CBS News “60 Minutes” correspondent Lesley Stahl said Sunday that she’s finally feeling well after a battle with COVID-19 that left her hospitalized for a week.
Stahl said she was “really scared” after fighting pneumonia caused by the coronavirus for two weeks at home before going to the hospital.
“One of the rules of journalism is ‘don’t become part of the story,'” Stahl said at the end of Sunday’s broadcast. “But instead of covering the pandemic, I was one of the more-than-one-million Americans who did become part of it.”
Stahl, 78, is the dean of correspondents at television’s best-known newsmagazine. She joined “60 Minutes” in March 1991, and before that was moderator of the Sunday talk show “Face the Nation” and a Washington correspondent.
She landed the first television interview with Donald Trump after he was elected president, and the first with House Speaker Nancy Pelosi when she become speaker — both in 2007 and again in 2019.
Stahl said there was a cluster of “60 Minutes” employees with the virus. One “had almost no symptoms while others had almost every symptom you can imagine,” she said. “Each case is different.”
Stahl said she found an overworked and nearly overwhelmed staff when she was hospitalized but paid tribute to their care, and said she was wheeled out through a gauntlet of cheering medical workers when discharged.
“In the face of so much death, they celebrate their triumphs,” she said.
60 Minutes declined to name the hospital involved.
“Thanks to them, like so many other patients, I am well now,” she said. “Tonight, we all owe them our gratitude, our admiration and, in some cases, our lives.”
Stahl is arguably the most prominent television journalist to disclose they had the disease. CNN hosts Chris Cuomo and Brooke Baldwin have tested positive, the former continuing his prime-time show while fighting symptoms. ABC “Good Morning America” host George Stephanopoulos had it, but like many infected, had only mild symptoms.
The virus has infected 3.5 million people and killed more than 246,000 worldwide, including more than 66,000 dead in the United States, according to a count by Johns Hopkins University. Experts say the numbers are likely larger.
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Idir, an Algerian singer who gave voice to the Berber and Kabyle cultures, has died in Paris. He was 70.Saturday’s death of the singer, whose real name was Hamid Cheriet, was confirmed on a post on his official Facebook page that read “we regret to announce the passing of our father (to all), Idir. Rest in peace.”French media report that he died from pulmonary disease after being hospitalized on Friday.Algerian President Abdelmadjid Tebboune paid tribute to him on Twitter, saying that “with his passing, Algeria has lost one of its monuments,” and referred to him as “an icon of Algerian art.”Idir was a national treasure in his native Algeria.Born on Oct. 25, 1949 in Ait Lahcene, near the Kabylie capital of Tizi Ouzou and part of French Algeria at the time, he studied to be a geologist, but his life took a twist in 1973 when he was called up as a last-minute replacement on the radio to sing “A Vava Inouva.” It was a lullaby with the “rich oral traditions” of the Berber culture and became a beloved song in the country.Idir moved to France in 1975, after finishing military service, where he recorded his first album, also titled “A Vava Inouva,” and a series of popular North African-style songs in the same decade.The style of his music, with lone vocals and acoustic guitar, championed the sounds of Kabyle music, and as such he was widely considered an ambassador of the Kabyle culture.The Berber-speaking Kabyle people are a sub-group of North and West Africa’s wider Berber ethnic population. In Algeria, the Kabyles are a minority that have historically been repressed by the central government and are indigenous to the north of the country, spanning the Atlas Mountains. Many Kabyle settled in France following the Algerian civil war. 
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Gil Schwartz, the longtime CBS communications executive who wrote humorous novels and columns under the pen name Stanley Bing, has died. He was 68.  CBS representatives said Sunday that Schwartz died Saturday at his home in Santa Monica, California. His death, they said, was unexpected, but due to natural causes.  Schwartz had a distinguished nearly 40-year career in corporate America with CBS, Viacom and Westinghouse Broadcasting. He retired in 2018 from his post as senior executive vice president and chief communications officer of CBS Corporation.But unlike most of his peers, Schwartz had a once-secret and then public side career as a lauded humorist and writer of 13 books who satirized the business world he was part of. Under the pseudonym Stanley Bing, Schwartz wrote a column in Esquire for 13 years and then in Fortune. One, “Executive Summary: Stanley Bing,” from 1991, describes an unwelcome 40th birthday in the style of a corporate presentation.  “You’ll have to excuse me if I sound a little morose. I am morose,” he wrote. “This corporation recently celebrated its fortieth anniversary of operations. Quite a few parties were held in its honor, and they succeeded in getting this speaker somewhat depressed in the way that only enforced merriment truly can.”Although he was able to hold the dual identities in secret for a while, in the 1990s, it became “the most poorly held secret in the media business.””Bing’s” books included “Crazy Bosses: Spotting Them, Serving Them, Surviving Them,” “You Look Nice Today,” “Lloyd: What Happened,” and “Immortal Life: A Soon to Be True Story.”Born in New York City in 1951, Schwartz studied theater arts and English at Brandeis University. He was a renaissance man: A poet, playwright, actor, guitarist and photographer of birds, food and travel.  Schwartz is survived by his wife of 14 years, Laura Svienty, two children, two step children and two grandchildren. The statement says a memorial service will take place in the fall. In lieu of flowers, the family requests anyone seeking to honor Schwartz donate to lafoodbank.org, foodbanknyc.org  or sfmfoodbank.org. 
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A young Egyptian filmmaker imprisoned for directing a music video critical of President Abdel-Fattah el-Sissi has died in a Cairo jail, his lawyer said Saturday.Shady Habash, 24, died in Tora prison, said lawyer Ahmed al-Khawaga, who was unable to give a cause of death.”His health had been deteriorating for several days. … He was hospitalized, then returned to the prison yesterday evening, where he died in the night,” he told AFP, without giving further details.Habash was detained in March 2018, accused of “spreading fake news” and “belonging to an illegal organization,” according to the prosecution.He was arrested after having directed the music video for the song “Balaha” by rock singer Ramy Essam.The song’s lyrics lambast “Balaha” — a name given to el-Sissi by his detractors in reference to a character in an Egyptian film known for being a notorious liar.Essam gained popularity during the popular revolt against then-President Hosni Mubarak in early 2011. He has since gone into exile in Sweden.The video has had more than 5 million views on YouTube.Died of ‘negligence’The Arabic Network for Human Rights Information (ANHRI) said in a Twitter post that Habash died as a result of “negligence and lack of justice.”Human rights groups have regularly highlighted poor prison conditions in Egypt.Since early March, because of the novel coronavirus pandemic, authorities have suspended visits and the work of the courts, further isolating detainees.”Due to the measures taken against the coronavirus, no one has been able to see [Habash]” recently, said Khawaga.Habash himself warned of his predicament in October, in a letter posted Saturday on Facebook by activist Ahdaf Soueif.”It’s not prison that kills, it’s loneliness that kills. … I’m dying slowly each day,” he wrote.Fearing the spread of the virus in overcrowded prisons, human rights defenders have called for the release of political prisoners and detainees awaiting trial.According to several NGOs, an estimated 60,000 detainees in Egypt are political prisoners, including secular activists, journalists, lawyers, academics and Islamists arrested in an ongoing crackdown against dissent since the military’s 2013 ouster of Islamist President Mohamed Morsi.
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Two of India’s most beloved movie stars, Irrfan Khan and Rishi Kapoor, died within a day of each other this week, and though they came from two very different worlds and two very different schools of acting, both leave behind a treasure of cinematic work and millions of grieving fans.
This double whammy for India’s Hindi-language film industry, known as Bollywood, comes amid a crippling coronavirus lockdown that has brought the entertainment business — along with so much else — to a complete halt.
“It seems we are in the midst of a nightmare,” popular actor Akshay Kumar tweeted.
In normal times, the funerals for two of Bollywood’s most-admired actors would mean tens of thousands of fans gathering to bid them goodbye. Instead, their ceremonies were held in the presence of a handful of family and friends, surrounded by police.
The 54-year-old Khan died Wednesday after battling a rare cancer, while the 67-year-old Kapoor had leukemia and died Thursday.  
The career trajectories of both actors reflect the changing contours of Bollywood, which in the past traversed two parallel streams of arthouse cinema and commercial films. The growing acceptance and box-office viability of content-driven films over the last two decades gave the two a chance to cross paths and act in movies that were both critically acclaimed and popular.
 
