“Piranhas,” a film about children wrapped up in the violence of the Neapolitan drugs trade, was inspired by crime journalist Roberto Saviano’s desire to understand the emotional lives of teenagers who knew they were heading for violent early deaths.

The film, based on his novel of the same name, is one of 16 in the running for the Berlin Film Festival’s Golden Bear award, and shows the naive beginnings and breakneck escalation of the criminal career of a young boy named Nicola.

“For the first time in international criminal history young kids have got to the highest levels of a criminal group,” said Saviano, author of the best-selling account of organized crime “Gomorrah,” ahead of the film’s premiere on Tuesday evening.

“There have always been children in these organizations but never as bosses. This is a unique case in history and that is what got me to work on it,” added the author, who lives under 24-hour guard because of his organized crime reporting.

Set in Rione Sanita, a deprived area near the center of Naples, the film startles the viewer with each sudden escalation in Nicola’s level of criminality.

The use of amateur actors recruited in the neighborhood itself lends authenticity to the drama, directed by Claudio Giovannesi.

Nicola (Francesco Di Napoli), first sells weed for the local gang so he can ask them to stop demanding protection money from his mother’s laundry shop. Before long, he is torching cars and murdering rivals, even while pursuing a quintessentially teenage romance with neighborhood waitress Letizia (Viviana Aprea).

“What does a 12-year-old or a 15-year-old feel when they make millions of euros, above all when they know they are heading for their death,” asked Saviano. “People are dying at 19 or 20, thinking they have lived a full life.”

Di Napoli said children like the one he portrayed were driven by a sense of having no alternative.

“If you come from an extremely poor family and have nothing at all, you have a hunger within you,” said Artem Tkachuk, who plays another gang member. “The alternative is to have a dream, to be able to fight for something they love.”

Saviano was critical of Italy’s political class for having “given up” trying to offer something for children, leaving them to take their fate into their own hands.
…

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George Clooney, who returns to TV for the first time in 20 years with an adaptation of the classic novel “Catch-22,” said on Monday the Hulu series set in World War II aims to tell a timeless story about the “insanity” of war.

At a preview for reporters, Clooney said he initially resisted the idea of taking on Joseph Heller’s 1961 book about member of a U.S. bomber squadron fighting the higher-ups in the military bureaucracy.

“It’s a beloved novel,” Clooney, who also served as executive producer and directed two episodes, said at a Television Critics Association event. “I didn’t want to get into the middle of that.”

He said he was drawn in because the writers “did an amazing job unspooling these characters” for the six-episode series that will be released on Hulu on May 17.

That allows the series to expand on Heller’s story, which Clooney said was meant “to make fun of all the red tape and bureaucracy of war and the ridiculousness of war.”

“I think it still plays,” he added. “All of us spend our days and nights worrying about those situations. This story is just reflecting on the insanity of it.”

“Catch-22” follows a U.S. bombardier named Yossarian who is infuriated that the army keeps raising the number of missions he must fly to be released from duty. Yossarian’s only way to avoid the missions is to declare insanity, but the only way to prove insanity is a willingness to embark on more of the highly dangerous bombing runs, thus creating the novel’s absurd ‘catch-22.’

It was made into a 1970 movie directed by Mike Nichols with Alan Arkin as Yossarian.

“I think we all wake up every morning these days in this kind of shared global anxiety condition, and this novel is a beautiful distillation, or a prophetic distillation of that,” said co-writer Luke Davies.

Christopher Abbott stars as Yossarian and Kyle Chandler plays his commander, Colonel Cathcart. Clooney originally planned to play Cathcart but instead took a supporting role as training commander Scheisskopf.

Clooney, 57, last appeared on television 20 years ago as Dr. Doug Ross in hit medical drama “ER.” He then built a successful film career with movies including “Ocean’s Eleven,” “Gravity” and “Up in the Air.”

The actor said he was happy to come back to television. “I don’t care about the medium,” Clooney said. “I just care about the quality of the work and what we’re able to do.”
…

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George Clooney, who returns to TV for the first time in 20 years with an adaptation of the classic novel “Catch-22,” said on Monday the Hulu series set in World War II aims to tell a timeless story about the “insanity” of war.

At a preview for reporters, Clooney said he initially resisted the idea of taking on Joseph Heller’s 1961 book about member of a U.S. bomber squadron fighting the higher-ups in the military bureaucracy.

“It’s a beloved novel,” Clooney, who also served as executive producer and directed two episodes, said at a Television Critics Association event. “I didn’t want to get into the middle of that.”

He said he was drawn in because the writers “did an amazing job unspooling these characters” for the six-episode series that will be released on Hulu on May 17.

That allows the series to expand on Heller’s story, which Clooney said was meant “to make fun of all the red tape and bureaucracy of war and the ridiculousness of war.”

“I think it still plays,” he added. “All of us spend our days and nights worrying about those situations. This story is just reflecting on the insanity of it.”

“Catch-22” follows a U.S. bombardier named Yossarian who is infuriated that the army keeps raising the number of missions he must fly to be released from duty. Yossarian’s only way to avoid the missions is to declare insanity, but the only way to prove insanity is a willingness to embark on more of the highly dangerous bombing runs, thus creating the novel’s absurd ‘catch-22.’

It was made into a 1970 movie directed by Mike Nichols with Alan Arkin as Yossarian.

“I think we all wake up every morning these days in this kind of shared global anxiety condition, and this novel is a beautiful distillation, or a prophetic distillation of that,” said co-writer Luke Davies.

Christopher Abbott stars as Yossarian and Kyle Chandler plays his commander, Colonel Cathcart. Clooney originally planned to play Cathcart but instead took a supporting role as training commander Scheisskopf.

Clooney, 57, last appeared on television 20 years ago as Dr. Doug Ross in hit medical drama “ER.” He then built a successful film career with movies including “Ocean’s Eleven,” “Gravity” and “Up in the Air.”

The actor said he was happy to come back to television. “I don’t care about the medium,” Clooney said. “I just care about the quality of the work and what we’re able to do.”
…

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Private investigators working for Jeff Bezos have concluded that the brother of the Amazon CEO’s mistress leaked the couple’s intimate text messages to the National Enquirer, a person familiar with the matter told The Associated Press on Monday.

The person wasn’t authorized to discuss the matter publicly and spoke to AP on condition of anonymity.

The findings add to the intrigue surrounding the clash between the pro-Trump tabloid and the world’s richest man. Bezos’ investigators have suggested the Enquirer’s coverage of his affair was driven by dirty politics. Trump has been highly critical of Bezos over his ownership of The Washington Post and Amazon, and the Post’s coverage of the White House.

The brother, Michael Sanchez, is a supporter of President Donald Trump and an acquaintance of Trump allies Roger Stone and Carter Page. He is also the manager of his sister, Lauren Sanchez, a former TV anchor. The investigators have not said how they believe Michael Sanchez came into possession of his sister’s intimate messages.

Michael Sanchez did not immediately respond to a message seeking comment on Monday. In a Jan. 31 tweet, he said without evidence that Bezos’ longtime security consultant, Gavin de Becker, who is leading the private investigation, “spreads fake, unhinged conservative conspiracy theories.”

An attorney for the tabloid’s parent company did not immediately respond to an email seeking comment.

On Sunday, an attorney for the head of American Media, which owns the Enquirer, said that the information for the story had been provided by a “reliable source” well-known to Bezos and Lauren Sanchez. The source had provided information to the company for at least seven years, Elkan Abramowitz, an attorney for American Media Inc. chief executive David Pecker, said on ABC’s “This Week.”

