Seoul — South Korea’s “Squid Game” actor O Yeong-su has been found guilty of sexual misconduct, a local court said Friday, after he was charged with assaulting a woman in 2017.

The 79-year-old in 2022 became the first South Korean to win a Golden Globe Award for best supporting actor in a series for his performance as a seemingly vulnerable old man in the mega-hit Netflix dystopian thriller.

The actor was sentenced to eight months in prison, suspended for two years, the Seongnam Branch of the Suwon District Court told AFP.

He has been also ordered to complete 40 hours of classes on sexual violence, the court added.

The victim’s own records of the assault and her claims are “consistent … and appear to be statements that cannot be made without actually experiencing them,” judge Jeong Yeon-ju said, according to the court.

O was indicted in 2022 without detention on charges of sexually assaulting a woman, who has not been identified, on two occasions.

The incidents took place when O was staying in a rural area for a theatre performance in 2017, on a walking path and in front of the victim’s residence, respectively, according to the Suwon District Court.

“Squid Game,” a series that depicts a dark world where marginalized individuals are forced to compete in deadly versions of traditional children’s games, quickly gained immense popularity on Netflix.

Within less than four weeks of its release in 2021, it attracted a staggering 111 million viewers.

The show’s success has amplified South Korea’s increasingly outsized influence on global popular culture, following global fame won by the likes of K-pop band BTS and the Oscar-winning film “Parasite.”

Multiple figures in South Korea’s film industry — including late filmmaker Kim Ki-duk and actor Cho Jae-hyun — have faced sexual assault allegations.
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SANTA FE, N.M. — Defense attorneys for Alec Baldwin urged a New Mexico judge on Thursday to dismiss a grand jury indictment against the actor in the fatal shooting of a cinematographer on the set of the Western movie “Rust.”

The indictment in January charged Baldwin with involuntary manslaughter in the death of cinematographer Halyna Hutchins on Oct. 21, 2021, at a movie ranch on the outskirts of Santa Fe.

Baldwin has pleaded not guilty to the charge. His attorneys in a new court filing accused prosecutors of “unfairly stacking the deck” against Baldwin in grand jury proceedings that diverted attention away from exculpatory evidence and witnesses.

They say that prevented the jury from asserting their obligation to hear testimony from director Joel Souza, who was wounded in the shooting while standing near Hutchins, as well as assistant director and safety coordinator Dave Halls and props master Sarah Zachry.

“The grand jury did not receive the favorable or exculpatory testimony and documents that the state had an obligation to present,” said the court motion signed by defense attorney Luke Nikas. “Nor was the grand jury told it had a right to review and the obligation to request this information.”

Prosecutor Kari Morrissey declined to comment and said a response will be filed with the court.

Baldwin’s motion also asserts that the grand jury received inaccurate and one-sided testimony about the revolver involved in the fatal shooting.

“Rust” armorer Hannah Gutierrez-Reed was convicted by a jury last week in the shooting and is being held without bond pending an April sentencing hearing. Involuntary manslaughter carries a felony sentence of up to 18 months in prison and a $5,000 fine.

Baldwin was pointing a gun at cinematographer Halyna Hutchins when the revolver went off, killing Hutchins and injuring Souza. Baldwin has maintained that he pulled back the gun’s hammer, but not the trigger.

Prosecutors blamed Gutierrez-Reed at a two-week trial for unwittingly bringing live ammunition onto the set of “Rust” where it was expressly prohibited. They also said she failed to follow basic gun-safety protocols.

Halls last year pleaded no contest to negligent handling of a firearm and completed a sentence of six months of unsupervised probation.

Baldwin is scheduled for trial in July.
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This month’s Academy Awards ceremony saw a big first for Ukraine as Mstyslav Chernov’s “20 Days in Mariupol” won the best documentary Oscar. The film is a first-person account of being in the eastern Ukrainian city during the first weeks of Russia’s invasion. Khrystyna Shevchenko talked with Chernov. Anna Rice has that story.
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The Nigerian film industry, often referred to as Nollywood, is the second largest moviemaker in the world in terms of volume, and is making strides both in terms of art and in popularity at the box office. Timothy Obiezu reports from Abuja.
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WASHINGTON — The U.S. House of Representatives is expected to approve legislation Wednesday that would force the popular TikTok video app to either separate from its Chinese-owned parent company ByteDance or sell the U.S. version of the software.