A trained stage actor, Khan started his career with television and found work in new-age Bollywood, which was experimenting with visceral themes reflecting India’s social and political fault lines in the 1990s.  
It took years of roles in small films before Khan made it to the Bollywood big leagues. Balancing arthouse movies with popular commercial fare, Khan went on to play a wide array of roles including an intensely tormented lover in “Maqbool,” an adapation of “Macbeth,” and a gentle immigrant in Mira Nair’s “The Namesake.”
Unlike other Bollywood superstars with mega-stylized personas, the versatile Khan brought a rare intelligence and empathy to his characters over his 30-year career.
“He managed to walk off the screen and come home with us,” wrote film critic Shubhra Gupta in the Indian Express newspaper.
One of the best-known Indian faces in world cinema, Khan crossed over to Hollywood with ease, playing a variety of parts in movies like “Slumdog Millionaire,” “Life of Pi” and “The Amazing Spider Man.”
The Academy of Motion Picture Arts and Sciences said in a tweet that Khan was an ” incredible talent” and “left his imprint on global cinema.”  
“Gone too soon. When he is on screen, you can’t take your eyes off of him. He lives on in his films,” tweeted Hollywood filmmaker Ava Duvernay.
Kapoor’s cinematic journey could not have been more different.
Kapoor was a third-generation actor, born with showbiz in his blood. His grandfather Prithiviraj Kapoor and father Raj Kapoor were legendary actors of their time.  
Rishi Kapoor started young, receiving the National Award, India’s preeminent film award, for his role as a child artist in his father’s 1970 film “Mera Naam Joker.”
“Acting was in my blood and there was simply no escaping it,” Kapoor wrote in his 2017 autobiography.
The runaway success of the teenage romance “Bobby” in 1973 made him a Bollywood heartthrob and a string of romantic, musical blockbusters followed.  
The charming lover boy of the 1970s and 1980s went on to become one of the most dependable actors of his time and appeared in some of Bollywood’s most-loved films, including “Amar Akbar Anthony” and “Chandni.”  
To be in sync with contemporary filmmakers moving away from melodrama and mining plot-driven stories, Kapoor refashioned his career in later years to play a variety of strong character roles. His portrayal of an old man in the 2016 movie “Kapoor & Sons” and as a Muslim man forced to prove his patriotism in “Mulk” in 2017 won him great acclaim. His most recent movie “The Body” was released last year.
“There may not be another actor who grew up and grew old on camera,” tweeted film critic Uday Bhatia.
In his final years, Kapoor became a popular presence on social media, and was refreshingly honest about his opinions. In his last tweet on April 2, he appealed to people to respect the work frontline health workers were doing.
“We have to win this Coronavirus war together,” Kapoor wrote.
Altogether Kapoor acted in more than 100 movies in a career spanning more than 40 years.
“He smiled on screen and the world outside became a little bit lighter,” film critic Baradwaj Rangan wrote in a tribute. “He gave us joy.” 
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Friday is May Day, the ancient spring festival whose roots can be traced back to second century Rome. The day hailed what was originally the first day of summer, but because of changes in ancient calendars over the millennia, what we recognize today settled on the first of May. Across the centuries, May Day has come to represent different things to different people. Fertility dances and holding paper streamers while dancing around the maypole may seem hokey and old-fashioned to today’s cynical, high-tech world, but it is still part of the celebration in many places. Another tradition, that of delivering baskets of flowers, fruit and candy, also thrives. Although this year, the coronavirus pandemic has moved these rituals from the forests and green grass of the great outdoors to the great virtual indoors. Cubans paint a wall in commemoration of May Day, in San Jose, Cuba, on April 28, 2020. This year’s May Day celebrations would be from home, respecting social isolation, and not at the Revolution Square.In the late 1880s, May Day began to morph into a double holiday — the start of summer and International Workers’ Day, proclaimed by U.S. communists and socialists to remember an 1886 labor strike in Chicago that turned violent. Bombs were tossed, police and marchers were shot and killed. Four American labor leaders were hanged after what unionists say was an unfair trial.  May Day became a day of pro-labor rallies and an excuse for overwhelming military parades through Red Square in Moscow and throughout the Soviet Union. But since the USSR collapsed in 1991, young Russians have lost their passion for International Workers’ Day.  Anton Fedyashin, is an associate professor of history at American University in Washington, specializing in Russian studies. He is skeptical that any group of young Russians would know what May Day is about. “What they’d probably say is that’s a day off and they have no idea what it’s about nor do they care. You can find probably a handful of exceptions of young people who are members of the Communist party or maybe Socialist party who would actually know what this is about, but for the most part, these kids don’t know anything. So they just treat it as a day off.” Fedyashin doesn’t really fault the kids and Russian 20-somethings for not knowing the significance of May 1 because, he says, there are reasons the pro-labor fervor for May Day has “completely fallen away.” “One is of course the end of the Soviet Union, the fact that the ideology isn’t there and manual labor is no longer put on a pedestal and considered noble by virtue of simply being … the idea of organized labor, of collective bargaining has also fallen away. By the 1980s and the 1990s, the importance and the strength of unions has declined,” he said. Care workers and members of CGT union, demonstrate in front of La Pitie Salpetriere hospital in Paris on April 30, 2020, on the eve of the May Day traditional march, during a lockdown in France to stop the spread of COVID-19.And not just in Russia. Fedyashin said manufacturing is on the decline in the West and the tech industry has eclipsed manual labor as the engine driving the global economy.  “So for May Day, you can say it’s been a perfect storm of the implosion of Soviet ideology and the general diversification of economic productivity and that’s eclipsed the importance of May 1st as international labor day,” Fedyashin said. Despite the lost fervor and the coronavirus, a number of May Day actions are still planned in parts of Europe.  Russian trade unions will for the first time replace Workers’ Day demonstrations in the streets with a massive online action. Hundreds of Czech commuters plan a roadblock at the Czech-German border crossing to protest the government-imposed lockdown, and marches are still set to take place in Athens, Lisbon, Paris and Vienna. But in the U.S., an annual Minneapolis May Day puppet theater, street festival, and dancing in the park has been canceled. 
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NASCAR announced Thursday that it will resume its season without fans starting May 17 at Darlington Raceway in South Carolina with the premier Cup Series racing three more times in a 10-day span.  NASCAR joins the UFC as the first major sports organizations to announce specific return to play plans since the coronavirus pandemic shut down U.S. sports in mid-March.  “NASCAR and its teams are eager and excited to return to racing, and have great respect for the responsibility that comes with a return to competition,” said Steve O’Donnell, NASCAR executive vice president and chief racing development officer. “NASCAR will return in an environment that will ensure the safety of our competitors, officials and all those in the local community. NASCAR’s revised schedule goes only through May and has a pair of Wednesday Cup races, fulfilling fans longtime plea for midweek events. The first race is scheduled for Darlington, NASCAR’s oldest superspeedway, followed by a second race at the 70-year-old, egg-shaped oval track three days later.  Charlotte Motor Speedway will then host the Coca-Cola 600 on May 24 to mark 60 consecutive years the longest race on the NASCAR schedule will be held on Memorial Day weekend. The track in Concord, outside NASCAR’s home base of Charlotte, will then host a Wednesday race three days later.  There will also be lower-tier Xfinity and Trucks series races at the two tracks. The North Carolina governor has said the the Charlotte races can be held as long as health conditions in the area do not deteriorate. “This has been a proactive effort to put our motorsports industry back to work and boost the morale of sports fans around the world, while at the same time keeping the health and safety of all who will be on site the top priority,” said Marcus Smith, president and CEO of Speedway Motorsports. He said “sports fans around the world need this, a return to some sense of normalcy with live sports on TV, and NASCAR is uniquely positioned to deliver it from a competition standpoint.” NASCAR has set guidelines to safely hold the events using CDC guidelines on social distancing and personal protective equipment. Only essential personnel will be permitted to attend the events, and cloth face masks will be required. The entire venue will be used to maintain distancing in garage stalls and where the haulers are parked.  NASCAR suspended its season March 13 with only four of its 36 scheduled races completed. The stock car series, heavily reliant on television money and sponsor payments, has vowed to complete its full schedule. The revised schedule for now stays at tracks within driving distance of Charlotte-based race teams and in states that have started reopening.  “Darlington is one of the most iconic and historic tracks in the sport and will be a tremendous backdrop when NASCAR returns to racing,” said track President Kerry Tharp, who noted the track will now have three Cup races in one season for the first time in its history.  Darlington is also scheduled to open the playoffs with the Southern 500 on Sept. 6. Because the track now has two additional dates, NASCAR will lose two Cup races from its other properties. The same goes for Speedway Motorsports, which gained one additional race so far and will have to forfeit one at another facility.  Almost all teams began returning to their shops this week with either a reduced initial workforce or in split shifts. Now that NASCAR has told the teams where it will be racing this month, they can start preparing cars suitable for the two tracks.  Although Florida and Texas invited NASCAR to compete in those states without spectators, the sanctioning body is holding off on scheduling events at tracks that require air travel and hotel accommodations. 
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The Army’s top leaders on Thursday defended their decision to bring 1,000 cadets back to the Military Academy at West Point for graduation, where President Donald Trump is slated to speak, saying that despite the coronovirus risk students would have had to return anyway to prepare for their next duty assignment.
The announcement has been criticized as a political move to get Trump on stage at the academy, where he hasn’t yet given a graduation address. But Army officials said the students must return for final medical checks, equipment and training.  
“We can’t telecommute to combat,” Gen. James McConville, the chief of staff of the Army, told Pentagon reporters when asked about the decision, which forces cadets spread out across the U.S. to travel, risking exposure on public transportation, and then land in New York, a coronavirus hot spot.
Cadets have been home since spring break in March, with their return to school delayed because of the outbreak. Only the seniors will return, and the graduation is set for June 13.
Lt. Gen. Darryl Williams, academy superintendent, said the students must return for medical and other required tasks that can only be done at the academy before they can be turned over as new officers to the Army.
He said the school will create a “safety bubble” around the cadets and build a staging base where they will arrive. All cadets will be screened and tested for the virus at the staging area and then separated into five groups that will eat and live separately. They will be quarantined for 14 days.
 
