NEW YORK — In 1974, Harlem’s deserted streets and tumbledown tenements told the story of a neighborhood left behind. Decades of disinvestment had culminated in a mass exodus known as urban flight and residents watched as their wealthier, more educated counterparts left the New York City neighborhood in droves.

But the tide turned when Percy Sutton, then the Manhattan borough president and New York City’s highest-ranking Black elected official, launched a campaign to bring back vitality to the historically African American neighborhood that had been known as a global Black mecca of arts, culture and entrepreneurship.

It became known as Harlem Week and would go on to draw back those who had departed. On Sunday, organizers celebrated Harlem Week’s 50th anniversary after 18 days of free programming that showcased all the iconic neighborhood has to offer.

Harlem Week stands as “the constant line through the last 50 years of America’s most historic Black neighborhood,” said the Rev. Al Sharpton, whose National Action Network is headquartered in the neighborhood. “The dream of Percy Sutton and his peers in government, arts, the church and other elements of Harlem lives on, stronger than ever.”

In the 1970s, Harlem demanded more than an ordinary festival, if it wanted a resurrection. Those who remained in Harlem during urban flight — mostly low-income, Black families — would turn on their televisions to constant despair: crime reports, bleak statistics and reporters who called their home a “sinking ship.”

Sutton knew Harlem was due for a revitalizing, uplifting moment.

That summer, Sutton rallied religious, political, civic and artistic leaders that included Tito Puente, Max Roach, Maya Angelou, James Baldwin, Harry Belafonte, Sidney Poitier, Ruby Dee and Lloyd Williams. Together, they devised an event that would pivot the spotlight from Harlem’s troubles to its vibrant legacy: Harlem Day.

Radio disc jockeys Hal Jackson and Frankie Crocker produced a concert at the plaza of the Harlem State Office Building, while actor Ossie Davis cut a ribbon at 138th street and 7th Avenue, announcing the start of the “Second Harlem Renaissance.”

The ribbon-cutting ceremony renamed 7th Avenue to Adam Clayton Powell Jr. Boulevard, named for the first African American elected to Congress from New York, marking the first time a New York City street took the name of a person of color.

“About two or three weeks later, Percy Sutton called us all and said it was such a successful day,” said Lloyd Williams, one of Harlem Day’s co-founders and the current president of the Greater Harlem Chamber of Commerce. “It meant so much to the other cities that were being deserted in Detroit and Baltimore, Washington and Chicago, that they asked if we would do it again on an annual basis.”

They did, and Harlem Day evolved into Harlem Weekend and eventually Harlem Week, which, before the pandemic, expanded to a full month of programming.

“Only in Harlem could a week be more than seven days,” said Williams, whose family has lived in Harlem since 1919.

This year’s celebration featured entertainment, including a headlining set by hip-hop artist Fabolous, a tribute to Harry Belafonte and Broadway performances. Other concerts showcased jazz, reggae, R&B and gospel traditions nurtured in Harlem, alongside hundreds of food and merchandise vendors.

Organizers also included empowerment initiatives, such as financial literacy workshops and health screenings, at Harlem Health Village and the Children’s Festival. Every child who attended received a back-to-school backpack.

Harlem Week always has been a living tribute to Harlem’s history of greats, such as W.E.B. Du Bois, Langston Hughes, Augusta Savage and Aaron Douglas. It recognizes the Harlem Renaissance and Black Arts Movement and honors landmarks like the Apollo Theater and Schomburg Center for Research in Black Culture.

Many historians consider the late 1960s and the 1970s to be Harlem’s darkest years.

The area had been battered by unrest, including a 1964 riot that killed an unarmed Black teenager, Malcolm X’s assassination in 1965 and the turmoil after the Rev. Martin Luther King Jr.’s assassination in 1968. Household incomes fell dramatically and infant mortality rates were high.

“The neighborhood was blighted,” recalled Malik Yoba, an actor born in the Bronx in 1967 who grew up in Harlem and spent days playing in the dirt of vacant lots. Yoba attended school in the Upper East Side with peers who had country homes upstate in the Hamptons.

“I didn’t understand why where we lived looked so dramatically different than where they lived,” he said. “I knew something was wrong.”

But Harlemites are creatives and entrepreneurs, visionaries and leaders. Where others saw decline, they saw opportunity, and the determination to match Harlem with its potential ran high.

Yoba, now 56, built a career as an actor showcasing Harlem to audiences across the nation. His experiences with housing inequality also fueled his passion for real estate.

Yoba combats the effects of redlining through his company Yoba Development, which provides young people of color access to the industry and has active projects in Baltimore and New York City.

“When you grow up in disenfranchised and divested communities, you can’t see the forest through the trees,” Yoba said. “You can grow up believing that walking by burnt-down buildings is your birthright, as opposed to understanding that building is a business.”

Hazel Dukes, 92, a prominent New York civil rights activist and Harlem resident of 30 years, has spent her life fighting discrimination in housing and education. She lived in the same Harlem building as Sutton and organized alongside him, later becoming a national president of the NAACP in 1989.

“I know what it feels to be denied,” said Dukes, who was born and raised in Montgomery, Alabama, and endured Jim Crow segregation. She moved to New York City with her parents in the 1950s.

Today, property in Harlem is coveted, driven by gentrification and its enduring cultural appeal.

“There was a waiting list, because everybody wanted to live in Harlem,” Dukes said. “People want to come to Harlem before they transition from this world.”
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paris — French actor Alain Delon, who melted the hearts of millions of film fans whether playing a murderer, hoodlum or hitman in his postwar heyday, has died, French media reported on Sunday. He was 88.

Delon had been in poor health since suffering a stroke in 2019, rarely leaving his estate in Douchy, in France’s Val de Loire region.

With his striking blue eyes, Delon was sometimes referred to as the “French Frank Sinatra” for his handsome looks, a comparison Delon disliked. Unlike Sinatra, who always denied connections with the Mafia, Delon openly acknowledged his shady pals in the underworld.

