ISANTI, Minn. — The young Buddhist lama sat on a throne near an altar decorated with flowers, fruits and golden statues of the Buddha, watching the celebrations of his 18th birthday in silence, with a faint smile. 

Jalue Dorje knew it would be the last big party before he joins a monastery in the Himalayan foothills — thousands of kilometers from his home in a Minneapolis suburb, where he grew up like a typical American teen playing football and listening to rap music. 

But this was not an ordinary coming-of-age celebration. It was an enthronement ceremony for an aspiring spiritual leader who from an early age was recognized by the Dalai Lama and other Tibetan Buddhist leaders as a reincarnated lama. 

From the stage, he saw it all: The young women in white long bearded masks who danced, jumping acrobatically and twirling colorful sticks to wish him luck in a tradition reserved for dignitaries. The banging of drums. The procession of hundreds – from children to elderly — who lined up to bow to him and present him with a “khata” — the white Tibetan ceremonial scarves that symbolize auspiciousness. 

From a throne reserved for lamas, he smelled the aroma of Tibetan dishes prepared by his mother over sleepless nights. He heard the monks with shaved heads, in maroon and gold robes like his own, chant sacred mantras. Behind them, his shaggy-haired high school football teammates sang “Happy Birthday” before he cut the first slice of cake. 

One of his buddies gave him shaker bottles for hydrating during training at the gym; another, a gift card to eat at Chipotle Mexican Grill. 

“I was in awe!” Dorje recalled later. “Usually, I’d be at the monk section looking up to whomever was celebrating. But that night it was for me.” 

Watching Monday Night Football and memorizing ancient Buddhist prayers 

Since the Dalai Lama’s recognition, Dorje has spent much of his life training to become a monk, memorizing sacred scriptures, practicing calligraphy and learning the teachings of Buddha. 

After graduation in 2025, he’ll head to northern India to join the Mindrolling Monastery, more than 11,500 kilometers from his home in Columbia Heights. 

Following several years of contemplation and ascetism, he hopes to return to America to teach in the Minnesota Buddhist community. His goal is “to become a leader of peace,” following the example of the Dalai Lama, Nelson Mandela and Gandhi. 

“There’s going to be a lot of sacrifice involved,” Dorje said. But he’s not new to sacrifices. 

He remembered all the early mornings reciting ancient prayers and memorizing Buddhist scriptures, often rewarded by his dad with Pokémon cards. 

“As a child, even on the weekend, you’re like: ‘Why don’t I get to sleep more? Why can’t I get up and watch cartoons like other kids.’ But my dad always told me that it’s like planting a seed,” he said, “and one day it’s going to sprout.” 

It all began with the process of identifying a lama, which is based on spiritual signs and visions. Dorje was about four months old when he was identified by Kyabje Trulshik Rinpoche, a venerated master of Tibetan Buddhism and leader of the Nyingma lineage. He was later confirmed by several lamas as the eighth Terchen Taksham Rinpoche — the first one was born in 1655. 

After the Dalai Lama recognized him at age 2, Dorje’s parents took him to meet the spiritual leader of Tibetan Buddhism when he visited Wisconsin in 2010. 

The Dalai Lama cut a lock of Dorje’s hair in a ceremony and advised his parents to let their son stay in the U.S. to perfect his English before sending him to a monastery. 

Dorje is fluent in English and Tibetan. He grew up reading the manga graphic novel series “Buddha,” and is an avid sports fan. He roots for the Timberwolves in basketball, Real Madrid in soccer, and the Atlanta Falcons in football. He even keeps a rookie card of wide receiver Drake London pasted to the back of his phone, which he carried wrapped in his robes during his party. 

On the football field, playing as a left guard, his teammates praised his positivity, often reminding them to have fun and keep losses in perspective. 

“It’s someone to look up to,” said Griffin Hogg, 20, a former player who took Dorje under his wing. He said they learned from each other and credits Dorje with helping him find his spirituality. “I’m more of a relaxed person after getting to know him and understanding his own journey.” 

While Dorje tries to never miss Monday Night Football, he’s always there to help with any event hosted by the local Tibetan community, one of the largest in the United States. 

“He has one foot in the normal high school life. And he has one foot in this amazing Tibetan culture that we have in the state of Minnesota,” said Kate Thomas, one of his tutors and the teachings coordinator at Minneapolis’ Bodhicitta Sangha Heart of Enlightenment Institute. 

“You can see that he’s comfortable playing a role of sitting on a throne, of participating and being honored as a respected person in his community, as a religious figure. And yet, as soon as he has the opportunity, he wants to go and hang out with his high school buddies,” she said. “That’s testimony to his flexibility, his openness of mind.” 