Williams said Keller Army Community Hospital at the base now has all the needed testing equipment, and was converted to be able to handle and quarantine virus patients.
Asked if cadets will face discipline if they can’t or don’t want to come back because of the virus, he said commanders will decide on a case-by-case basis.
U.S. Sen. Tammy Duckworth, D-Ill., a member of West Point’s Board of Visitors, said she expressed her concerns about the decision to Army Secretary Ryan McCarthy in a call this week.
“Trump’s reckless decision to gather 1,000 Cadets at West Point for a speech puts our future military leaders at increased risk — all to stroke his own ego,” said Duckworth, a retired Army helicopter pilot, who served in the Iraq war and received a Purple Heart.
McCarthy told reporters the Army wants to have a “small, safe graduation ceremony” for the cadets to celebrate.
In contrast, the U.S. Naval Academy has announced it will hold a virtual graduation and postpone other traditional milestone events until large-scale gatherings are allowed. The academy’s superintendent, Vice Adm. Sean Buck, called it a difficult decision but necessary “to safeguard the health and welfare of the entire Naval Academy family and local community.”
The U.S. Air Force Academy opted to hold a scaled-down ceremony with hundreds of graduating cadets sitting in chairs eight feet apart on the school’s parade field, instead of in its stadium. The ceremony was closed to visitors.
West Point’s graduation ceremonies are usually held in May in a football stadium.
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Veteran Bollywood actor Rishi Kapoor died Thursday in Mumbai after battling leukemia for two years.   
 
The 67-year-old star, who made his debut as a child actor in “Mera Naam Joker,” (My Name is Joker) went on to win the hearts of millions of fans with a teenage love story, “Bobby” in 1973.
 
The news of his death was a double blow for the Bollywood Hindi movie industry and its tens of millions of fans – Kapoor passed away a day after another acclaimed actor, Irrfan Khan, succumbed to cancer.   
 
Kapoor had undergone treatment in a New York hospital for almost a year before returning to India last September. He was admitted to a hospital in Mumbai on Wednesday.
 
“The doctors and medical staff at the hospital said he kept them entertained to the last. He remained jovial and determined to live to the fullest right through two years of treatment across two continents,” Kapoor’s family said in a statement.
 
Kapoor was a third-generation actor in a famed Bollywood family that has played a dominant role in the industry.   
 
During a career that spanned nearly five decades, he made a mark as a romantic hero during his earlier films but transitioned to a much-acclaimed character actor in the past decade. He last starred in a film “102 Not Out” released in 2018.
 
Tributes poured in from veteran actors and his fans on social media. Bollywood’s most iconic star, Amitabh Bachchan tweeted “I am destroyed.”
 
“Multifaceted, endearing and lively, this was Rishi Kapoor,” Prime Minister Narendra Modi wrote on Twitter.   
 
“This is a terrible week for Indian cinema, with the passing of another legend, actor Rishi Kapoor,” Congress Party leader Rahul Gandhi tweeted.
 
With India in a strict lockdown due to COVID-19, Kapoor’s family appealed to the public to follow the rules in force and said “he would like to be remembered with a smile and not with tears.”
 
