Corts

Philippines Health Officials Try to Build Trust in Routine Vaccines

Seated on his mother’s lap, one-year old Jeon Tyler Ancheta gets vaccinated for measles and rubella. Jeon Tyler lets out a short cry after the needle is pulled out of his arm, but he’s comforted by his mother while a doctor enthusiastically says “good.”

There’s a line of parents who brought their kids to get vaccinated at this local health clinic. It’s a positive sign in a country that has a large number of unvaccinated children.

The Philippines has about one-million children who have not received a single routine vaccination according to the United Nations Children’s Fund (UNICEF). The country is ranked in the top five globally for the highest number of zero-dose children. In addition, there are many kids who are only partially vaccinated for diseases that require multiple shots including measles.

So, health departments across the country have teamed up with UNICEF and the World Health Organization for a nationwide vaccine campaign.

Robert Pascual Jr. came to this clinic with his two-year old daughter Zafeerah. “When she grows up, I want her to be protected and safe,” Pascual said although he acknowledged having some vaccine hesitancy until recently.

The reasons behind the high number of unvaccinated children in the Philippines include strict lockdowns during the pandemic that kept families from routine medical appointments.

Many Filipinos also have lingering mistrust of vaccines after more than 800,000 Filipino children received a dengue vaccine, Dengvaxia, which was later shown to increase the risk of a severe form of the disease in some people.

Several studies show the Dengvaxia debacle caused a drop in Filipino parents’ trust of vaccines, even with vaccines that have been routine for children for decades. Health officials in the Philippines say this led to measles outbreaks.

“There are myths that these particular vaccines give you the disease itself. So, there’s a lot of controversies,” says Dr. Jennifer Lou Lorico-De Guzman, medical coordinator for the national immunization program for the city of Taguig.

“We are trying to educate the public about the importance of vaccines,” she adds.

Health advocates such as Ma. Nieves Bulalacao are hitting the streets to talk to parents. On a recent morning, Bulalacao walked through Taguig’s side streets and alleyways alongside nurse Gigi Quintero who carried a cooler stocked with ice packs and vaccines for measles as well as rubella.

“We’re trying to find parents with children who need to be vaccinated,” Bulalacao said.

Together they went door to door telling parents how contagious diseases like measles are and that vaccines are the best way to protect their children.

They came across Stephanie Opider whose three children need to be vaccinated. “It’s dangerous because measles can spread quickly,” Bulalacao told Opider.

The children’s father, Joeson Dalanon, is afraid vaccinations could harm their kids. “I hear there are lots of kids who die so I didn’t want them to get vaccinated,” Dalanon said.

These parents are especially concerned about their middle child, three-year-old King Andrei, who they say gets convulsions whenever he gets a fever.

Eventually the parents agree, seemingly reluctantly, to let Quintero vaccinate all three of their children. Bulalacao acknowledges that more work needs to be done so that parents can feel confident that vaccination is the right decision. “We have to keep reassuring them that these routine vaccines will not harm their kids,” she said.

At a clinic in Taguig’s Maharlika neighborhood, Suhaira Bago lines up with her two-year-old daughter Alicia for a measles and rubella vaccination. They’re part of this neighborhood’s Muslim community and Bago says some families refuse to let their children get inoculated.

“Many of the [grandparents] have a lot of influence over these decisions in their family,” Bago says. “They say they didn’t get the vaccine so their [grandchildren] don’t need it either. The issue with the [Dengvaxia] vaccine only added to this feeling for many.”

Cristina Rakim, a city health worker in this neighborhood who’s also Muslim, says outreach teams are investing significant time in this community. ”We’re trying to convince parents and grandparents how much safer their children and grandchildren will be if they’re vaccinated,” Rakim said.

Two-year-old Alicia didn’t even flinch when the needle went in and out of her arm. Her mother smiled when she later said, “I know this measles and rubella vaccine will protect my child.”

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Small Aerospace Company Joins Moon Mission

A small company devoted to low-cost space launch systems will take part in an upcoming mission to put an uncrewed lander on the moon. As Mike O’Sullivan reports, it’s one of many small companies hoping for a role in a future moon base.

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‘Queen of Rock ‘n’ Roll’ Tina Turner Dies at 83

Tina Turner, the American-born singer who left a hardscrabble farming community and abusive relationship to become one of the top recording artists of all time, died on Wednesday at the age of 83.

She died peacefully after a long illness in her home in Küsnacht near Zurich, Switzerland, her representative said.

Turner began her career in the 1950s during the early years of rock ’n’ roll and evolved into an MTV phenomenon.

In the video for her chart-topping song “What’s Love Got to Do with It,” in which she called love a “second-hand emotion,” Turner epitomized 1980s style as she strutted through New York City streets with her spiky blond hair, wearing a cropped jean jacket, mini skirt and stiletto heels.

With her taste for musical experimentation and bluntly worded ballads, Turner gelled perfectly with a 1980s pop landscape in which music fans increasingly valued electronically produced sounds and scorned hippie-era idealism.

Sometimes nicknamed the “Queen of Rock ‘n’ Roll,” Turner won six of her eight Grammy Awards in the 1980s. The decade saw her land a dozen songs on the Top 40, including “Typical Male,” “The Best,” “Private Dancer” and “Better Be Good to Me.” Her 1988 show in Rio de Janeiro drew 180,000 people, which remains one of the largest concert audiences for any single performer.

By then, Turner had been free from her marriage to guitarist Ike Turner for a decade.

The superstar was forthcoming about the abuse she suffered from her former husband during their marital and musical partnership in the 1960s and 1970s. She described bruised eyes, busted lips, a broken jaw and other injuries that repeatedly sent her to the emergency room.

“Tina’s story is not one of victimhood but one of incredible triumph,” singer Janet Jackson wrote about Turner, in a Rolling Stone issue that placed Turner at No. 63 on a list of the top 100 artists of all time.

“She’s transformed herself into an international sensation — an elegant powerhouse,” Jackson said.

In 1985, Turner gave a fictional turn to her reputation as a survivor. She played the ruthless leader of an outpost in a nuclear wasteland, acting opposite Mel Gibson in the third installment in the Mad Max franchise, “Mad Max Beyond Thunderdome.”

Most of Turner’s hit songs were written by others, but she enlivened them with a voice that New York Times music critic Jon Pareles called “one of the more peculiar instruments in pop.”

“It’s three-tiered, with a nasal low register, a yowling, cutting middle range and a high register so startlingly clear it sounds like a falsetto,” Pareles wrote in a 1987 concert review.

She was born Anna Mae Bullock on November 26, 1939, in the rural Tennessee community of Nutbush, which she described in her 1973 song “Nutbush City Limits” as a “quiet little old community, a one-horse town.”

Her father worked as an overseer on a farm and her mother left the family when the singer was 11 years old, according to the singer’s 2018 memoir My Love Story. As a teenager, she moved to St. Louis to rejoin her mom.

Ike Turner, whose 1951 song “Rocket 88” has often been called the first rock ’n’ roll record, discovered her at age 17 when she grabbed the mic to sing at his club show in St. Louis in 1957.