Listening to rap and making Tibetans proud 

For years, he has followed the same routine. He wakes up to recite sacred texts and then attends school, followed by football practice. He returns home for tutoring about Tibetan history and Buddhism. Then he might practice calligraphy or run on a treadmill while listening to BossMan Dlow, Rod Wave and other rappers. 

Although he was officially enthroned in 2019 in India, an estimated 1,000 people gathered at the Tibetan American Foundation of Minnesota for his recent ceremony. 

“He unites us – Jalue is always here for us,” said Zenden Ugen, 21, a family friend and neighbor who performed Tibetan dances at the event. 

“I wish him the best in life because being born and not being able to choose your life must be very hard,” Ugen said. “But he has a responsibility and him being able to take on that responsibility, I’m very inspired by him. I just hope he keeps being who he is.” 

Dorje’s proud uncle, Tashi Lama, saw him grow up and become a Buddhist master. 

“He’s somebody who’s going to be a leader, who’s going to teach compassion and peace and love and harmony among living beings,” he said about his nephew, often referred to as “Rinpoche” — a Tibetan word that means “precious one.” 
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Los Angeles — Moviegoers were not exactly feeling the Christmas spirit this weekend, or at least not based on their attendance at “Red One” showings. 

The big budget, star-driven action comedy with Dwayne Johnson and Chris Evans sold $34.1 million in tickets in its first weekend in theaters, according to studio estimates Sunday. It easily topped a box office populated mostly by holdovers. 

For traditional studios, a $34.1 million debut against a $200 million-plus production budget would be a clear indication of a flop. Some even peg the budget closer to $250 million. But “Red One” is an Amazon MGM Studios release with the luxury of playing the long game rather than relying solely on global box office where Johnson tentpoles often overperform. The film may have a life on Prime Video for years to come. 

“Red One,” in which Johnson plays Santa’s bodyguard, was originally built to go straight-to-streaming. It was greenlit prior to Amazon’s acquisition of MGM. One interpretation of its lifecycle is that the theatrical earnings are not only just a bonus, but an additive gesture toward struggling theaters looking for a consistent stream of new films. 

“Amazon has 250 million plus worldwide subscribers to the platform. It’s similar to the way Netflix, I think, looks at stuff for their platform,” said Kevin Wilson, head of distribution for Amazon MGM Studios. “There’s a there’s a massive value for a movie like this in terms of how many eyeballs you’re going to get.” 

The first major studio holiday release since 2018, “Red One” opened on 4,032 screens, including IMAX and other large formats, on an otherwise quiet weekend for major releases. 

“We’re really happy with the results,” Wilson said. “I think when you look at the theatrical marketplace that’s sometimes unforgiving, especially for original films, this is a good result for us.” 

Since 2020, only seven films that weren’t sequels or based on another piece of intellectual property have opened over $30 million (including “Oppenheimer” and “Nope.”) 

Warner Bros. is handling the overseas release, where it has made an estimated $50 million in two weekends from 75 territories and 14,783 screens. 

Still, it’s certainly not a theatrical hit in North America. Even “Joker: Folie à Deux” made slightly more in its first weekend. “Red One,” directed by Jake Kasdan and produced by Johnson’s Seven Bucks, was roundly rejected by critics, with a dismal 33% Rotten Tomatoes score. Jake Coyle, in his review for The Associated Press, wrote that it “feels like an unwanted high-priced Christmas present.” 

Audiences were kinder than they were to “Joker 2,” giving it an A- CinemaScore, suggesting, perhaps, that the idea of it becoming a perennial holiday favorite is not so off-base. 

“Red One” is also overperforming in the middle of the country, Wilson said, and perhaps will have a nice holdover over Thanksgiving as a different option to the behemoths on the way. 

Sony’s “Venom: The Last Dance” added $7.4 million this weekend’s box office to take second place, bringing its domestic total to $127.6 million. Globally, its total stands at $436.1 million. 

Lionsgate’s “The Best Christmas Pageant Ever” landed in third with $5.4 million. That much more modestly budgeted Christmas movie has already nearly doubled its $10 million production budget in two weeks. Fourth place went to A24’s Hugh Grant horror “Heretic,” with $5.2 million, bumping its total gross to $20.4 million. 

Universal and DreamWorks Animation’s “The Wild Robot” rounded out the top five in its eighth weekend in theaters with an additional $4.3 million. The animated film surpassed $300 million worldwide. 

This weekend is a bit of a stopover before the Thanksgiving tentpoles arrive. Next week, “Wicked” and “Gladiator II” face off in theaters with “Moana 2”, which also stars Johnson, sailing in the Wednesday before the holiday. 

“Gladiator II” also got a bit of a head start internationally, where it opened in 63 markets this weekend to gross $87 million. That’s a record for filmmaker Ridley Scott and for an R-rated international release from Paramount. It opens in the U.S. and Canada on Nov. 22. 