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The six-year fan campaign for a standalone Black Widow movie was paying off: At long last, a film would put Scarlett Johansson’s popular Avenger front and center. And, like many of Marvel’s biggest spectacles, it was set to open the weekend of May 1.  “Black Widow” was to kick off what promised to be a typically lucrative summer moviegoing season, which runs from Memorial Day through Labor Day and generally accounts for $4 billion, nearly 40% of the yearly North American box office. And there was a lot more to look forward to: Tom Cruise’s return to one of his most iconic roles; a “Wonder Woman” sequel; original fare from Christopher Nolan and Wes Anderson, and more. Then the unthinkable happened.Now modern Hollywood is faced with a gutted summer season that at the very earliest will kick off months late — and even that is changing by the minute. On Monday, Judd Apatow’s Pete Davidson movie “The King of Staten Island” switched to a June 12 home video  release, following in the path of Disney’s “Artemis Fowl,” out on Disney Plus June 12, and Warner Bros.’ “Scoob!” available May 15.No blockbusters until JulyA few states are talking about allowing movie theaters to reopen soon — Texas as early as Friday. But no major blockbusters are set to open until mid-July. The first is Christopher Nolan’s thriller “Tenet,” a Warner Bros. film, which has ardently stood its ground on July 17. Shortly afterward, Disney plans to open “Mulan” on July 24, four months after its original date. And then comes “Wonder Woman 1984” on August 14, two months later than planned. It’s something, but it’s still a shell of what summer 2020 at the movies was supposed to be.  “We’re down 50% right now,” said Comscore senior media analyst Paul Dergarabedian. “If theaters open in mid-July it’ll offset some of the really disastrous models. But it would be naive to think that we’re going to make up all that box office.”Studios have depended on massive revenues from the summer months for decades, but in recent years they have discovered that movies can do blockbuster numbers in nearly any month.  That will be tested with Hollywood’s massively revamped schedule. Wes Anderson’s “The French Dispatch” will open on October 16, “Black Widow” will get her day on November 6; and “Top Gun: Maverick” is now set for Christmastime.Some films abandoned 2020 entirely, including the “Fast and Furious” movie “F9”; the Dwayne Johnson-Emily Blunt adventure “Jungle Cruise”; and “Ghostbusters: Afterlife,” which were all pushed to 2021.FILE – A person walks across a street as a marquee displays a message that a movie theater is temporarily closed because of the coronavirus outbreak, March 31, 2020, in downtown St. Louis.It’s not as simple as just allowing venues to reopen. Theaters need new movies to show and the biggest on the horizon, “Tenet,” is still almost three months away.”The movie theater industry is also a national one,” the National Association of Theatre Owners said in a statement. “Until the majority of markets in the U.S. are open, and major markets in particular, new wide-release movies are unlikely to be available.”The nation’s largest movie theater chain, AMC, which operates over 630 theaters in the U.S., said in a statement that in order to reopen it needs “a line of sight into a regular schedule of new theatrical blockbusters that get people truly excited.”AMC said it would open in the weeks ahead of blockbusters like “Tenet” and “Mulan” using “creative programming” of previously released films.Eric Wold, a Wall Street analyst for B. Riley FBR, said there’s simply a lot of uncertainty about when theaters can open, what the guidelines will be and how moviegoers will respond.’There’s no rush'”Do you open now and show ‘Jaws’ and ‘Harry Potter’ and older titles? Or are people going to say, ‘I can watch that at home’?” Wold said. “I think [theaters will] be smart and wait. There’s no rush. You might as well wait until June and see how it goes and slowly open from there.”  Should restrictions stay in place longer, Wold said, the bigger chains have raised enough cash to last to at least until Thanksgiving for AMC, and even into 2021 for Cinemark, with no revenue coming in.  “Black Widow” will still have her day in the sun, even if it is in November, and all of the movies will eventually come out in one form or another. On Tuesday, theater owners and Universal squabbled over “Trolls World Tour’s” straight-to-video-on-demand strategy and what it means for the future of theatrical windows.  But perhaps the turbulence of the lost 2020 summer movie season will result in some strategic rethinking — at least that’s what film critic and “Unspooled” co-host Amy Nicholson hopes.”For decades, the major studios have wandered away from producing mid-budget comedies and adult dramas to gamble their money on gargantuan summer blockbusters,” said Nicholson. “I’d love to see the industry recover by greenlighting an eclectic slate of $5 million-to-$15 million flicks that could make moviegoing fun again. Time to swap out financial risks for creative risks.”
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The most controversial movie of the year is … “Trolls World Tour”? As innocuous as the rainbow-colored, music-blaring animated movie may seem, the digital release of the “Trolls” sequel has caused a storm to course through the movie industry. Just as the pandemic worsened and movie theaters were shuttering, Universal Pictures shifted the film’s release to video on demand, leading a charge straight through the theatrical window. Universal calls the “Trolls World Tour” digital release a success and suggests it may be the beginning of a sea change in how movies are released. Theater owners strenuously disagree. AMC Theaters, the largest chain in the United States, is signaling an all-out war, saying it will no longer show Universal movies.  While few anticipated a skirmish would come over a glitter explosion like “Trolls World Tour,” it has been long in coming. Netflix, Amazon and other streaming services have in recent years broken the industry’s traditional theatrical window of 72-90 days (and thus had their films excluded from major theater chains), and the major studios have sometimes been tempted to try their own luck and head straight to homes.  FILE – Jeff Shell, NBCUniversalOn Tuesday, NBCUniversal CEO Jeff Shell told The Wall Street Journal  that the digital release for “Trolls World Tour” has gone well enough to demonstrate the viability of direct-to-home releases. He promised that even once theaters reopen, “We expect to release movies on both formats.”  The Journal reported that in three weeks of $20 on-demand rentals, “Trolls World Tour” has grossed about $95 million. The studio, which normally splits sales approximately in half with theaters, pocketed about $75 million of that. A spokesman for Universal did not dispute those figures.  By comparison, 2016’s “Trolls” grossed $116 million in U.S. and Canada and $346.9 million worldwide. The sequel cost a reported $90 million to produce, not including marketing costs that likely exceeded $50 million.Pandemic-era fluke?Whether that performance constitutes a “hit” or merely an intriguing pandemic-era experiment has been the subject of much debate. Under stay-at-home orders, the country’s moviegoers are on lockdown. “Trolls World Tour” benefited by being the first such release during the crisis. And even in those extreme circumstances, it’s made significantly less than the original film did. The rentals may have also eaten into other “downstream” home entertainment revenue sources.  “Universal does not have reason to use unusual circumstances in an unprecedented environment as a springboard to bypass true theatrical releases,” said John Fithian, president and chief executive of the National Association of Theatre Owners. He touted the irreplaceable “beloved immersive, shared experience” of seeing a film in a theater, adding that many families would have flocked to “Trolls” if “the world had not been sequestered at home.” AMC threatAMC Theaters went further. CEO Adam Aron said his company would sever relations with Universal, effective Tuesday. He insisted the policy would continue once theaters reopened, would apply to its venues around the world and “is not some hollow or ill-considered threat.” FILE – Adam Aron, AMC TheatersAron said AMC would do the same to any distributor that “unilaterally abandons current windowing practices absent good faith negotiations between us.”  He declared absent further discussions, “decades of incredibly successful business activity together has sadly come to an end.”Late Tuesday, Universal responded it was disappointed with the AMC and NATO statements.  “We absolutely believe in the theatrical experience and have made no statement to the contrary,” Universal said, adding it would consider video on demand “when that distribution outlet makes sense.” Universal has been bolder than other studios. A day earlier, Universal said it would steer another upcoming release, the Judd Apatow comedy “The King of Staten Island,”  to on-demand. It also quickly brought movies like “The Hunt” and “Emma,” released in theaters just before the shutdown, to on-demand.Embracing streamingBut the studio isn’t the only one experimenting.  Warner Bros. will make the Scooby-Doo film “Scoob!”  available for digital rental next month instead of waiting for theaters to open. The Walt Disney Co. is steering “Artemis Fowl” to its Disney Plus streaming service. Other studios have simply sold movies to streaming services. Netflix acquired the Paramount Pictures comedy “Lovebirds,” once planned for a spring theatrical release.  Even the Academy of Motion Picture Arts and Sciences has been forced to embrace streaming. On Tuesday, it announced  it will allow films without a theatrical release — long a hot-button issue for the Oscars — to contend at next year’s Academy Awards.  Meanwhile, theater chains are struggling with the losses incurred by an open-ended shutdown. AMC earlier this month issued a $500 million debt offering to keep itself afloat. It has furloughed some 26,000 employees as well as executives, including Aron.  But it remains to be seen if on-demand is a box-office replacement or merely a useful Band-aid in unprecedented times. Would a more expensive movie be able to compensate for $500 million in box office? Or $1 billion? For now, only the likes of “Trolls,” “Scoob!” and “Artemis Fowl” are testing the waters. The largest movies, including the Disney-Marvel release “Black Widow,” the James Bond installment “No Time to Die” and “Wonder Woman 1984,” are waiting it out.  Also on hold: Universal’s “F9,” which moved from this summer to next year. The other nine films in the “Fast & Furious” franchise have collectively grossed nearly $6 billion in worldwide box office.  
 