The band leader later recorded a hit song, “A Fool in Love,” with his protégé and gave her the stage name Tina Turner, before the two married in Tijuana, Mexico.

Tina employed her strong voice and strenuously rehearsed dance routines as lead vocalist in an ensemble called the Ike and Tina Turner Revue. She collaborated with members of rock royalty, including The Who and Phil Spector, in the 1960s and 1970s and appeared on the cover of issue two of Rolling Stone magazine in 1967.

Ike and Tina Turner bounced between record labels, owing much of their commercial success to a relentless touring schedule. Their biggest hit was a cover of Creedence Clearwater Revival’s “Proud Mary.”

Turner left her husband one night in 1976 on a tour stop in Dallas, after he pummeled her during a car ride and she struck back, according to her memoir. Their divorce was finalized in 1978.

The Rock & Roll Hall of Fame inducted Ike and Tina Turner in 1991, calling them “one of the most formidable live acts in history.” Ike Turner died in 2007.

After leaving her husband, Turner spent years struggling to regain the limelight, releasing solo albums and singles that flopped and gigging at corporate conferences.

In 1980, she met new manager Roger Davies, an Australian music executive who went on to manage her for three decades. That led to a solo No.1 record — “What’s Love Got to Do With It” — and then in 1984 her album “Private Dancer” landed her at the top of the charts.

“Private Dancer” went on to become Turner’s biggest album, the capstone of a career that saw her sell more than 200 million records in total.

In 1985 Turner met German music executive Erwin Bach who became her long-term partner and in 1988 she moved to London, beginning a decades-long residency in Europe. She released two studio albums in the 1990s that sold well, especially in Europe, recorded the theme song for 1995 Bond movie “GoldenEye” and staged a successful world tour in 2008 and 2009.

After that, she retired from show business. She married Bach, relinquishing her U.S. citizenship and becoming a citizen of Switzerland.

She battled a number of health problems after retiring and in 2018 she faced a family tragedy, when her oldest son, Craig, died by suicide at age 59 in Los Angeles. Her younger son Ronnie died in December 2022.

Her name continues to draw audiences years after her retirement. Musical stage show “TINA: The Tina Turner Musical,” with Adrienne Warren initially acting and singing the star’s life story, was a hit first in London’s West End in 2018, and later on Broadway, and is still running. And in 2021 HBO released a documentary about her life, “Tina.”

She is survived by Bach and two sons of Ike Turner’s whom she had adopted.

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Class of 2023 Graduates Overcome Obstacles of Coronavirus Pandemic

Four years ago, high school and college students in the class of 2023 had just entered their first year when the coronavirus pandemic hit. They were thrust into an academic world of uncertainty when in-person classes stopped and were moved to online platforms.

Now recent graduates, they are the last undergraduate class with memories of what it was like to be students when the pandemic began. 

“It was shocking and confusing because we didn’t know what was going to happen with our studies,” said Sarabeth McClain, 22, who just received her undergraduate diploma in economics and political science at Rhode Island University. 

When the World Health Organization declared COVID a global pandemic in March 2020, in-person classes stopped in the United States, forcing students to learn online.  

“It was chaotic. I was taking classes that quickly went virtual, and I started to feel more distant from my professors,” said Rachel Buxbaum, who was in a doctoral degree program in clinical psychology at Long Island University in New York. “Plus, I began seeing psychotherapy patients online, and it all felt overwhelming.”

COVID-19 changed everything, including the college experience. 

“It was a resilience test for these students and impacted their ability to focus on education,” said Lynn Pasquerella, president of the American Association of Colleges and Universities. 

According to a 2021 Best Colleges survey, 9 out of 10 college students said they struggled with isolation, anxiety and a lack of focus during the pandemic.

For much of two years, the lives of both college and high school students were turned upside down with uncertainty and the unease of not spending time with their classmates in person. 

“The quarantine led to an increase in social anxiety for them,” explained Caroline Clauss-Ehlers, a psychology professor in the School of Health Professions at Long Island University.  “Interacting with their peers is important to them, and with the quarantine that was lost, including some social skills.”

“I was struggling,” said high school student Jessica Hernandez, who graduated from Mount Vernon High School in Alexandria, Virginia, “because I couldn’t socialize with anyone since everyone was stuck behind a screen.” 

Besides social isolation, another Best Colleges study, in 2022, found the transition to remote learning caused significant stress from an increase in distractions and a loss of academic resources such as academic advisers.

“I felt neglected because the teacher wasn’t there to help me in person,” Hernandez told VOA, “and there were many distractions at home with my phone and TV easy to get to all the time, while I’m watching online classes from my bed.”

However, another high school student called her online learning “super easy.”

“It was such a quick transition during COVID that the teachers didn’t have much time to figure out online learning,” said Reda Adkins, a graduate of Perry High School in Perry, Ohio, “and so they were laid back and there was no pressure on the students to study and learn.”

According to a 2021 Frontiers in Psychology survey, 33% of college students were concerned about their academic futures due to the pandemic.

“I don’t feel there are many advantages to taking classes online,” said Sam Lodge, a graduate in economics at the University of Wisconsin. “It hurt me academically because it was harder to learn and process the information.”

“I didn’t like online learning and missed the structure of going to class, including classroom discussions,” said McClain.

“The professors prepared me academically,” said Matthew Shea, who received his diploma from Pennsylvania State University. “However, it was hard to pay attention during the lectures when you’re not in the classroom. I was also more hesitant to ask questions online rather than in-person, where I am more comfortable raising my hand.”

However, other students adapted to learning virtually, Pasquerella noted.

“Most students were skeptical about learning online during the pandemic, but after in-person college classes resumed, many wanted to have more online courses, especially for the flexibility.”

According to a new survey by TimelyCare, a virtual health and well-being program for students in higher education, about 80% of graduating seniors say the pandemic affected their workforce preparedness.

“I’m looking for employment right now,” Lodge told VOA. “During COVID, the lack of being social, including talking to new people, has had an impact on my reaching out to people who are hiring.”

Despite a disrupted college experience and trepidation about entering the workforce, nearly all of this year’s college graduates are hopeful for their future, TimelyCare said.

“I’m looking forward to my work as a clinical psychologist in primary health care at a hospital in New York,” said Buxbaum, who completed her doctoral degree.

“I feel like I’m regaining my mental energy, and I’m going to a local community college in northern Virginia to study to become a nurse,” said high school graduate Hernandez. 

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Do Americans Hate Their Lawns Enough to Get Rid of Them?

The idea of the American Dream can conjure up images of tidy suburban homes with immaculate green lawns, but achieving and maintaining that lush carpet of grass can seem like a nightmare.

“Most people don’t install lawns, they get them when they buy the house. They’re stuck,” says Paul Robbins, author of Lawn People: How Grasses, Weeds, and Chemicals Make Us Who We Are.

“That’s the first thing we learned in our research is that most people would prefer not to have them, but they feel that they need to have them, or that they can’t do anything about it. And the need to have them is that they feel an obligation to their neighbors,” Robbins said.

