-founder of the Miramax entertainment company and The Weinstein Company film studio, was once one of the most powerful people in Hollywood, having produced films such as “Pulp Fiction” and “The Crying Game.”
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When people think about the US state of Texas, they often think of cowboys in big hats and pointy-toed boots. But Texas is more than that. A study found that its biggest city, Houston, is the most diverse large city in the US. This is reflected in the immigrants and the many cuisines and cultures they brought with them to Texas. VOA’s Elizabeth Lee reports.
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