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Veteran Bollywood actor Irrfan Khan, who rose to international acclaim with roles in such films as “Slumdog Millionaire” and “Life of Pi,” has died at the age of 54.A spokesman said Khan died Wednesday in a Mumbai hospital where he had been admitted earlier this week for a colon infection.  Khan sought treatment in Britain after he was diagnosed with a rare form of cancer in 2018.The native of India’s western desert state of Rajasthan broke into the Indian film industry in 1988 in the Academy Award-nominated drama “Salaam Bombay.”  Khan went on to star in a number of notable Bollywood films, including “The Namesake” “The Lunchbox” and “Paan Singh Tomar,” which earned him India’s National Film Award for best actor in 2012.In addition to “Slumdog Millionaire,” which won the 2008 Acadamy Award for Best Picture, Khan appeared in such Hollywood films as “The Amazing Spider Man,”“Jurassic World” and “Inferno.”His most recent role was the Bollywood film “Angraezi Medium,” a sequel to his hit 2017 film “Hindi Medium.” The new movie was released before India was placed under a nationwide lockdown due to the coronavirus pandemic.  
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When the coronavirus began raising concerns in China this past January, Taiwan’s professional baseball league set up a task force to help determine whether the outbreak would spread into nearby Taiwan and scuttle a scheduled 2020 season start in March.    After China sealed off its disease outbreak center Wuhan and hundreds of Taiwanese began fleeing back from Lunar New Year holidays in China around the start of February, the Taipei-based Chinese Professional Baseball League brought on a legal expert too. “We figured conditions were extremely serious,” commissioner Wu Chih-yang said in an interview. A veteran sports watcher anywhere in the world would assume at this point that the league delayed play until May, June or whenever. Pro baseball and basketball have put off play in the United States. Baseball has been halted for now in Japan and South Korea. The 2020 Tokyo Olympics will take place in 2021. But the Taiwan baseball league opened play just three weeks late, on April 11. Its five teams intend to finish all 240 normal season games before December even though at the present time the teams are playing the games without their usual crowds of thousands.   Here’s how the league beat the odds. As the disease spread in China in February and March, Taiwan’s league was trying to plan its normal season as well as two other series including one in preparation for the 2020 summer Olympics, which hadn’t yet been postponed. At the same time, the Taiwan government’s Central Epidemic Command Center was laying out ideas on how to manage large events such as ball games, but they were just suggestions, Wu recalled.  In view of the advice, the government’s suggestions and confusion after two brief season delays in March and Taiwan’s light coronavirus caseload, the league decided to start play with empty stadiums but enough atmosphere that viewers at home could imagine the real thing. Taiwan’s outbreak of the coronavirus-caused respiratory disease COVID-19 has reached 429 cases over a total 23 million population, one of the developed world’s lowest infection rates. It’s low enough to protect gatherings of athletes and other personnel, the league found. But crowds of spectators, who had averaged 6,000 per game in previous seasons, could spread the virus, Wu said.This Friday, April 24, 2020, photo, shows Chinatrust Brothers players during a game against Fubon Guardians with no audience at Xinzhuang Baseball Stadium in New Taipei City, Taiwan.Cheerleaders can get into the venues now because they’re known to the teams rather than strangers. They do enough dancing that TV and internet viewers can exercise in sync with their moves while watching from home, Wu said. Cheerleading, rah-rah music tracks blasted through the stadium speakers and empty seats in some stadiums decked with spectator-like mannequins add a sense authenticity despite lack of fans. One team has brought in six robots as drummers. “I think we’d all like more fans to come in and cheer us on, but there’s truly no way for that, due to the outbreak,” said Wang Wei-chen, an infielder with the Chinatrust Brothers team. “We’re lucky we can play games and let people see them.” Online viewing that hit 650,000 people during one game April 15 attracts brands to display ads in stadiums and promotes the sale of team-specific uniforms worn by cheerleaders, the commissioner said. “If they were losing money, no one would do this,” he said of the teams. Wu believes Taiwan’s professional baseball league is the only major one that’s playing in the world now. “We won’t of course call it glory,” Wu said. “We want players all over the world to stay healthy and then get through the disease outbreaks and be able to start their seasons smoothly, because actually to be the only one is quite lonely.” At the request of some teams, the league decided last week to add English-language play-by-play narration and commentary at each stadium, Wu said. That perk allows people in the United States and other countries without baseball to follow Taiwan’s games. “Taiwan baseball has gone down very well in America,” said Sean King, vice president of the Park Strategies political consultancy. “The relatively small number of Taiwanese teams enables viewers to get know the entire league after only a few games. The fact that Taiwan baseball’s even on shows the world what a great job Taiwan’s done against COVID-19.” That Taiwan’s league can play this month isn’t a diplomatic tool for the island that’s always keen to expand international recognition in the face of its more powerful rival China, however. It reflects “our success in public health policy advanced planning and implementation,” foreign ministry spokesperson Joanne Ou said. “It is just sport, never meant to be a tool of diplomacy,” Ou said. “It just happened to be the only one in the world to carry it out.” 
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He winds up and throws the apple core, aiming for the woods where he hopes a tree will grow. He overshoots his mark. It bounces across the hill of the next-door neighbors’ yard. “I’ll get it,” he says. But in these days of isolation and distance, that is a dicey proposition.Almost furtively, he scurries across the property line. He does not find it. I tell him that he must email the neighbors.For his email, he chooses the subject “Apple Issue.” He writes: “In this time of crisis, it is understandable that you wouldn’t want to touch a saliva-covered fruit. Therefore, if/when you find the apple core, if you would let me know, I would take it back.”He is 13. His name is Wyatt. He is my younger son. Other than his immediate family, he has not come within 20 yards of anyone he knows for nearly two months.My father was a naturalist. Much more, sadly, than I’ve ever been. He planted on our family property well into his mid-80s, when his knees could no longer take it.When I was little, he took me around the land that my wife and I now own, pointing out trees and identifying them as we walked through the backyard woods down to the rushing creek and back.He’d hand me sassafras leaves to chew and show me wild blackberry bushes to pick from. Today, on the property I inherited from my parents, a ginkgo tree — his favorite — looms over the front walk.After he died, I opened one of his reference books, “The Book of Trees.” Tucked carefully into the appropriate pages were dried leaves from his woods excursions.On his side, we come from a long line of cultivators — Ohio farmers, New York farmers, yankee farmers. My sister followed in their footsteps, to a fashion, becoming a molecular biologist after a thesis entitled “Dwarf Plants Produced from Treated Seeds.”Not me. I’m not a lawn-and-garden guy. The closest I’ve ever come to planting something was when I buried a crock of kimchi in the back yard in 1981, hoping it would ferment. That was the last we saw of it.An apple core-related email arrives from next door.”I suspect the deer will find and eat it before I find it. If I do come across it, I will let you know.”And: “If you want an apple tree to grow, I would suggest digging a small hole (2” deep) for each core and covering it with dirt. This is a good time of year to plant.”My son promptly eats another apple. Then he requests a shovel. He darts outside, ponders, picks a spot. He digs a tiny hole. He comes back in. Part of him seems 70. Part of him seems 7. “Dad, want to see me drop the apple core into the hole?”We trudge across the soaked lawn. Silently, I chastise myself for not being better at this stuff. I look over my shoulder at the south side of the house, at the narrow strip where my father grew peas in the 1980s and lost his wedding ring while attempting to cultivate cilantro in the 1990s. His green plastic wheelbarrow is still there. I’ve never moved it.The sassafras tree died during Reagan’s first term. The blackberry bushes disappeared while I was in college. The creek is still there, now usually dry.But now we have an apple core in the ground. Now we wait. Now, in this season of stagnation, there is growth to contemplate.I see myself coming back decades from now. Walking slowly across a better-kept lawn. Reaching up. Picking an apple. Taking a bite. Saying to a man now taller than me: “Hey, Wyatt. Remember the virus?”
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The head of the Japan Medical Association said Tuesday it will be difficult for the country to host the rescheduled Olympics next year without a coronavirus vaccine available. “I am not saying that Japan should or shouldn’t host the Olympics, but that it would be difficult to do so,” said Yoshitake Yokokura. “Unless an effective vaccine is developed, I expect hosting the Olympics will be difficult.” The pandemic forced organizers to abandon plans to hold the games this July, opting instead to postpone the event that draws thousands of athletes from all over the world. Multiple countries are currently working on developing vaccines, but experts have cautioned the process to test both the safety and effectiveness of vaccine candidates, plus manufacturing doses, could take 12 to 18 months. The coronavirus outbreak has prompted officials to put billions of people under various stay-at-home orders and tell non-essential businesses to close their doors. The result has been increases in unemployment, massive revenue cuts and governments balancing the need to stop the spread of the virus with economic concerns.  Some have enacted financial rescue packages to help put money in people’s pockets and keep businesses afloat. U.N. humanitarian chief Mark Lowcock suggested a $90 billion effort to help provide income, food and health aid for the world’s most vulnerable people at a time when experts say the pandemic has not yet reached the poorest parts of the planet. Mark Lowcock, the U.N. Humanitarian Affairs Emergency and Relief Coordinator, address United Nations Security Council with a report on Yemen, Tuesday Oct. 23, 2018 at U.N. headquarters.He said there are 700 million people in 30 to 40 countries that had been receiving some level of humanitarian assistance and will see incomes drop as increased infections force lockdown measures. “What I am suggesting is a lot of the suffering and loss of life can be contained within sums of money which are imaginable,” he said. Lowcock said funding could come from a combination of international institutions, such as the World Bank and International Monetary Fund, as well as one-time boosts in contributions from governments. World Health Organization Director-General Tedros Adhanom Ghebreyesus urged European countries that are easing their lockdowns because of declining numbers of new cases to “find, isolate, test and treat all cases of COVID-19 and trace every contact, to ensure these declining trends continue.”      He told a media briefing in Geneva on Monday that “the pandemic is far from over.” He added that the “WHO continues to be concerned about the increasing trends in Africa, Eastern Europe, Latin America and some Asian countries.”   His comments followed easing of restrictions in Italy, Spain, Germany and elsewhere. France, one of the hardest-hit nations with more than 23,000 COVID-19 deaths, is due to announce its plans to begin easing restrictions on Tuesday.    Health officials in the Chinese city of Wuhan, where the virus originated, said Tuesday there were no new cases and that there were no remaining coronavirus patients in its hospitals for a second consecutive day.   Confirmed cases of coronavirus worldwide have surpassed 3 million, and fatalities have exceeded 211,000, according to Johns Hopkins University statistics.