The bipartisan Protecting Americans from Foreign Adversary Controlled Applications Act “gives TikTok six months to eliminate foreign adversary control — which would include ByteDance divesting its current ownership — to remain available in the United States,” said Representative Mike Gallagher, chairman of the House Select Committee on Strategic Competition Between the United States and the Chinese Communist Party, and Representative Raja Krishnamoorthi, the top Democrat on the committee.

“All TikTok would have to do is separate from CCP-controlled ByteDance. However, if TikTok chose not to rid itself of this CCP control, the application would no longer be offered in U.S. app stores. But TikTok would have no one but itself to blame,” the lawmakers said in a prepared statement.

Here’s what we know about the legislation and what happens next in the U.S. Senate.

Why is TikTok under scrutiny?

“The concern is that TikTok could transfer personal information to its parent company ByteDance, who in turn could transfer it to the Chinese government,” Caitlin Chin-Rothmann, a fellow at the Center for Strategic and International Studies, told VOA.

Chin-Rothmann said concerns by some members of Congress about the Chinese Communist Party potentially controlling TikTok’s algorithm for propaganda purposes have not yet been proven.

“That’s not to say that, in the future, there’s not a risk that the Chinese government could exert pressure,” she said.

What does TikTok say about the legislation?

TikTok on Monday called the legislation a “ban” and has repeatedly denied the allegations against it. In a statement last week on X, formerly Twitter, the company said the “legislation has a predetermined outcome: a total ban of TikTok in the United States.”

How do lawmakers view the legislation?

The bill has strong support from House Democrats and Republicans, despite congressional offices receiving floods of phone calls from Americans concerned about losing access to the social media app.

House Speaker Mike Johnson told reporters last week, “It’s an important bipartisan measure to take on China, our largest geopolitical foe, which is actively undermining our economy and security.”

What about the Senate?

The bill could face a much harder road to passage in the Democratic-controlled Senate, where Majority Leader Chuck Schumer has said it will face consideration in the appropriate committees.

“I will listen to their views on the bill and determine the best path,” Schumer said in a statement.

Some Senate Democrats, including Mark Warner, chairman of the Senate Select Committee on Intelligence, have expressed doubts about the legality of singling out a social media app in legislation. He has introduced alternative legislation more broadly targeting apps that collect personal data.

But Warner told CBS News on Sunday that the TikTok app is a serious national security concern.

“If you don’t think the Chinese Communist Party can twist that algorithm to make it the news that they see reflective of their views, then I don’t think you appreciate the nature of the threat,” Warner said.

How do the leading 2024 presidential candidates feel about the bill?

The White House said it welcomes the legislation, even though the Biden campaign joined TikTok recently as an effort to reach out to younger voters.

White House press secretary Karine Jean-Pierre told reporters the bill ensures “ownership isn’t in the hands of those who may do us harm.”

Former President Donald Trump — who initially called for a ban of the app in 2020 — has now changed course, arguing that Facebook will be empowered if TikTok is no longer available.

“There’s a lot of good, and there’s a lot of bad with TikTok. But the thing I don’t like is that without TikTok, you’re going to make Facebook bigger,” the presumptive 2024 Republican presidential nominee told U.S. cable network CNBC in a phone interview this week.

What happens once the bill passes the House?

Apart from constitutional concerns over preventing U.S. citizens from exercising their right to free speech, the bill could also be difficult to legally enforce and face challenges in U.S. courts.

“Chinese export control laws could potentially prevent the sale of TikTok’s algorithm,” Chin-Rothmann said. “A divestiture would be very logistically difficult, in general. TikTok is one of the largest companies in the world. So, any buyer would have to be very large, as well. They would have to have a strategic interest in purchasing TikTok, and then the merger would have to not raise antitrust concerns in the United States.”
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Los Angeles — As Universal Pictures prepared for a big night at the Academy Awards with “Oppenheimer,” the studio also celebrated the No. 1 debut of “Kung Fu Panda 4,” which collected $58.3 million in domestic theaters over the weekend, according to estimates Sunday.