In a 1970 interview with The New York Times, Delon was asked about such acquaintances, one of whom was among the last “Godfathers” of the underworld in the Mediterranean port of Marseille.

“Most of them, the gangsters I know … were my friends before I became an actor,” he said. “I don’t worry about what a friend does. Each is responsible for his own act. It doesn’t matter what he does.”

Delon shot to fame in two films by Italian director Luchino Visconti, Rocco and His Brothers in 1960 and The Leopard in 1963.

He starred alongside venerable French elder Jean Gabin in Henri Verneuil’s 1963 film Melodie en Sous-Sol (Any Number Can Win) and was a major hit in Jean-Pierre Melville’s 1967 Le Samourai (The Godson). The role of a philosophical contract killer involved minimal dialogue and frequent solo scenes, and Delon shone.

Delon became a star in France and was idolized by men and women in Japan, but never made it as big in Hollywood despite performing with American cinema giants, including Burt Lancaster when the Frenchman played apprentice-hitman Scorpio in the eponymous 1973 film.

In the 1970 film Borsalino, he starred with fellow French actor Jean-Paul Belmondo, playing gangsters who come to blows in an unforgettable, stylized fight over a woman.

Crowning moments also included 1969 erotic thriller La Piscine (The Swimming Pool), where Delon paired up with real-life lover Romy Schneider, in a sultry French Riviera saga of jealousy and seduction.

Troubled man

Born just outside Paris on November 8, 1935, Delon started life on the back foot: he was put in foster care at age 4 after his parents divorced.

He ran away from home at least once and was expelled several times from boarding schools before joining the marines at 17 and serving in then-French-ruled Indochina. There, too, he got into trouble over a stolen jeep.

Back in France in the mid-50s, he worked as a porter at the Paris wholesale food market Les Halles and spent time in the red-light Pigalle district before migrating to the cafes of the bohemian St. Germain des Pres area.

There he met French actor Jean-Claude Brialy, who took him to the Cannes Film Festival, where he attracted the attention of an American talent scout who arranged a screen test.

He made his film debut in 1957 in Quand la femme s’en mele (Send a Woman When the Devil Fails).

Sulphurous friends

Delon was a businessman as well as an actor, leveraging his looks to sell branded cosmetics and dabbling in racehorses with old underworld friends. He invested in a racehorse stable with Jacky “Le Mat” Imbert, a notorious figure in a thriving Marseille crime scene.

Delon’s more louche friendships exploded to the surface when a former bodyguard-cum-confidant, a young Yugoslav called Stefan Markovic, was found dead in a bag, with a bullet in his head, discarded in a rubbish dump near Paris.

The actor was interrogated and cleared by police but the “Markovic Affair” snowballed into a national scandal.

The man police charged with the Markovic murder — he was later acquitted — was Francois Marcantoni, a Corsican cafe owner and friend of Delon who thrived in the hustle and bustle of the Pigalle district in the aftermath of World War II.

Outspoken

Delon was outspoken offstage and courted controversy when he did so — notably when he said he regretted the abolition of the death penalty and spoke disparagingly of gay marriage, which was legalized in France in 2013.

He publicly defended the far-right National Front and telephoned its founder, Jean-Marie Le Pen, an old friend, to congratulate him when the party did well in local elections in 2014.

Delon’s lovers included Schneider and German model-turned-singer Nico, with whom he had a son. In 1964, he married Nathalie Barthelemy and fathered a second son before ending the marriage and embarking on a 15-year relationship with Mireille Darc. He had two more children with Dutch model Rosalie van Breemen.

In a January 2018 interview, Delon told Paris Match he was fed up with modern life and had a chapel and tomb ready for him on the grounds of his home near Geneva, and for his Belgian shepherd dog, called Loubo.

“If I die before him, I’ll ask the vet to let us go together. He will give the dog an injection so he can die in my arms.”

Delon’s last major public appearance was to receive an honorary Palme d’or at the Cannes film festival in May 2019.

In his last years, Delon was the center of a family feud over his care, which made headlines in French media.

In April 2024 a judge placed Delon under “reinforced curatorship,” meaning he no longer had full freedom to manage his assets. He was already under legal protection over concerns over his health and well-being.
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ULAANBAATAR, Mongolia — With its reindeer sleigh rides, camel racing and stunning landscapes with room to roam, Mongolia is hoping to woo visitors who are truly looking to get away from it all.

Like most countries, its tourism industry was devastated by the COVID-19 pandemic, and it has launched a “Welcome to MonGOlia” campaign to win people back. The government has added flights and streamlined the visa process, offering visa-free visits for many countries.

At least 437,000 foreign tourists visited in the first seven months of this year, up 25% over the same period last year, including increasing numbers from Europe, the U.S. and Japan. Visitors from South Korea nearly doubled, thanks in part to the under-four-hour flight.

Despite the gains, Mongolia’s government is still short of its goal of 1 million visitors per year from 2023-25 to the land of Genghis Khan, which encompassed much of Eurasia in its 13th-century heyday and is now a landlocked nation located between Russia and China.

With a population of 3.3 million people, about half of them living in the capital, Ulaanbaatar, there’s plenty of open space for the adventure tourist to explore, said Egjimaa Battsooj, who works for a tour company. Its customized itineraries include horseback trips and camping excursions with the possibility of staying in gers, the felt-covered dwellings still used by Mongolia’s herders.

There’s little chance of running across private property, so few places are off-limits, she said.

“You don’t need to open a gate, you don’t need to have permission from anyone,” she said, sitting in front of a map of Mongolia with routes marked out with pins and strands of yarn.

“We are kind of like the last truly nomad culture on the whole planet,” she added.

Lonely Planet named Mongolia its top destination in its Best in Travel 2024 report. The pope’s visit to Mongolia last year also helped focus attention on the country. Its breakdancers became stars at last year’s Asian Games. And some local bands have developed a global following, like The Hu, a folk-metal band that incorporates traditional Mongolian instruments and throat singing with modern rock.