Paul Dergarabedian, the senior media analyst for Comscore, said that the “Red One” is helping set into motion a momentum leading into the Thanksgiving corridor. 

The upcoming releases, he said, “will finally bring some excitement to what has been a somewhat quiet post-Labor Day moviegoing marketplace.” 

Dergarabedian added that it could be “one of the biggest revenue generating Thanksgiving periods in box office history.” 

Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 

1. “Red One,” $34.1 million. 

2. “Venom: The Last Dance,” $7.4 million. 

3. “The Best Christmas Pageant Ever,” $5.4 million. 

4. “Heretic,” $5.2 million. 

5. “The Wild Robot,” $4.3 million. 

6. “Smile 2,” $3 million. 

7. “Conclave,” $2.9 million. 

8. “Hello, Love, Again,” $2.3 million. 

9. “A Real Pain,” $2.3 million. 

10. “Anora,” $1.8 million.
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Beirut — Hundreds of cultural professionals, including archeologists and academics, called on the United Nations to safeguard war-torn Lebanon’s heritage in a petition published Sunday ahead of a crucial UNESCO meeting.

Several Israeli strikes in recent weeks on Baalbek in the east and Tyre in the south — both strongholds of Iran-backed militant group Hezbollah — hit close to ancient Roman ruins designated as UNESCO World Heritage sites.

 

The petition, signed by 300 prominent cultural figures, was sent to UNESCO chief Audrey Azoulay a day before a special session in Paris to consider listing Lebanese cultural sites under “enhanced protection.”

It urges UNESCO to protect Baalbek and other heritage sites by establishing “no-target zones” around them, deploying international observers and enforcing measures from the 1954 Hague Convention on cultural heritage in conflict.

“Lebanon’s cultural heritage at large is being endangered by recurrent assaults on ancient cities such as Baalbek, Tyre and Anjar, all UNESCO world heritage sites, as well as on other historic landmarks,” says the petition.

It calls on influential states to push for an end to military action that causes destruction of damage to sites, as well as adding protections or introducing sanctions.

Change Lebanon, the charity behind the petition, said signatories included museum curators, academics, archaeologists and writers in Britain, France, Italy and the United States.

Hezbollah and Israel have been at war since late September, when Israel broadened its focus from fighting Hamas in the Gaza Strip to securing its northern border, even as the Gaza war continues.

Enhanced protection status gives heritage sites “high-level immunity from military attacks”, according to UNESCO.

“Criminal prosecutions and sanctions, conducted by the competent authorities, may apply in cases where individuals do not respect the enhanced protection granted to a cultural property,” it said.

In Baalbek, Israeli strikes on November 6 hit near the city’s Roman temples, according to authorities, destroying a heritage house dating back to the French mandate and damaged the historic site.

The region’s governor said “a missile fell in the car park” of a 1,000-year-old temple, the closest strike since the start of the war.

The ruins host the prestigious Baalbek Festival each year, a landmark event founded in 1956 and now a fixture on the international cultural scene, featuring performances by music legends like Oum Kalthoum, Charles Aznavour and Ella Fitzgerald.
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BEIRUT — Declassified 1970s-era U.S. spy satellite imagery has led a British-Iraqi archeological team to what they believe is the site of a seventh-century battle that became decisive in the spread of Islam throughout the region.

The Battle of al-Qadisiyah was fought in Mesopotamia — in present-day Iraq — in the A.D. 630s between Arab Muslims and the army of the Sassanid Persian dynasty during a period of Muslim expansion. The Arab army prevailed and continued on its march into Persia, now Iran.

A joint team of archeologists from the U.K.’s Durham University and the University of Al-Qadisiyah stumbled across the site while undertaking a remote sensing survey to map the Darb Zubaydah, a pilgrimage route from Iraq’s Kufa to Mecca in Saudi Arabia built more than 1,000 years ago. The findings were published Tuesday in the journal Antiquity.

While mapping the route, the team noticed that a site some 30 kilometers south of Kufa in Iraq’s southern Najaf province — a desert area with scattered plots of agricultural land — had features that closely matched the description of the al-Qadisiyah battle site described in historic texts.

William Deadman, a specialist in archaeological remote sensing at Durham University, said the Cold War era satellite images are a commonly used tools by archeologists working in the Middle East, because the older images often show features that have been destroyed or altered and would not show up on present-day satellite images.

“The Middle East has developed so much in the last 50 years, both agricultural expansion and urban expansion,” he said. Some of the distinguishing features at the al-Qadisiyah site, such as a distinctive trench, were “much more pristine and clear” in the 1970s images, he said.

A survey on the ground confirmed the findings and convinced the team that they had correctly identified the site.

The key features were a deep trench, two fortresses and an ancient river that was reportedly once forded by elephant-mounted Persian troops, said Jaafar Jotheri, a professor of archeology at the University of Al-Qadisiyah who is part of the team that made the discovery. The survey team also found pottery shards consistent with the time period when the battle took place.