He was asked if Sanchez was the source and he said: “I’m not permitted to tell you or confirm or deny who the source is.”

But the Daily Beast, citing people inside American Media, Inc., reported that Sanchez was the Enquirer’s source.

Bezos ordered the investigation after the Enquirer published a story about the affair last month. The investigators have since turned over the results of their probe to attorney Richard Ben-Veniste for review and possible referral to law enforcement. Ben-Veniste had served as special prosecutor during the Watergate scandal.

Bezos has said AMI threatened to publish explicit photos of him unless he stopped investigating how the Enquirer obtained his private exchanges, and publicly declared that the Enquirer’s coverage of him was not politically motivated.

Federal prosecutors are also looking into whether the Enquirer violated a cooperation and non-prosecution agreement that recently spared the tabloid and top executives from charges for paying hush money to a Playboy model who claimed she had an affair with Trump, two people familiar with the matter told the AP. The people weren’t authorized to discuss the matter and spoke on condition of anonymity.
…

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Private investigators working for Jeff Bezos have concluded that the brother of the Amazon CEO’s mistress leaked the couple’s intimate text messages to the National Enquirer, a person familiar with the matter told The Associated Press on Monday.

The person wasn’t authorized to discuss the matter publicly and spoke to AP on condition of anonymity.

The findings add to the intrigue surrounding the clash between the pro-Trump tabloid and the world’s richest man. Bezos’ investigators have suggested the Enquirer’s coverage of his affair was driven by dirty politics. Trump has been highly critical of Bezos over his ownership of The Washington Post and Amazon, and the Post’s coverage of the White House.

The brother, Michael Sanchez, is a supporter of President Donald Trump and an acquaintance of Trump allies Roger Stone and Carter Page. He is also the manager of his sister, Lauren Sanchez, a former TV anchor. The investigators have not said how they believe Michael Sanchez came into possession of his sister’s intimate messages.

Michael Sanchez did not immediately respond to a message seeking comment on Monday. In a Jan. 31 tweet, he said without evidence that Bezos’ longtime security consultant, Gavin de Becker, who is leading the private investigation, “spreads fake, unhinged conservative conspiracy theories.”

An attorney for the tabloid’s parent company did not immediately respond to an email seeking comment.

On Sunday, an attorney for the head of American Media, which owns the Enquirer, said that the information for the story had been provided by a “reliable source” well-known to Bezos and Lauren Sanchez. The source had provided information to the company for at least seven years, Elkan Abramowitz, an attorney for American Media Inc. chief executive David Pecker, said on ABC’s “This Week.”

He was asked if Sanchez was the source and he said: “I’m not permitted to tell you or confirm or deny who the source is.”

But the Daily Beast, citing people inside American Media, Inc., reported that Sanchez was the Enquirer’s source.

Bezos ordered the investigation after the Enquirer published a story about the affair last month. The investigators have since turned over the results of their probe to attorney Richard Ben-Veniste for review and possible referral to law enforcement. Ben-Veniste had served as special prosecutor during the Watergate scandal.

Bezos has said AMI threatened to publish explicit photos of him unless he stopped investigating how the Enquirer obtained his private exchanges, and publicly declared that the Enquirer’s coverage of him was not politically motivated.

Federal prosecutors are also looking into whether the Enquirer violated a cooperation and non-prosecution agreement that recently spared the tabloid and top executives from charges for paying hush money to a Playboy model who claimed she had an affair with Trump, two people familiar with the matter told the AP. The people weren’t authorized to discuss the matter and spoke on condition of anonymity.
…

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Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio-economic and racial divisions, and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film.

‘Never Look Away’

The epic drama Never Look Away focuses on the personal journey of Kurt, a young artist from East Germany who tries to find meaning through art after experiencing the murder of family members and the destruction of his country during the Nazi regime and political oppression under Communism.

Academy award-winning filmmaker Florian Henckel von Donnersmarck says dictatorships first try to control art.

“Because it can truly change minds, it can change hearts. But the problem is, as soon as the dictatorship gets its hands on the art, it’s no longer art.”

The filmmaker says he also wanted to show how the Communist regime in East Germany harbored Nazis.

“Unfortunately, the very characteristics that allow you to rise to the top in a dictatorship like the Nazis will allow you to, in a way, hide your crimes in the next system and rise to the top again,” Donnersmarck said. “The sad truth is that a lot of the people who commit the terrible crimes throughout history will go unpunished.”

That’s why, he says, many survivors of war and political oppression find redemption through artistic expression. In his film, Donnersmarck says, Kurt is the hero who never looks away, who stares crimes in the face and struggles to find a way to express them on canvas.

The filmmaker, who tapped into his personal experiences and his family history for the story, shows how the main character’s self-exile to the capitalist West also shaped him.

“The sudden freedom is something very scary. It’s very messy. You feel like at least there was a certain solidarity or someone who was supposed to look after you. But I’ll take the chaos and the despair of freedom any day over just the death that is slavery,” Donnersmarck said.

‘Cold War’

Pawel Pawlikowski’s Cold War echoes Donnersmarck’s message about how totalitarianism imprisons the human psyche. It takes place in Communist Poland, and like Kurt in Never Look Away, the main characters in the Cold War — musicians Zula and Wiktor — are stifled by the communist regime. They, too, flee to Western Europe in the 1960s. Cold War also shows the alienation and identity crisis Eastern European exiles often felt in the West.

‘Roma’

Critics consider Roma the front-runner of the group, with 10 Oscar nominations, including Best Picture. Roma also won the Bafta award for Best Picture. Bafta, the British film awards and the equivalent of the American Oscars, often forecasts the Oscar winners.

Director Alfonso Cuaron’s film is a nostalgic depiction of 1970s life in Mexico City, inspired by personal memories of middle-class life and racial and class divisions. In order to make the story as authentic as possible, Cuaron used people who had never acted before, including Yalitza Aparicio, who plays the lead character, Cleo, a tireless and caring domestic worker.

Aparicio, an indigenous woman, has received an Oscar nomination for Best Actress. In an interview with VOA, she credited Cuaron for throwing a light on the indigenous domestic workers in Mexico.

“Domestic workers play a very important role at households and are not being recognized,” she said. “He showed the world that they are human beings, that they have rights. They need to be respected.”

‘Capernaum’, ‘Shoplifters’

The other Oscar contenders in this category are Capernaum and Shoplifters. Set in Lebanon, the main character in Nadine Labaki’s Capernaum is a child suing his parents for bringing him into a chaotic war-torn world.

In Shoplifters, director Hirokazu Kore-eda shows the heartbreak of a Japanese family in extreme poverty.

Regardless of which film wins the coveted award, all of them depict love, freedom and personal honesty as the antidote to political brutality and injustice.

Donnersmarck told VOA that film, like other forms of art, can help wide audiences learn history in a visceral way.

“You are telling the story through the plot,” he said. “You are telling the story through the dialogue. You are telling it through the costumes, the production design. It’s such a multilayered simultaneous experience. I love movies.”
…

your ads here!

Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio-economic and racial divisions, and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film.

‘Never Look Away’

The epic drama Never Look Away focuses on the personal journey of Kurt, a young artist from East Germany who tries to find meaning through art after experiencing the murder of family members and the destruction of his country during the Nazi regime and political oppression under Communism.

Academy award-winning filmmaker Florian Henckel von Donnersmarck says dictatorships first try to control art.

“Because it can truly change minds, it can change hearts. But the problem is, as soon as the dictatorship gets its hands on the art, it’s no longer art.”

The filmmaker says he also wanted to show how the Communist regime in East Germany harbored Nazis.