Still, many people know little about Mongolia. American tourist Michael John said he knew some of the history about Genghis Khan and had seen a documentary on eagles used by hunters before deciding to stop in Ulaanbaatar as part of a longer vacation.

“It was a great opportunity to learn more,” the 40-year-old said.

Tourism accounted for 7.2% of Mongolia’s gross domestic product and 7.6% of its employment in 2019 before collapsing due to the COVID-19 pandemic, according to the World Bank. But the organization noted “substantial growth potential” for Mongolia to exploit, with “diverse nature and stunning sceneries” and sports and adventure tourism possibilities.

Mongolia tourism ads focus on those themes, with beautiful views of frozen lakes in winter for skating and fishing, the Northern Lights and events like reindeer sledding and riding, camel racing and hiking.

Munkhjargal Dayan offers rides on two-humped Bactrian camels, traditional archery and the opportunity to have eagles trained for hunting perch on a visitor’s arm.

“We want to show tourists coming from other countries that we have such a way of life in Mongolia,” he said, waiting for customers by a giant statue of Genghis Kahn on the outskirts of Ulaanbaatar.

Outside the lively capital, getting around can be difficult in summer as the steppes become waterlogged, and there is limited infrastructure, a shortage of accommodation and a deficit of skilled labor in tourism destinations.

It is also easy for foreigners to get lost, with few signs in English, said Dutch tourist Jasper Koning. Nevertheless, he said he was thoroughly enjoying his trip.

“The weather is super, the scenery is more than super, it’s clean, the people are friendly,” he said.
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LONDON — A fire broke out Saturday at Somerset House, a large arts venue on the River Thames in central London.

Smoke billowed from the building and flames could be seen coming from the roof as firefighters on tall ladders showered it with water.

The cause of the fire was not yet known, the London Fire Brigade said. Fifteen engines and about 100 firefighters were deployed.

Somerset House said all staff and the public were safe and the site was closed. The venue had been scheduled to host a breakdancing event.

The neoclassical building, which is nearly 250 years old, houses the Courtauld Gallery that features works by Van Gogh, Manet and Cezanne.
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los angeles — A prosecutor says five people have been charged in connection with Matthew Perry’s death from a ketamine overdose last year, including the actor’s assistant and two doctors.

U.S. Attorney Martin Estrada announced the charges Thursday, saying the doctors supplied Perry with a large amount of ketamine and even wondered in a text message how much the former “Friends” star would be willing to pay.

“These defendants took advantage of Mr. Perry’s addiction issues to enrich themselves. They knew what they were doing was wrong,” Estrada said.

Perry died in October due to a ketamine overdose and received several injections of the drug on the day he died from his live-in personal assistant. The assistant, Kenneth Iwamasa, is the one who found Perry dead later that day.

The actor went to the two charged doctors in desperation after his regular doctors refused to give him ketamine in the amounts he wanted. DEA Administrator Anne Milgram said in one instance the actor paid $2,000 for a vial of ketamine that cost one of the physicians about $12.

Two of the people, including one of the doctors charged, were arrested Thursday, Estrada said. Two of the defendants, including Iwamasa, have pleaded guilty to charges already, and a third person has agreed to plead guilty.

Multiple messages left seeking comment from lawyers or offices for all the defendants have not yet been returned.

Among those arrested Thursday are Dr. Salvador Plasencia, who is charged with seven counts of distribution of ketamine and also two charges related to allegations he falsified records after Perry’s death.

The other person arrested Thursday is Jasveen Sangha, who prosecutors described as a drug dealer known as the “ketamine queen.”

Ketamine supplied by Sangha caused Perry’s death, authorities said.

Sangha and Plasencia could make their first court appearances later Thursday.

Records show Plascencia’s medical license has been in good standing with no records of complaints, though it is set to expire in October.

A San Diego physician, Dr. Mark Chavez, has agreed to plead guilty to conspiracy to distribute ketamine. Prosecutors allege Chavez funneled ketamine to Plasencia, securing some of the drug from a wholesale distributor through a fraudulent prescription.

The prosecutor said the defendants exchanged messages soon after Perry’s death referencing ketamine as the cause of death. Estrada said they tried to cover up their involvement in supplying Perry ketamine, a powerful anesthetic that is sometimes used to treat chronic pain and depression.

Los Angeles police said in May that they were working with the U.S. Drug Enforcement Administration and the U.S. Postal Inspection Service with a probe into why the 54-year-old had so much of the surgical anesthetic in his system.

Iwamasa found the actor face down in his hot tub on Oct. 28, and paramedics who were called immediately declared him dead.

The assistant received the ketamine from Eric Fleming, who has pleaded guilty to obtaining the drug from Sangha and delivering it to Iwamasa. In all, he delivered 50 vials of ketamine for Perry’s use, including 25 handed over four days before the actor’s death.

Perry’s autopsy, released in December, found that the amount of ketamine in his blood was in the range used for general anesthesia during surgery.

Ketamine has seen a huge surge in use in recent years as a treatment for depression, anxiety and pain. People close to Perry told coroner’s investigators that he was undergoing ketamine infusion therapy.

But the medical examiner said Perry’s last treatment 1½ weeks earlier wouldn’t explain the levels of ketamine in his blood. The drug is typically metabolized in a matter of hours. At least two doctors were treating Perry, a psychiatrist and an anesthesiologist who served as his primary care physician, the medical examiner’s report said. No illicit drugs or paraphernalia were found at his house.

Ketamine was listed as the primary cause of death, which was ruled an accident with no foul play suspected, the report said. Drowning and other medical issues were contributing factors, the coroner said.

Drug-related celebrity deaths have in other cases led authorities to prosecute the people who supplied them.

