Arts

arts and entertainment news

Robert Rodriguez Reboots ‘Spy Kids,’ Turns Family Passion Into Legacy

It’s been more than 20 years since “Spy Kids” made its way to movie theaters around the world. Filmmaker Robert Rodriguez has rebooted the franchise to attract a new generation. VOA’s Veronica Villafañe spoke with the director and has more in this report.

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Narges Mohammadi Wins Nobel Peace Prize for Fighting Women’s Oppression in Iran

Imprisoned activist Narges Mohammadi won the Nobel Peace Prize Friday for fighting the oppression of women in Iran.

“She fights for women against systematic discrimination and oppression,” said Berit Reiss-Andersen, the chair of the Norwegian Nobel Committee who announced the prize in Oslo.

Authorities arrested Mohammadi in November after she attended a memorial for a victim of violent 2019 protests.

Mohammadi has a long history of imprisonment, harsh sentences and international calls for reviews of her case.

Before being jailed, Mohammadi was vice president of the banned Defenders of Human Rights Center in Iran. Mohammadi has been close to Iranian Nobel Peace Prize laureate Shirin Ebadi, who founded the center.

Ebadi left Iran after the disputed re-election of then-President Mahmoud Ahmadinejad in 2009 that touched off unprecedented protests and harsh crackdowns by authorities. In 2018, Mohammadi, an engineer, was awarded the 2018 Andrei Sakharov Prize.

In 2022, Mohammadi was tried in five minutes and sentenced to eight years in prison and 70 lashes.

The Nobel Prizes carry a cash award of 11 million Swedish kronor (about $1 million). Winners also receive an 18-carat gold medal and diploma at the award ceremonies in December.

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Musical About Tiananmen Square Opens Amid Fears Over China’s Response

For years, Chinese officials have referred to the Tiananmen massacre as “political turmoil” and have attempted to make the violence of June 4, 1989, disappear.

Estimates of the death toll range from several hundred people to more than 10,000, though there has never been an official tally released. Thousands more were injured by troops who charged the student-led pro-democracy demonstration that began massing in Beijing’s vast open space in mid-April.

Against that backdrop, Tiananmen: A New Musical weaves a love story between two students in a production that opened Wednesday at the Phoenix Theatre Company in Arizona. Its world premiere will be Friday night.  

Wu’er Kaixi, who was one of the protest leaders and who now lives in Taiwan where he is a pro-democracy activist, served as a creative consultant.  

It is the latest in a subset of musicals that tackle serious issues. Cabaret addresses homophobia, antisemitism and the rise of Nazi Germany. Dear Evan Hansen grapples with suicide and bullying.  

It took three years to produce Tiananmen. Beijing’s growing willingness to track down its critics and exert pressure on them left many who auditioned wary of accepting roles that jeopardize family or business interests in China.  

The show’s musical director, theater veteran Darren Lee, told VOA Mandarin that before accepting the job, he had a career first: calling his parents to see if there were relatives still in China who would be endangered.

His family’s “most studious aunt” with the best “memory and connection to where we’ve all come from” greenlit Lee’s participation. The show’s original Chinese American director left the show because of “potential for retribution against his family in China if he were involved in telling this story,” Lee told Phoenix magazine.  

Lee said one of the core messages of the Tiananmen play is to explore the impact of this “long arm of fear” on people.  

“I’m an American-born Chinese person. I may share DNA with people in China, but I don’t have direct relatives that would be pressured in any way. So, I don’t have that same sense of — I guess it’s fear,” he said.

Producer Jason Rose said others involved in the show opted out due to concerns about family or business interests in China. Others used stage names or were credited as “Anonymous.”

Rose told VOA Mandarin he respected those decisions, but the show kept moving ahead despite possible pressure from Beijing.

“That’s what drew me to this show,” he said. “It is provocative. It is important. It is a celebration of bravery by these artists. … That is American art at its best, and to allow another country to dictate what’s going to be on the American stage — I’m sorry, that’s where I’ll hold up my hand and say, ‘Let’s go try and do this.’”

And while Kaixi hopes audiences will feel the students’ courage and the atmosphere of hope that permeated Tiananmen Square, he wants people to realize that the rulers of today’s China are no different from those who “decided to shoot and kill people” in 1989.

That view is reflected in a scene described by Rose in an opinion piece Sept. 15 in the Arizona Capitol Times. China’s leader in 1989, Deng Xiaoping, walking through the carnage left by the government’s attack, delivers a monologue: “People will forget what happened here. People will forget what we did here. Westerners will. China will. Because you will want smartphones. Because Beijing will want skyscrapers. Twenty-thousand dying will bring 20 years of stability. Political power grows out of the barrel of a gun. And at the edge of memory, who defines the truth? Me.”

VOA Mandarin sought comment from the Chinese Consulate General in San Francisco but did not receive a response.

Ellie Wang, who stars opposite Kennedy Kanagawa in Tiananmen, told Playbill, “This production is not just a celebration of art and storytelling but a powerful reminder of the importance of courage, resilience, and the universal desire for freedom.” 

Wen Baoling, a Hong Konger who lives in San Francisco, traveled to Phoenix to attend a preview of the show, which has a book by Scott Elmegreen, with music and lyrics by Drew Fornarola.

“I really wanted to support this team of very brave people who made this show about the Tiananmen massacre,” she said. “The Chinese regime tries to put a lot of pressure on people, even outside of China. So, we can’t really let the censorship — this complete erasure of history — we can’t let the Chinese regime extend that censorship outside of China and into the U.S.”

Audience member Jerry Vineyard told VOA Mandarin he had followed the Tiananmen protests when they began. He said the musical “brought up a lot of memories for me … because I remember I was in high school, I was 17, when all this happened. And I felt a lot of hope when I saw that started to happen. And then it just seemed like it was all dashed and crushed. And then … they mentioned in the play, the [Berlin] Wall came down shortly after. So, [Tiananmen] kind of got brushed away in history.”

Kaixi said the students’ pro-democracy movement of 1989 remains “unfinished business.”

“I hope everyone will remember this history, respect this history, and eulogize this history. This generation of young people, with their dedication and their bravery, can achieve the results we wanted,” he said.

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NFL Hall of Fame Linebacker Butkus Dies at 80 

A photo of Dick Butkus sneering behind his facemask filled the cover of Sports Illustrated’s 1970 NFL preview, topped by the headline, “The Most Feared Man in the Game.” Opponents who wound up on the business end of his bone-rattling hits could testify that wasn’t an exaggeration. 

Butkus, a middle linebacker for the Chicago Bears whose speed and ferocity set the standards for the position in the modern era, died Thursday, the team announced. He was 80. 