“Unfortunately, the very characteristics that allow you to rise to the top in a dictatorship like the Nazis will allow you to, in a way, hide your crimes in the next system and rise to the top again,” Donnersmarck said. “The sad truth is that a lot of the people who commit the terrible crimes throughout history will go unpunished.”

That’s why, he says, many survivors of war and political oppression find redemption through artistic expression. In his film, Donnersmarck says, Kurt is the hero who never looks away, who stares crimes in the face and struggles to find a way to express them on canvas.

The filmmaker, who tapped into his personal experiences and his family history for the story, shows how the main character’s self-exile to the capitalist West also shaped him.

“The sudden freedom is something very scary. It’s very messy. You feel like at least there was a certain solidarity or someone who was supposed to look after you. But I’ll take the chaos and the despair of freedom any day over just the death that is slavery,” Donnersmarck said.

‘Cold War’

Pawel Pawlikowski’s Cold War echoes Donnersmarck’s message about how totalitarianism imprisons the human psyche. It takes place in Communist Poland, and like Kurt in Never Look Away, the main characters in the Cold War — musicians Zula and Wiktor — are stifled by the communist regime. They, too, flee to Western Europe in the 1960s. Cold War also shows the alienation and identity crisis Eastern European exiles often felt in the West.

‘Roma’

Critics consider Roma the front-runner of the group, with 10 Oscar nominations, including Best Picture. Roma also won the Bafta award for Best Picture. Bafta, the British film awards and the equivalent of the American Oscars, often forecasts the Oscar winners.

Director Alfonso Cuaron’s film is a nostalgic depiction of 1970s life in Mexico City, inspired by personal memories of middle-class life and racial and class divisions. In order to make the story as authentic as possible, Cuaron used people who had never acted before, including Yalitza Aparicio, who plays the lead character, Cleo, a tireless and caring domestic worker.

Aparicio, an indigenous woman, has received an Oscar nomination for Best Actress. In an interview with VOA, she credited Cuaron for throwing a light on the indigenous domestic workers in Mexico.

“Domestic workers play a very important role at households and are not being recognized,” she said. “He showed the world that they are human beings, that they have rights. They need to be respected.”

‘Capernaum’, ‘Shoplifters’

The other Oscar contenders in this category are Capernaum and Shoplifters. Set in Lebanon, the main character in Nadine Labaki’s Capernaum is a child suing his parents for bringing him into a chaotic war-torn world.

In Shoplifters, director Hirokazu Kore-eda shows the heartbreak of a Japanese family in extreme poverty.

Regardless of which film wins the coveted award, all of them depict love, freedom and personal honesty as the antidote to political brutality and injustice.

Donnersmarck told VOA that film, like other forms of art, can help wide audiences learn history in a visceral way.

“You are telling the story through the plot,” he said. “You are telling the story through the dialogue. You are telling it through the costumes, the production design. It’s such a multilayered simultaneous experience. I love movies.”
…

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Hulu is teaming with Marvel to make four separate animated series based on comic book characters like Howard the Duck.

Director Kevin Smith and comics Chelsea Handler and Patton Oswalt are among the people who have signed deals with the streaming service to help produce the cartoons. Smith will work on the Howard the Duck series.

Other shows revolve around M.O.D.O.K., a villain with an enormous head; Hit-Monkey, about a Japanese snow monkey turned assassin; and Tigra and Dazzler, two superheroes who work in Los Angeles.

Hulu senior vice president Craig Erwich said Monday animation is a particular favorite for its users. Since the deal was just signed, there’s no estimate on when the series will be ready.
…

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Hulu is teaming with Marvel to make four separate animated series based on comic book characters like Howard the Duck.

Director Kevin Smith and comics Chelsea Handler and Patton Oswalt are among the people who have signed deals with the streaming service to help produce the cartoons. Smith will work on the Howard the Duck series.

Other shows revolve around M.O.D.O.K., a villain with an enormous head; Hit-Monkey, about a Japanese snow monkey turned assassin; and Tigra and Dazzler, two superheroes who work in Los Angeles.

Hulu senior vice president Craig Erwich said Monday animation is a particular favorite for its users. Since the deal was just signed, there’s no estimate on when the series will be ready.
…

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Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio economic and racial divisions and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film. VOA’s Penelope Poulou has more.
…

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Totalitarian regimes and their mark on the human psyche, nostalgic depictions of life in Mexico City riddled with socio economic and racial divisions and the toll of poverty and war on children and families are themes of this year’s Oscar nominees in the category of Best Foreign Language Film. VOA’s Penelope Poulou has more.
…

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Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s “This Is America” becoming the first rap-based song to win record and song of the year.

Kacey Musgraves’ “Golden Hour” picked up album of the year, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino was the night’s big winner, picking up four honors, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake, who rarely attends awards shows, won the honor for his massive hit “God’s Plan.”

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won,” he said at the Staples Center in Los Angeles.

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys). 

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives – a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

​Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidary with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honors in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Gaga, now a nine-time Grammy winner, won best pop solo performance for “Joanne,” while hit “Shallow,” from “A Star is Born,” was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s “By the Way, I Forgive You,” Janelle Monae’s “Dirty Computer,” Cardi B’s “Invasion of Privacy” and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist. 

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for “Golden Hour,” best country solo performance for “Butterflies” and best country song for “Space Cowboy.”

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Musgraves performed “Rainbow” from “Golden Hour” during the show, and hit the stage for a second time to honor Dolly Parton. Musgraves and Katy Perry joined forces for “Here You Come Again,” later joined by Parton herself. The icon sang a duet version of “Jolene” with Miley Cyrus, who often covers the classic song. But the country music icon truly shined when she sang “Red Shoes,” with country foursome Little Big Town providing background vocals.

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of “(You Make Me Feel Like) A Natural Woman” in honor Aretha Franklin, who died last year. 

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform “Reach Out and Touch (Somebody’s Hand)” and “The Best Years of My Life.” She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

​R&B singer H.E.R., who won best R&B performance for “Best Part” with Daniel Caesar, stunned as she played her guitar and sang. Chloe x Halle impressed when they sang Donny Hathaway and Roberta Flack’s “Where Is the Love.” Monae grooved onstage during “Make Me Feel,” backed by several dancers. Post Malone performed with Red Hot Chili Peppers, and Cardi B grinded onstage during her latest single, “Money.”

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

Tori Kelly and Lauren Daigle won two awards each. Beyonce, Jay-Z, Ella Mai, Pharrell Williams, Hugh Jackman, Stingy, Shaggy, Dave Chappelle, “Weird Al” Yankovic, the late Chris Cornell, Greta Van Fleet and even former President Jimmy Carter also picked up early awards ahead of the live show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s “Nice for What” lost to Anderson Paak’s “Bubblin”’ and Kendrick Lamar, Jay Rock, Future and James Blake’s “King’s Dead,” from the “Black Panther” soundtrack.

Beck was a double winner during the pre-telecast, taking home best alternative music album and best engineered album (non-classical) for “Colors.” Emily Lazar, one of the engineers who worked on the album and won alongside Beck, was the first female mastering engineer to win in the latter category.
…

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Women returned at the Grammys on Sunday as female acts won album of the year and best new artist, while rap also triumphed, with Childish Gambino’s “This Is America” becoming the first rap-based song to win record and song of the year.

Kacey Musgraves’ “Golden Hour” picked up album of the year, and Dua Lipa won best new artist.

“I don’t even know what to say,” Musgraves said. “I am very thankful. Winning doesn’t make my album any better than anybody else in that category.”