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Actress Olivia Cheng was recently volunteering in Vancouver when she says she witnessed a man drive up to an elderly Chinese woman, roll down his window and yell, “This is your fault!” before throwing trash at her.The incident enraged Cheng, and also served as another reason why she feels it’s so important for celebrities of Asian descent to use their voices and speak up against anti-Asian attacks, which authorities say are increasing during the coronavirus pandemic.”I don’t think we can pretend that this isn’t happening,” Cheng, who stars in “The Stand” on CBS All Access, said in a recent interview with The Associated Press. “For now, it would not be unwise to be a little more careful, to maybe have buddy systems when possible to go get your groceries if you’re not feeling safe.” The FBI reports there has been an uptick in hate crimes and harassment against Asian Americans since the outbreak of COVID-19, which first appeared in Wuhan, China, late last year.Some people have blamed China and Asians in general for the spread of coronavirus; President Donald Trump at times has called it the “Chinese virus.”In New York, state Attorney General Letitia James has set up a hotline to report harassment or other targeted crime. Some of those incidents have been filmed and posted online.Tzi Ma arrives at the Los Angeles premiere of “Mulan” at the Dolby Theatre on Mar. 09, 2020.”Tigertail” star Tzi Ma says he’s been a victim of such harassment. He was entering a grocery store in Pasadena, California, recently when he was confronted by a man in a car.”He looked at me straight in the eye and said, ‘You should be quarantined’ and took off,” said the veteran actor, who was born in Hong Kong but moved to the United States as a child. “I got very angry obviously, flush with this kind of cold in your body. And I started screaming at him, but he was way too far away for him to hear me.” Actor Alain Uy, a star of the upcoming Hulu series “Marvel’s Helstrom,” worried early on that such incidents would occur after the virus’ spread. “Once this outbreak happened in Wuhan, we all kind of went, ‘OK, we know what this is gonna mean,'” said the actor, who was born in the Philippines.”Crazy Rich Asians” director Jon M. Chu said he’s been feeling more cautious than usual.”It’s very sad when I feel a little bit weird when I’m going to go for a walk around the block,” he said. Jeannie Mai arrives at the 77th annual Golden Globe Awards at the Beverly Hilton Hotel on Jan. 5, 2020, in Beverly Hills, Calif.”The Real” co-host, Jeannie Mai, who is half-Vietnamese and half-Chinese, revealed recently that for the first time, she needed someone to monitor her social media posts to delete racist comments.”The Good Doctor” actor Will Yun Lee is even nervous about taking his baby son to the grocery store: “My wife is Caucasian, but my son is half Korean and half white. But he looks very Asian.”But Ma and other stars are speaking up and working to combat the ignorance and harassment. Ma joined actress Celia Au and other celebrities and influencers in the recent campaign called ” Wash the Hate, ” created by IW Group, an Asian American-focused marketing agency. The PSA features Ma, Au and others washing their hands and reminding people that hygiene, not xenophobia, is the way to help combat the virus. “If I can start the conversation, why not?’ said Au, who was also born in Hong Kong. “If we don’t talk about it, then it’s not going to be talked about at all.”For Cheng, the recent wave of anti-Asian sentiment brought back painful memories of her childhood growing up in Edmonton, Canada, where she was the victim of a bias attack as a teen.She went down an internet rabbit hole of attacks posted online. “I had to stop watching,” she said. “It brought up all those feelings again from being a kid and not being able to do anything.”Mai says that it’s not only important for Asian stars to speak out against these attacks, but people of other races as well. “These are the conversations you need to be having with your kids in your house. You need to, even if you’re not Chinese. You should be explaining that this is terrible, that racism is coming out of this pandemic,” she said. “So, have that talk with your kid. Have that talk with your friends. If one of your friends says, ‘Yo, this ‘Chinese Virus’ is crazy.’ Say, ‘No. Actually, man it’s called COVID-19. It’s not the ‘Chinese Virus.” Just check them.”Earlier this month, Bill Maher, host of HBO’s “Real Time with Bill Maher,” defended calling coronavirus the “Chinese Virus,” comparing it to the Spanish flu. “While people say it’s innocuous and that it came from China, it’s the undertones,” Lee said. “Certain people will grab those undertones and attach to it.” There’s also a worry that anti-Asian American sentiment could translate to a regression in Hollywood after recent success of telling Asian stories. Bong Joon Ho and the cast of “Parasite” pose at the 92nd Academy Awards in Hollywood, Los Angeles, California, Feb. 9, 2020.This year, the South Korean film “Parasite” won the best picture Oscar, and Chinese-American director Lulu Wang took home the Independent Spirit Award for her film, “The Farewell.” “Crazy Rich Asians” was a hit at the box office in 2018 and last year, Sandra Oh became the first Asian woman in 39 years to win the best leading TV actress Golden Globe for “Killing Eve.” “I worry, is this going to impact our chances so soon after it feels like we finally made inroads?” Cheng said. “Is this going to regress us and put us however many steps back?” Ma says the only way to proceed is to keep putting out diverse stories.”There’s no relenting. We’ll keep moving forward. And hopefully one day, people are going to say, ‘You know what? I not only accept the differences, but I also accept the fact that we’re very much alike.'” 
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Bidders this week will get the chance to drink coffee with Hillary Clinton, sing with Sting, or perform Shakespeare with Patrick Stewart — virtually. These and other prizes will be offered in an online auction to support the International Rescue Committee and its efforts to help refugees and others battle the coronavirus pandemic. Sotheby’s auction house and Google are sponsoring the auction to raise funds for the nongovernmental organization run by former British Foreign Secretary David Miliband. “As a global community, we are only as strong as the weakest link in the chain, and millions of refugees and displaced people are now facing a double emergency with the virus reaching their communities,” Miliband said.  Participants can also bid on a tea with former U.S. Secretary of State Madeline Albright, a conversation with comic actor Sasha Baron Cohen and a virtual tour of Highclere Castle, where the “Downtown Abbey” television series was filmed. Stars Hugh Bonneville and Elizabeth McGovern will be the personal tour guides.  The online auction runs May 1 through May 8.  
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“Star Wars: The Rise of Skywalker” will begin streaming on Disney Plus on May 4, about two months earlier than scheduled.  The Walt Disney Co. said Monday that “The Rise of Skywalker” will land on the streaming service timed to what’s referred to as “Star Wars Day” after the slogan of “May the Fourth be with you.” The release will give fans the option of streaming the full nine-part saga on the annual “Star Wars” holiday.  “The Rise of Skywalker” was released for digital rental and video-on-demand in March, so the timing of its streaming arrival isn’t unusual. The film, directed by J.J. Abrams, was the worst reviewed of the nine “Star Wars” installments, with a 52% fresh score on Rotten Tomatoes. It grossed more than $1 billion in its theatrical run begun on Dec. 20.During the pandemic, Disney has diverted several of its titles to its streaming service early for housebound viewers. It also sent “Frozen 2” and “Onward” to Disney Plus early, and plans to premiere “Artemis Fowl” on the streaming platform in May in place of a theatrical release. Disney Plus has accrued about 50 million subscribers since launching late last year.
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In party dresses or come as you are, with colored lights flashing in their bedrooms and teachers-turned-DJs spinning, high schoolers have turned to virtual proms to salvage at least one slice of fun and tradition for the Class of 2020.
And they’re getting help from familiar brands like Teen Vogue and Jack in the Box, with both serving as hosts to thousands of teens.  
Celebrities, too, are taking on prom: The “Get Out” actress Allison Williams was a guest DJ for Zoom partygoers in Baton Rouge, Louisiana, and “Jack Ryan” star John Krasinski was joined by Billie Eilish when he threw a prom live on YouTube.  
“It’s terrible that it’s happening to your class, but I hope you’re having a good time anyway,” Williams told about 100 teens, staff and guests April 16 at the prom hosted by the Baton Rouge Youth Coalition, an after-school program.  
The theme was “Royaltee,” an acknowledgement that while some kids had already bought their dresses before lockdown, others never got the chance and were welcome in T-shirts.  
On top, Williams sparkled in a strapless copper sequin dress, joking that she couldn’t get up and dance because “there are sweatpants happening.”
Alauna Stults, 17, in Findlay, Ohio, will wear a blue bedazzled two-piece outfit when she attends an online prom May 9 thrown by the party apparel rental service Charlotte’s Closet and an event planning site, My School Dance. Charlotte’s Closet is donating dresses to teens in need, including Alauna.  
“I was looking forward to prom,” she said. “I was pretty pumped up about it. I was planning on going with a group of my friends, but it’s really cool we can still dress up and do everything we would do for a prom, like doing makeup.”
High schools and cheer teams have thrown virtual proms of their own as social media has filled up with sweet moments among families. Dads have taken their dressed-up daughters for living room spins for a dance or two, and teens have organized home proms among parents and siblings.  
“Prom is definitely one of those bigger life moments when you’re growing up, even if you find it to be corny or not cool. It definitely still is something that’s a moment you look back on and remember,” said Teen Vogue Editor-in-Chief Lindsay Peoples Wagner.  
The site expects about 5,000 teens to attend its virtual prom May 16 on Zoom. Organizers are working with high schools around the country to set up separate rooms so kids can be with their friends as celebrity co-hosts pop in and DJs get busy.  
YouTuber Emma Chamberlain, H.E.R. and “Euphoria” star Storm Reid are expected.
“It will be really interactive, and that’s going to be the fun part of it,” Peoples Wagner said.
As part of a social distancing campaign, #StayInTheBox, Jack in the Box is working with schools in San Francisco, Los Angeles, Phoenix and Houston to put on a prom in May, complete with free food and delivery codes.
 