According to a statement released by the team, Butkus’ family confirmed that he died in his sleep at his home in Malibu, California. 

Butkus was a first-team All-Pro five times and made the Pro Bowl in eight of his nine seasons before a knee injury forced him to retire at 31. He was the quintessential Monster of the Midway and was elected to the Pro Football Hall of Fame in 1979, his first year of eligibility. He is still considered one of the greatest defensive players in league history. 

“Dick Butkus was a fierce and passionate competitor who helped define the linebacker position as one of the NFL’s all-time greats. Dick’s intuition, toughness and athleticism made him the model linebacker whose name will forever be linked to the position and the Chicago Bears,” NFL Commissioner Roger Goodell said in a statement. “We also remember Dick as a longtime advocate for former players, and players at all levels of the game.” 

A moment of silence honoring Butkus was held before the Bears played  the Washington Commanders on Thursday night. 

Trading on his image as the toughest guy in the room, Butkus enjoyed a long second career as a sports broadcaster, an actor in movies and TV series, and a sought-after pitchman for products ranging from antifreeze to beer. Whether the script called for comedy or drama, Butkus usually resorted to playing himself, often with his gruff exterior masking a softer side. 

“I wouldn’t ever go out to hurt anybody deliberately,” Butkus replied tongue-in-cheek when asked about his on-field reputation. “Unless it was, you know, important … like a league game or something.” 

Butkus was the rare pro athlete who played his entire career close to home. He was a star linebacker, fullback and kicker at Chicago Vocational High who went on to play at the University of Illinois. Born on December 9, 1942, as the youngest of eight children, he grew up on the city’s South Side as a fan of the Chicago Cardinals, the Bears’ crosstown rivals. 

But after being drafted in the first round in 1965 by both the Bears and Denver Broncos (at the time, a member of the now-defunct American Football League), Butkus chose to remain in Chicago and play for NFL founder and coach George Halas. The Bears also added future Hall of Fame running back Gale Sayers to the roster that year with another first-round pick. 

“He was Chicago’s son,” Bears chairman George McCaskey, Halas’ grandson, said in a statement. “He exuded what our great city is about and, not coincidentally, what George Halas looked for in a player: toughness, smarts, instincts, passion and leadership. He refused to accept anything less than the best from himself, or from his teammates.” 

Butkus inherited the middle linebacker job from Bill George, a Hall of Famer credited with popularizing the position in the NFL. In 1954, George abandoned his three-point stance in the middle of the defensive line and started each play several paces removed, a vantage point that allowed him to watch plays unfold and then race to the ball. 

Butkus, however, brought speed, agility and a scorched-earth attitude to the job that his predecessors only imagined. He intercepted five passes, recovered six fumbles and was unofficially credited with forcing six more in his rookie year, topping it off with the first of eight straight Pro Bowl appearances. But his reputation as a disruptor extended well past the ability to take away the football. 

Butkus would hit runners high, wrap them up and drive them to the ground like a rag doll. Playboy magazine once described him as “the meanest, angriest, toughest, dirtiest” player in the NFL and an “animal, a savage, subhuman.” Descriptions like that never sat well with Butkus. But they were also hard to argue. 

Several opponents claimed Butkus poked them in the face or bit them in pileups, and he acknowledged that during warmups, “I would manufacture things to make me mad.” When the Detroit Lions unveiled an I-formation against the Bears at old Tigers Stadium, Butkus knocked every member of the “I” — the center, quarterback, fullback and halfback — out of the game. 

And he didn’t always stop there. Several times Butkus crashed into ball carriers well past the sidelines. More than once he pursued them onto running tracks surrounding the field and even into the stands. 

“Just to hit people wasn’t good enough,” teammate Ed O’Bradovich said. “He loved to crush people.” 

Despite those efforts, the Bears lost plenty more games during his tenure than they won, going 48-74-4. Dealing with tendon problems that began in high school, Butkus suffered a serious injury to his right knee during the 1970 season and had preventive surgery before the next one. He considered a second operation after being sidelined nine games into the 1973 season. 

When a surgeon asked him “how a man in your shape can play football, or why you would even want to,” Butkus announced his retirement in May 1974. 

Soon after, Butkus sued the Bears for $1.6 million, contending he was provided inadequate medical care and owed the four years of salary remaining on his contract. The lawsuit was settled for $600,000, but Butkus and Halas didn’t speak for five years. 

Butkus, like Sayers, never reached the postseason. The Bears won the 1963 championship and by the time they made the playoffs again in 1977, Butkus and Sayers were long gone. 

After leaving football, Butkus became an instant celebrity. He appeared in “The Longest Yard” in 1974 and a dozen feature films over the next 15 years, as well as the sitcoms “My Two Dads” and “Hang Time.” He also returned to the Bears as a radio analyst in 1985, and replaced Jimmy “The Greek” Snyder on CBS’s “The NFL Today” pregame show in 1988. 

Through the Butkus Foundation, he helped establish a program at a Southern California hospital to encourage early screenings to detect heart disease. He promoted a campaign to encourage high school athletes to train and eat well and avoid performance-enhancing drugs. 

The foundation oversees the Butkus Award, established in 1985 to honor college football’s best linebacker. It was expanded in 2008 to include pros and high school players. 

Butkus is survived by his wife, Helen, and children Ricky, Matt and Nikki. Nephew Luke Butkus has coached in college and the NFL, including time with the Bears.

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Renowned Zimbabwean Author Receives Africa Freedom Prize

Zimbabwean author Tsitsi Dangarembga received the Africa Freedom Prize in Johannesburg on Thursday, which is awarded to individuals who “have shown remarkable courage and dedication to advancing the cause of freedom, democracy and human rights on the African continent.”

Tsitsi Dangarembga has long been one of Zimbabwe’s most highly regarded and beloved fiction writers — from her lauded first novel “Nervous Conditions” in 1988 to “This Mournable Body,” which was shortlisted for the Booker Prize in 2020. 

Tinashe Mushakavanhu, a research fellow at the University of Oxford who specializes in Zimbabwean literature, said Dangarembga has a place in the modern canon.

“Her most important contribution is being the first Black, Zimbabwean woman writer to publish a novel in English. In that sense, she is a pioneer and a leading light, so much that her book, “Nervous Conditions,” is considered one of the best African books of the 20th century,” said Mushakavanhu.

That’s one of the reasons the Friedrich Naumann Foundation for Freedom, which promotes liberal politics and democracy around the world, is awarding Dangarembga their greatest honor today. She is also the recipient of the 2021 PEN International Award for Freedom of Expression. 