“Kung Fu Panda 4,” the first film in the DreamWorks Animation franchise since the third installment in 2016, got off to a better start than all but the 2008 original. That “Kung Fu Panda,” which began the mystical adventures of Jack Black’s panda warrior Po, launched with $60.2 million.

Working in favor of “Kung Fu Panda 4”: It’s the first big family movie since “Migration” and “Wonka” hit theaters in December. “Kung Fu Panda 4” added $22 million internationally.

The news was just as good for last week’s top film, “Dune: Part Two.” Denis Villeneuve’s sci-fi epic sequel held strongly in its second week, dropping a modest 44%. It grossed $46 million in its second week, bringing its domestic cumulative total to $157 million for Warner Bros. and Legendary Pictures.

Riding strong reviews, great word-of-mouth and plenty of sandworms, “Dune: Part Two” appears well set up for a long theatrical run. Most of Sunday’s Oscar nominees have already moved on to home viewing platforms, but “Dune” could wind up at next year’s Academy Awards.

Opening in third place was the Lionsgate, Blumhouse horror release “Imaginary,” about a sinister teddy bear. It debuted with $10 million.

Following it was “Cabrini,” a portrait of the 19th century Catholic missionary Saint Frances Xavier Cabrini (played by Cristiana Dell’Anna). The film, released by the Christian-based company Angel Studios, the studio behind the 2023 surprise hit “Sound of Freedom,” collected $7.5 million.

A24 also debuted the critically acclaimed neo-noir “Love Lies Bleeding,” starring Kristen Stewart, on five screens in New York and Los Angeles. It grossed $167,463 for a good per-screen average of $33,493.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

1. “Kung Fu Panda 4,” $58.3 million.

2. “Dune: Part Two,” $46 million.

3. “Imaginary,” $10 million.

4. “Cabrini,” $7.6 million.

5. “Bob Marley: One Love,” $4.1 million.

6. “Ordinary Angels,” $2 million.

7. “Madame Web,” $1.1 million.

8. “Migration,” $1.1 million.

9. “YOLO,” $840,000

10. MET Opera: “La Forza del Destino,” $768,000.
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Los Angeles — Hollywood’s glitterati gather on Sunday to celebrate the best performances in film at the annual Academy Awards, a ceremony expected to turn into a toast to blockbuster atomic bomb drama “Oppenheimer.”

Talk show host Jimmy Kimmel returns for the fourth time to emcee the film industry’s highest honors from the Dolby Theatre in Los Angeles.

“Oppenheimer,” the three-hour drama directed by Christopher Nolan, leads the field with 13 nominations. The movie is the frontrunner to win the prestigious best picture prize, capping its sweep of other major awards this year.

“If the best picture isn’t ‘Oppenheimer,’ it will be one of the biggest upsets, if not the biggest upset, in the history of the Oscars,” said Scott Feinberg, executive editor for awards at The Hollywood Reporter.

After 2023 was marred by actors and writers strikes, the Oscars give Hollywood a chance to celebrate two global hits. “Oppenheimer” and feminist doll adventure “Barbie,” another best picture nominee, brought in a combined $2.4 billion in a summer box office battle dubbed “Barbenheimer.”

Oscar producers said they have planned unannounced cameos and other surprises to entertain audiences at home.

“My biggest hope is that they go through a range of emotions with us, that they feel happiness and joy, that we maybe make them shed a tear,” Executive Producer Raj Kapoor said. “And then they somehow feel connected and inspired to also live their dreams.”

Supporting actor nominee Ryan Gosling will sing the ’80s-style rock anthem “I’m Just Ken” from “Barbie.” Members of the Osage Nation will perform the nominated “Wahzhazhe (A Song for My People)” from “Killers of the Flower Moon.”