Jotheri said that Iraqis of his generation, who grew up under the rule of Saddam Hussein, were all familiar with the battle in minute detail, down to the names of the generals on both sides.

The battle at the time had political connotations — Iraq was engaged in a devastating war with Iran through much of the 1980s. Saddam pointed to the Battle of Qadisiyah as a harbinger of victory for Iraq.

Like most children growing up in that era, Jotheri said he had watched a popular movie about the battle multiple times as it was on regular rotation on television.

In the post-Saddam era, al-Qadisiyah has become something of a political litmus test. Iraqis’ views of the battle vary depending on their feelings toward Iran, which has expanded its influence in the country since the 2003 U.S.-led invasion of Iraq that toppled Saddam.

“There is some political and religious context in this battle, because now, of course, we have religious differences, ethnic differences, political differences in Iraq and we read or we view everything based on our … differences,” Jotheri said. But he added, “We all agree that it is a very important battle, a decisive one, and we all know about it.”

The team plans to begin excavations at the site in the coming year, Jotheri said.

The discovery comes as part of a broader project launched in 2015 to document endangered archaeological sites in the region.

It also comes at the time of a resurgence of archeology in Iraq, a country often referred to as the “cradle of civilization,” but where archeological exploration has been stunted by decades of conflict that halted excavations and led to the looting of tens of thousands of artifacts.

In recent years, the digs have returned and thousands of stolen artifacts have been repatriated. 
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BANGKOK — In case you can’t get enough of the little pygmy hippo Moo Deng from Thailand, there’s now an official song featuring the internet’s favorite baby animal — released in four languages for her global fans.

The upbeat 50-second song Moodeng Moodeng, available in Thai, English, Chinese and Japanese versions, features simple lyrics like “Moo Deng Moo Deng, boing boing boing/ Mommy Mommy, play with me.” Its music video consists of short clips of the baby hippo bouncing, playing with her keeper or hanging out with her mom, Jona.

The catchy number was produced and written by well-known Thai composer Mueanphet Ammara, and released by one of Thailand’s largest music companies, GMM Music.

Moo Deng — the name literally means “bouncy pork,” a type of meatball, in Thai — became a global phenomenon just a month after she was unveiled on Facebook by the Khao Kheow Open Zoo in Thailand’s southern Chon Buri province.

Fans say her name compliments her chaotic personality. Moo Deng likes to “deng,” or bounce, and her giddy bouncing has appeared all over social media in countless memes. Her image has been used by sports teams and businesses.

The hippo, now 4 months old, has drawn a huge number of visitors to the zoo, which is around a two-hour drive away from the capital of Bangkok. The zoo estimated it has received 3,000 to 5,000 visitors a day on average in the past few months, and it’s selling clothes, bedding and other merchandise based on Moo Deng.

Zoo director Narongwit Chodchoi has said the increasing income from Moo Deng will help its breeding programs for many endangered species like the pygmy hippopotamus, which is threatened by poaching and loss of habitat. The species is native to West Africa and there are only 2,000-3,000 of them left in the wild.

The zoo sits on 800 hectares of land and is home to more than 2,000 animals.

All four versions of the Moo Deng song are available on YouTube and streaming platforms including Spotify and Apple Music.
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Bela Karolyi, the charismatic if polarizing gymnastics coach who turned young women into champions and the United States into an international power in the sport, has died. He was 82.

USA Gymnastics said Karolyi died Friday. No cause of death was given.

Karolyi and wife, Martha, trained multiple Olympic gold medalists and world champions in the U.S. and Romania, including Nadia Comaneci and Mary Lou Retton.

“A big impact and influence on my life,” Comaneci, who was just 14 when Karolyi coached her to gold for Romania at the 1976 Montreal Olympics, posted on Instagram.

Yet Karolyi’s strident methods sometimes came under fire, most pointedly during the height of the Larry Nassar scandal.

When the disgraced former USA Gymnastics team doctor was effectively given a life sentence after pleading guilty to sexually assaulting gymnasts and other athletes with his hands under the guise of medical treatment, over a dozen former gymnasts came forward saying the Karolyis were part of a system that created an oppressive culture that allowed Nassar’s behavior to run unchecked for years.

While the Karolyis denied responsibility — telling CNN in 2018 they were unaware of Nassar’s behavior — the revelations led to them receding from the spotlight. USA Gymnastics eventually exited an agreement to continue to train at the Karolyi Ranch north of Houston, though only after American star Simone Biles took the organization to task for having them train at a site where many experienced sexual abuse.

The Karolyis receded from the spotlight in the aftermath after spending 30-plus years as a guiding force in American gymnastics, often basking in success while brushing with controversy in equal measure.