Gambino was the night’s big winner, picking up four honors, including best music video and best rap/sung performance.

Drake surprised the music world when he emerged on stage to accept the best rap song trophy but told the room of musicians that winning awards isn’t necessary if you have real fans attending your concerts and singing your songs.

Drake, who rarely attends awards shows, won the honor for his massive hit “God’s Plan.”

“You’ve already won if you have people who are singing your songs word for word, if you’re a hero in your hometown. Look, if there are people who have regular jobs who are coming out in the rain and the snow, spending their hard-earned money to buy tickets to come to your shows, you don’t need this right here. I promise you. You already won,” he said at the Staples Center in Los Angeles.

He tried to continue speaking but was cut off as the ceremony suddenly went to a commercial.

Rap has endured a longtime losing streak at the Grammys. The last time a rapper won album of the year was in 2004, with Outkast. Only a handful of rappers have won best new artist.

Cardi B made history as the first solo female to win best rap album (Lauryn Hill won as a member of the Fugees at the 1997 Grammys). 

She was shaking onstage as she tried to give a thank-you speech with her rapper-husband Offset holding her arm.

“The nerves are so bad. Maybe I need to start smoking weed,” she said as the audience laughed. “I just want to say thank you everybody that was involved … I want to thank my daughter.”

The Grammys kicked off with a group of powerful women, including Michelle Obama and Lady Gaga, describing the role of music in their lives – a display that came a year after female voices were somewhat muted at the 2018 ceremony.

“Music has always helped me tell my story,” said Obama, who surprised the audience with her appearance. “Whether we like country or rap or rock, music helps us share ourselves. It allows us to hear one another.”

Gaga told the crowd: “They said I was weird, that my look, that my choices, that my sound wouldn’t work. But music told me not to listen to them.”

​Jada Pinkett Smith and Jennifer Lopez also spoke and stood in solidary with Obama, Gaga and Alicia Keys, who is hosting the show airing on CBS.

“Yes, ladies,” Keys said. “There’s nothing better than this.”

The opening contrasted with last year’s Grammys, where male acts dominated in nominations and the only woman competing for the top award, Lorde, didn’t get a chance to perform onstage.

But this year, Gaga, Brandi Carlile and Kacey Musgraves won three Grammys each.

Carlile took three honors in the Americana category and will compete for the three biggest awards during the live show: album, song and record of the year.

Gaga also won three, including best pop duo/group performance, a win she shared with Bradley Cooper.

Gaga, now a nine-time Grammy winner, won best pop solo performance for “Joanne,” while hit “Shallow,” from “A Star is Born,” was named best song written for visual media. The song is nominated for an Oscar and also won at the Golden Globes, the Critics’ Choice Movie Awards and the Satellite Awards.

Women have a strong presence in the top categories. Five of the eight album-of-the-year nominees were women, including Carlile’s “By the Way, I Forgive You,” Janelle Monae’s “Dirty Computer,” Cardi B’s “Invasion of Privacy” and H.E.R.’s self-titled album are also in contention.

When asked about the lack of women in the top categories at the 2018 Grammys, Recording Academy CEO Neil Portnow said women need to “step up.” He later acknowledged that it was a “poor choice of words,” and his much-criticized remarks forced the academy to launch a new task force focused on inclusion and diversity.

Portnow, who didn’t seek a renewal on his contract which ends this year, seemed to address his words from last year during Sunday’s show.

“This past year I’ve been reminded that if coming face to face with an issue opens your eyes wide enough, it makes you more committed than ever to help address those issues. The need for social change has been the hallmark of the American experience, from the founding of our country to the complex times we live in today,” he said.

British singer Dua Lipa alluded to Portnow’s 2018 words when she won best new artist. 

“I guess this year we’ve really stepped up,” she said after telling the audience she was was grateful to be nominated alongside so many female performers. Six of the best-new-artist nominees were women, including H.E.R., Chloe x Halle, Margo Price, Bebe Rexha and Jorja Smith.

Musgraves picked up best country album for “Golden Hour,” best country solo performance for “Butterflies” and best country song for “Space Cowboy.”

“I never dreamed that this record would be met with such love,” she said onstage.

She also gave a shout-out to her husband in the audience, saying she wouldn’t have been able to make the album if he “didn’t open my heart like you did.”

Musgraves performed “Rainbow” from “Golden Hour” during the show, and hit the stage for a second time to honor Dolly Parton. Musgraves and Katy Perry joined forces for “Here You Come Again,” later joined by Parton herself. The icon sang a duet version of “Jolene” with Miley Cyrus, who often covers the classic song. But the country music icon truly shined when she sang “Red Shoes,” with country foursome Little Big Town providing background vocals.

Yolanda Adams, Fantasia and Andra Day teamed up for stirring performance of “(You Make Me Feel Like) A Natural Woman” in honor Aretha Franklin, who died last year. 

Diana Ross earned a standing ovation when she emerged onstage in a bright red dress to perform “Reach Out and Touch (Somebody’s Hand)” and “The Best Years of My Life.” She celebrated her 75th birthday early with the performance, saying afterward, “Happy birthday to me!” Her actual birthday is March 26.

​R&B singer H.E.R., who won best R&B performance for “Best Part” with Daniel Caesar, stunned as she played her guitar and sang. Chloe x Halle impressed when they sang Donny Hathaway and Roberta Flack’s “Where Is the Love.” Monae grooved onstage during “Make Me Feel,” backed by several dancers. Post Malone performed with Red Hot Chili Peppers, and Cardi B grinded onstage during her latest single, “Money.”

Ariana Grande won her first Grammy in the same week that she publicly blasted Grammys producer Ken Ehrlich and accused him of lying about why she was no longer performing at the show.

Tori Kelly and Lauren Daigle won two awards each. Beyonce, Jay-Z, Ella Mai, Pharrell Williams, Hugh Jackman, Stingy, Shaggy, Dave Chappelle, “Weird Al” Yankovic, the late Chris Cornell, Greta Van Fleet and even former President Jimmy Carter also picked up early awards ahead of the live show.

There was a tie for best rap performance, and Drake was surprisingly not one of the winners. Drake’s “Nice for What” lost to Anderson Paak’s “Bubblin”’ and Kendrick Lamar, Jay Rock, Future and James Blake’s “King’s Dead,” from the “Black Panther” soundtrack.

Beck was a double winner during the pre-telecast, taking home best alternative music album and best engineered album (non-classical) for “Colors.” Emily Lazar, one of the engineers who worked on the album and won alongside Beck, was the first female mastering engineer to win in the latter category.
…

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The National Enquirer committed neither extortion nor blackmail by threatening to publish intimate photos of Amazon CEO Jeff Bezos, an attorney for the head of the tabloid’s parent company said Sunday.

Elkan Abromowitz, an attorney for American Media Inc. chief executive David Pecker, said on Sunday a “reliable source” well-known to Bezos and his mistress provided the story about the billionaire’s extramarital affair.

Bezos has said AMI threatened to publish the explicit photos of him unless he stopped investigating how the Enquirer obtained his private exchanges with his mistress, former TV anchor Lauren Sanchez, and publicly declare that the Enquirer’s coverage of him was not politically motivated. Bezos also owns The Washington Post.

Bezos’ investigators have suggested the Enquirer’s coverage of his affair was driven by dirty politics, and the high-profile clash has pitted the world’s richest man against the leader of America’s best-known tabloid, who is a strong backer of President Donald Trump. Trump has been highly critical of Bezos over his ownership of The Washington Post and Amazon, and the Post’s coverage of the White House.