Conforming to the neighbors can be timely, expensive and unhealthy, due to the chemicals used to keep the lawn perfect. But not conforming can also be costly. Janet and Jeffrey Crouch, a Maryland couple who live about 45 minutes outside of Washington, learned this lesson when they decided to forgo a lawn to plant native plants that are wildlife-friendly.

“We started planting native plants and the butterflies and bees and birds started coming immediately when we stopped using pesticides and fertilizers,” Janet Crouch says.

But their next-door neighbor complained to the homeowners association, which like a typical HOA, oversees the management of some residential communities and is usually run by a board of volunteer homeowners. The Crouches were ordered to pull out their native plants and replace them with grass. They refused.

“We were not using pesticides or fertilizers. We knew we were doing things that were beneficial for the environment,” Janet Crouch says. “So, it just seemed fundamentally wrong to tear out this piece of paradise that we’ve created and put in turf grass, which is an environmental dead zone.”

Lawns are considered environmental dead zones in part because they provide no food or shelter for wildlife, including pollinators like birds, bees and butterflies, which are among the wildlife whose numbers are decreasing at a rapid rate due to habitat destruction and other human-related actions. One million species worldwide face extinction, many within decades, due to the loss of biodiversity.

“The fundamental ecological fact about turf grass is that it’s not native to North America, with maybe one exception. And to plant a crop which is not native to the continent, and then try to engineer it into a state of absolute perfection, is like pushing a boulder up the hill,” says Ted Steinberg, author of American Green: The Obsessive Quest for the Perfect Lawn.

An industry report suggests Americans spend almost $100 billion on lawn care yearly, with each household, on average, spending $503 on lawn care and gardening.

“Super-green monoculture is an ecological boondoggle,” Steinberg adds. “It uses a lot of chemical inputs, a lot of water — you water a lot — and leaches nutrients from the soil, and that sends people back to the store for more chemical inputs, especially fertilizer.”

Chemicals used to maintain lawns include glyphosate and 2,4-dichlorophenoxyacetic acid, known as 2,4-D, which are suspected of causing cancer and other health ailments and can contaminate groundwater. Some states already ban the use of certain chemicals on lawns. Others, particularly in the arid West, have restrictions on how often or if people can water their grass.

“There’s more than 40 million acres across the country of turf,” says Nancy Lawson, author of The Humane Gardener and Wildscapes. Lawson is also Janet Crouch’s sister and the person who encouraged the Crouches to install native plants. “Turf is the No. 1 irrigated crop, so it’s taking up a lot of water.”

Lawson has created a wildlife oasis of native plants surrounding her house. She lives in an area of Maryland that is not governed by HOAs.

“I think the future of the lawn, as it is now, is doomed,” Lawson says. “So, what’s the alternative? Well, it shouldn’t be rock or something like that because you’re heating up the planet even more. So, the alternative is plants, and it’s native plants that know how to grow in your soil conditions, in your sun conditions, in the weather of your region.”

The Crouches’ battle against their HOA took three years. The couple says they spent $60,000 fighting to keep their natural garden. They won and as a result of their efforts, the state of Maryland passed a law that allows people to grow native plants instead of grass, no matter what their HOA wants.

Robbins, who is also an environmental studies professor at the University of Wisconsin-Madison, believes lawns will always be around, but not in the state they are in now.

“They’re going to be targeted in places where they’re most appropriate, where you’ve got kids and you want them to have a place to run around,” Robbins says. “There’s going to be fewer of them, and they’re going to live alongside much more biodiverse options.”

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Dutch Government to Hold 3M Liable for ‘Forever Chemicals’ Harm

The Dutch government said on Tuesday it would hold U.S. industrial group 3M Co. liable for polluting the Western Scheldt river with potentially harmful substances known as PFAS, or “forever chemicals.” 

3M said in a statement e-mailed to Reuters that it had received a letter from the Dutch government’s legal representative on Tuesday and was studying its contents. 

The Netherlands said it would hold the company responsible for pollution in the Dutch part of the river, allegedly caused by its nearby Belgian plant. 

Higher than acceptable pollutant levels have resulted in financial damages for the fishing fleet and the government, the Netherlands said. 

“I think polluters should pay … Holding 3M liable is in line with that basic position,” Dutch Infrastructure and Water Management Minister Mark Harbers said in a statement. 

3M said it had already invited the Dutch authorities to have a meeting about the PFAS situation in the Western Scheldt. 

“(We) welcome the opportunity for conversation with the Dutch government and the Ministry of Infrastructure and Water Management,” it said in its statement. 

3M’s website shows it has a plant that makes products that contain PFAS on the Belgian side of the Scheldt river, which originates in France. 

Last December 3M set itself a 2025 deadline to stop producing PFAS. The European Union is considering a ban on the chemicals. 

Perfluoralkyl and polyfluoroalkyl substances (PFAS) do not break down quickly and have in recent years been found in dangerous concentrations in drinking water, soils and foods. 

SEE ALSO: A related video by VOA’s Veronica Balderas Iglesias

The chemicals have been used in everything from cars to medical gear and nonstick pans due to their long-term resistance to extreme temperature and corrosion. 

But they have also been linked to health risks including cancer, hormonal dysfunction and a weakened immune system as well as environmental damage. 

The Dutch government said there would be an assessment of how much of the alleged PFAS damages 3M could be held liable for. 

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$6 Million Raised to Preserve Nina Simone’s Childhood Home

An art auction and New York gala have raised nearly $6 million to preserve and restore the childhood home of soul music legend and civil rights activist Nina Simone, organizers said Tuesday.

The twin events brought in some $5.88 million — far more than the original $2 million organizers hoped to raise to restore the rural North Carolina abode.

“The new funding will meaningfully advance our project goals to complete the full restoration of the house and landscape,” said Brent Leggs, executive director of the African American Cultural Heritage Action Fund. “With this investment, we are well on our way to opening the doors to visitors in 2024.”

Four US artists — Julie Mehretu, Ellen Gallagher, Rashid Johnson and Adam Pendleton — bought the dilapidated rural home in 2017 for $95,000. They’ve since worked with Leggs’ organization, as well as tennis star Venus Williams, to raise money to turn the house into a cultural and historical site.

The online auction, with works donated by British painter Cecily Brown and American artist Sarah Sze, was organized by Pace and Sotheby’s.

Among the 11 works for sale, Mehretu’s ink-and-acrylic “New Dawn, Sing (for Nina)” fetched $1.6 million.

Simone, whose songs found renewed resonance during the Black Lives Matter protests of recent years, had a complex, often difficult relationship with the United States, where she was born in 1933, during the era of racial segregation.

Born Eunice Waymon, she spent the first years of her life in the three-room house in Tryon, in the rural southeastern state of North Carolina, with her parents and siblings, and began playing the piano at age 3.

But her dream of becoming a classical concert performer was shattered when she was rejected by Philadelphia’s prestigious Curtis Institute of Music, an ordeal she attributed to racism.

In the 1960s, Simone was active in the civil rights movement, including through rousing speeches and song.