Aside from her writing, Dangarembga has made headlines for her political activism. The 64-year-old was convicted by a Zimbabwean court last year of “inciting violence” after staging a peaceful protest with a friend during which the two women stood quietly on a roadside holding placards calling for political reform. That conviction was overturned earlier this year by a higher court.  

So, would Dangarembga consider herself a political writer?

“I don’t conceive of myself as an activist writer. I conceive of myself as a person who has a story to tell, and my story has an intention. My intention is to tell stories in which Zimbabweans can see themselves reflected. And I think that is important for the well-being of the individual — to understand the complexities of the lives they are living and the challenges, and to possibly point to possible solutions. And I think when individuals are able to engage in that process, it leads to the health of the nation,” she said.

After independence in 1980, the former British colony was ruled by one man, Robert Mugabe, for almost four decades until he was overthrown in a bloodless coup in 2017. His successor from the same party, President Emmerson Mnangagwa, has failed to fix the country’s broken economy and has cracked down on dissent.

The political opposition called the last elections, held in August, a fraud, and the Southern African Development Community, which sent a mission to observe polls, expressed concerns over the fairness of the vote.

Among the previous winners of the Africa Freedom Prize are Nigerian novelist Chimamanda Ngozi Adichie.

Danai Mupotsa, a senior lecturer in African literature at Johannesburg’s Witwatersrand University, notes that female writers from the continent have been receiving more attention and accolades lately.

“There’s definitely a particular kind of moment for African writers and African women writers, I think, in particularly the last 10 years,” said Mupotsa.

Asked about this, Dangarembga said what it indicates is the publishing world has “’shifted to open up” and is publishing more work by African woman writers.

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Norwegian Author Fosse Wins Nobel Prize in Literature

Norwegian author Jon Fosse has been awarded this year’s Nobel Prize in Literature.

The Swedish Academy highlighted what it said were Fosse’s “innovative plays and prose, which give voice to the unsayable.”

“His immense oeuvre written in Norwegian Nynorsk and spanning a variety of genres consists of a wealth of plays, novels, poetry collections, essays, children’s books and translations,” the academy said.

Fosse never achieved popular recognition outside of Norway. But within literary circles, the 64-year-old playwright is considered among the greatest of all time.

He has been honored across Europe and was even knighted in France in 2007. Norway’s government has long covered his living expenses and financed his work with a lifetime stipend.

The American writer Damion Searls described Fosse as “probably the best craftsman of them all.” Others have likened him to Henrik Ibsen, whose 19th century plays popularized modernism in theater.

Fosse had limited success as a playwright until he finally made a name for himself in his 40s, with a 1998 showing of his first-ever play in Paris, called Nokon kjem til å komme, or, in English, Someone Is Going to Come.

Since then, Fosse’s plays have been produced in more than 60 countries, his translator said.

While many in theater are celebrating Fosse’s victory, critics have long accused the Committee of unfairly favoring European and white writers, snubbing artists of color from the Global South.

The Nobel announcements began Monday with the prize in Medicine going to Hungary’s Kataline Kariko and Drew Weissman of the United States for their joint research that led to the rapid development of the mRNA COVID vaccines.

The academy on Tuesday awarded the Nobel Prize in Physics to Pierre Agostini, Ferenc Krausz and Anne L’Huillier for their individual efforts that led to the creation of “extremely short pulses of light that can be used to measure the rapid processes in which electrons move or change energy.”

On Wednesday, Moungi Bawendi, Louis Brus and Alexei Ekimov were awarded the Nobel Prize in Chemistry for their work in advancing the field of nanotechnology.

The Nobel Peace Prize will be announced Friday, followed by the final prize for economic sciences on Monday.

All the categories except economics were established in the will of 19th century Swedish businessman Alfred Nobel, who made a fortune with his invention of dynamite.

The first Nobel Prizes were awarded in 1901, five years after his death.

The economics prize was established in 1968 by Sweden’s central bank Sveriges Riksbank in Nobel’s memory, with the first laureates, Norway’s Ragnar Frisch and Jan Tinbergen of the Netherlands, announced the next year.

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Elite Pilots Prepare for Prestigious Gas Balloon Race

It’s been 15 years since the world’s elite gas balloon pilots have gathered in the United States for a race with roots that stretch back more than a century.

The pilots will be launching for this year’s Gordon Bennett competition during an international balloon fiesta that draws hundreds of thousands of spectators to the heart of New Mexico each fall. The race has been held in the United States only 13 times before, and this will be the fifth time the Albuquerque International Balloon Fiesta has played host.

The launch window opens Saturday evening for what is billed as one of the most prestigious events in aviation.

Some worry that the massive spheres could be mistaken for Chinese spy balloons as they traverse the upper reaches of America’s airspace. But the pilots who will be racing aren’t worried. They’re more concerned about charting a course that will keep them out of bad weather and give their hydrogen-filled balloons a path to victory.

There are no stops to refuel or to pick up extra supplies. They will be aloft for days, carrying everything they need to survive at high altitude as they search for the right combination of wind currents to push their tiny baskets as far as they can go. Prevailing winds are expected to carry the competitors through the Midwest toward the northeastern U.S. and potentially into Canada.

A Belgium team holds the record for traveling just over 3,400 kilometers in 2005. A German team was added to the record books for staying aloft the longest — more than 92 hours — during the 1995 competition. Willi Eimers, a member of that German team, holds the record for the number of times a pilot has competed in the race. He and his son, Benjamin, are back this year to defend their title.

Albuquerque balloonists Barbara Fricke and husband Peter Cuneo will be among three American teams. Their ballooning résumé includes four wins in the America’s Challenge long-distance gas balloon race, and third- and fourth-place finishes in previous Gordon Bennett competitions.

The couple are at a slight disadvantage because of their height. Their long legs make it tough to squeeze into a basket that is about 1.22 meters by 1.52 meters wide. They do have a trap door on the side so they can stretch out if needed.

On a recent day, Fricke and Cuneo had their equipment spread out on their living room floor as they checked their radio, transponder and GPS unit. A small solar panel and batteries will help to keep things charged while in the air. Dried foods, including Cheez-Its, are on the in-flight menu.

The idea was to get everything ready in advance so they could rest in the days leading up to the race and get themselves in the right state of mind.

“You’ve got to start thinking — yes, I’m going to live in this basket for three days, and this is going to be home, and I’m just camping out in the sky,” Fricke said.