Federal prosecutors are looking into whether the Enquirer violated a cooperation and non-prosecution agreement that recently spared the gossip sheet from charges for paying hush money to a Playboy model who claimed she had an affair with Trump, two people familiar with the matter told The Associated Press on Friday. The people weren’t authorized to discuss the matter and spoke on condition of anonymity.

But asked during an interview with ABC’s “This Week” whether he was concerned the Bezos matter could jeopardize the noncooperation agreement, Abramowitz said: “Absolutely not.”

Abramowitz defended the tabloid’s handling of the situation as part of a standard legal negotiation.

“I think both Bezos and AMI had interests in resolving their interests,” Abramowitz said. “It’s absolutely not a crime to ask somebody to simply tell the truth. Tell the truth that this was not politically motivated, and we will print no more stories.”

Bezos’ affair became public when the Enquirer published story on Jan. 9 about his relationship with Lauren Sanchez, who is also married. Bezos then hired a team of private investigators to find out how the tabloid got the texts and photos the two exchanged.

​Bezos’ personal investigators, led by his security consultant Gavin de Becker, have focused on Sanchez’s brother, according to a person familiar with the matter. The person wasn’t authorized to discuss the matter publicly and spoke on condition of anonymity. Michael Sanchez is his sister’s manager, a Trump supporter and an acquaintance of Trump allies Roger Stone and Carter Page.

Abramowitz would not comment when asked whether Michael Sanchez was the Enquirer’s source but said that “Bezos and Ms. Sanchez knew who the source was.”

Michael Sanchez has declined to speak with AP on the record. In a Jan. 31 tweet, he said without evidence that de Becker “spreads fake, unhinged conservative conspiracy theories.”

Investigators working for Bezos have identified who they believe provided text messages to the Enquirer, the person familiar with the matter told the AP on Sunday. Bezos’ investigators concluded their probe into the text message leak and turned over the results to attorney Richard Ben-Veniste for review and possible referral to law enforcement, the person said. Ben-Veniste had served as special prosecutor during the Watergate scandal. 

In his blog post on Thursday, Bezos alluded to a possible relationship between Saudi Arabia and AMI, but Adel al-Jubeir, Saudi Arabia’s minister of state of foreign affairs, said he had “no idea” about such a relationship and doubted the kingdom played any role in urging AMI to run negative stories about Bezos. Last year, the tabloid produced a glossy magazine that included 97 pages saluting Saudi Arabia, ahead of Crown Prince Mohammed bin Salman’s arrival in the U.S. on a public relations blitz to transform his country’s image.

“It’s like a soap opera,” al-Jubeir said of Bezos’ allegations during a roundtable on Friday with reporters in Washington.

Asked about AMI’s recent $450 million debt restructuring, Abramowitz said “not a penny” of that money came from the Saudi kingdom. The company had sought financing from the Saudis but never received any, he said.

After Bezos on Thursday posted the exchanges with AMI in an extraordinary blog post on Medium.com, several celebrities and journalists posted on social media that they too had been threatened by AMI. Ronan Farrow said he and “and at least one other prominent journalist” involved in reporting on the tabloid had “fielded similar ‘stop digging or we’ll ruin you’ blackmail efforts from AMI” and actor Terry Crews alleged the company tried to “silence him” by “fabricating stories of me with prostitutes.”

Abramowitz said he didn’t know of any AMI employees blackmailing celebrities or journalists or “committing any crime at all.”

In recent months, the Trump-friendly tabloid acknowledged secretly assisting Trump’s White House campaign by paying $150,000 to Playboy centerfold Karen McDougal for the rights to her story about an alleged affair with Trump. The company then buried the story until after the 2016 election.

Trump’s longtime personal attorney and fixer Michael Cohen pleaded guilty last year to charges that included helping to broker that transaction.

As part of a non-prosecution agreement in that case, AMI promised not to break the law. The deal requires top executives, including Pecker and the Enquirer’s editor, Dylan Howard, to cooperate with federal prosecutors. A violation of the agreement could lead to criminal charges over the McDougal payments.
…

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The National Enquirer committed neither extortion nor blackmail by threatening to publish intimate photos of Amazon CEO Jeff Bezos, an attorney for the head of the tabloid’s parent company said Sunday.

Elkan Abromowitz, an attorney for American Media Inc. chief executive David Pecker, said on Sunday a “reliable source” well-known to Bezos and his mistress provided the story about the billionaire’s extramarital affair.

Bezos has said AMI threatened to publish the explicit photos of him unless he stopped investigating how the Enquirer obtained his private exchanges with his mistress, former TV anchor Lauren Sanchez, and publicly declare that the Enquirer’s coverage of him was not politically motivated. Bezos also owns The Washington Post.

Bezos’ investigators have suggested the Enquirer’s coverage of his affair was driven by dirty politics, and the high-profile clash has pitted the world’s richest man against the leader of America’s best-known tabloid, who is a strong backer of President Donald Trump. Trump has been highly critical of Bezos over his ownership of The Washington Post and Amazon, and the Post’s coverage of the White House.

Federal prosecutors are looking into whether the Enquirer violated a cooperation and non-prosecution agreement that recently spared the gossip sheet from charges for paying hush money to a Playboy model who claimed she had an affair with Trump, two people familiar with the matter told The Associated Press on Friday. The people weren’t authorized to discuss the matter and spoke on condition of anonymity.

But asked during an interview with ABC’s “This Week” whether he was concerned the Bezos matter could jeopardize the noncooperation agreement, Abramowitz said: “Absolutely not.”

Abramowitz defended the tabloid’s handling of the situation as part of a standard legal negotiation.

“I think both Bezos and AMI had interests in resolving their interests,” Abramowitz said. “It’s absolutely not a crime to ask somebody to simply tell the truth. Tell the truth that this was not politically motivated, and we will print no more stories.”

Bezos’ affair became public when the Enquirer published story on Jan. 9 about his relationship with Lauren Sanchez, who is also married. Bezos then hired a team of private investigators to find out how the tabloid got the texts and photos the two exchanged.

​Bezos’ personal investigators, led by his security consultant Gavin de Becker, have focused on Sanchez’s brother, according to a person familiar with the matter. The person wasn’t authorized to discuss the matter publicly and spoke on condition of anonymity. Michael Sanchez is his sister’s manager, a Trump supporter and an acquaintance of Trump allies Roger Stone and Carter Page.

Abramowitz would not comment when asked whether Michael Sanchez was the Enquirer’s source but said that “Bezos and Ms. Sanchez knew who the source was.”

Michael Sanchez has declined to speak with AP on the record. In a Jan. 31 tweet, he said without evidence that de Becker “spreads fake, unhinged conservative conspiracy theories.”

Investigators working for Bezos have identified who they believe provided text messages to the Enquirer, the person familiar with the matter told the AP on Sunday. Bezos’ investigators concluded their probe into the text message leak and turned over the results to attorney Richard Ben-Veniste for review and possible referral to law enforcement, the person said. Ben-Veniste had served as special prosecutor during the Watergate scandal. 

In his blog post on Thursday, Bezos alluded to a possible relationship between Saudi Arabia and AMI, but Adel al-Jubeir, Saudi Arabia’s minister of state of foreign affairs, said he had “no idea” about such a relationship and doubted the kingdom played any role in urging AMI to run negative stories about Bezos. Last year, the tabloid produced a glossy magazine that included 97 pages saluting Saudi Arabia, ahead of Crown Prince Mohammed bin Salman’s arrival in the U.S. on a public relations blitz to transform his country’s image.