Cillian Murphy, the Irish actor who played physicist J. Robert Oppenheimer as he led the race to build the first atomic bomb, is considered the favorite for best actor. Murphy’s main competition, according to awards pundits, is “The Holdovers” star Paul Giamatti.

Best actress may go to Lily Gladstone of “Killers of the Flower Moon,” the real-life story about a murder plot to take over lucrative Osage oil rights in 1920s Oklahoma. If she prevails, Gladstone would be the first Native American actress to win an acting Oscar.

Gladstone’s rivals include previous Oscar winner Emma Stone, nominated this year for playing a woman revived from the dead in the dark and wacky comedy “Poor Things.”

The supporting actor race features “Oppenheimer” star Robert Downey Jr., who played the scientist’s professional nemesis, and Sterling K. Brown from “American Fiction.”

Da’Vine Joy Randolph, praised for her role as a grieving mother in “The Holdovers,” vies for best supporting actress against Danielle Brooks from “The Color Purple” and others.

“Barbie,” last year’s No. 1 film with $1.4 billion in global ticket sales, may be shut out of the top awards. Billie Eilish’s “Barbie” ballad “What Was I Made For?” is likely to win the original song prize, Feinberg said, and could snag the awards for costumes and production design.

For Nolan, the night could bring his first directing Oscar, as well as the award for adapted screenplay. The director of “The Dark Knight” trilogy, “Inception” and other acclaimed films has never had a movie win best picture.

The ceremony may end with “the industry-wide coronation for Christopher Nolan,” Feinberg said. With “Oppenheimer,” “he has he has made his best possible argument yet for why he is worthy of this recognition.”
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MUMBAI, India — Krystyna Pyszková of the Czech Republic was crowned Miss World at a glittering contest held in India on Saturday night.

Yasmina Zaytoun of Lebanon was the first runner-up among 112 contestants in the competition held in Mumbai, India’s financial and entertainment capital.

“Being crowned Miss World is a dream come true. I am deeply honored to represent my country and the values of ‘beauty with a purpose’ on a global platform,” Pyszkova said.

After the reigning Miss World, Karoline Bielawska of Poland, passed the crown to her, Pyszková waved to the large crowd at the Jio World Convention Center and hugged some of the other contestants.

The event showcased the rich tapestry of India’s culture, traditions, heritage, arts and crafts, and textiles to a massive global audience. The participants wore heavily embroidered skirts and blouses and danced to popular Bollywood songs.

The beauty competition returned to India for the first time in 28 years.

India’s Sini Shetty exited after making it to the final eight. Six Indian women have won the title, including Reita Faria (1966), Aishwarya Rai (1994), Diana Hayden (1997), Yukta Mookhey (1999), Priyanka Chopra (2000) and Manushi Chillar (2017).

The 71st Miss World beauty pageant was hosted by Bollywood filmmaker Karan Johar and Miss World 2013 Megan Young from the Philippines.
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New York — Six years ago, Nachiket Chanchani visited Angkor Wat for the first time. Inspired, the architectural historian began thinking about the relationship between the complexities of modern post-genocide Cambodia and the ancient temple complex.

Chanchani, an associate art history professor at the University of Michigan, kept reflecting on Angkor Wat, juxtaposing the temple complex against art created since the Khmer Rouge killed nearly 2 million Cambodians between 1975 and 1979.

During the pandemic, his thoughts crystallized amid worldwide suffering, anxiety and fear. “I thought that this art, both from the deep past and from more recent times in Cambodia, can teach us lessons of how to kind of stay stable, find some way forward,” he told VOA Khmer Service via Zoom.

The University of Michigan Museum of Art, or UMMA, one of the largest university museums in the United States, is now exhibiting 80 pieces of Cambodian art in a show guest curated by Chanchani in Ann Arbor. Titled “Angkor Complex: Cultural Heritage and Post-Genocide Memory in Cambodia,” it opened February 3 and runs through July 28. Featured artists Vann Nath, Sopheap Pich, Svay Sareth, Amy Lee Sanford and Leang Seckon, who live in Cambodia and the U.S., have pieces in the exhibit.