Another U.S. entry in the race is the team of Mark Sullivan and Cheri White, both of whom have a long list of accolades: Sullivan holds the record for the most competition gas balloon flights — 25 Gordon Bennett flights and 21 America’s Challenge races, while White has flown in the Gordon Bennett 14 times, the most ever by a female pilot.

Sullivan, president of the FAI Ballooning Commission, said this will be an important year as the fiesta is partnering with hydrogen company BayoTech on a new system to convert high-pressure gas typically used for the long-haul trucking industry and other vehicles so that it can fill the race balloons.

Pilots and organizers say hydrogen has been hard to come by.

Never mind the cost — it can be a few thousand dollars to fill a 1,000 cubic meter balloon.

Sullivan got his first taste of gas ballooning in 1985. After launching from a rural area east of Albuquerque, he and fellow pilot Jacques Soukup tried to land in West Texas. The wind was howling, and they busted through a barbed wire fence. They bailed from the basket as it got dragged for another a mile, crashing through more barbed wire and herds of horses and cattle.

The balloon was shredded, the basket was mangled and Sullivan was hooked on the sport.

Competitive gas ballooning is something of an exclusive club, but Sullivan and others are trying to get a new generation involved by training younger pilots.

There have been many technological advancements over the years — baskets are now made of carbon fiber, mapping and tracking apps are top-notch, and equipment is getting lighter and more compact.

But the pilots still take great pains to ensure sure they’re at fighting weight. Every pound shaved means they might be able to add another ballast — extra weight in the form of sandbags or water jugs that are used to help keep the balloon flying longer.

Unlike the colorful hot air balloons that ascend en masse during the Albuquerque International Balloon Fiesta by using heated ambient air, gas balloons have an envelope filled with a gas lighter than air — usually hydrogen. Some of the gas is lost as it expands and contracts as temperatures fluctuate throughout the day, so pilots get rid of ballast to maintain altitude.

Teams dress in layers — long johns, hats, gloves and hand warmers for the frigid overnight and morning hours. In the afternoon, the sun can be more intense at high altitude.

Sullivan, 73, spent last week getting his basket ready and reviewing his checklist. It depends on where he and White are flying, but sometimes survival suits and inflatable life rafts are on the list.

He recalled the Gordon Bennett competition that occurred after the 9/11 attacks in 2001. The gas balloons were the only things in the sky as planes were still grounded.

In 1995, two fellow Americans were killed when they were shot down over Belarus by the military. Sullivan and his copilot were detained when they landed in the country.

Every flight is different, with the pilots never sure about where they might land. Risk is inherent, and they know how far they can push the envelope.

“It’s the adventure,” Sullivan said. “Every year when we land, we say, ‘We’re not doing this. It’s crazy.’ Then you decide, ‘OK, let’s go up there.’ Because once you get up there, it’s wonderful — just that experience of flying.”

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2030 World Cup Set to Take Place Across Three Continents

The 2030 World Cup will play out across three continents, FIFA, soccer’s governing body, announced Wednesday. 

The World Cup is usually limited to one host nation, sometimes two. But 2030’s edition will be hosted by an unprecedented six countries:  Spain, Portugal, Morocco, Argentina, Paraguay and Uruguay. 

Originally, Spain and Portugal proposed to host the 2030 World Cup jointly. Their bid expanded to include Morocco. Bid rivals Argentina, Paraguay and Uruguay joined next. 

The unprecedented intercontinental tournament could open in Uruguay’s capital, Montevideo, where the inaugural World Cup was played in 1930. 

“The centennial World Cup could not be far from South America, where everything began,” said Alejandro Dominguez, president of South America’s soccer federation CONMEBOL. 

FIFA’s tricontinental World Cup plan awaits formal approval in 2024 at a conference of 211 worldwide soccer federations. That vote is typically a formality. 

Like 2026’s World Cup, 2030’s is scheduled for June and July of that year and will feature 48 teams vying for soccer’s most prestigious trophy, with 104 games to be played in total. 

National teams will have to cover vast distances and adjust to time zone shifts to participate. 

“In 2030, we will have a unique global footprint, three continents … six countries … welcoming and uniting the world while celebrating the beautiful game, the centenary and the FIFA World Cup,” FIFA President Gianni Infantino said. 

Now that a decision has been reached over where the 2030 World Cup will take place, the 2034 World Cup bidding contest will start soon. The 2034 World Cup will be limited to FIFA member nations in Asia and Oceania. Saudi Arabia and Australia have both expressed interest. 

Some information for this report is from The Associated Press.

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Award-Winning Chef Empowers Women in Turkey’s Ancient City of Mardin

When members of a tourist group did not like the food in the only restaurant in Turkey’s ancient city of Mardin in 2000, their tour guide, Ebru Baybara Demir, invited them to her home for dinner. That decision created a whole new life and career for Demir. VOA’s Mahmut Bozarslan has this report from Mardin, narrated by Begum Donmez Ersoz.

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Striking Actors Hope to Match Writers’ Success at Curtailing AI

Hollywood actors on strike want to limit the use of Artificial Intelligence in moviemaking, hoping for the same success as Hollywood writers, who ended their five-month strike last week after a deal with major studios. From Los Angeles, Genia Dulot has our story. Video edit: Bakhtiyar Zamanov

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Muslim Comic Creators Changing Islamic Stereotypes

Muslim comic creators are working to change Islamic stereotypes in American pop culture. Genia Dulot has our story, with videography by Roy Kim.

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World Culture Festival brings hundreds of thousands together at Washington’s National Mall  

The fourth edition of the World Culture Festival brought together hundreds of thousands of people from all around the world to the National Mall in Washington Sept. 29 through Oct. 1. First held in Bangalore in 2006, the festival continued in 2011 in Berlin and 2016 in Delhi. That event was attended by more than 3 million people. VOA’s Saqib Ul Islam has more.

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Macedonian-Born Soccer Coach’s Winning Legacy in Maryland

For 31 years Macedonian-born Sasho Cirovski coach has instilled his passion for excellence into the University of Maryland’s soccer program. The result is success on and off the field. VOA’s Jane Bojadzievski reports. Camera, edit: Larz Lacoma

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Seattle Hotel Preserves Memory of Dark Time for Japanese Americans

During World War II, the basement of Seattle, Washington’s Panama Hotel was where local Japanese Americans stored their belongings before being incarcerated in camps. For the Panama’s current owner, preserving its dark history became her life’s work. Natasha Mozgovaya has the story. (Camera: Natasha Mozgovaya)

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Colombian Artist Botero Gets Last Goodbye in His Birthplace

Colombian artist Fernando Botero, who died in September, was known for his plump, colorful and playful portraits of all levels of society – from a Colombian seamstress to crime boss Pablo Escobar to the pope. His ashes will be buried in Italy, but before that his remains made a stop in his native city of Medellin. For VOA, Austin Landis reports from Medellin.