After rapper Mac Miller died from an overdose of cocaine, alcohol and counterfeit oxycodone that contained fentanyl, two of the men who provided him the fentanyl were convicted of distributing the drug. One was sentenced to more than 17 years in federal prison, the other to 10 years.

And after Michael Jackson died in 2009 from a lethal dose of propofol, a drug intended for use only during surgery and other medical procedures and not for the insomnia the singer sought it for, his doctor, Conrad Murray, was convicted of involuntary manslaughter in 2011. Murray has maintained his innocence.
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WASHINGTON — The ancient ritual meaning of Stonehenge is still a mystery, but researchers are one step closer to understanding how the famous stone circle was created.

The unique stone lying flat at the center of the monument was brought to the site in southern England from near the tip of northeast Scotland, researchers reported Wednesday in the journal Nature. It’s not clear whether the 5-meter (16-foot) stone was carried by boat or over land — a journey of more than 740 kilometers (460 miles).

“It’s a surprise that it’s come from so far away,” said University of Exeter archaeologist Susan Greaney, who was not involved in the study.

For more than a hundred years, scientists believed that Stonehenge’s central sandstone slab — long called the “altar stone” — came from much-closer Wales. But a study last year by some of the same researchers showed that the stone didn’t match the geology of Wales’ sandstone formations. The actual source of the stone remained unknown until now.

For the study, the team was not permitted to chip away rocks at the site, but instead analyzed minerals in bits of rock that had been collected in previous digs, some dating back to the 1840s. They found a match in the sandstone formations of Orcadian Basin in northeast Scotland, a region that includes parts of the tip of the Scottish peninsula as well as the Orkney Islands.

“That geological ‘fingerprint’ isn’t repeated in any other area of sediment in the U.K.,” said Aberystwyth University geologist Nick Pearce, a study co-author.

Greaney said the difficult logistics of moving the stone such a long distance show a high level of coordination and cultural connection between these two regions of ancient Britain.

Stonehenge was constructed around 5,000 years ago, with stones forming different circles brought to the site at different times. The placement of stones allows for the sun to rise through a stone “window” during summer solstice. The ancient purpose of the altar stone — which lies flat at the heart of Stonehenge, now beneath other rocks — remains a mystery.

“Stonehenge isn’t a settlement site, but a place of ceremony or ritual,” said Heather Sebire, senior curator at English Heritage, who was not involved in the study. She said that past archaeological excavations had not uncovered evidence of feasting or daily living at the site.

Previous research has shown cultural connections — such as similarities in pottery styles — between the area around Stonehenge and Scotland’s Orkney Islands. Other stones at Stonehenge came from western Wales.

While Britain is dotted with other Neolithic stone circles, “the thing that’s unique about Stonehenge is the distance from which the stones have been sourced,” said Aberystwyth University’s Richard Bevins, a study co-author.
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london — Street artist Banksy on Monday unveiled a new mural of a rhinoceros that looks like it is climbing on top of a car in London — the eighth animal-themed artwork he has posted in the past week in a collection that includes elephants, a goat, a wolf, pelicans and more.

The elusive graffiti artist, who has never confirmed his full identity, has been posting the new work on his Instagram account every day since last Monday. The latest piece in Charlton, southeast London, features a rhino on a wall and gives the impression the animal is mounting a broken-down car parked in front of the building.

On Sunday, the artist claimed another artwork depicting piranhas that appeared on a police box near the Central Criminal Court, known as the Old Bailey, in London.

A small crowd of people flocked to the fish tank-themed artwork Monday, taking photos and selfies as workmen placed barriers around it. A spokesperson for the City of London Corporation said it was looking at options to preserve it.

Other pieces unveiled last week included pelicans that appeared on the side of a fish shop in Walthamstow, east London, and a silhouette of a howling wolf that was painted on a satellite dish on a garage roof in south London.

The wolf design was seen being taken down by men who carried it off on the same day it was revealed. It was not immediately clear who removed the satellite dish. 

Banksy began his career spray-painting buildings in Bristol, England, and has become one of the world’s best-known artists. His work has sold for millions of dollars at auction, and past murals on outdoor sites have often been stolen or removed by building owners soon after going up. 
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New York — In the Ryan Reynolds-Blake Lively box-office showdown, both husband and wife came out as winners. 

Reynolds’ Marvel Studios smash “Deadpool & Wolverine” remained the top movie in North American theaters for the third straight week with $54.2 million in ticket sales according to studio estimates Sunday. Worldwide, it’s now surpassed $1 billion.

“Deadpool & Wolverine,” though, was closely followed by “It Ends With Us,” the romance drama starring Lively, which surpassed expectations with a stellar $50 million debut. 

Together, the films created a kind of family edition of “Barbenheimer,” in which a pair of very different movies thrived in part due to counterprogramming. Only this time, the opposite movies were fronted by one of Hollywood’s most famous couples. The films’ one-two punch wasn’t entirely unprecedented. In 1990, Bruce Willis’ “Die Hard 2” led the box office while Demi Moore’s “Ghost” came in second. 

The weekend also featured a high-priced flop. “Borderlands,” the long-delayed $120-million videogame adaptation directed by Eli Roth, launched with a paltry $8.8 million for Lionsgate. The film, starring Cate Blanchett, Kevin Hart and Jack Black, was shot all the way back in 2021. After delays and reshoots, it finally landed in theaters effectively dead-on-arrival; it scored just 10% fresh on Rotten Tomatoes and seems likely to contend for one of the worst movies of the year. 

Meanwhile, “Deadpool & Wolverine,” which co-stars Hugh Jackman, continued its march through box-office records. The film, directed by Shawn Levy, is only the second R-rated movie to reach $1 billion, following 2019’s “Joker.” In three weeks, it’s already one of the most lucrative Marvel releases and trails only Disney’s other 2024 smash, “Inside Out” ($1.6 billion worldwide) among movies released this year. 