The Karolyis defected from Romania to the United States in 1981. Three years later Bela helped guide Retton — all of 16 — to the Olympic all-around title at the 1984 Games in Los Angeles. At the 1996 Games in Atlanta, he memorably helped an injured Kerri Strug off the floor after Strug’s vault secured the team gold for the Americans.

Karolyi briefly became the national team coordinator for USA Gymnastics women’s elite program in 1999 and incorporated a semi-centralized system that eventually turned the Americans into the sport’s gold standard. It did not come without a cost. He was removed from the position after the 2000 Olympics when it became apparent his leadership style simply would not work, though he remained around the sport after Martha took over for her husband in 2001.

While the Karolyis approach helped the U.S. become a superpower — an American woman has won each of the last six Olympic titles and the U.S. women earned the team gold at the 2012 and 2016 games under Martha Karolyi’s leadership — their methods came under fire.

Dominique Moceanu, part of the “Magnificent 7” team that won gold in Atlanta, talked extensively about her corrosive relationship with the Karolyis following her retirement. In her 2012 memoir, Moceanu wrote Bela Karolyi verbally abused her in front of her teammates on multiple occasions.

“His harsh words and critical demeanor often weighed heavily on me,” Moceanu posted on X Saturday. “While our relationship was fraught with difficulty, some of these moments of hardship helped me forge and define my own path.”

Some of Karolyi’s most famous students were always among his staunchest defenders. When Strug got married, she and Karolyi took a photo recreating their famous scene from the 1996 Olympics, when he carried her onto the medals podium after she vaulted on a badly sprained ankle.

Being a gymnastics pied piper was never Karolyi’s intent. Born in Clug, Hungary, (now Romania) on September 13, 1942, he wanted to be a teacher, getting into coaching in college simply so he could spend more time with Martha.

After graduating, the couple moved to a small coal-mining town in Transylvania. Looking for a way to keep their students warm and entertained during the long, harsh winters, Karolyi dragged out some old mats and he and his wife taught the children gymnastics.

The students showed off their skills to their parents, and the exhibitions soon caught the eye of the Romanian government, which hired the Karolyis to coach the women’s national team at a time when the sport was done almost exclusively by adult women, not young girls.

Karolyi changed all that, though, bringing a team to the Montreal Olympics with only one gymnast older than 14.

It was in Montreal, of course, where the world got its first real glimpse of Karolyi. When a solemn, dark-haired sprite named Nadia Comaneci enchanted the world with the first perfect 10 in Olympic history, a feat she would duplicate six times, Karolyi was there to wrap her in one of his trademark bear hugs.

Romania, which had won only three bronzes in Olympic gymnastics before 1976, left Montreal with seven medals, including Comaneci’s golds in the all-around, balance beam and uneven bars, and the team silver. Comaneci became an international sensation, the first person to appear on the covers of Sports Illustrated, Time and Newsweek in the same week.

Four years later, however, Karolyi was in disgrace.

He was incensed by the judging at the Moscow Olympics, which he thought cost Comaneci a second all-around gold, and the Romanian government was horrified that he had embarrassed the Soviet hosts.

“Suddenly, from a position where we’ve been praised and considered the foremost athletes in the country, I was stigmatized,” he once said. “I thought they could put me away for political misconduct.”

When he and Martha took the Romanian team to New York for an exhibition in March 1981, they were tipped off that they were going to be punished upon their return. Despite not speaking any English and with their then-6-year-old daughter, Andrea, still in Romania, they decided to defect.

“We knew what kind of risks we were taking, because nobody was guaranteeing us anything,” Martha Karolyi once said. “We started out with a suitcase and a little motel room. From there, it’s gradually improved.”

The couple made their way to California, where they learned English by watching television and Bela did odd jobs. A chance encounter with Olympic gold medalist Bart Conner — who would later marry Comaneci — at the Los Angeles airport a few months later led to the Karolyis’ first coaching job in the United States.

Within a year, their daughter had arrived in the U.S. and the Karolyis had their own gym in Houston. It soon became the center of American gymnastics, turning out eight national champions in 13 years.

Three years after the Karolyis left Romania, Retton became the first American to win the Olympic all-around title, scoring a perfect 10 on vault to claim gold at the 1984 Games in Los Angeles. Retton also posted the highest score in the team competition as the Americans won the silver, their first team medal since 1948.

Four years later, Phoebe Mills, another Karolyi gymnast, won a bronze on balance beam. It was the first individual medal for an American woman at a non-boycotted games. And in 1991, Kim Zmeskal — “the little Kimbo,” as Bela Karolyi called her — became the first American to win the world all-around title.

“My biggest contribution was giving the kids the faith that they can be the best among the best,” Karolyi once said. “I knew that if the Americans could understand they were not inferior … then they can be groomed like international, highly visible athletes.”

But as Karolyi’s resume grew, so did the criticism.