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‘PAW Patrol’ Sequel Is Top Dog at Box Office

After several quiet weeks in movie theaters, four films entered wide release over the weekend. “PAW Patrol: The Mighty Movie” came out the top dog, with $23 million in ticket sales, according to studio estimates Sunday.

The performances of all four films – “PAW Patrol: The Mighty Movie,” “Saw X,” “The Creator” and “Dumb Money” – told a familiar story at the box office. What worked? Horror and animated franchises. What didn’t? Originality and comedy.

“PAW Patrol,” from Paramount Pictures and Spin Master, had timing on its side. The film, a sequel to the 2021 “PAW Patrol” movie adapted from the Nickelodeon TV series, was the first family animated movie in theaters since “Teenage Mutant Ninja Turtles: Mutant Mayhem” was released in early August.

The first “PAW Patrol,” released during the pandemic, debuted with $13 million while simultaneously releasing on Paramount+, and its success in both arenas was a contributing factor in leading Nickelodeon chief Brian Robbins to be named head of Paramount. A third “PAW Patrol” movie has already been green-lit.

“Paw Patrol: The Mighty Movie,” which cost $30 million to make, added $23.1 million in overseas sales.

“Saw X,” the tenth release in the long-running horror series, managed to bounce back from a franchise low with an opening weekend of $18 million for Lionsgate. The previous “Saw” movie, 2021’s “Spiral,” starring Chris Rock, debuted with $8.8 million and totaled $23.3 million domestically.

But the 10th “Saw” doubled back on gore and brought back Tobin Bell as the serial killer Jigsaw. It came away with the franchise’s best opening weekend in more than a decade and strong audience scores.

The $13-million production was also the widest “Saw” release yet, playing in 3,262 theaters. Since James Wan’s 2004 original, the “Saw” franchise — the flagship series of so-called torture porn — has made more than $1 billion worldwide.

“The Creator,” an $80 million movie financed by New Regency and distributed by Disney’s 20th Century Studios, was easily the biggest film to launch in theaters over the weekend but struggled to catch on. It grossed a modest $14 million at 3,680 theaters while adding $18.3 million internationally.

The film, directed by Gareth Edwards, stars John David Washington as an undercover operative in an AI-dominated future. “The Creator” drew mostly positive reviews and a B+ CinemaScore from audiences.

Sony Pictures’ “Dumb Money,” expanded nationwide after two weeks of limited release but failed to ignite the kind of populist movement it irreverently dramatizes. The film, directed by Craig Gillespie, came away with a disappointing $3.5 million in 2,837 locations.

“Dumb Money,” starring an ensemble of Paul Dano, Pete Davidson, Seth Rogen, American Ferrera and Anthony Ramos, turns the GameStop stock frenzy into a ripped-from-the-headlines underdog tale of amateur traders rattling Wall Street. While all the weekend’s new releases were hampered by the ongoing SAG-AFTRA strike, “Dumb Money” would have especially benefitted from its cast hitting late-night shows and other promotions.

Made for $30 million, “Dumb Money” wasn’t a massive bet. But it represented the kind of movie – a mid-budget, acclaimed original mostly targeted at adults – that Hollywood seldom makes anymore. As the industry enters an awards season a year after many high-profile contenders (among them “Tár” and “The Fabelmans”) failed to catch on in theaters, the results for “Dumb Money” may be cautionary for films queuing up.

The weekend’s other notable success came from a four-decade-old concert film. The 4K restoration of the Talking Heads concert film “Stop Making Sense” made $1 million on 786 screens, and surely led all movies in the number of dancing moviegoers. The Jonathan Demme film has surpassed $3 million thus far. Indie distributor A24 promised it will “have audiences dancing in the aisles around the world for a very long time to come.”

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday.

  1. “PAW Patrol: The Mighty Movie,” $23 million.

  2. “Saw X,” $18 million.

  3. “The Creator,” $14 million.

  4. “The Nun II,” $4.7 million.

  5. “The Blind,” $4.1 million.

  6. “A Haunting in Venice,” $3.8 million.

  7. “Dumb Money,” $3.5 million.

  8. “The Equalizer,” $2.7 million.

  9. “Expend4bles,” $2.5 million.

  10. “Barbie,” $1.4 million.

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Celebrated Syrian Author Khaled Khalifa Dead at 59

Syrian writer and veteran government critic Khaled Khalifa has died of cardiac arrest at the age of 59 at his home in Damascus, a close friend told AFP.  

Khalifa, who hailed from Maryamin in northwestern Aleppo province, was celebrated for his novels, television screenplays and newspaper columns, and honored with several of the Arab world’s top literary awards.  

He “died in his home alone in Damascus” on Saturday, said journalist Yaroub Aleesa, who had spent time with the author during his final days. “We called him repeatedly and he didn’t respond. When we went to his home, we found him dead on the sofa.”  

Doctors at the Abbassiyyin Hospital in Damascus said the cause of death was a heart attack.  

Khalifa gained fame as a writer of several popular Syrian TV series in the early 1990s.  

He was known as a staunch opponent of the ruling Baath party and his columns criticizing the authorities.  

But despite his well-known stance, he chose to remain in the country after the 2011 civil war broke out with the repression of protests aimed at the government.  

“I am staying because this is my country,” he said in a 2019 interview. “I was born here, I live here, and I want to die here!”  

His 2006 novel In Praise of Hatred was shortlisted for the International Prize for Arab Fiction — often dubbed the Arab Booker prize — and was translated into six languages.  

The novel recounts the story of a young Syrian woman from Aleppo who escapes her sequestered life by joining a jihadi organization.

In 2013, his novel No Knives in the Kitchens of this City won the Naguib Mahfouz literature prize, Egypt’s top accolade for writers.

It focuses on the lives of Syrians under the rule of the Baath party headed by President Bashar al-Assad.

The writer’s death sparked a wave of condolences on social media from fellow writers and members of Syria’s exiled opposition.

“Goodbye, you kind man,” wrote Syrian writer and academic Salam Kawakibi.

Khalifa was expected to be buried later Sunday in Damascus, though details of the funeral had yet to be disclosed.

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Inspired by Llamas and Mother Earth, Chilean Craftswomen Weave Sacred Textiles

In northern Chile, Teofila Challapa learned to weave surrounded by the hills and sandy roads of the Atacama Desert.

“Spin the threads, girl,” her grandmother told her a half a century ago.