Serenity Cadogan in Covington, Georgia, near Atlanta is only 12, but she hosted a high school prom live on Instagram on March 31, which was National Prom Day, for more than 600 teens around the world, from Texas to London.  
“We wanted to brighten their day,” said the seventh-grader, who leads a chapter of Becca’s Closet, a nonprofit that donates free prom dresses to high school girls. “Everybody was really happy. It was really classy. I didn’t expect that many people but it actually ran pretty smoothly.”  
Ironically enough, at least one online school, the public K-12 Washington Virtual Academies, hosts an offline prom each year for the students it serves across the state of Washington. Not this year. Prom will be online, just like school.
“People have reached out to us saying, hey, how do we do a virtual prom? But that’s not something we’ve previously done, so we’re embarking on this adventure just like schools all over the U.S.,” said Summer Shelton, the head of school.
Offline, the school hosts prom in Tacoma, its home base. Students travel from as far away as Spokane to attend, staying in hotels. The date for Shelton’s virtual prom had not been finalized but will likely be in June. The school has about 500 juniors and seniors.
“This is one of the most looked-forward-to nights of the year,” Shelton said. “Right now they’re dealing with disappointment, understandably, but trying to move past disappointment and saying, OK, what do we do now to make this special?”
Donna Sheperis, an associate professor of counseling at Palo Alto University’s Los Altos, California, campus, sees other ironies for a tech-savvy generation missing out on prom.
“They also crave human connection,” she said. “They crave a chance to dress up and dance with their friends. They crave some time that’s just for them. And this year, they can’t get it.”
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Steve Dalkowski, a hard-throwing, wild left-hander whose minor league career inspired the creation of Nuke LaLoosh in the movie “Bull Durham,” has died. He was 80.He died Sunday at the Hospital of Central Connecticut in New Britain. His sister, Patricia Cain, said Friday that he had several pre-existing conditions that were complicated when he became infected with the new coronavirus. Dalkowski had been in assisted living for 26 years because of alcoholic dementia.Dalkowski never reached the major leagues but was said to have pitched much faster than 100 mph. Long before velocity was tracked with precision, he spawned legends that estimated he approached 110 mph or 115 mph — some said even 125 mph.”Fastest I ever saw,” then-retired Ted Williams said after facing Dalkowski during batting practice at spring training in 1963, according to a first-person story by director and writer Ron Shelton.Clyde King, the future big league manager and executive who worked with Dalkowski in the Orioles system, wrote in his 1999 autobiography “A King’s Legacy” that Dalkowski had the best fastball among the thousands of pitchers he saw.But Dalkowski’s location was lacking.Lots of walksHe averaged 17.6 strikeouts and 18.7 walks per nine innings at Class D Kingsport in 1957, throwing 39 wild pitches in 62 innings as he went 1-8. That August 31, he struck out 24 and walked 17 or 18 — records differ — in an 8-4 loss to Bluefield, hitting four and throwing six wild pitches.At Class C Stockton in 1960, he struck out 262 and walked 262 in 170 innings. No matter what he tried or the Orioles suggested, Dalkowski never mastered control.  “What if? But it wasn’t in the cards,” his sister said. “Stevie was wild. That was part of his thing.”Shelton was a minor league infielder with the Orioles from 1967 to 1971 and used the stories he heard about Dalkowski when he wrote and directed the 1988 movie “Bull Durham.”Dalkowski signed with the Orioles in 1957 and remained in their minor league system until 1964. He finished with farm teams of the Pittsburgh Pirates and California Angels in 1965.”They called him ‘Dalko’ and guys liked to hang with him and women wanted to take care of him, and if he walked into a room in those days he was probably drunk,” Shelton wrote in his 2009 story, which appeared in the Los Angeles Times and The Sun in Baltimore.”He had a record 14 feet long inside the Bakersfield, California, police station, all barroom brawls, nothing serious, the cops said. He rode the trucks out at dawn to pick grapes with the migrant farm workers of Kern County — and finally couldn’t even hold that job.”Dalkowski pitched and played quarterback at New Britain High School, setting a Connecticut high school record with 24 strikeouts in a game.Injury diminished velocityHe was with the Orioles for big league spring training in 1963 when he injured his pitching arm. He never regained his former velocity.”He was measured for a uniform in the morning and he was pitching against those damn Yankees in the afternoon and hurt his elbow,” his sister said.Dalkowski’s minor league record was 46-80 with 1,324 strikeouts, 1,236 walks and 145 wild pitches over 956 innings in nine seasons, according to Baseball Reference.Plagued by dementia, Dalkowski had lived since 1994 at New Britain’s Grandview Rehabilitation and Healthcare Center, previously known as Walnut Hill Care Center.”He was a piece of work, my brother. Even in the last few years when things are not so great, he still was fun to be around,” Cain said. “He’s going to be sorely missed, by not only myself, but by a lot of other people.”Dalkowski married Virginia Billingsley in 1975, and his wife died in 1994. In addition to his sister, he is survived by nephews Daniel and David Lee, great niece Amanda Lee and great nephew Nicholas Lee.His funeral will be private.
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In Israel, all synagogues have been closed for more than a month because of the coronavirus. Linda Gradstein reports for VOA on her synagogue in Jerusalem.
 