Other coaches were irritated by his brash personality and ability to always find his way into the spotlight. When Retton won gold, Karolyi leaped a barrier — he had an equipment manager’s credential, not a coach’s — so he could scoop Retton up in a hug — right in front of the TV cameras, of course.

He could be a harsh taskmaster, calling his gymnasts names, taunting them for their weight and pushing them to their limits.

Even those warm embraces weren’t always quite what they seemed.

“A lot of those big bear hugs came with the whisper of ‘Not so good,’ in our ears,” Retton wrote.

Yet Retton and Comaneci remained close with Karolyi, making appearances with him at gymnastics events or sitting with him at competitions. Zmeskal had her wedding at the Karolyi ranch.

Karolyi briefly retired after the 1992 Games in Barcelona, where he led the Americans to their first team medal, a bronze, at a non-boycotted Olympics in 44 years. But he kept his gym and summer camps, and by 1994 was again coaching elite-level gymnasts after Zmeskal asked him to help in her attempt to make the Atlanta Games.

Zmeskal didn’t make the Atlanta squad. But two of Karolyi’s other gymnasts, Strug and Moceanu, did, and it was Strug who provided one of the signature moments of the Olympics.

The Americans went into their final event in team finals, vault, trying to hold off Russia for their first-ever title at an Olympics or world championships. Despite injuring her left ankle when she fell on her first vault attempt, Strug went ahead with her second attempt, believing — wrongly — the Americans needed her score to clinch the gold.

With Karolyi shouting, “You can do it!” Strug sprinted down the runway, soared high above the vault and landed on both feet — ensuring it was a clean vault — before pulling her left leg up. After saluting the judges, she fell to her knees and had to be carried off the podium. Tests would later show she had two torn ligaments in her ankle.

As the rest of the Americans gathered on the podium to receive their gold medals, Karolyi carried Strug back into the arena, cradling her in his arms.

But even that drew criticism. Many said Karolyi never should have encouraged Strug to vault on her injured ankle in the first place and then should have stayed out of the spotlight rather than carrying her to the podium.

“Bela is a very tough coach and he gets criticism for that,” Strug said at the time. “But that’s what it takes to become a champion. I don’t think it’s really right that everyone tries to find the faults of Bela. Anything in life, to be successful, you’ve got to work really hard.”

The Karolyis retired again after the Atlanta Olympics. But after the U.S. women finished last in the medal round at the 1997 world championships, USA Gymnastics asked Bela Karolyi to come back.

He agreed — but only if he could implement a semi-centralized training system. Rather than a patchwork system of individual coaches who had their own philosophies, Karolyi would oversee the entire U.S. program. Gymnasts could still train with their own coaches, but there would be regular national team camps to ensure they were meeting established training and performance standards.

Though the idea was sound, Karolyi was not the right person to be in charge. Coaches who had been his equal chafed at his heavy-handedness, and were annoyed by his grandstanding. Gymnasts resented his bluster and demands.

By the time the Americans left the Sydney Olympics, about the only thing everyone agreed on was that Karolyi needed to step away.

He stepped aside and was replaced by his wife. Martha Karolyi’s standards were just as high — if not higher — than her husband’s, but on the surface, she was more willing to listen to other opinions.

“She’s more diplomatic. Absolutely,” Bela Karolyi said before the 2012 Olympics. “I’m wild. The opposite.” 
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ARLINGTON, TEXAS — Jake Paul beat boxing legend Mike Tyson by unanimous decision to win an intergenerational heavyweight battle in Texas on Friday that failed to live up to its enormous hype.

The bout between the 27-year-old social media influencer-turned-prizefighter Paul and the 58-year-old former heavyweight champion Tyson was streamed live on Netflix and played out in front of a sold-out crowd at AT&T Stadium in Arlington.

Those fans were left largely disappointed as Tyson showed his age and was never able to generate any offense against his younger opponent, landing just 18 punches to Paul’s 78.

“First and foremost, Mike Tyson — it’s an honor to be able to fight him,” said Paul. “It was as tough and hard as I thought it would be.”

Tyson, who wore a knee brace, never mounted much of a challenge after being wobbled by some left hands in the third round but did enough defensively to avoid taking any serious damage.

He acknowledged after the contest to fighting through a leg injury.

“Yeah, but I can’t use that as an excuse. If I did, I wouldn’t be in here,” Tyson said. “I knew he was a good fighter. He was prepared, I came to fight. I didn’t prove nothing to anybody, only to myself. I’m not one of those guys that live to please the world. I’m just happy with what I can do.”

Tyson, one of the most fearsome heavyweight champions during his heyday in the late 1980s and early 1990s, was in his first professional fight in nearly 20 years. He was noncommittal when asked if he would return to the ring again.

“I don’t know. It depends on the situation,” he said.