“It’s like a soap opera,” al-Jubeir said of Bezos’ allegations during a roundtable on Friday with reporters in Washington.

Asked about AMI’s recent $450 million debt restructuring, Abramowitz said “not a penny” of that money came from the Saudi kingdom. The company had sought financing from the Saudis but never received any, he said.

After Bezos on Thursday posted the exchanges with AMI in an extraordinary blog post on Medium.com, several celebrities and journalists posted on social media that they too had been threatened by AMI. Ronan Farrow said he and “and at least one other prominent journalist” involved in reporting on the tabloid had “fielded similar ‘stop digging or we’ll ruin you’ blackmail efforts from AMI” and actor Terry Crews alleged the company tried to “silence him” by “fabricating stories of me with prostitutes.”

Abramowitz said he didn’t know of any AMI employees blackmailing celebrities or journalists or “committing any crime at all.”

In recent months, the Trump-friendly tabloid acknowledged secretly assisting Trump’s White House campaign by paying $150,000 to Playboy centerfold Karen McDougal for the rights to her story about an alleged affair with Trump. The company then buried the story until after the 2016 election.

Trump’s longtime personal attorney and fixer Michael Cohen pleaded guilty last year to charges that included helping to broker that transaction.

As part of a non-prosecution agreement in that case, AMI promised not to break the law. The deal requires top executives, including Pecker and the Enquirer’s editor, Dylan Howard, to cooperate with federal prosecutors. A violation of the agreement could lead to criminal charges over the McDougal payments.
…

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The music world hit the red carpet Sunday for the Grammys, with hip-hop royalty and a bevy of talented women leading the pack — and early awards going to top nominees Brandi Carlile and Lady Gaga.

In the pre-gala ceremony in Los Angeles, at which most of the more than 80 prizes are handed out, folk rocker Carlile — this year’s most nominated woman — won her first three Grammys ever, in the Americana and American Roots categories.

Pop royalty Gaga meanwhile won an award in the visual media group for her heart-pounding hit “Shallow” of the blockbuster film “A Star Is Born,” and another for best pop solo performance for “Joanne.”

“I’m not gonna be able to wear any makeup tonight,” Gaga tweeted. “I’m in tears with honor and gratitude.”

Genre-bending experimental artist Beck scored the prize for Best Alternative Music Album.

The early wins by women offered a positive sign that change may be afoot at the Recording Academy, which has faced intense backlash over its apparent struggle to embrace diversity.

For the second consecutive year, black hip-hop artists are leading the pack — but observers are still wondering if nominations success can translate into big wins.

Rapper Kendrick Lamar — who won a Pulitzer Prize for his album “DAMN.” but has yet to snare a Grammy for Album of the Year — earned eight nods while Canadian rapper Drake snagged seven.

Female artists take front seat

Women artists scored nominations in all of the top categories, after being largely muted a year ago: Gaga, Carlile, rapper Cardi B and pop futurist Janelle Monae are among the frontrunners.

This year, five of the eight Album of the Year nominations went to female artists: Cardi B, Carlile, Monae, R&B prodigy H.E.R. and country star Kacey Musgraves.

In the Best New Artist category, six of the eight nominees are women.

A thrilled Carlile beamed as she accepted three consecutive trophies.

“Americana music is the island of the misfit toys. I am such a misfit,” Carlile said, speaking about the difficulties of coming out as a lesbian in her teen years and never attending school dances.

“To be embraced by this enduring and loving community has been the dance of a lifetime. Thank you for being my island,” she said.

In a charming twist, U.S. president Jimmy Carter won his third Grammy in the Spoken World Album category for the audio version of his best-selling book “Faith: A Journey For All.”

Backstage drama

But industry drama was threatening the evening gals, with a number of superstars declining to take part in the glitzy concert portion at the Staples Center.

Pop mega-star Ariana Grande — who dropped her highly anticipated album “Thank U, Next” just before the Grammys — slammed producer Ken Ehrlich over her decision not to perform, suggesting he was “lying” about her readiness.

Grande won for best pop vocal album for “Sweetener.”

Drake, Lamar and Childish Gambino — the rap alter-ego of actor Donald Glover — have also all turned down performance offers, and it was not clear if they would even attend.

Childish Gambino won the coveted prize for best music video for his politically provocative “This Is America.”

Gaga, Carlile, Monae, Cardi B and Musgraves are all due to take the stage.

Praise for women ‘overdue’

Hopes that women would get their due comes after the head of the Recording Academy — which includes more than 13,000 music professionals — told them last year to “step up” if they wanted to do better on Grammys night.

The brazen comment drew outrage and prompted the executive, Neil Portnow, to say he would resign when his contract expires this summer.

Gaga’s initial two wins were out of five nominations, including for both Record and Song of the Year for “Shallow,” which she performed with co-star Bradley Cooper.

Songstress Alicia Keys, a 15-time Grammy winner, is set to host Sunday’s televised ceremony — the first woman to do so in 14 years.

She vowed this year’s performances would be the “sickest” yet, with icons like Parton and disco diva Diana Ross also set to take the stage.

A performance honoring the legacy of the late “Queen of Soul” Aretha Franklin is also expected.

Keys told CBS news this year’s greater representation from women was “far overdue.”

She hailed the importance “particularly for women to have our seat at the table, to represent the fact that we are so here and so incredible and we are the creators of our music.”

 

 
…

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The music world hit the red carpet Sunday for the Grammys, with hip-hop royalty and a bevy of talented women leading the pack — and early awards going to top nominees Brandi Carlile and Lady Gaga.

In the pre-gala ceremony in Los Angeles, at which most of the more than 80 prizes are handed out, folk rocker Carlile — this year’s most nominated woman — won her first three Grammys ever, in the Americana and American Roots categories.

Pop royalty Gaga meanwhile won an award in the visual media group for her heart-pounding hit “Shallow” of the blockbuster film “A Star Is Born,” and another for best pop solo performance for “Joanne.”

“I’m not gonna be able to wear any makeup tonight,” Gaga tweeted. “I’m in tears with honor and gratitude.”

Genre-bending experimental artist Beck scored the prize for Best Alternative Music Album.

The early wins by women offered a positive sign that change may be afoot at the Recording Academy, which has faced intense backlash over its apparent struggle to embrace diversity.

For the second consecutive year, black hip-hop artists are leading the pack — but observers are still wondering if nominations success can translate into big wins.

Rapper Kendrick Lamar — who won a Pulitzer Prize for his album “DAMN.” but has yet to snare a Grammy for Album of the Year — earned eight nods while Canadian rapper Drake snagged seven.

Female artists take front seat

Women artists scored nominations in all of the top categories, after being largely muted a year ago: Gaga, Carlile, rapper Cardi B and pop futurist Janelle Monae are among the frontrunners.

This year, five of the eight Album of the Year nominations went to female artists: Cardi B, Carlile, Monae, R&B prodigy H.E.R. and country star Kacey Musgraves.

In the Best New Artist category, six of the eight nominees are women.

A thrilled Carlile beamed as she accepted three consecutive trophies.

“Americana music is the island of the misfit toys. I am such a misfit,” Carlile said, speaking about the difficulties of coming out as a lesbian in her teen years and never attending school dances.

“To be embraced by this enduring and loving community has been the dance of a lifetime. Thank you for being my island,” she said.

In a charming twist, U.S. president Jimmy Carter won his third Grammy in the Spoken World Album category for the audio version of his best-selling book “Faith: A Journey For All.”

Backstage drama

But industry drama was threatening the evening gals, with a number of superstars declining to take part in the glitzy concert portion at the Staples Center.