Her “Mississippi Goddam,” was a response to a 1963 fire in an Alabama church started by members of the Ku Klux Klan. Three days after the assassination of Martin Luther King in 1968, she performed “Why? (The king of love is dead).”

Simone eventually left the United States and lived her last years in the south of France, where she died in 2003.

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Could Artificial Intelligence Help Solve the Nation’s Fentanyl Crisis?

The U.S. Department of Homeland Security is exploring ways artificial intelligence can help detect fentanyl and prevent it from entering the country. VOA’s Julie Taboh has more.

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Increasing Health Emergencies Leave WHO ‘Overstretched’

A growing number of health emergencies around the world, from COVID-19 to cholera, have left the World Health Organization’s response “overstretched,” a senior advisor said on Tuesday.  

Speaking at the U.N. agency’s annual meeting, Professor Walid Ammar, chairman of a committee reviewing the WHO’s emergency response, said funding and staffing gaps were widening in the face of ever-increasing demands.  

“[The] program is overstretched as demands have only grown with the multiplicity and complexity of emergencies,” he said.  

As of March, the WHO was responding to 53 high-level emergencies, a report by the committee said. These included diseases like COVID-19, cholera and a Marburg outbreak in Equatorial Guinea and Tanzania, as well as humanitarian emergencies like the earthquake in Turkey and Syria and floods in Pakistan.  

The report also noted that climate change was increasing the frequency of events like floods and cyclones, all of which have health consequences.  

However, the emergency program’s core budget for 2022-2023 is only about 53% funded, the report found, calling for more stable financing.  

The WHO and member states are trying to reform how the agency — and countries — respond to health emergencies, as well as shoring up the WHO’s funding. On Monday, member states approved a new budget including a 20% hike in their mandatory fees. 

The report also called on the WHO to look for more efficiencies: for example, in Malawi, four different emergency teams were responding to cholera, COVID-19, polio, and flooding, in ways that may have overlapped, it said.  

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Brazil Declares Health Emergency Amid Avian Flu Cases in Wild Birds

Brazil declared a state of animal health emergency for 180 days in response to the country’s first detection of the highly pathogenic avian influenza virus in wild birds, in a document signed Monday by Agriculture Minister Carlos Favaro.  

Infection by the H5N1 subtype of avian flu in wild birds does not trigger trade bans, based on guidelines of the World Organization for Animal Health. However, a case of bird flu on a farm usually results in the entire flock being killed and can trigger trade restrictions from importing countries. 

Brazil, the world’s biggest chicken meat exporter with $9.7 billion in sales last year, has so far confirmed eight cases of the H5N1 in wild birds, including seven in Espirito Santo state and one in Rio de Janeiro state.  

The country’s agriculture ministry said later Monday it has created an emergency operations center to coordinate, plan and evaluate “national actions related to avian influenza.”  

Though Brazil’s main meat producing states are in the south, the government is on alert after the confirmed cases, as avian flu in wild birds has been followed by transmission to commercial flocks in some countries. 

Over the weekend, the Health Ministry said samples of 33 suspected cases of avian influenza in humans in Espirito Santo, where Brazil confirmed the first cases in wild birds last week, came back negative for the H5N1 subtype.  

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First Sudanese Director at Cannes ‘Heartbroken’ by New War

“The war never ends. Tomorrow it will start again,” remarks a character in “Goodbye Julia,” the first Sudanese film ever selected for Cannes.

It explores the racism fueling decades of conflict in the country, and director Mohamed Kordofani admitted to “contradictory feelings” about walking the glitzy red carpet of the Cannes Film Festival while his fellow Sudanese are cowering from bombs.

The irony is not lost on Kordofani, who did not expect his debut feature to coincide with the breakout of a new conflict in Sudan.

“Right now, I am stranded in Cannes,” he joked in an interview with AFP on a seaside terrace overlooking a flotilla of yachts, before adding on a serious note that he was “heartbroken” by the conflict and the fact he could not go home.

“The bombing needs to stop,” said the former aircraft engineer, who packed in his career to start a film production company.

“Goodbye Julia” is playing in the Un Certain Regard category in Cannes, a segment focusing on young, innovative talent.

The film starts in 2005 after the end of an earlier bout of fighting, between Khartoum and the separatist south, and ends as South Sudan gains independence in 2011.

It tells the story of how a covered-up murder brings a southern Sudanese woman, Julia, into contact with a northern Sudanese woman, Mona, and her overbearing conservative husband.

‘My own transformation’

The two women’s friendship is complex, and the racist undercurrent between Arabs and black Africans that stalks the Middle East and North Africa is on stark display.

Mona’s husband refers to the southerners as “slaves” and “savages,” and she is forced to confront her own ingrained racism, while gender roles are also explored.

Kordofani said he was inspired by how his own views had changed over the past decade.

“I started to review how I was behaving in my previous relationships. I reviewed my own racism.”

He said discrimination was so deeply ingrained in Sudan that “to this day, I don’t know if I’m completely not racist.”

While racism is not at the heart of Sudan’s current conflict, Kordifani said the film’s message was still relevant, as the country lurches from one broken cease-fire to the next, and residents hunker down with barely any food or supplies.

“I don’t think the war will end unless we change. We the people, not the government. We need to be equal, and we need to be inclusive, and we need to learn to coexist.”

Critics have warmly received “Goodbye Julia,” with Screen calling it “a gut-wrenching and emotionally rewarding tale.”

The Hollywood Reporter said it had “shades of a thriller” and praised Kordofani’s “fine direction.”

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Ray Stevenson, of ‘Rome’ And ‘Thor’ Movies, Dies At 58

Ray Stevenson, who played the villainous British governor in “RRR,” an Asgardian warrior in the “Thor” films, and a member of the 13th Legion in HBO’s “Rome,” has died. He was 58.  

Representatives for Stevenson told The Associated Press that he died Sunday but had no other details to share Monday.  

Stevenson was born in Lisburn, Northern Ireland, in 1964. After attending the Bristol Old Vic Theatre School and years of working in British television, he made his film debut in Paul Greengrass’s 1998 film “The Theory of Flight.” In 2004, he appeared in Antoine Fuqua’s “King Arthur” as a knight of the round table and several years later played the lead in the pre-Disney Marvel adaptation “Punisher: War Zone.” 

Though “Punisher” was not the best-reviewed film, he’d get another taste of Marvel in the first three “Thor” films, in which he played Volstagg. Other prominent film roles included the “Divergent” trilogy, “G.I. Joe: Retaliation” and “The Transporter: Refueled.” 

A looming presence at 6-foot-4, Stevenson, who played his share of soldiers past and present, once said in an interview, “I guess I’m an old warrior at heart.” 

On the small screen, he was the roguish Titus Pullo in “Rome,” a role that really got his career going in the United States and got him a SAG card, at the age of 44. The popular series ran from 2005 to 2007. 

“That was one of the major years of my life,” Stevenson said in an interview. “It made me sit down in my own skin and say, just do the job. The job’s enough.” 

In the Variety review of “Rome,” Brian Lowery wrote that “the imposing Stevenson certainly stands out as a brawling, whoring and none-too-bright warrior — a force of nature who, despite his excesses, somehow keeps landing on his feet.” 