Paul (11-1) said he can now fight anyone he wants, possibly even Mexican Canelo Alvarez, after being the main attraction in the mega event that brought out a star-studded crowd and 72,300 fight fans.

“This is the biggest event, over 120 million people on Netflix,” he said. “We crashed the site, the biggest U.S. boxing gate, $20 million, in U.S. history, and everyone is next on the list.”

Taylor beats Serrano

In the co-main event earlier in the evening, Ireland’s Katie Taylor retained her super lightweight title by beating Puerto Rico’s Amanda Serrano in a controversial unanimous decision after a violent affair.

Serrano came forward throughout the fight, but their heads crashed together hard in the early stages, resulting in a deep cut over Serrano’s right eye. The referee later took a point off Taylor for head butts.

In the end all three judges scored it 95-94 for Taylor, who denied accusations from Serrano’s corner that she was fighting dirty.

Taylor won the pair’s previous meeting, at New York’s Madison Square Garden in April 2022, and said there would be a third meeting.
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OME, Japan — Deep in a dark warehouse the sake sleeps, stored in rows of giant tanks, each holding more than 10,000 liters of the Japanese rice wine that is the product of brewing techniques dating back more than 1,000 years.

Junichiro Ozawa, the 18th-generation head of Ozawa Brewery, founded in 1702, hopes sake-brewing will win recognition as a UNESCO Intangible Cultural Heritage, when the decision is made next month.

“We always think about the people who’re enjoying our sake when we make it. I’m now so excited, imagining the faces of all the people around the world,” he told reporters Wednesday during a tour of his brewery on the pastoral outskirts of Tokyo.

Sake, the drink of choice for the nobility in “The Tale of Genji” — Japan’s most celebrated work of literature — has been widening its appeal, boosted by the growing international popularity of Japanese cuisine.

Sake exports from Japan total more than 41 billion yen ($265 million) a year, with the biggest destinations being the U.S. and China, according to the Japan Sake and Shochu Makers Association.

That’s up from about 22 billion yen in 2018. But exports still make up a tiny fraction of overall sake production in Japan. Brazil, Mexico and Southeast Asia, as well as France and the rest of Europe, all places where Japanese restaurants are gaining popularity, are starting to take a liking to sake.

What’s key to sake-making, which takes about two months, including fermentation and pressing, are the rice and the water.

For a product to be categorized Japanese sake, the rice must be Japanese. The relatively soft quality of freshwater in Japan, like the supplies provided by the two wells at Ozawa Brewery, is also critical.

Among Ozawa’s sake is the full-bodied aromatic Junmai Daiginjo, one of the top offerings, with 15% alcohol content and costing about 3,630 yen ($23) for a 720-milliliter bottle.

Karakuti Nigorizake is unrefined sake, murky and not clear like usual sake, with 17% alcohol content and a rugged no-nonsense taste. It sells for 2,420 yen ($16) for a 1,800 milliliter bottle.

The religious connotations of sake are evident at the brewery. The big cedar-leaves ball hanging under the eaves is a symbol of a shrine for the god of sake-making. In Japan, sake is used to purify and to celebrate. Sips from a cup signify the sealing of a marriage.

“Sake is not just an alcoholic beverage. It is Japanese culture itself,” said Hitoshi Utsunomiya, director of the Japan Sake and Shochu Makers Association.

The UNESCO Intangible Cultural Heritage designation is given to not just historical monuments but also practices passed down generations, such as oral traditions, performing arts, rituals and festivals.

It’s not meant to be used for commercial purposes. But sake officials make no secret of their hope that it will boost global sales, helping the tradition stay alive amid competition from beer, wine and other modern beverages.

Among previous Intangible Cultural Heritage inclusions are Kabuki theater and Gagaku court music from Japan, as well as Sona, which are drawings on sand in Angola; the Chinese zither called guqin and Cremonese violin craftsmanship from Italy. Washoku, or Japanese cuisine, won the honors in 2013.

One reason for sake’s growing popularity around the world is that its smooth flavor goes well with varieties of food, including sushi, spicy Asian and Western dishes, says Max Del Vita, a certified sake sommelier and co-founder of The Sake Company, an import and distribution retailer in Singapore.

“These brewers are cultural stewards, passing down techniques through generations and blending ancient practices with quiet innovation,” he told The Associated Press. “Sake is more than a drink. It is a living embodiment of Japan’s seasonal rhythms, community values and artistic heritage.” 
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CHANGCHUN, China — Crouch through the small metal door and walk down the dark tunnel, and even before you step into the abandoned air raid shelter, the air reverberates with pounding techno beats. Young Chinese holding booze and cigarettes shake and sway in a red-lit passageway, below a big screen rolling through quotations from Chairman Mao.

This is an underground rave in China, part of a subculture growing in hidden corners of the nation’s cities, even as its political and cultural mainstream grow increasingly controlled, staid and predictable.