The Angkor Archaeological Park, a UNESCO World Heritage site, covers more than 400 square kilometers (155 square miles). Once a city of nearly a million people, the site contains some of Cambodia’s most famous structures, including those recognized worldwide after being seen in movies such as “Lara Croft: Tomb Raider and In the Mood for Love.”

Playing with the dictionary meanings of “complex” such as “a whole made up of complicated or interrelated parts,” “a building or group of buildings housing related units” or “a group of repressed desires and memories that exerts a dominating influence upon the personality,” Chanchani saw how the exhibit could “allow us to think about these different layers, these different kinds of ideas of complexness.”

Today, “Cambodians regard Angkor Wat as a sacred center, a national symbol, and a site of memory,” according to the exhibition guide.

“Like Angkor Wat’s bullet-ridden walls, contemporary artworks from Cambodia and its diaspora bear the scars of a genocide and of related upheavals,” said Chanchani, adding that as a non-Cambodian outsider, he was aware of the exhibition’s sensitive nature. “It’s not as if this is something that happened a thousand years ago that you can just say, it happened,” he said. “The survivors are still there.”

Chanchani hoped bringing Cambodian art to the U.S. would console viewers.

But what could the U.S., one of the biggest economic and military powers learn from Cambodia, a small southeast Asian country, other than how to move on from painful memories and what the exhibition catalog describes as the current interwoven global crises of “public health, economic instability, authoritarian regimes, racial injustice and climate change?”

And how does one nation heal from an event like the Khmer Rouge killing nearly a quarter of the population in its quest to create an agrarian utopia for worker-peasants?

For some Cambodians, it can seem as if, 40 years later, the nation can barely move on or show off a new face when it is still being referred to in the context of the past suffering, especially on the international stage.

Reaksmey Yean, a Cambodian art writer, curator and researcher in Phnom Penh, applauded the Michigan show, but added it is a “cliche” because Angkor Wat and the Khmer Rouge have been overused to identify Cambodia.

“An exhibition about Cambodia, its history and culture is rare in the U.S., so I think it is important to have the exhibition to put Cambodia on the map,” Reaksmey Yean told VOA Khmer Service. “However, it is a cliche for me because it’s been more than 20 years when our civil war completely ended and there are so much in our cultures that can be shown.”

Museum Director Christina Olsen said the audience will have a chance to learn about the “distinct cultural and political [significance] of Cambodia” through the historical and contemporary arts by Cambodian and diasporic artists.

“At the same time, the exhibition invites consideration of today’s broader cultural, social and political happenings and fosters dialogue about the lessons that can be taken from the pain and resilience of the Cambodian people,” she added in the press release.

Svay Sareth is a Cambodian artist whose works in sculpture, installation and durational performance “are made using materials and processes intentionally associated with war — metals, uniforms, camouflage and actions requiring great endurance,” according to the Richard Koh Gallery in Singapore. Sareth’s interest in how Cambodia was affected by war and how its people are moving on has informed his art.

“I want the audience in the U.S. [to] see how the post genocide in Cambodia affect the intergeneration,” Sareth said.

Another work, “Full Circle,” by Khmer American artist Amy Lee Sanford, is comprised of 40 broken clay pots, repaired and installed in a circle. She is known for her “Break Pot” performance pieces where she would drop the clay pot from a height, then glue all the pieces back together, an effort to show how situations can change in seconds and even when repaired, can never be the same again.

Sanford said she hopes the Michigan exhibition will show that Cambodians “have a memory of some of the important architectural and religious structures … and that also that there are contemporary artists now doing things related to history and related to looking forward as well.”
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Paris — The makers of “Game of Thrones” return with “3 Body Problem,” the adaptation of an iconic Chinese sci-fi trilogy.  

It premieres this weekend at the South by Southwest Festival in Texas before launching on Netflix on March 21. 

Showrunners David Benioff and D.B. Weiss, coming off their huge hit with “Game of Thrones,” have liberally translated from the books by Liu Cixin, which has already been adapted for Chinese TV.  

The trilogy of books, which began with “The Three-Body Problem” in 2008, jumps between countries, eras and protagonists as Earth confronts an existential threat. It is considered a sci-fi landmark.  