He was Blackbeard in the Starz series “Black Sails,” Commander Jack Swinburne in the German television series “Das Boot,” and Othere in “Vikings.” 

Stevenson also did voice work in “Star Wars Rebels” and “The Clone Wars,” as Gar Saxon, and has a role in the upcoming Star Wars live-action series “Ahsoka,” in which he plays a bad guy, Baylan Skoll. The eight-episode season is expected on Disney+ in August. 

In an interview with Backstage in 2020, Stevenson said his acting idols were, “The likes of Lee Marvin (and) Gene Hackman.” 

“Never a bad performance, and brave and fearless within that caliber,” Stevenson said. “It was never the young, hot leading man; it was men who I could identify with.” 

Stevenson has three sons with Italian anthropologist Elisabetta Caraccia, who he met while working on “Rome.” 

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Group of Western US States Reach Deal to Stave Off Crisis on Drought-Stricken Colorado River

Arizona, Nevada and California said Monday they’re willing to cut back on their use of the dwindling Colorado River in exchange for money from the federal government — and to avoid forced cuts as drought threatens the key water supply for the U.S. West.

The $1.2 billion plan, a potential breakthrough in a year-long stalemate, would conserve an additional 3 million acre-feet of water through 2026, when current guidelines for how the river is shared expire. About half the cuts would come by the end of 2024.

That’s less than what federal officials said last year would be needed to stave off crisis in the river but still marks a notable step in long and difficult negotiations between the three states.

The 2,334-kilometer river provides water to 40 million people in seven U.S. states, parts of Mexico and more than two dozen Native American tribes. It produces hydropower and supplies water to farms that grow most of the nation’s winter vegetables.

In exchange for temporarily using less water, cities, irrigation districts and Native American tribes in the three states will be paid. The federal government plans to spend $1.2 billion, said Lauren Wodarski, a spokesperson to U.S. Senator Catherine Cortez Masto, a Nevada Democrat.

Though adoption of the plan isn’t certain, U.S. Bureau of Reclamation Commissioner Camille Touton called it an “important step forward.” She said the bureau will pull back its proposal from last month that could have resulted in sidestepping the existing water priority system to force cuts while it analyzes the three-state plan. The bureau’s earlier proposal, if adopted, could have led to a messy legal battle.

“At least they’re still talking. But money helps you keep talking,” said Terry Fulp, former regional director of the U.S. Bureau of Reclamation’s Lower Colorado Basin region. He noted the agreement is a “short-term, three-year deal” and that because the Upper Basin states of Colorado, New Mexico, Utah and Wyoming didn’t face immediate cuts, they were not part of the pact.

The three Lower Basin states are entitled to 7.5 million acre-feet of water altogether from the river. An acre-foot of water is roughly enough to serve two to three U.S. households annually.

California gets the most, based on a century-old water rights priority system. Most of that goes to farmers in the Imperial Irrigation District, though some also goes to smaller water districts and cities across Southern California. Arizona and Nevada have already faced cuts in recent years as key reservoir levels dropped based on prior agreements. But California has been spared.

Under the new proposal, California would give up about 1.6 million acre-feet of water through 2026 — a little more than half of the total. That’s roughly the same amount the state first offered six months ago. It wasn’t clear why the other states agreed to a deal now when California didn’t offer further cuts. Leaders in Arizona and Nevada didn’t immediately say how they’d divide the other 1.4 million acre-feet.

The Imperial Irrigation District would account for more than half of California’s cuts. J.B. Hamby, chairman of the Colorado River Board of California, said the district has already taken measures to improve water efficiency and will need to do more. He said the district is working on a pilot summer idling program where farmers would sign up to turn off their water for 60 days for forage crops. During that time of year, yields are already down and more water is required, he said.

Bill Hasencamp, manager of Colorado River resources for the Metropolitan Water District of California, which supplies water to 19 million people in southern California, said the wet winter means the state simply needs less water. His district is planning on leaving 250,000 acre-feet this year in Lake Mead and won’t withdraw it until after 2026.

The district will also turn over to the federal government a program that pays farmers to fallow land that typically nets them about 130,000 acre-feet of water a year, he said.

The Colorado River has been in crisis for years due to a multi-decade drought in the West intensified by climate change, rising demand and overuse. Water levels at key reservoirs dipped to unprecedented lows, though they have rebounded somewhat thanks to heavy precipitation this winter.

In recent years, the federal government has cut some water allocations and offered billions of dollars to pay farmers, cities and others to cut back. But key water officials didn’t see those efforts as enough to prevent the system from collapsing.

Michael Cohen, a senior researcher at the Pacific Institute focused on the Colorado River, called the amount of cuts the three states have proposed a “huge, huge lift” and a significant step forward.

“It does buy us a little additional time,” he said. But if more dry years are ahead, “this agreement will not solve that problem.”

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Aid Groups in Cameroon Urge Women With Obstetric Fistula to Seek Medical Treatment

As the International Day to End Obstetric Fistula approaches Tuesday, scores of women who have been treated for the medical condition are encouraging their peers in northern Cameroon to get help.

Many sufferers of obstetric fistula — characterized by urinary and fecal incontinence — believe the disease is a curse for wrongdoing. Now former patients and aid groups are telling families fistula can be treated.

The network of women who have been successfully operated on for obstetric fistula in Cameroon’s northern region say they are educating communities that it is a disease that can be treated.

Hospital workers say obstetric fistula is a hole between the birth canal and bladder or rectum, caused by prolonged, obstructed labor without access to timely, high-quality medical treatment. The disease leaves women and girls leaking urine, feces or both, and often leads to chronic medical problems, depression, social isolation and deepening poverty, medical staff members say.

Catherine Debong, 31, is the spokesperson for Women in Maroua, a group of women who have been operated on for obstetric fistula. Maroua is a town in Cameroon’s far north that shares a border with Chad and Nigeria. 

Debong said she is urging parents, husbands, clerics, community leaders and traditional rulers to educate others that obstetric fistula is not a curse or divine punishment for wrongdoing. She said she wants communities to encourage women who have gone into hiding due to the disease to seek treatment.

Debong said a Roman Catholic priest took her to the hospital in 2012 after she had lived with fistula for six years. She is now committed to saving the lives of other women with fistula whom she said are dying without medical help. 

Cameroon’s Ministry of Public Health says between 350 and 1,500 new cases of fistula are reported each year. Seventy-five percent of the cases are reported on Cameroon’s northern region, where more than 80% of civilians seek help from African traditional healers and seldom visit hospitals.

Cameroon reports that 60% of patients seeking help in hospitals have lived with obstetric fistula for more than 5 years. Eighty percent of patients have no formal education and 90% were teenagers when they had their first baby.

Many sufferers are accused of witchcraft and abandoned by their relatives.

The Cameron government is trying to end the stigma and discrimination attached to the condition through education programs.

Boyo Maurine is with the Cameroon Baptist Convention Health Services program, a nonprofit group that works with the United Nations Population Fund (UNFPA). The group educates communities about obstetric fistula and encourages women to seek treatment.