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Florida and federal law enforcement agencies preparing for the Super Bowl this Sunday at Hard Rock Stadium in Miami Gardens say they are ready for anything, including a detonated bomb or massive food poisoning, but haven’t identified any threats.
    
Events for the 54th Super Bowl, between the Kansas City Chiefs and the San Francisco 49ers, kicked off Monday around South Florida, with an interactive Super Bowl Experience in Miami Beach and Super Bowl Live at Miami’s Bayfront Park. It’s a lot of mileage to patrol, but officials say they are well prepared. They had been planning for months and running drills.
    
Maj. Ed Caneva, the Miami-Dade Police Department operations commander for the NFL title game, said they identify a raft of different scenarios.
    
“We have been training and addressing anything,” Caneva said.
    
The Super Bowl has long been considered a potential target for terrorists or other violent extremists, and this year the game will be played amid rising tensions with Iran. But none of the games has ever been attacked. Anthony Salisbury, chief of the Homeland Security Investigations office in Miami, said law enforcement agencies nonetheless must be prepared.
    
“It’s all hands on deck,” Salisbury said. “This is a high-profile event. It’s the same with every Super Bowl. Nothing is being taken for granted.”
    
Several thousand federal, state and local law enforcement officials are involved in the game and the events leading up to it. Brian Swain, chief of the Miami Secret Service office and lead federal coordinator for the event, said there’s no intelligence thus far indicating any kind of threat.
    
“There is no specific credible threat right now,” Swain said. “I’m confident in our security plan.”
    
Streets will be blocked off. There will be scores of uniformed police officers and others in plainclothes roaming the stadium to ensure safety. Bomb-sniffing dogs will patrol, and fans must go through metal detectors.
    
The Federal Aviation Administration has imposed flight restrictions over Hard Rock Stadium and around some of the other events. The FAA has even produced a video called “No Drone Zone,” intended to curb the devices around game activities.
    
‘Enjoy the Super Bowl. Leave your drone at home,” the video says.
    
Commercial flights at Miami International Airport are unaffected.
    
There has been one potential close call in a past Super Bowl: Five years ago, federal authorities said they encountered a plot in Phoenix by a man who wanted to attack the Super Bowl and an adjacent mall and entertainment district in Glendale, Arizona, with pipe bombs. They said the man, Abdul Malik Abdul Kareem, was unable to obtain the explosives, and the game between the New England Patriots and the Seattle Seahawks was not hit.
    
Kareem later was convicted of conspiring to provide the guns used in an attack on a Prophet Muhammad cartoon contest in Texas in which two heavily armed associates were killed by local police officers. He also was convicted of providing support to the Islamic State group. His lawyers asked a judge to grant him a new trial or throw out his convictions.
    
This year’s Super Bowl will be the Miami area’s 11th, the most ever. Hard Rock Stadium is home to the Miami Dolphins and the University of Miami Hurricanes and hosts concerts for major acts including The Rolling Stones. Miami-Dade Mayor Carlos Gimenez said he’s confident the area is ready for this game as well.
    
“We know how to do it,” Gimenez said. “We’ve done this before, and we’re pretty good at it.” 
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