Lively makes a cameo in “Deadpool & Wolverine” but she both stars in and produced “It Ends With Us.” Adapted from the bestselling romance novel by Colleen Hoover, Lively stars as Lily Bloom, a Boston florist torn between two men, one from her present life (Justin Baldoni, who also directed the film) and another who was her first love (Brandon Sklenar).

“It Ends With Us” cost a modest $25 million to produce, so it will turn a significant profit for co-financers Columbia Pictures and Wayfarer Studios. Like another female-skewing summer-release book adaptation from Sony, “Where the Crawdads Sing,” “It Ends With Us” could hold well through the typically slower August box-office period. Audiences gave it an A- CinemaScore. 

Reynolds and Lively occasionally played up the convergence of their movies. Earlier this week, Reynolds posted a video of himself posing junket questions to Sklenar. The timing paid off especially for Lively, whose film doubled earlier opening-weekend forecasts. 

Neon’s “Cuckoo,” a German Alps-set horror film by filmmaker Tilman Singer, opened with $3 million on 1,503 screen. It stars Hunter Schafer and Dan Stevens.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

 

1. “Deadpool & Wolverine,” $54.2 million. 

2. “It Ends With Us,” $50 million. 

3. “Twisters,” $15 million. 

4. “Borderlands,” $8.8 million. 

5. “Despicable Me 4,” $8 million. 

6. “Trap,” $6.7 million. 

7. “Inside Out 2,” $5 million. 

8. “Harold and the Purple Crayon,” $3.1 million. 

9. “Cuckoo,” $3 million. 

10. “Longlegs,” $2 million. 
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PARIS — Paris is getting a colorful splash of Olympic creative spirit with nearly 30 vibrant street art pieces that have popped up on bustling metro station walls, a large billboard at the airport and in front of City Hall.

One shows a drawing of French fencer Ysaora Thibus in action. Another has canoers paddling down the Seine River. Some others include people enjoying themselves in a busy district. The original art was spread throughout Paris and other nearby host cities around the Olympic and Paralympic sites.

“During this time of the Olympics, it’s a lot of energy and people coming from all over the world,” said New York native JonOne, who has lived in Paris for the past three decades and is viewed in the street art world as a graffiti pioneer. He’s one of six renowned street artists from four continents whose work is currently on display at train stations, airports, taxis, digital screens and billboards.

The artists were selected through a campaign spearheaded by Visa to help support small businesses. They hail from France (Marko 93 and Olivia De Bona), Brazil (Alex Senna), Australia (Vexta) and the United States (Swoon).

“Why not use street art?” said JonOne, 60, whose artwork can be found in several places in Paris including the Palais Royal–Musee du Louvre station. It took two months with five collaborators to finish the blue, white and red abstract expressionist-style graffiti, which covers 250 square meters of the wall at the busy station.

“It projects a lot of energies and youth culture,” he said. “It’s a good moment to show our artwork.”

The campaign was designed as an open-air exhibition curated by Nicolas Laugero Lasserre, an expert in urban art. The 28 pieces of original artwork will remain on display until September 8.

“Just like high-level athletes, artists share values of tolerance, open-mindedness, questioning and self-surpassing,” said Lasserre, who has organized over 50 exhibitions with public and private institutions, including an exhibition at the Paris City Hall. “Associating art and sport is one of the cornerstones of Olympism.”

Each creation highlights the spirit of the neighborhoods — such as Saint-Denis, Montmartre and Rue Montorgueil — capturing the vibrancy of cafes, bookstores and shops that have become an essential fabric of Paris and the wider Ile-de-France region. They can also be found at the airports of Lille, Lyon and Marseille, hosts of some Olympic events.

“We asked the artists to show us their version of Paris in the most authentic way,” said Juan Arturo Herrera, a business administrator and marketing executive at Visa International. Last month, he carried the Olympic flame over a 200-meter course in eastern France.

“Street art is the most accessible of arts,” he said. “It’s universal. We’ve seen it for decades now in cities. It has made its way through museums and we wanted to bring it back out. We see this as the biggest exhibition of open-air art in the public space.”

De Bona, a Parisian, feels proud to bring her artwork to her hometown, family and visitors from around the world.

“It was so moving,” she said. “I see how the art makes my city so beautiful. It’s a privilege to represent France for all these people who are coming to Paris from all over the world.”

De Bona, 39, remembered when street art and graffiti were not widely accepted by the masses. But now, she’s witnessed a positive shift in the perception and within the industry, which was once male-dominated.

“People need pictures in the streets,” she said. “It needs to be welcoming the arts. We are the bridge between people who don’t think it fits in the museum. We bring art to the people. This is our way to express ourselves and exist.”

Marko 93 said his passion for street art kept him pushing through the words of skeptics. At a young age, he was intrigued by watching the evolution of graffiti during the 1980s hip-hop era in New York, which he called the “promised land” of graffiti.

“It’s all about perseverance,” said the 51-year-old during his live performance, painting a fencer along the Seine. “Art is also about perseverance. This passion pushes us to move forward and beyond our limits.”

One day, JonOne would like to see arts reintroduced as competition at the Olympics.

Art competitions first came into fruition at the 1912 Olympics in Stockholm ,with medals awarded in five categories: architecture, literature, music, painting and sculpture. The International Olympic Committee ended the competitions in the 1948 Games, and an attempt to bring it back was denied four years later.

“Artists are like athletes, too,” JonOne said. “I respect athletes in basketball and runners. Art is not really a sport, but it should be included in the Olympics. Just surviving as an artist is an Olympic sport.”
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NEW YORK — Visitors to corn mazes across the country are finding a familiar and joyous figure in the winding labyrinth of tall stalks. Snoopy.

More than 80 farms in the U.S. and Canada have teamed up with Peanuts Worldwide to create “Peanuts”-themed mazes to celebrate the beloved strip’s 75th birthday this summer and fall.