“Generally, the individuals perceive that people will not want to associate with them because of the odor that comes from them and from the embarrassment that will come from constantly being wet without any form of control,” Boyo said. “They already feel that they do not belong to society, and this leaves them sometimes with some negative emotions like sadness, depression, anger and aggression, which is as a result of this condition.”

In 2020, the U.N. launched a global commitment to fistula prevention and treatment, including surgical repair and social reintegration. The campaign hopes to end fistula by 2030, while transforming the lives of thousands of women and girls.

The International Day to End Obstetric Fistula draws attention to the condition, which affects tens of thousands of women globally. 

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WHO Members Approve Nearly $7 Billion Budget

The World Health Organization on Monday won basic approval for a $6.83 billion budget over the next two years, including a 20% hike in mandatory membership fees.

As the U.N. health agency kicked off its annual decision-making assembly, member states in a key committee approved the budget without objection.

WHO chief Tedros Adhanom Ghebreyesus hailed the move as “historic and a big milestone.”

The budget still needs to be approved by all the member states at the end of the 10-day event, but the approval procedure is basically a formality.

The decision comes after last year’s assembly agreed to a dramatic overhaul of WHO funding.

Shaken by the COVID-19 pandemic, countries agreed on the need to provide more reliable and stable funding.

The WHO is largely financed by its 194 member states.

The portion of funding from mandatory membership fees — “assessed contributions” calculated according to wealth and population — had dwindled to below one-fifth, with the rest coming from “voluntary contributions.”

This left WHO with limited leeway to respond to crises such as COVID-19, the war in Ukraine and other health emergencies.

Last year’s assembly agreed to gradually increase the membership fee portion to 50% by the 2030-31 budget cycle at the latest.

The 2024-25 budget cycle marks the first incremental increase, with countries agreeing to hike their assessed contributions by 20% from the 2022-23 budget.

In return for the funding shift, WHO has begun implementing 96 reforms, including towards more transparency on its financing and hiring and broader accountability.

Tedros told the assembly earlier Monday that WHO so far had implemented 42 of the requested reforms “and 54 are ongoing.”

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SpaceX Sends Saudi Astronauts, Including Nation’s 1st Woman in Space, to International Space Station

Saudi Arabia’s first astronauts in decades rocketed toward the International Space Station on a chartered multimillion-dollar flight Sunday. 

SpaceX launched the ticket-holding crew, led by a retired NASA astronaut now working for the company that arranged the trip from Kennedy Space Center. Also on board: a U.S. businessman who now owns a sports car racing team. 

The four should reach the space station in their capsule Monday morning; they’ll spend just more than a week there before returning home with a splashdown off the Florida coast. 

Sponsored by the Saudi Arabian government, Rayyanah Barnawi, a stem cell researcher, became the first woman from the kingdom to go to space. She was joined by Ali al-Qarni, a fighter pilot with the Royal Saudi Air Force. 

They’re the first from their country to ride a rocket since a Saudi prince launched aboard shuttle Discovery in 1985. In a quirk of timing, they’ll be greeted at the station by an astronaut from the United Arab Emirates. 

“Hello from outer space! It feels amazing to be viewing Earth from this capsule,” Barnawi said after settling into orbit. 

Added al-Qarni: “As I look outside into space, I can’t help but think this is just the beginning of a great journey for all of us.” 

Rounding out the visiting crew: Knoxville, Tennessee’s John Shoffner, former driver and owner of a sports car racing team that competes in Europe, and chaperone Peggy Whitson, the station’s first female commander who holds the U.S. record for most accumulated time in space: 665 days and counting. 

“It was a phenomenal ride,” Whitson said after reaching orbit. Her crewmates clapped their hands in joy. 

It’s the second private flight to the space station organized by Houston-based Axiom Space. The first was last year by three businessmen, with another retired NASA astronaut. The company plans to start adding its own rooms to the station in another few years, eventually removing them to form a stand-alone outpost available for hire. 

Axiom won’t say how much Shoffner and Saudi Arabia are paying for the planned 10-day mission. The company had previously cited a ticket price of $55 million each. 

NASA’s latest price list shows per-person, per-day charges of $2,000 for food and up to $1,500 for sleeping bags and other gear. Need to get your stuff to the space station in advance? Figure roughly $10,000 per pound ($20,000 per kilogram), the same fee for trashing it afterward. Need your items back intact? Double the price. 

At least the email and video links are free. 

The guests will have access to most of the station as they conduct experiments, photograph Earth and chat with schoolchildren back home, demonstrating how kites fly in space when attached to a fan. 

After decades of shunning space tourism, NASA now embraces it with two private missions planned a year. The Russian Space Agency has been doing it, off and on, for decades. 

“Our job is to expand what we do in low-Earth orbit across the globe,” said NASA’s space station program manager Joel Montalbano. 

SpaceX’s first-stage booster landed back at Cape Canaveral eight minutes after liftoff — a special treat for the launch day crowd, which included about 60 Saudis. 

“It was a very, very exciting day,” said Axiom’s Matt Ondler. 

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First-Time Filmmaker Competes at Cannes with Senegalese Drama

Most filmmakers in the Cannes Film Festival’s top-rung competition are well-known directors who have been around for decades. One dramatic exception this year is Ramata-Toulaye Sy, a French-Senegalese filmmaker whose first film, “Banel & Adama,” landed among the 21 films competing for the Palme d’Or. 

“It’s only now that I realize that being in competition means being in a competition,” Sy said, laughing, in an interview shortly after “Banel & Adama” premiered in Cannes. “Now that we’re really in the middle of it, I realize there’s a lot of passion going around.” 

Sy, 36, is the sole first-timer in Cannes’ main lineup this year. She is also only the second Black female director to ever compete for the Palme, following Mati Diop, also a French-Senegalese filmmaker, whose “Atlantics” debuted in 2019. For the Paris-raised Sy, it’s not a distinction of significance. 

“I’m a filmmaker and I really wish we stopped being counted as women, as Black or Arab or Asian,” she said. 

In “Banel & Adama,” also the only Africa-set film competing for the Palme this year, Sy crafts a radiant and languorous fable tinged with myth and tragedy. 

Banel (Khady Mane) and Adama (Mamadou Diallo) are a deeply in love married couple living in a small village in northern Senegal. In their intimate romantic idyll, they wish to pull away from the local traditions. Adama is set to become village chief but is uninterested in doing so. Banel dreams of living outside the village, in a home buried under a mountain of sand. 

While Banel and Adama slowly work to sweep away the sand, their yearning to live on their own causes angst in the village, especially when a drought arrives that some take as a curse for their independence. Though often opaque, the film stays largely with the psychology of Banel, whose single-mindedness grows increasingly dark. 

“I was quite reluctant at the start to acknowledge that Banel is me,” Sy said. “Now I have to confess that it’s definitely me. I see myself, my questions, my struggle in her journey. How to become an individual inside a community is really my own question.” 