“Making ‘Game of Thrones’ was the greatest experience of our lives, but we spent 10 solid years living in that fictional world, so we wanted something that presented a new set of challenges on every level,” Weiss said. 

“It’s the story of an impending threat, but it’s tethered by and centered around this core group of characters,” said Benioff. 

The cast includes three of the main actors from “Game of Thrones”: John Bradley as an Oxford scientist, Liam Cunningham as the head of an intelligence agency and Jonathan Pryce as an oil tycoon.  

The showrunners also brought back key members of the effects and production crew — as well as composer Ramin Djawadi — to try to achieve the same grandiose and polished style.   

It was shot to a speedy nine-month schedule across England, Spain, the United Nations headquarters in New York and Cape Canaveral in Florida.  

“Between climate change and the pandemic, we’ve gotten a glimpse into how people in the world react differently to a global threat,” said Weiss. “We see a similar spectrum of reactions in ‘3 Body Problem,’ which resonates with so many of us now.” 
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WASHINGTON — The Islamic holiday of Ramadan is being observed this year as the Israel-Hamas war surges in Gaza, where the United Nations is warning of a growing humanitarian crisis.

Imam Talib Shareef of Masjid Muhammad, the Nation’s Mosque, in Washington said there will be differences in how Muslims observe this year because of the conflict.

Other than organizing prayers for the community, the mosque is “more engaged in service and feeding; we actually feed at the masjid and [also at] shelters, and we also go to other faith communities,” said Shareef, who served for more than 30 years in the U.S. Air Force and helped to establish the first Islamic military chaplain in 1993.

“I do expect that … religious communities are going to be trying to come together,” he said, noting that his mosque also works with churches and gives food to others in the community.

“Obviously [the conflict] is going to be on people’s hearts, on people’s souls, it’s bothering people,” Shareef said.

Nearly 2 billion Muslims around the world will begin observing the Islamic holiday Ramadan, which is expected to begin on March 10 or 11, depending on the sighting of the moon.

During the month of Ramadan, Muslims abstain from food, drink, smoking, gossip and sexual relations from sunrise to sunset. Fasting is meant to bring Muslims closer to God and help them better empathize with those who are less fortunate.

US Muslims

In the United States, the Muslim population is about 3.45 million, which accounts for slightly more than 1% of the population, according to Pew Research.

Depending on where Muslims live in the United States, their experience can vary. In some rural areas, Muslims may not have access to a mosque or a community where they can practice their faith.

This is particularly true for immigrants who move to areas without a large Muslim population.

Jemal Yasin, who immigrated to the U.S. from Ethiopia in 2008 to do postgraduate research at the University of Vermont, described his first experience in the United States as “a little bit lonely.”

He said there was a community of Somali immigrants, though he didn’t get a chance to pray with them.

During that first year in the States, he said he had to “pray in my room by myself,” which he said was a typical experience of many Muslim immigrants.

Now, Yasin is president of the board of directors of a the First Hijrah Foundation in Washington.

The FHF started as a small organization that aimed to “promote and preserve the Islamic heritage,” and “foster the Islamic principles of brotherhood, equality, mutual assistance and teachings of peace, love and justice,” according to its website.

Initially, the organization didn’t have a building, and members of the foundation would meet at one another’s houses. It wasn’t until 2005 that their current building was officially secured, said Yasin.

“This is a center for Muslims, all Muslims. … So, when you come here, you see [people of many] backgrounds – African Americans, Ethiopians, Somalians, Arabs – they will come pray together and break fast together, so this is a place for everybody,” Yasin said.

He added that the foundation works with the community and organizes events for Muslims, before, during and after Ramadan.

When he moved to Washington later in 2008 Yasin became involved with the foundation and was able to be part of a larger Muslim community.

Ramadan observations are becoming more common in the United States, with many organizations hosting events to observe the month.

Shareef said, “We used to have more … private iftars in the past, and now they’re more open … and we are able to share more.”

After sunset, Muslims typically gather for iftar — the breaking of the fast and the most important meal of the day.