For Chinese ravers, these gatherings — often called “ye di,” or “wild dances” — not only offer a rare space for unfettered fun, but signal resistance to the narrowly prescribed future a rigid society expects for them.

By day, Xing Long works in the office of a state-owned company in Changchun, an industrial city in China’s northeastern rust belt region.

By night, he’s a DJ and underground rave organizer, a side gig that offers an escape from the humdrum of reviewing corporate contracts.

“My job cannot make me feel I fulfilled my values,” he said. “Going to work is like executing a prewritten program.”

Chinese young people face intense pressure and high expectations from the society around them. In recent years, facing bleak economic prospects, Chinese youth culture has been swept by a series of viral slang terms to describe frustration and hopelessness: ” 996 ” — the brutal 9 a.m. to 9 p.m., six days a week work schedule many companies ask of employees. “Involution” — an endless treadmill of pointless competition that fresh graduates face. ” Lying flat” — the growing trend among young people of giving up all ambition and aiming to do as little as possible.

Techno dance parties are an escape from all that for people like Xing. Every time he walks into a rave, the 31-year-old said, his brain “jolts awake like a bang.”

Xing first learned about techno music from a documentary made by the American media company Vice.

“My eyes brightened up when I heard it,” he said. “I should’ve listened to this kind of music earlier.”

Xing began going to raves in Shenzhen, a southern city with a population of 17 million, but when he moved home in 2021 he realized no one else was organizing them.

“I want this city to have an underground techno music scene,” he said. “I want to listen to it myself, so I want to make it happen.”

Xing said that the underground techno scene fascinated him because it’s “real” even if not perfect, bad, not in the right order, or broken.

“It’s not a beautiful thing that was deliberately produced into a mold to present to the mainstream.”

In recent years, space for culture and creativity has been shrinking in China as the authorities have ramped up censorship of concerts, shows, and other cultural events. Comedians have been silenced after joking about topics considered politically sensitive. A growing number of independent bookstores and creative spaces have shut down under pressure, while state-sanctioned media promotes uplifting, often saccharine narratives.

Yet underground raves are free from all those limitations because they sprout in gray zones. Hidden from public view, they skirt formal approval processes, neither supported nor suppressed by the state.

Feng Zhe, 27, a rave organizer in Shenyang, a northeastern city about 400 miles from Beijing, said raves are about “refusing to be disciplined by society.”

“This is probably not how the world functions nowadays,” he said, adding that societies want to make people follow their rules and be useful but “underground culture is useless.”

“Most people are going to be repressed,” Feng said.

But for most rave organizers, the real meaning of underground rave culture is simply having fun. Loong Wu, a 26-year-old art student, started organizing raves in 2021 during COVID-19 lockdowns out of boredom.

“My original intention was just to break through the boredom,” she said. “When you are truly enjoying it, you don’t think about meanings.”

On one recent Saturday night, civil servants, students, an ex-firefighter, girls with dyed hair, and a man with a full-face mask and goggles filed into a bar tucked behind a flower shop in downtown Changchun to attend one of Xing’s raves.

They danced to fast-paced industrial techno spun by Du Jizhe, a local part-time DJ who works in HR by day.

He said it’s the natural soundtrack of auto manufacturing cities like Changchun and Detroit, which prides itself on being the birthplace of techno. For Du, techno evokes childhood memories of the auto factory where his father worked.

“Techno is basically industrial noise like hammering and mechanical sounds,” Du said “These noises exert a subtle influence on people’s ears in industrial cities.”

Chen Xiangyu, a fashion student in an oversized black T-shirt with hair dyed blond, a black leather choker, a lip piercing, and smoky eye makeup, said raves are a pure release.

“The first time I came, I thought to myself, I don’t know anyone, no one knows me, so nobody’s paying any attention to how I dance, so long as I’m happy, it’s all good,” she said. “I shouldn’t care too much about what others think.”

Even at raves, illegal drugs are rarely seen in China, but promoters still face risks from authorities who have little patience for unapproved social gatherings.

Advertisements promoting raves are often cryptic, with only a date, a DJ line-up, and the cost of admission. Sometimes, the location won’t be revealed until an hour ahead of the party. Some organizers require guests to cover their phone’s camera with a sticker.

Loong Wu said her requirements for a rave spot were no CCTV cameras, no security, and no nearby residents. Even those aren’t a guarantee — local police once busted one of her raves in an industrial port.

“It was pathetic how few such places exist in the city,” she said.

Frustrated with how hard it was to find a good rave spot, she once organized a public party where she put her DJ equipment on a cart and pushed it through city streets as revelers danced alongside.

“Restrictions exist for sure, but that’s exactly why we need to create our own scene,” she said. “We always need ‘wild dances.’ We always need to dance outside of set rules.” 
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