A massive Snoopy rests on top of his doghouse in a maze at Dull’s Tree Farm in Thorntown, Indiana, and he’s depicted gleefully atop a pumpkin at Downey’s Farm in Caledon, Ontario.

“All of these events helps keep my dad’s legacy alive,” says Jill Schulz, an actor and daughter of “Peanuts” creator Charles M. Schulz.

“As someone who can’t even keep houseplants alive, the fact that they can do that with a corn maze and get the artwork right and create a fun experience for all ages is pretty incredible,” she adds, laughing.

The mazes — which span 35 states and provinces, from California to New York, Ontario to Texas — are expected to attract more than 2 million visitors. Farmers are signing up for the free service because the mazes are part of the customer lure, in addition to things like hay rides, fresh produce and pumpkin carvings.

Each maze is designed for the size of the farm — from 1.5 acres to 20 acres — and are mostly corn but also sunflowers. They’re custom created by the world’s largest corn maze consulting company, The MAiZE Inc.

The Utah-based Brett Herbst, who leads the company and who launched his first corn maze in 1996, says technology has only somewhat changed the way corn mazes are made.

“The first year we did it, we just used a weed whacker with a saw blade on it when the corn was fully grown,” he says. “Now we do it when it’s short and we go in and either mow it or rototill it. We design it all on a computer, but most of it we actually just go draw it out on the ground by hand.”

He and his team have over the years designed mazes with everything from the faces of presidential candidates, Oprah Winfrey, zombies, John Wayne and Chris LeDoux. Charlie Brown and Co. just work well, he says.

“It’s very nostalgic and just seemed like a very natural fit from the get-go to embrace that with ‘Peanuts,'” he says. “It’s harvest time. It’s kind of become this iconic thing.”

There’s an art and a science to maze building, a balance between maintaining the integrity of the image, but also making it a true maze where people can actually get lost in. “That’s definitely a challenge there,” says Herbst. “You want to accomplish both as much as possible.”

“Peanuts” made its debut Oct. 2, 1950. The travails of the “little round-headed kid” Charlie Brown and his pals eventually ran in more than 2,600 newspapers, reaching millions of readers in 75 countries.

The strip offers enduring images of kites in trees, Charlie Brown trying to kick a football, tart-tongued Lucy handing out advice for a nickel and Snoopy taking the occasional flight of fancy to the skies. Phrases such as “security blanket” and “good grief” are a part of the global vernacular. Schulz died in 2000.

There’s something timeless about corn mazes, and that’s what excites Jill Schulz so much. They offer kids a chance to disconnect from their online life and celebrate something their parents did.

“It’s great to have an opportunity to just bring kids to events that are old school, because it’s also important for parents and grandparents to introduce something they loved to do as a child,” she says.

“I think we all need a little innocence for our children right now with all the technology out there. We need a little ‘put down your phone and go out and have some good old fashioned, old school family time.’ I think that’s important.”
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NEW YORK — Renowned French high-wire artist Philippe Petit marked the 50th anniversary of his famous walk between New York’s Twin Towers with a performance in a Manhattan cathedral, accompanied by live music from Sting.

Petit walked between the spires of the World Trade Center skyscrapers, 1,350 feet up, on August 7, 1974.

A photographer captured the feat with the New York skyline in the background as Petit — without a harness — made the crossing.

Now 74 years old, Petit partly re-created his gravity-defying stunt Thursday in the Cathedral of St. John the Divine, about seven miles north of the former Twin Towers, which were destroyed in the attacks of September 11, 2001.

“Of course, my illegal walk between the towers was the most important moment of my life at the time, and now I look back and I have done something like 100 high wire walks all over the world,” Petit told AFP.

In the reconstruction, Petit was met by a police officer as he completed his walk.

The New York Times, which called Petit’s Twin Towers walk the “art crime of the century,” reported that in 1974 after 45 minutes of “knee bends and other stunts,” Petit turned himself over to waiting police.

He was charged with disorderly conduct and trespass, but the charges were dropped in return for a free aerial performance in a city park.

The feature film The Walk, starring Joseph Gordon-Levitt, and the Oscar-winning documentary Man on Wire tell the story of the famous stunt. 
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PARIS — Sprinter Noah Lyles revealed he had COVID-19 after missing out on another gold medal for the United States at the Paris Olympics on Thursday.

Elsewhere, French basketball star Victor Wembanyama moved closer to his dream of a first gold after helping Les Bleus beat Germany to set up a dream final against the U.S. team after the Americans edged Serbia 95-91.

On the same Stade de France track where he won the historically close 100 meters by five thousandths of a second, Lyles was third behind gold medalist Letsile Tebogo of Botswana and U.S. teammate Kenneth Bednarek in the 200-meter race.

Medics tended to a tired-looking Lyles and took him off in a wheelchair. Wearing a mask as he spoke with reporters, Lyles later said he had COVID.

“It definitely affected my performance,” said Lyles, adding that he tested positive early Tuesday morning but was cleared to compete. The U.S. track federation said it and the U.S. Olympic and Paralympic Committee adhered to all Olympic and Centers for Disease Control guidelines.

Over at Bercy Arena, with former NBA stars Dirk Nowitzki and Tony Parker watching their respective countrymen, France held on to win 73-69.

Wembanyama, the NBA rookie of the year, clenched his fists at the buzzer and teammate Evan Fournier jubilantly threw the ball into the crowd.

The 20-year-old star didn’t play three years ago in Tokyo, when the French lost the final to the U.S. They meet again Saturday, when Wembanyama hopes to give France its first Olympic gold in men’s or women’s basketball.

Highlights of what happened on Day 13 of the Paris Olympics:

Curry leads semifinal fightback against Serbia

LeBron James had a triple double and Steph Curry scored 36 points as the American men rallied from 17 points down.

The U.S. faced an 11-point halftime deficit — the biggest successfully overcome by an American team since NBA players were added to the Olympic mix in 1992 — and again trailed the Serbs by 11 with just over seven minutes left.