Yasin said the foundation helped organize a bazaar on Sunday to help the community prepare for Ramadan. Traditional clothing, incense and foods, such as dates, were sold.

During Ramadan, the First Hijrah Foundation will be providing free iftars for the community each night.

Ramadan this year

The ongoing Israel-Hamas war is the result of an October 7 terror attack in which Hamas crossed into Israel, killing more than 1,200 people and taking more than 240 civilians hostage. The Israeli military response has killed more than 30,000 Palestinians, according to Gaza’s health ministry.

Negotiators are pushing for a possible cease-fire in the Israel-Hamas conflict ahead of the start of Ramadan.
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GENEVA — Former Wimbledon and French Open champion Simona Halep had her four-year doping ban cut to nine months by the top court for global sport on Tuesday, making the former world number one eligible to return to competition immediately. 

Halep was initially banned for four years for two separate anti-doping rule violations. But the Lausanne-based Court of Arbitration for Sport (CAS) ruled that her suspension should be reduced to nine months, a period she has already served. 

“The CAS Panel has unanimously determined that the four-year period of ineligibility imposed by the ITF (International Tennis Federation) Independent Tribunal is to be reduced to a period of ineligibility of nine (9) months starting on 7 October 2022, which period expired on 6 July 2023,” CAS said in a statement. 

The 32-year-old Romanian was suspended in October 2022 after she tested positive for roxadustat – a banned drug that stimulates the production of red blood cells – at the U.S. Open that year. 

She was also charged with another doping offense last year due to irregularities in her athlete biological passport (ABP), a method designed to monitor different blood parameters over time to reveal potential doping. 

Halep had vigorously denied the charges against her. 

Halep blamed contaminated supplements for her positive test at the U.S. Open and accused the International Tennis Integrity Agency (ITIA) of charging her with an ABP violation after the group of experts who assessed her profile learned her identity. 

An independent tribunal accepted Halep’s argument that she had taken contaminated supplements but said the volume she ingested could not have resulted in the concentration of roxadustat found in her positive sample. 

However, the CAS Panel said that while Halep should have been more careful when using the supplement, she did not bear significant fault for the violation.  

Also, the ABP charge was dismissed on the basis that the sample given in late 2022 was shortly after surgery and that Halep had said she was not going to compete for the rest of that year
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LONDON — The estate of Sinead O’Connor asked Donald Trump Monday not to play her music at campaign rallies, saying the late singer considered the former president a “biblical devil.”

Trump has played O’Connor’s biggest hit, “Nothing Compares 2 U,” at events as he campaigns for the Republican presidential nomination.

In a joint statement, O’Connor’s estate and her record label, Chrysalis, demanded Trump “desist from using her music immediately.”

It said the Irish singer, who died last year aged 56, “lived by a fierce moral code defined by honesty, kindness, fairness and decency towards her fellow human beings.”

“It was with outrage therefore that we learned that Donald Trump has been using her iconic performance of Nothing Compares 2 U at his political rallies,” the statement said.

“It is no exaggeration to say that Sinead would have been disgusted, hurt and insulted to have her work misrepresented in this way by someone who she herself referred to as a ‘biblical devil.’ As the guardians of her legacy, we demand that Donald Trump and his associates desist from using her music immediately.”

Fiery and outspoken, O’Connor was a critic of the Roman Catholic Church well before  

allegations of sexual abuse were widely reported, and she was open about her mental health struggles.

She was found unresponsive at her London home in July and pronounced dead at the scene. A coroner ruled that she died of natural causes.

O’Connor joins a growing list of artists who have objected to Trump using their songs, including Rihanna, Neil Young, Linkin Park, the late Tom Petty and Aerosmith’s Steven Tyler.

 
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Jerusalem — Israel on Sunday said it had asked lyricists to revise its proposed Eurovision Song Contest entries, potentially heading off a dispute with organizers over political content.

Authorities last week said Israel would not be able to participate in this year’s edition of the popular competition if organizers rejected the song choice, which reportedly referenced victims of Hamas’s October 7 attack on southern Israel that triggered the ongoing war in Gaza.