Pop mega-star Ariana Grande — who dropped her highly anticipated album “Thank U, Next” just before the Grammys — slammed producer Ken Ehrlich over her decision not to perform, suggesting he was “lying” about her readiness.

Grande won for best pop vocal album for “Sweetener.”

Drake, Lamar and Childish Gambino — the rap alter-ego of actor Donald Glover — have also all turned down performance offers, and it was not clear if they would even attend.

Childish Gambino won the coveted prize for best music video for his politically provocative “This Is America.”

Gaga, Carlile, Monae, Cardi B and Musgraves are all due to take the stage.

Praise for women ‘overdue’

Hopes that women would get their due comes after the head of the Recording Academy — which includes more than 13,000 music professionals — told them last year to “step up” if they wanted to do better on Grammys night.

The brazen comment drew outrage and prompted the executive, Neil Portnow, to say he would resign when his contract expires this summer.

Gaga’s initial two wins were out of five nominations, including for both Record and Song of the Year for “Shallow,” which she performed with co-star Bradley Cooper.

Songstress Alicia Keys, a 15-time Grammy winner, is set to host Sunday’s televised ceremony — the first woman to do so in 14 years.

She vowed this year’s performances would be the “sickest” yet, with icons like Parton and disco diva Diana Ross also set to take the stage.

A performance honoring the legacy of the late “Queen of Soul” Aretha Franklin is also expected.

Keys told CBS news this year’s greater representation from women was “far overdue.”

She hailed the importance “particularly for women to have our seat at the table, to represent the fact that we are so here and so incredible and we are the creators of our music.”

 

 
…

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The Louvre Abu Dhabi, the first museum to carry the famed name outside of France, announced Sunday it will roll out works by Dutch masters Rembrandt and Vermeer this month.

Works by the two artists are part of the gallery’s first exhibition this year, entitled “Rembrandt, Vermeer and the Dutch Golden Age: Masterpieces from The Leiden collection and the Musee du Louvre.”

The exhibit, on display in the United Arab Emirates capital from February 14 to May 18, is dedicated to Rembrandt, Vermeer and the famed “fijnschilders” — fine painters known for their detailed work — of the Netherlands.

“Rembrandt is a master of the Golden Age,” museum head Manuel Rabate told AFP.

“He’s a universal genius, he’s connected to the world.”

The exhibition features 95 works, including Vermeer’s “Young Woman Seated at a Virginal” alongside Rembrandt’s “Portrait of a Man” and “Study of the Head and Clasped Hands of a Young Man as Christ in Prayer”.

The museum has also acquired Rembrandt’s “Head of a young man, with clasped hands: Study of the figure of Christ” as part of its permanent collection.

The Louvre Abu Dhabi was inaugurated with great pomp in November 2017 — nearly five years behind schedule — by French President Emmanuel Macron and Abu Dhabi’s Crown Prince Mohammed bin Zayed Al-Nahyan.

It was marketed as “a universal museum” celebrating cultural exchange and tolerance.

The museum has reportedly cost the UAE around $1 billion, including upwards of $500 million to use France’s “Louvre” brand.

Officials have not confirmed the price tag.
…

your ads here!

The Louvre Abu Dhabi, the first museum to carry the famed name outside of France, announced Sunday it will roll out works by Dutch masters Rembrandt and Vermeer this month.

Works by the two artists are part of the gallery’s first exhibition this year, entitled “Rembrandt, Vermeer and the Dutch Golden Age: Masterpieces from The Leiden collection and the Musee du Louvre.”

The exhibit, on display in the United Arab Emirates capital from February 14 to May 18, is dedicated to Rembrandt, Vermeer and the famed “fijnschilders” — fine painters known for their detailed work — of the Netherlands.

“Rembrandt is a master of the Golden Age,” museum head Manuel Rabate told AFP.

“He’s a universal genius, he’s connected to the world.”

The exhibition features 95 works, including Vermeer’s “Young Woman Seated at a Virginal” alongside Rembrandt’s “Portrait of a Man” and “Study of the Head and Clasped Hands of a Young Man as Christ in Prayer”.

The museum has also acquired Rembrandt’s “Head of a young man, with clasped hands: Study of the figure of Christ” as part of its permanent collection.

The Louvre Abu Dhabi was inaugurated with great pomp in November 2017 — nearly five years behind schedule — by French President Emmanuel Macron and Abu Dhabi’s Crown Prince Mohammed bin Zayed Al-Nahyan.

It was marketed as “a universal museum” celebrating cultural exchange and tolerance.

The museum has reportedly cost the UAE around $1 billion, including upwards of $500 million to use France’s “Louvre” brand.

Officials have not confirmed the price tag.
…

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Some 6,000 languages are spoken in the world, and nearly half of them are endangered, according to the UNESCO Atlas of the World’s Languages in Danger.

One of them is Theron Musuweu Kolokwe’s native tongue, Subiya, a Bantu language spoken by more than 30,000 people along the Zambezi River in Namibia, Zambia and Botswana.

“I think in my language,” he said. “I dream in my language. It’s the language that I was born into. I didn’t have the choice to speak it.”

That’s because, like other educated young people in Windhoek, the 33-year-old speaks a number of other languages on a daily basis, especially English and Afrikaans.

Two years ago, Kolokwe started documenting Subiya. The idea came to him while he was watching YouTube.

“Randomly, a video of someone speaking their native tongue popped up,” he recalled. “Then, when I opened it, it caught my curiosity. Then, I was like, I want to also hear my tongue and languages from my country and southern Africa in particular.”

Kolokwe is one of dozens of volunteers working with Wikitongues, a nonprofit in New York City that helps people from around the world preserve native languages that have been disappearing.

​Colorful vs. gray

When a language becomes extinct, says Wikitongues co-founder Daniel Bogre Udell, a culture disappears and a community loses its identity. That’s happening more often than many can imagine.

Udell, however, says language loss is not a natural culmination of progress.

“That’s really not an accident of history,” he explained. “It’s because, over the 1800s and 1900s, roughly every country in the world relentlessly worked to forcefully assimilate minorities’ cultures. I think no one would suggest that we need to be religiously or culturally or ethnically homogeneous. So, why would we be linguistically homogeneous? It’s a question about what kind of a world we want to live in: a colorful one or a gray one?”

The volunteer-based group began in 2016 as an open internet archive of every language in the world. Nearly 1,000 volunteers have submitted videos in more than 400 languages and dialects on Wikitongues’ YouTube channel. Some, like English, Farsi and Mandarin, are spoken by hundreds of millions of people. Others are unfamiliar, like Bora, spoken by a few thousand people in the Amazonian regions of Peru and Colombia, and Iraqw, spoken in Tanzania.

Inspiration and hope

The vision behind Wikitongues is simple and clear. It’s all about providing the tools and support people need to save their languages.

“Language revitalization at the end of the day is something that has to be done by the community, from the ground up,” Udell said. “There is no way an outsider organization can save someone’s language for them. We’ve had over 1,500 contributors and videos from 70 different countries. We have people from India who record dozens of languages, which is beyond their own. We have another volunteer from Scotland who is one of the last speakers of a variety of Scottish dialects. He’s in the process of reclaiming them, revitalizing, (and) building a dictionary for them.”

Wikitongues is also where volunteers from around the world can be inspired by the proof that reviving disappearing indigenous languages is possible. Hebrew is a good example.