Serbian players fell on their backs at the buzzer after coming so close.

It was a far cry from their group opener when the U.S. rolled to a 110-84 win.

US team gets a world record, breaks the 100-medal mark

The United States now has more golds and more overall medals than any other nation.

With three days left of competition, American athletes total 30 golds for 103 medals overall.

The U.S. went 1-2 in the women’s 400 hurdles with Sydney McLaughlin-Levrone breaking her own world record in a time of 50.37 seconds, and Anna Cockrell taking the silver.

Grant Holloway followed up with gold in the men’s 110 hurdles in 12.99, beating countryman Daniel Roberts.

Also, Long jumper Tara Davis-Woodhall won the women’s long jump with Jasmine Moore taking the bronze behind Germany’s Malaika Mihambo.

China’s diving double ends with tears

China claimed its sixth gold medal in diving at the Paris Games with defending champion Xie Siyi winning the 3-meter springboard.

The Chinese made it a podium 1-2 as Wang Zongyuan took the silver ahead of Mexico’s Osmar Olvera Ibarra.

Wang was in tears afterward.

He hadn’t lost a major diving competition in the event since finishing behind teammate Xie at the Tokyo Olympics. After that silver, Wang won three straight world championship titles.

“It is regrettable I lost,” Wang said through an interpreter. “I must learn to accept any failure and my response is to make a greater effort to improve myself.”

Another world record but no gold

American Sam Watson left the Games with another world record to his name but didn’t get the gold medal.

The 18-year-old Watson broke sport climbing’s speed world record on Thursday for the second time at the Paris Games, but that came in the fight for bronze.

Veddriq Leonardo of Indonesia won gold in 4.75 seconds in the final.

Charron lifts for another medal

Maude Charron raised Canada’s flag at the opening ceremony for the Paris Games and lifted up another medal in weightlifting.

Charron took the silver medal in the 59-kilogram category to add to her gold in the 64-kilogram competition at the Tokyo Games.

Rahimi stars as Morocco gets bronze

Soccer-mad Morocco fans finally have an Olympic medal to celebrate after routing African rival Egypt 6-0 for the bronze.

Soufiane Rahimi scored twice and the Casablanca-born striker will surely become a household name back home after netting an impressive eight goals in the tournament.

He was comfortably the leading scorer ahead of Friday’s final between Spain and 1984 Olympic champion France.

Morocco won the African Cup of Nations title in 1976.

Dutch end long wait for gold in men’s field hockey

Duco Telgenkamp scored the golden goal in the shootout to give the Netherlands a 2-1 victory over Germany.

It was the Netherlands’ first gold in men’s hockey at the Olympics since 2000 and third in the country’s history.

Captain Harmanpreet Singh scored both goals as India beat Spain 2-1 for a second straight bronze, after beating Germany at the Tokyo Games.

French get gold, Portugal a rare medal

Track cyclist Benjamin Thomas overcame a crash in the men’s omnium race to give France its 14th gold medal of the Paris Games.

Thomas held off Iúri Leitão, whose silver medal was only Portugal’s second medal so far — compared to 54 for the French.

Also, world champion Ellesse Andrews of New Zealand won the Olympic title in the women’s keirin.

Nadeem gets Pakistan’s first medal with an Olympic record

Arshad Nadeem got Pakistan’s first medal of the Paris Games in style by setting an Olympic record in javelin.

Nadeem’s throw of 92.97 meters beat Norwegian Andreas Thorkildsen’s mark of 90.57 from the 2008 Games in Beijing.

Plain sailing for Austria

In the southern port city of Marseille, Lara Vadlau and Lukas Maehr of Austria won gold in a tight race in the mixed-gender dinghy.

The sport became a new sailing category at these Games. 
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VIENNA, AUSTRIA — The 19-year-old Austrian who masterminded a foiled plot to attack Taylor Swift fans at a concert in Vienna with a bomb or knife had pledged allegiance to the Islamic State militant group, authorities said on Thursday.

The main suspect, who has North Macedonian roots, made a full confession in custody, Austria’s general director for public security, Franz Ruf, told a news conference.

He swore loyalty to the IS militant group’s leader on the internet and kept chemicals and technical devices at his home in the town of Ternitz in preparation for an attack, Ruf said.

The 19-year-old, whose name was not given, was planning an attack with an explosive or knife among the estimated 20,000 “Swiftie” fans set to gather outside the stadium, said national intelligence head Omar Haijawi-Pirchner.

“There is currently no information that other concerts are subject to an explicit threat,” he said at the news conference.

Two other Austrian youths, ages 17 and 15, were also detained Wednesday over the foiled plot.

Swift’s three concerts in Vienna, due to start on Thursday for a sold-out audience of 65,000 each, were canceled, to the consternation of fans, many of whom had traveled far.

“It’s just heartbreaking, just frustrating. But at the end of the day, I guess it’s for everyone’s safety,” said Mark del Rosario, who had flown from the Philippines for the show.

U.S. broadcaster ABC cited law enforcement and intelligence sources as saying Austrian authorities had received information about the Swift concert threat from U.S. intelligence.

It cited the sources as saying at least one of the suspects had pledged allegiance to ISIS-K, a resurgent wing of IS, on Telegram in June, although the plot was IS-inspired rather than directed by the group’s operatives.

Austrian Interior Minister Gerhard Karner said foreign intelligence agencies helped with the investigation, as Austrian law does not allow monitoring of messenger apps.

Event organizer Live Nation urged fans of Coldplay, which is due to play at the same stadium on August 21, to stay calm and said it was in contact with authorities.

It did not comment on whether the show would take place.

British police said on Thursday there was nothing to indicate that the planned attack in Vienna would have an impact on her shows at Wembley Stadium in London next week.

Past attacks and plots

“Concerts are often a preferred target of Islamist attackers, large concerts,” said Karner, listing the 2015 attack on Paris’ Bataclan venue and the 2017 bombing at the Manchester Arena where U.S. pop star Ariana Grande had played.