Sy began writing “Banel & Adama” in 2014 as a student at La Fémis, the French film school. Sy, the daughter of Senegalese immigrants, says she was first drawn to literature. Novels like Toni Morrison’s “Sula” and Elena Frenate’s “My Brilliant Friend” inspired “Banel & Adama.” 

“The love story was a pretext for to deal with myth,” she says. “I wanted to have this kind of mythological female character that you find in Greek tragedy.” 

Sy co-wrote Atiq Rahimi’s “Our Lady of the Nile” and Çagla Zencirci and Guillaume Giovanetti’s “Sibel” — both of which played at international festivals. Her first short film, “Astel,” was well-received. 

But little prepared her for the stresses of shooting in rural Senegal. Along with heat, sandstorms and bouts of illness among the crew, Sy struggled to find her Banel. In the end, she found Mane while walking around. 

“We had all the cast except for her. We started five months before shooting and one month before shooting we still didn’t have her. One day I was walking down the street and my eyes locked on this girl,” Sy said. “It was the way that she looked at me. Her gaze had something a bit wise and a bit crazy.” 

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Jennifer Lawrence-Produced Afghan Documentary Premieres at Cannes

While the world watched Kabul fall and the Taliban surge back to power in 2021 following the withdrawal of U.S. troops, actor Jennifer Lawrence and producer Justine Ciarrocchi were asking themselves what they could do to support women’s rights. 

“Jen’s first response was to find an Afghan filmmaker and give them a platform,” Ciarrocchi told The Hollywood Reporter. 

They eventually found director Sahra Mani, whose 2019 documentary “A Thousand Girls Like Me” looked at a sexually abused woman’s quest for justice. 

On Sunday, “Bread and Roses,” Mani’s documentary about the daily lives of three women after the Taliban’s resurgence, premiered at the Cannes Film Festival in a special screening. 

“This film has a message from women in Afghanistan, a soft message; please be their voice who are voiceless under Taliban dictatorship,” said Mani at the premiere. 

The director said in an interview on the Cannes website that she wanted to show the reality of how drastically life has changed under the Taliban for women, even if filming was difficult. “Now that women can no longer leave the house without the veil, I thought we should tell their stories,” she said. 

The safety of the camera crews and the people filmed was of top priority, said Mani, who currently lives in France. 

“The way in which their lives have changed under the Taliban is an everyday reality for us, it’s life under a dictatorship, a cruel reality we cannot ignore.” 

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‘Fast X’ Speeds to No. 1; Knocks ‘Guardians 3’ to 2nd

The 10th installment of the “Fast and Furious” franchise was off to the races this weekend, knocking “Guardians of the Galaxy Vol. 3” out of first place and easily claiming the No. 1 spot at the box office. “Fast X” earned $67.5 million in ticket sales from 4,046 North American theaters, according to estimates from Universal Pictures on Sunday.

It’s on the lower end of openings for the series which peaked with “Furious 7’s” $142.2 million launch, the sole movie in the series to surpass $100 million out of the gates. “Fast X’s” domestic debut only ranks above the first three. The last movie, “F9,” opened to $70 million in 2021.

But this is also a series that has usually made the bulk of its money internationally, often over 70%. True to form, overseas it’s on turbo drive. “Fast X” opened in 84 markets internationally, playing in over 24,000 theaters, where it earned an estimated $251.4 million. The top market was China with $78.3 million, followed by Mexico with $16.7 million. And it adds up to a $319 million global debut — the third biggest of the franchise.

“It’s a global franchise with a very broad audience,” said Jim Orr, Universal’s head of domestic distribution. “The themes resonate across the world.”

Directed by Louis Leterrier (who took over from Justin Lin during production), “Fast X” brings back the familiar crew including Vin Diesel, Michelle Rodriguez, Tyrese Gibson and Jordana Brewster and adds several newcomers, like Brie Larson, Rita Moreno and a villain played by Jason Momoa. The ever-expanding cast includes Jason Statham, Charlize Theron, Scott Eastwood and Helen Mirren.

Reports say the movie cost $340 million to produce, not including marketing.

Reviews were mixed for “Fast X,” the beginning of the end for the $6 billion franchise, which currently has a 54% on Rotten Tomatoes. AP’s Mark Kennedy wrote in his review that, “It has become almost camp, as if it breathed in too much of its own fumes” and that it’s also “monstrously silly and stupidly entertaining.”

According to exit polls, audiences were 29% Caucasian, 29% Hispanic and 21% Black, and 58% were between the ages of 18 and 34. They gave the film a B+ CinemaScore.

In its third weekend, Disney and Marvel’s ” Guardians of the Galaxy Vol. 3 ” made an estimated $32 million in North America to take second place. It’s now made $266.5 million domestically and $659.1 million globally.

Third place went to another Universal juggernaut, “The Super Mario Bros. Movie,” which is now in its seventh weekend and available to rent on VOD. Nevertheless, it earned an additional $9.8 million in North America, bringing its domestic total to $549.3 million.

“Book Club: The Next Chapter ” added $3 million in its second weekend to take fourth place, while “Evil Dead Rise” rounded out the top five in its fifth weekend with $2.4 million.

“Mario” and “Fast X” are just the latest success stories for Universal, following hits like “Cocaine Bear” and “M3GAN.” And later this summer, on July 21, they’ll release Christopher Nolan’s ” Oppenheimer.”

“Universal as a studio is just on a roll like no other by having this incredible slate of films from all different types of genres,” said Paul Dergarabedian, the senior media analyst for Comscore. “They’ve created a release strategy that’s really picture perfect so far.”

“Fast X” doesn’t have an entirely open runway though. Next weekend there will be sizable competition in Disney’s live-action “The Little Mermaid,” in addition to a slew of crowd-pleasers hoping to catch a Memorial Day weekend audience, including Julia Louis-Dreyfus in “You Hurt My Feelings” and the broad comedy “About My Father,” with Sebastian Maniscalco and Robert De Niro.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “Fast X,” $67.5 million.

  2. “Guardians of the Galaxy Vol. 3,” $32 million.

  3. “The Super Mario Bros. Movie,” $9.8 million.

  4. “Book Club: The Next Chapter,” $3 million.

  5. “Evil Dead Rise,” $2.4 million.

  6. “John Wick: Chapter 4,” $1.3 million.

  7. “Are You There God? It’s Me, Margaret,” $1.3 million.

  8. “Hypnotic,” $825,000.

  9. “MET Opera: Don Giovanni,” $701,025.

  10. “BlackBerry,” $525,000.

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In Cannes, Scorsese and Dicaprio Turn Spotlight Toward Osage Nation

It was well into the process of making “Killers of the Flower Moon” that Martin Scorsese realized it wasn’t a detective story.

Scorsese, actor Leonardo DiCaprio and screenwriter Eric Roth had many potential avenues in adapting David Grann’s expansive nonfiction history, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI.” The film that Scorsese and company premiered Saturday at the Cannes Film Festival, however, wasn’t like the one they initially set out to make.

The film, which will open in theaters in October, chronicles the series of killings that took place throughout the Osage Nation in 1920s Oklahoma. The Osage were then enormously rich from oil on their land, and many white barons and gangsters alike sought to control and steal their money. Dozens of Osage Native Americans were killed before the FBI, in its infancy, began to investigate.