Aymara women like Challapa, now 59, become acquainted with wool threads under blue skies and air so thin that outsiders struggle to breathe. While herding llamas and alpacas through scarce grasslands 11,500 feet above sea level, they create their first textiles.

“We had no clothes or money, so we needed to learn how to dress with our own hands,” said Challapa, sitting next to fluffy alpacas outside her humble home in Cariquima, a town with fewer than 500 inhabitants near the Chile-Bolivia border.

The knowledge of her craft passes on from one generation to another, securing Aymara families’ bond with their land.

Challapa prays before beginning her work: “Mother Earth, give me strength, because you’re the one who will produce, not me.”

Among the 3 million Aymaras who live along the borders of Chile, Perú and Bolivia, the Earth is known as “Pachamama.” Homages and rituals requesting her blessings are intertwined in everyday life.

“I believe in God, but the Earth provides us with everything,” Challapa said.

Pachamama offers Challapa inspiration for her textiles, connections to ancestors and her cultural identity. It provides means for survival, too.

“My animals are my mother,” Challapa said.

Her alpacas and llamas were a source of meat, wool and company during the tough years she spent raising her children as a single mother.

In the neighboring town of Colchane, Efrain Amaru and Maria Choque share their one-floor house with Pepe, an elegant white llama that flirts with visitors.

“To be an artisan, one must have the raw materials,” said Amaru, a 60-year-old descendant of Aymara craftsmen. His parents taught him how to raise camelids that produce the finest wool. “You have to communicate with your animals because they are part of you.”

Ahead of Pachamama Day, on August 1, the couple prepared a ritual honoring Mother Earth. Over a mantle they weaved for the occasion, they placed grains from their crops and pieces of wool — among other objects they are grateful for — and asked for prosperity.

“We make offerings hoping for good seeds and crops, welfare for our animals and rain,” Choque said. “Then we turn to the moon and the stars. Our grandparents told us that those are the souls of our ancestors, who look at us from above.”

Choque learned how to turn wool into thread when she was 6. Without toys to play with, Choque said, she and her peers spent their days watching their elders weave — a demonstration of the craft and how to live fulfilling lives.

Her grandmother was her first teacher. After giving her a sewing needle, she taught Choque how to produce socks and hats. Vests and ponchos came after that.

Once a young disciple masters sewing needles, she moves on to weaving on looms. A few years later, she’ll face her utmost challenge: weaving her own “aksu,” the Aymara’s most precious and traditional garment.

“My aksu is not a suit,” Choque said. “It’s a part of me. When I was little, I wore mine daily, until I had to wear a uniform for school.”

From wool production to fabric making, the entire textile-making process can take up to two years.

Aymara craftswomen shear their animals in October, when the weather is milder. Their llamas keep a few inches of wool to keep them warm and ready for the “floreo.” During this ancient ritual celebrated in February, Aymaras tie wool flowers and pompoms to their camelids identifying them as their property and thanking Pachamama for abundance.

Once the wool is collected and clean, craftswomen manipulate it with the tip of their fingers and pull threads out of it, creating skeins that are mounted on their looms for weaving.

Through the income they made from the sale of their textiles, Aymara women like Challapa and Choque could afford to send their children off to school.

“I thank God because I always told myself: I don’t want them to be like me,” said Marcelina Choque (no relation to Maria), another craftswoman who lives in the town of Pozo Almonte. “This is my only profession. If I don’t sell, I have nothing.”

Progress, though, is bittersweet. “I taught my daughters how to weave just like me, but now that they have other jobs, they don’t weave anymore,” Marcelina Choque said.

Because so many young people move away from their hometowns for study and work, several craftswomen agree their legacy might be in danger. Although they passed on their knowledge to their descendants, there are currently only a handful of young Aymara women who know how to use a loom.

“In rural areas, there is a significant migration of young people, and the population is aging,” said Luis Pizarro, who works at the Agricultural Development Institute of Chile. “Their grandparents are the ones who remain in the territories, so their cultural roots are severed.”

The institute supports rural development for Chilean communities linked to the Aymara culture, according to Pizarro. The goal is to boost camelid farming and craft sales through fairs, an online presence and special events.

On a recent weekend, the institute held a fashion show inside a city shopping center in Iquique, where Teofila Challapa, Maria Choque and other women sold textiles and their daughters modeled their work.

“We try to get daughters and granddaughters of artisans involved in their cultural inheritance,” Pizarro said.

Nayareth Challapa (no relation to Teofila) speaks proudly about her mother, Maria Aranibar, who taught her how to pick the perfect weeds to dye wool.

“The colors of our textiles are related to nature: the earth, the sky, the hills. The land is sacred for us,” the 25-year old said. The work reflects craftswomen’s moods and “the rheas, llamas, flowers and mountains she wants to keep present.”

She, too, moved to a city to attend university, but home is never far from her heart.

“When migrating, many forget their ethnicity and leave their roots behind,” Challapa said. “But my family tries to avoid that. We herd the llamas and raise crops to preserve what my grandfather taught us. If we were to lose that, we would lose him as well.”

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Pope Francis Creates 21 New Cardinals to Help Reform Church

Pope Francis created 21 new cardinals at a ritual-filled ceremony Saturday, including key figures at the Vatican and in the field who will help enact his reforms and cement his legacy as he enters a crucial new phase in running the Roman Catholic Church.

On a crisp sunny morning filled with cheers from St. Peter’s Square, Francis further expanded his influence on the College of Cardinals who will help him govern and one day elect his successor: With Saturday’s additions, nearly three-quarters of the voting-age “princes of the church” owe their red hats to the Argentine Jesuit.

In his instructions to the new cardinals at the start of the service, Francis said their variety and geographic diversity would serve the church like musicians in an orchestra, where sometimes they play solos, sometimes as an ensemble.

“Diversity is necessary; it is indispensable. However, each sound must contribute to the common design,” Francis told them. “This is why mutual listening is essential: Each musician must listen to the others.”

Among the new cardinals was the controversial new head of the Vatican’s doctrine office, Victor Manuel Fernandez, and the Chicago-born missionary now responsible for vetting bishop candidates around the globe, Robert Prevost.

Also entering the exclusive club were the Vatican’s ambassadors to the United States and Italy, two important diplomatic posts where the Holy See has a keen interest in reforming the church hierarchy. Leaders of the church in geopolitical hotspots like Hong Kong and Jerusalem, fragile communities like Juba, South Sudan, and sentimental favorites like Cordoba, Argentina, filled out the roster.