“Hebrew went extinct in the 4th century BC, and was revived in the 1800s and now once again it’s the mother tongue of half of the world’s Jewish population,” Udell said. “One of our tribe partners here in the U.S., the Tunica-Biloxi tribe in Louisiana, has over the past couple of years built a really lively language revival on their community. Their language went extinct in the 1940s. We’ve had contributors from the Cornish community whose language went extinct in the 1700s and was brought back in the 1900s. Their movement really got geared up when the internet arrived and new generations of Cornish speakers find each other online and use the language on a daily basis.”

Such revival success stories give volunteers like Theron Musuweu Kolokwe hope that his efforts can save Subiya and other African languages from extinction. Kolokwe’s goal is to create a dictionary, and a curriculum so it can be taught in school.

“I want the world to know about my language,” he sais. “I want to promote it, so that generations to come can speak it fluently because there is a huge influx of Western languages around here, especially in Namibia. We all learn [English] in school. It’s the business language, the language of government, and people are neglecting their native languages. So, I want to promote it so more and more people can speak it. And children can be proud of where they come from.”

With awareness and technology, Wikitongues puts people in a better position to save and revive their native languages, making the world more colorful and culturally diverse.
…

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Some 6,000 languages are spoken in the world, and nearly half of them are endangered, according to the UNESCO Atlas of the World’s Languages in Danger.

One of them is Theron Musuweu Kolokwe’s native tongue, Subiya, a Bantu language spoken by more than 30,000 people along the Zambezi River in Namibia, Zambia and Botswana.

“I think in my language,” he said. “I dream in my language. It’s the language that I was born into. I didn’t have the choice to speak it.”

That’s because, like other educated young people in Windhoek, the 33-year-old speaks a number of other languages on a daily basis, especially English and Afrikaans.

Two years ago, Kolokwe started documenting Subiya. The idea came to him while he was watching YouTube.

“Randomly, a video of someone speaking their native tongue popped up,” he recalled. “Then, when I opened it, it caught my curiosity. Then, I was like, I want to also hear my tongue and languages from my country and southern Africa in particular.”

Kolokwe is one of dozens of volunteers working with Wikitongues, a nonprofit in New York City that helps people from around the world preserve native languages that have been disappearing.

​Colorful vs. gray

When a language becomes extinct, says Wikitongues co-founder Daniel Bogre Udell, a culture disappears and a community loses its identity. That’s happening more often than many can imagine.

Udell, however, says language loss is not a natural culmination of progress.

“That’s really not an accident of history,” he explained. “It’s because, over the 1800s and 1900s, roughly every country in the world relentlessly worked to forcefully assimilate minorities’ cultures. I think no one would suggest that we need to be religiously or culturally or ethnically homogeneous. So, why would we be linguistically homogeneous? It’s a question about what kind of a world we want to live in: a colorful one or a gray one?”

The volunteer-based group began in 2016 as an open internet archive of every language in the world. Nearly 1,000 volunteers have submitted videos in more than 400 languages and dialects on Wikitongues’ YouTube channel. Some, like English, Farsi and Mandarin, are spoken by hundreds of millions of people. Others are unfamiliar, like Bora, spoken by a few thousand people in the Amazonian regions of Peru and Colombia, and Iraqw, spoken in Tanzania.

Inspiration and hope

The vision behind Wikitongues is simple and clear. It’s all about providing the tools and support people need to save their languages.

“Language revitalization at the end of the day is something that has to be done by the community, from the ground up,” Udell said. “There is no way an outsider organization can save someone’s language for them. We’ve had over 1,500 contributors and videos from 70 different countries. We have people from India who record dozens of languages, which is beyond their own. We have another volunteer from Scotland who is one of the last speakers of a variety of Scottish dialects. He’s in the process of reclaiming them, revitalizing, (and) building a dictionary for them.”

Wikitongues is also where volunteers from around the world can be inspired by the proof that reviving disappearing indigenous languages is possible. Hebrew is a good example.

“Hebrew went extinct in the 4th century BC, and was revived in the 1800s and now once again it’s the mother tongue of half of the world’s Jewish population,” Udell said. “One of our tribe partners here in the U.S., the Tunica-Biloxi tribe in Louisiana, has over the past couple of years built a really lively language revival on their community. Their language went extinct in the 1940s. We’ve had contributors from the Cornish community whose language went extinct in the 1700s and was brought back in the 1900s. Their movement really got geared up when the internet arrived and new generations of Cornish speakers find each other online and use the language on a daily basis.”

Such revival success stories give volunteers like Theron Musuweu Kolokwe hope that his efforts can save Subiya and other African languages from extinction. Kolokwe’s goal is to create a dictionary, and a curriculum so it can be taught in school.

“I want the world to know about my language,” he sais. “I want to promote it, so that generations to come can speak it fluently because there is a huge influx of Western languages around here, especially in Namibia. We all learn [English] in school. It’s the business language, the language of government, and people are neglecting their native languages. So, I want to promote it so more and more people can speak it. And children can be proud of where they come from.”

With awareness and technology, Wikitongues puts people in a better position to save and revive their native languages, making the world more colorful and culturally diverse.
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Rappers Kendrick Lamar and Drake may lead the nominations, but Sunday’s Grammy Awards looks set to be a showcase for girl power.

Outspoken rapper Cardi B, whose music and personal life has dominated pop culture for the past two years, leads the charge on music’s biggest night with a live performance and five Grammy nominations, including for album and record of the year.

R&B singer Alicia Keys will host the Grammys for the first time, while Miley Cyrus, Janelle Monae, Camila Cabello and Kacey Musgraves are also among the performers at the Los Angeles ceremony.

Adding to the star power, Motown legend Diana Ross will take the stage to mark her 75th birthday in March, and hopes are high that Lady Gaga will perform her Grammy- and Oscar-nominated song “Shallow” from the movie “A Star is Born.”

​Eyes on Cardi B

Yet Cardi B is likely to grab most of the attention. The 26-year-old New York artist is one of only a handful of female rappers and has captured attention with her message of female empowerment, on and off marriage to rapper Offset, and a string of hit records and collaborations, including “I Like It,” “Girls Like You” and “Taki Taki.”

“Cardi B is a very strong woman who is in control of her career. She is really talented and has something to say and she is just fun. She is like a breath of fresh air,” said Melinda Newman, West Coast editor for Billboard magazine.

“Between Alicia Keys and all the female nominees, I think we will have a very female-leading show. That’s not necessarily by design, that’s just how it’s shaking out this year,” Newman added.

Uproar in 2018

It is a far cry from 2018, when the dearth of female nominees and performers caused a media uproar and prompted the Recording Academy, whose members choose the Grammy winners, to expand the number of nominees in the top four categories to eight from five.

This year five of the eight nominees for the coveted album of the year award are women: Cardi B’s “Invasion of Privacy”; Janelle Monae’s “Dirty Computer”; folk singer Brandi Carlile’s “By the Way, I Forgive You”; country artist Kacey Musgraves’ “Golden Hour”; and R&B newcomer H.E.R.’s self-titled “H.E.R.”

Six of the eight musicians competing for best new artist are also women, including “New Rules” British singer Dua Lipa, Chloe & Halle, Bebe Rexha and H.E.R.

While the show may give the impression that girls run the world, there is no guarantee how many will take home a Grammy.

Lamar leads with eight nods, many of them for writing most of the “Black Panther” movie soundtrack album, which is up for album of the year. Drake, the most commercially successful artist of 2018, follows with seven nominations, including for his album “Scorpion” and single “God’s Plan.”

It is not yet known whether either of the rappers will perform on Sunday.

The Grammy Awards take place in Los Angeles, Feb. 10, and will be broadcast live on CBS television at 8 pm ET/5 pm PT (0100 GMT).
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