Eurovision rules ban political content.

In a statement on Sunday, Israeli public broadcaster Kan said President Isaac Herzog had called for “necessary adjustments” that would ensure Israel’s inclusion in the event, which it has won four times.

This year’s competition is set to be held in Sweden in May.

The Israeli broadcaster “contacted the lyricists of the two selected songs, ‘October Rain’ which was chosen in first place, and ‘Dance Forever’ which came in second place, and asked them to readapt the texts, while preserving their artistic freedom,” the statement said.

“Among the new texts that will be proposed, Kan will choose the song that will be sent to the Eurovision supervisory committee, so that it approves Israel’s participation in the competition.”

The selected song, to be performed by 20-year-old Russian-Israeli singer Eden Golan, will be revealed on March 10, the statement said.

One line from the original lyrics of “October Rain” read: “They were all good children, every one of them.”

“There is no air left to breathe, There is no place for me,” the song ends, according to Kan, which has published the lyrics in full on its website.

Israel in 1973 became the first non-European country to enter Eurovision, and its participation and hosting of the event have regularly run into controversy.

In 2019, Icelandic band Hatari, who previously challenged Prime Minister Benjamin Netanyahu to a Nordic folk wrestling match, made pro-Palestinian statements during the vote count in Tel Aviv.

Organizers also gave US pop icon Madonna a ticking off after her dancers flouted political neutrality rules by wearing Israeli and Palestinian flags on their costumes.

This year’s competition comes against the backdrop of the war, sparked by the Hamas attack which resulted in the deaths of around 1,160 people in Israel, according to an AFP tally based on official figures.

Militants also took about 250 hostages, with 130 still held in Gaza although 31 are believed to be dead, Israeli officials said.

Israel’s military response has killed at least 30,410 people in Gaza, according to the health ministry in the Hamas-run territory.

Kan late last month said it had “no intention to replace the song,” threatening to withdraw unless the European Broadcasting Union which oversees the song contest approves its entry.

But Herzog “emphasized that it is precisely at a time when those who hate us are seeking to repress and boycott the State of Israel” that the country “must raise its voice… loud and clear in every world forum,” Sunday’s Kan statement said.

 
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LONDON — Singer-songwriter Raye was the big winner Saturday at the BRIT Awards, the biggest night in British music, setting a new record for most prizes in one night at the annual ceremony.

Raye won six awards, including for artist of the year, album of the year for My 21st Century Blues and song of the year for Escapism.

The 26-year-old also triumphed in the genre category for R&B act and was named best new artist. Her tally of seven nods had broken the record for the most nominations by a single artist in any one year, according to the annual ceremony’s organizers, the British Phonographic Industry (BPI).

Raye, who parted ways with her record label in 2021 to work as an independent artist after she said the label had withheld her debut album, began early celebrations this week, when she was named BRITs Songwriter of the Year. She is the first woman to win the award since its launch in 2022.

“You just don’t understand what this means to me,” a tearful Raye said in her acceptance speech for album of the year, while standing next to her grandmother, whom she also thanked for “her prayers.”

“I’m so proud of this album. I’m in love with music. All I ever wanted to be was an artist and now I’m an artist with an album of the year.”

Jungle won group of the year, while rock band Bring Me the Horizon won the alternative/rock act category, beating the likes of Blur and The Rolling Stones.

Blur, who had three nominations, went home empty-handed.

Dua Lipa, who also had three nominations, won pop act.

More than half, 55%, of this year’s nominations featured women, either as a solo artist or as part of an all-woman group, the BPI said.

Artist of the year is a gender-neutral category now counting 10 nominees after organizers doubled its number following an outcry over an all-male list of contenders last year.

U.S. singer SZA won the gender-neutral international artist of the year category, which also now counts 10 nominees, beating the likes of Taylor Swift and Miley Cyrus. The latter won international song of the year for her hit Flowers.

Indie rock band boygenius won international group of the year.

Ahead of the awards, Kylie Minogue was named as this year’s BRITs Global Icon, while indie rock band The Last Dinner Party were revealed as winners of the rising star award. 
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