Francis’ promotions of Prevost and his ambassador to Washington, French Cardinal Christophe Pierre, were clear signs that he has his eye on shifting the balance of power in the U.S. hierarchy, where some conservative bishops have strongly resisted his reforms. Between them, Pierre and Prevost are responsible for proposing new bishop candidates and overseeing any investigations into problem ones already in place.

“I think I do have some insights into the church in the United States,” Prevost said after the ceremony during a welcome reception in the Apostolic Palace. “So, the need to be able to advise, work with Pope Francis and to look at the challenges that the church in the United States is facing, I hope to be able to respond to them with a healthy dialogue.”

The ceremony took place days before Francis opens a big meeting of bishops and lay Catholics on charting the church’s future, where hot-button issues such as women’s roles in the church, LGBTQ+ Catholics and priestly celibacy are up for discussion.

The October 4-29 synod is the first of two sessions — the second one comes next year — that in many ways could cement Francis’ legacy as he seeks to make the church a place where all are welcomed, where pastors listen to their flocks and accompany them rather than judge them.

Several of the new cardinals are voting members of the synod and have made clear they share Francis’ vision of a church that is more about the people in the pews than the hierarchy, and that creative change is necessary. Among them is Fernandez, known as the “pope’s theologian” and perhaps Francis’ most consequential Vatican appointment in his 10-year pontificate.

In his letter naming Fernandez as prefect of the Dicastery for the Doctrine of the Faith, Francis made clear he wanted his fellow Argentine to oversee a radical break from the past, saying the former Holy Office often resorted to “immoral methods” to enforce its will.

Rather than condemn and judge, Francis said, he wanted a doctrine office that guards the faith and gives people hope. He also made clear Fernandez wouldn’t have to deal with sex abuse cases, saying the office’s discipline section could handle that dossier.

It was a much-debated decision given that Fernandez himself has admitted he made mistakes handling a case while he was bishop in La Plata, Argentina, and that the scale of the problem globally has long cried out for authoritative, high-ranking leadership.

On the eve of the consistory to make Fernandez a cardinal, clergy abuse survivors, including a La Plata victim, rallied near the Vatican, calling on Francis to rescind the nomination.

“No bishop who has covered up child sex crimes and ignored and dismissed victims of clergy abuse in his diocese should be running the office that oversees, investigates and prosecutes clergy sex offenders from around the world, or be made a cardinal,” said Julieta Añazco, the La Plata survivor, according to a statement from the End Clergy Abuse.

With Saturday’s ceremony, Francis will have named 99 of the 137 cardinals who are under age 80 and thus eligible to vote in a future conclave to elect his successor. While not all are cookie-cutter proteges of the 86-year-old reigning pontiff, many share Francis’ pastoral emphasis as opposed to the doctrinaire-minded cardinals often selected by Popes John Paul II and Benedict XVI.

Such a huge proportion of Francis-nominated cardinals almost ensures that a future pope will either be one of his own cardinals or one who managed to secure Franciscan cardinal votes to lead the church after he is gone, suggesting a certain continuity in priorities.

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India Ready to Welcome Back Cricket World Cup After 12 Years

When 2019 finalists England and New Zealand meet again to open the Cricket World Cup next week, it will mark the tournament’s return to India after 12 years.

But preparations for this year’s tournament — in which the home side will start among the favorites and won the event when it was last played in India in 2011 — haven’t gone smoothly.

The event experienced numerous organizational and planning issues which the Board of Control for Cricket in India (BCCI), the host body, often had difficulties dealing with them.

The 13th edition of the tournament was first scheduled for February-March 2023, but it was delayed to its current Oct. 5-Nov. 19 schedule after the COVID-19 pandemic caused a ripple effect for the hosting of 2021 and 2022 Twenty20 World Cups.

In the meantime, the BCCI delayed formalizing tax agreements with the Indian government — an issue that had plagued the 2011 ODI and the 2016 T20 World Cups, both hosted in India.

The International Cricket Council (ICC) usually receives a tax exemption benefit for its events, but that is in contravention of Indian laws. In March, the BCCI told he ICC that it would cover about $116 million in taxes out of its own pocket in lieu of the tax exemption from the Indian government.

It was, however, only the first of several stumbling blocks.

Most ICC event schedules are announced a year in advance. The BCCI only announced the World Cup scheduling on June 27. A month later, the original scheduling ran into problems when Ahmedabad police said they was unable to provide ample security for the high-profile India-Pakistan match on Oct. 15 because of already-planned festivities in the western India city.

The BCCI had to rework the schedule and a final version was released on Aug. 9 with the big India-Pakistan match now scheduled a day earlier on Oct. 14.

That caused further issues for ticketing and travel arrangements for fans across the world. Even before the final scheduling had been announced, hotel prices and airfares in major host cities shot up to exorbitant rates.

Ticketing has been another major issue in the build-up to this World Cup. After the scheduling was finally announced, tickets first went on sale as late as Aug. 30. Despite the staggered sale of tickets, Indian fans complained, and the BCCI released another 400,000 tickets to the general public on Sept. 6 in the second phase of ticketing.

BCCI secretary Jay Shah defended his group’s actions over the past few months.

“The scale and diversity of India require meticulous planning, coordination, and execution to ensure the tournament’s success and seamless experience for players, fans, and stakeholders,” Shah said in a statement.

With less than a week to go before the opening match, the tempo has gradually built up as fervent cricket loyalists in India — and there are millions— get ready to welcome the 10 teams.

All eyes will be on Rohit Sharma’s India as they look to emulate M.S. Dhoni’s team’s feat of winning the World Cup at home. India hasn’t won an ICC event since the 2013 Champions Trophy, and the 2011 triumph remains its last World Cup trophy.

Defending champion England and record five-time winners Australia, who play India in its first match on Oct. 8 in Chennai, are the other top contenders for the title.

Regional foe Pakistan’s challenge depends on the form and fitness of two players — skipper Babar Azam and pacer Shaheen Afridi. Pacer Naseem Shah has been ruled out of the World Cup due to a right shoulder injury.

Sri Lanka punched above its weight to reach the Asia Cup final. New Zealand — which lost to England in a controversial boundary countback in the 2019 final — South Africa, Afghanistan, Bangladesh and the Netherlands complete the 10-team lineup which will be expanded to 14 teams for the next Cricket World Cup in October-November 2027 co-hosted by South Africa, Zimbabwe and Namibia.

The round-robin format sees all 10 teams play each other once in a single group (45 matches). The top four teams advance to the semifinals on Nov. 16 and 17. The final is scheduled for Nov. 19.

In between, Sharma will try not to let the home-crowd hype get to him, although that might be easier said than done.