DiCaprio had originally been cast to star as FBI agent Tom White. But after mulling the project over, Scorsese decided to pivot.

“I said, ‘I think the audience is ahead of us,’” Scorsese told reporters Sunday in Cannes. “They know it’s not a whodunit. It’s a who-didn’t-do-it.”

The shift, filmmakers said, was largely driven from collaboration with the Osage. Osage Nation Chief Standing Bear, who consulted on the film, praised the filmmakers for centering the story instead on Mollie (Lily Gladstone) and her husband Ernest Burkhart (DiCaprio), the tragic romance at the heart of Scorsese’s epic of insidious American ethnic exploitation.

“Early on, I asked Mr. Scorsese, ‘How are you going to approach the story? He said I’m going to tell a story about trust, trust between Mollie and Ernest, trust between the outside world and the Osage, and the betrayal of those trusts,” said Chief Standing Bear. “My people suffered greatly and to this very day those effects are with us. But I can say on behalf of the Osage, Marty Scorsese and his team have restored trust and we know that trust will not be betrayed.”

“Killers of the Flower Moon,” the most anticipated film to debut at this year’s Cannes, instead became about Ernest, who Scorsese called “the character the least is written about.”

DiCaprio, who ceded the character of White to Jesse Plemons, said “Killers of the Flower Moon” reverberates with other only recently widely discussed dark chapters of American history.

“This story, much like the Tulsa massacre, has been something that people have started to learn about and started to understand is part of culture, part of our history,” said DiCaprio. “After the screenplay, from almost an anthropological perspective — Marty was there every day — we were talking to the community, trying to hear the real stories and trying to incorporate the truth.”

“Killers of the Flower Moon” premiered Saturday to largely rave reviews and thunderous applause nearly 50 years after Scorsese, as a young filmmaker, was a sensation at Cannes. His “Taxi Driver” won the Palme d’Or in 1976.

Among the most-praised performances has been that of Gladstone, the actor of Blackfeet and Nimíipuu heritage.

“These artistic souls on this stage here cared about telling a story that pierces the veil of what society tells us we’re supposed to care about and not,” said Gladstone, who singled out Scorsese. “Who else is going to challenge people to challenge their own complicity in white supremacy in such a platform except as this man here?”

“We’re speaking of the 1920s Osage community. We’re talking about Black Wall Street and Tulsa. We’re talking about a lot in our film,” she continued. “Why the hell does the world not know about these things? Our communities always have. It’s so central to everything about how we understand our place in the world.”

In the film, Robert De Niro plays a wealthy baron who’s particularly adept at plundering the Osage. Speaking Sunday, De Niro was still mulling his character’s motivations.

“There’s a kind of feeling of entitlement,” said De Niro. “It’s the banality of evil. It’s the thing that we have to watch out for. We see it today, of course. We all know who I’m going to talk about, but I won’t say the name. Because that guy is stupid. Imagine if you’re smart?”

A minute later, De Niro resumed: “I mean, look at Trump,” referring to former President Donald Trump.

With a running time well over three hours and a budget from Apple of $200 million, “Killers of the Flower Moon” is one of Scorsese’s largest undertakings. Asked where he gets the gumption for such risks, the 80-year-old director didn’t hesitate.

“As far as taking risks at this age, what else can I do?” said Scorsese. “‘No, let’s go do something comfortable.’ Are you kidding?”

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Cholera Outbreak Claims Ten More Lives in South Africa 

The provincial health department in the South African province of Gauteng on Sunday announced 19 new cases of Cholera in Hammanskraal, including 10 deaths.

South Africa reported its first cholera death in February, after the virus arrived in the country from Malawi.

It was unclear how many cholera cases there was nationally as of Sunday, but the most populous province of Gauteng, where Johannesburg and Pretoria are situated, has been hardest hit.

Cholera can cause acute diarrhea, vomiting and weakness and is mainly spread by contaminated food or water. It can kill within hours if untreated.

The last outbreak in South Africa was in 2008/2009 when about 12,000 cases were reported following an outbreak in neighboring Zimbabwe, which led to a surge of imported cases and subsequent local transmission.

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Mexico Keeps Close Eye on Volcano That Threatens 22 Million

Mexico’s Popocatepetl volcano rumbled to life again this week, belching out towering clouds of ash that forced 11 villages to cancel school sessions.

The residents weren’t the only ones keeping a close eye on the towering peak. Every time there is a sigh, tic or heave in Popocatepetl, there are dozens of scientists, a network of sensors and cameras, and a roomful of powerful equipment watching its every move.

The 5,426-meter volcano, known affectionately as “El Popo,” has been spewing toxic fumes, ash and lumps of incandescent rock persistently for almost 30 years, since it awakened from a long slumber in 1994.

The volcano is 72 kilometers southeast of Mexico City, but looms much closer to the eastern fringes of the metropolitan area of 22 million people. The city also faces threats from earthquakes and sinking soil, but the volcano is the most visible potential danger — and the most closely watched. A severe eruption could cut off air traffic, or smother the city in clouds of choking ash.

Ringed around its summit are six cameras, a thermal imaging device and 12 seismological monitoring stations that operate 24 hours a day, all reporting back to an equipment-filled command center in Mexico City.

A total of 13 scientists from a multidisciplinary team take turns staffing the command center around the clock. Being able to warn of an impending ash cloud is key, because people can take precautions. Unlike earthquakes, warning times can be longer for the volcano and in general the peak is more predictable.

On a recent day, researcher Paulino Alonso made the rounds, checking the readings at the command center run by Mexico’s National Disaster Prevention Center, known by its initials as Cenapred. It is a complex task that involves seismographs that measure the volcano’s internal trembling, which could indicate hot rock and gas moving up the vents in the peak.

Monitoring gases in nearby springs and at the peak — and wind patterns that help determine where the ash could be blown — also play a role.

The forces inside are so great that they can temporarily deform the peak, so cameras and sensors must monitor the very shape of the volcano.

How do you explain all of this to 25 million non-experts living within a 62-mile (100-kilometer) radius who have grown so used to living near the volcano?

Authorities came up with the simple idea of a volcano “stoplight” with three colors: green for safety, yellow for alert and red for danger.

For most of the years since the stoplight was introduced, it has been stuck at some stage of “yellow.” The mountain sometimes quiets down, but not for long. It seldom shoots up molten lava: instead it’s more the “explosive” type, showering out hot rocks that tumble down its flanks and emitting bursts of gas and ash.

The center also has monitors in other states; Mexico is a country all too familiar with natural disasters.

For example, Mexico’s earthquake early alert system is also based at the command center. Because the city’s soil is so soft — it was built on a former lake bed — a quake hundreds of miles away on the Pacific coast can cause huge destruction in the capital, as happened in 1985 and 2017.

A system of seismic monitors along the coast sends messages that race faster than the quake’s shock waves. Once the sirens start blaring, it can give Mexico City residents up to half a minute to get to safety, usually on the streets outside.

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