“For me, it is important how to keep relaxed and not worry about external factors that play a role, whether positively or negatively,” Sharma said. “It is about shutting out everything.”

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Last Living Suspect in 1996 Killing of Tupac Shakur Charged with Murder

A man who prosecutors say ordered the 1996 killing of rapper Tupac Shakur was arrested and charged with murder Friday in a long-awaited breakthrough in one of hip-hop’s most enduring mysteries.

Duane “Keffe D” Davis has long been known to investigators as one of four suspects identified early in the investigation. He isn’t the accused gunman but was described as the group’s ringleader by authorities Friday at a news conference and in court.

“Duane Davis was the shot caller for this group of individuals that committed this crime,” said police homicide Lt. Jason Johansson, “and he orchestrated the plan that was carried out.”

Davis himself has admitted in interviews and in his 2019 tell-all memoir, Compton Street Legend, that he provided the gun used in the drive-by shooting.

Authorities said Friday that Davis’ own public comments revived the investigation.

Davis, now 60, was arrested early Friday while on a walk near his home on the outskirts of Las Vegas, hours before prosecutors announced in court that a Nevada grand jury had indicted the self-described gangster on one count of murder with a deadly weapon. He is due in court next week.

The grand jury also voted to add a sentencing enhancement to the murder charge for gang activity that could add up to 20 additional years if he’s convicted.

The first-ever arrest in the case came after Las Vegas police raided Davis’ home in mid-July in the nearby city of Henderson for items they described at the time as “concerning the murder of Tupac Shakur.”

It wasn’t immediately clear if Davis has an attorney who can comment on his behalf. Prosecutors said they did not know if he had a lawyer and several local attorneys said they did not know who from Las Vegas would represent him. Phone and text messages to Davis and his wife on Friday and in the months since the July 17 search weren’t returned.

“For 27 years, the family of Tupac Shakur has been waiting for justice,” Clark County Sheriff Kevin McMahill said at a news conference Friday. “While I know there’s been many people who did not believe that the murder of Tupac Shakur was important to this police department, I’m here to tell you that is simply not the case.”

Prosecutors said they have been in contact with the rapper’s family, who are “pleased with this news.”

On the night of Sept. 7, 1996, Shakur was in a BMW driven by Death Row Records founder Marion “Suge” Knight. They were waiting at a red light near the Las Vegas Strip when a white Cadillac pulled up next to them and gunfire erupted.

Shakur was shot multiple times and died a week later at the age of 25.

Davis, in his memoir, said he was in the front passenger seat of the Cadillac and had slipped a gun into the back seat, from where he said the shots were fired.

He implicated his nephew, Orlando “Baby Lane” Anderson, saying he was one of two people in the backseat. Anderson, a known rival of Shakur, had been involved in a casino brawl with the rapper shortly before the shooting.

Anderson died two years later. He denied any involvement in Shakur’s death.

Emails seeking comment from two lawyers who have previously represented Knight were not immediately returned. Knight was grazed by a bullet fragment in the shooting but had only minor injuries. He is serving a 28-year prison sentence in California for an unrelated voluntary manslaughter charge. 

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Millions Travel in China in 1st Big Autumn Holiday Since End of Zero-COVID

Many millions of Chinese tourists are expected to travel within their country, splurging on hotels, tours, attractions and meals in a boost to the economy during the 8-day autumn holiday period that began Friday.

This year’s holiday began with the Mid-Autumn Festival on Friday and also includes the Oct. 1 National Day. The public holidays end Oct. 6.

Typically hundreds of millions of Chinese travel at home and overseas during such holidays. The eight-day-long holiday is the longest week of public holidays since COVID-19 pandemic restrictions were lifted in December. Outbound tourism has lagged domestic travel, with flight capacities lagging behind pre-pandemic levels.

Big cities like the capital, Beijing, Shanghai, and southern cities like Shenzhen and Guangzhou are favored destinations. Smaller cities, such as Chengdu and Chongqing in southwest China also are popular.

All that travel is a boon for the world’s No. 2 economy: During the week-long May holiday this year, 274 million tourists spent 148 billion yuan ($20.3 billion).

“Over the last few years with the pandemic, there’s been really strong pent-up demand,” said Boon Sian Chai, managing director at the online travel booking platform Trip.com Group. Both domestic and outbound travel have “recovered significantly,” but travel within China accounted for nearly three-quarters of total bookings, Chai said.

China Railway said it was expecting about 190 million passenger trips during the Sept. 27-Oct. 8 travel rush, more than double the number of trips last year and an increase from 2019, before the pandemic started.

In Guangzhou and Shenzhen, extra overnight high-speed trains will operate for 11 days to cope with a travel surge during the long holiday, according to the China Railway Guangzhou Group Co., Ltd.

Another 21 million passengers are expected to travel by air during the holiday, with an average of about 17,000 flights per day, according to the Civil Aviation Administration of China. More than 80% of those flights are domestic routes.

Jia Jianqiang, CEO of Liurenyou International Travel Agency, said Chinese are splurging on more luxurious travel.

“Many people are now also inclined towards more customized, high-end tours compared to the large group tours that were popular (before the pandemic),” Jia said.

For many Chinese, long public holidays such as Golden Week are the best time to travel, since paid vacation can be as few as five days a year.

“Most Chinese don’t have long holidays, so this time of the year is when everyone can take the longest break and the only time to travel for fun,” said Fu Zhengshuai, an IT engineer and photography enthusiast who often travels alone to remote areas in China such as far western Qinghai and Xinjiang.

The downside of traveling during such big holidays is that everyone else is out there, too, and prices of tickets to attractions, food, and accommodations are high, Fu said.

For student Ma Yongle, traveling during big holidays means long waiting times, huge crowds, and heavy traffic. Train tickets often are sold out.

“I saw more people than scenery. I spent longer time waiting than eating. Train tickets were sold out quickly and traffic was heavy,” Ma said. “More time was wasted and little was left for enjoying the scenery, which spoiled my mood.”

She has since adopted what is referred in China as a “special forces travel trend” where tourists don’t stay overnight at a destination, but only take day trips to save money.

A growing but still relatively small number of Chinese are venturing abroad. According to Trip.com data, outbound travel orders this year are nearly 20 times those during last year’s autumn holidays, when many pandemic restrictions were still in place. Thailand, Singapore, South Korea and Malaysia are popular destinations, as are more distant places such as Australia and the United Kingdom.

Overseas travel is bound to bounce back, Chai said.

“If you look at flight capacity, it has only recovered to about half of pre-pandemic levels,” he said. “As flight capacity starts to pick up toward the end of this year and next year, outbound travel will continue to increase.”

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