The planned attack also recalled a foiled plot by three IS-linked suspects against Vienna’s gay pride parade last year.

Authorities have revamped their national security intelligence in the wake of a 2020 attack by a convicted jihadist in the center of Vienna that left four dead, the first such militant attack in the Austrian capital in a generation.

 

Swifties disappointed

The shows were to be part of the record-breaking Eras Tour by the American singer-songwriter, which started on March 17, 2023, in Glendale, Arizona, and is set to conclude on Dec. 8, 2024, in Vancouver, Canada.

Swift, 34, has not yet commented on the cancellations on her official Instagram account, which has 283 million followers.

Her fans were horrified at the threat, with some begging organizers to postpone the concert instead of canceling it outright. Promoters have said they will pay back tickets.

“I can’t believe the concert i’ve been waiting for over 10 years is now gone. I don’t think i’ll ever get over this,” wrote one fan on social media.

“As disappointing as not being able to go to this concert is TRUST ME u do not want to experience that,” added another.

Some who had traveled from abroad for the concerts planned to do some sightseeing or hang with friends instead.

“We’ll check out some museums, maybe catch up with a few friends who reside here,” said del Rosario. “But apart from that, maybe look at Swiftie-organized events. To be with fellow fans, you know, share the same pain and just dance it out. As I believe Taylor Swift would want us to have fun.”

One group of local Swifties said they had received permission to still hold tour parties in coordination with local police.
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Geneva — Switzerland’s Locarno Film Festival opens on Wednesday with Shah Rukh Khan, Jane Campion, Alfonso Cuaron and Irene Jacob set to be honored with special awards.

Founded in 1946, Locarno is one of the world’s longest-running annual film festivals and focuses on auteur cinema.

Held on the shores of Lake Maggiore, in the Italian-speaking Ticino region of southern Switzerland, films are screened in Locarno’s central square, a feature of Swiss national life depicted on the country’s 20-franc banknotes.

The open-air Piazza Grande holds up to 8,000 moviegoers, and films are shown on one of the largest screens in the world.

Bollywood superstar Khan, 58, will on Saturday be given the Pardo alla Carriera award for people whose artistic contributions have redefined cinema.

“The wealth and breadth of his contribution to Indian cinema is unprecedented,” said the festival’s artistic director Giona A. Nazzaro.

“Khan is a king who has never lost touch with the audience that crowned him. This brave and daring artist has always been willing to challenge himself.”

The 77th festival, which runs until August 17, features 225 films, including 104 world premieres and 15 debut movies.

Locarno’s top prize is the Golden Leopard. Previous winning directors include Roberto Rossellini, John Ford, Stanley Kubrick, Milos Forman, Mike Leigh and Jim Jarmusch.

Seventeen films, all world or international premieres, are vying for the award, including movies from Lithuania, France, Austria, Italy and South Korea.

The Golden Leopard comes with a prize fund of $87,400, shared between the director and the producer.

Switzerland’s largest film event will feature a retrospective dedicated to the 100th anniversary of Columbia Pictures.

‘Tortured, fascinating characters’

New Zealand’s Campion will be recognized with the Leopard of Honor, given to outstanding personalities of world cinema.

She was the first woman to be nominated twice for the best director Oscar: first for “The Piano” (1993) and then for “The Power of the Dog” (2021), which secured her the Academy Award.

“Her work, peopled with tortured, fascinating characters and marked by an astonishing skill in grappling with the more disturbing side of the human condition, represents one of the undisputed pinnacles of contemporary filmmaking,” Nazzaro said.

Previous recipients include Ennio Morricone, Jean-Luc Godard, Bernardo Bertolucci, Paul Verhoeven, Terry Gilliam and Werner Herzog.

Mexican filmmaker Cuaron, who won the best director Oscars for “Gravity” (2013) and “Roma” (2018), will receive the lifetime achievement award.

“Cuaron has reinvented himself as an artist with each new film,” said Nazzaro.

French-Swiss actress Jacob, who starred in “The Double Life of Veronique” (1991) and “Three Colours: Red” (1994), will receive the Leopard Club Award, given for film work touching the collective imagination.

Stacey Sher — the U.S. film producer behind “Pulp Fiction,” “Get Shorty,” “Gattaca,” “Erin Brockovich,” “Django Unchained” and “The Hateful Eight” — will receive the Raimondo Rezzonico Award for major achievements in international movie production.

Nearly 150,000 people attended last year’s festival.
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New York — After 10 days in theaters, “Deadpool & Wolverine” is already the highest-grossing R-rated movie ever, not accounting for inflation.

In its second weekend, the Marvel Studios blockbuster starring Ryan Reynolds and Hugh Jackman continued to steamroll through movie theaters, collecting $97 million according to studio estimates Sunday. That raised its two-week total to $395.6 million, pushing it past the long-reigning top R-rated feature, “The Passion of the Christ,” which held that mark for 20 years with $370 million domestic. 

Worldwide, the Shawn Levy-directed “Deadpool & Wolverine” has quickly amassed $824.1 million in ticket sales, a total that already surpasses the global hauls of the first two “Deadpool” films. The 2016 original grossed $782.6 million worldwide; the 2018 sequel collected $734.5 million.

The weekend’s primary challengers both struggled.

M. Night Shyamalan’s latest thriller, “Trap,” managed a modest opening of $15.6 million at 3,181 theaters for Warner Bros. The film, starring Josh Hartnett as a serial killer hunted by police at a pop concert, didn’t screen for critics before opening day and scored lower in reviews (48% fresh on Rotten Tomatoes) than Shyamalan’s films typically do. Audiences gave it a C+ CinemaScore.

With a budget of about $35 million that Shyamalan largely finances himself, “Trap” didn’t need a huge opening. But it may struggle to break even.

“This is a soft opening for an M. Night Shyamalan suspense crime thriller,” wrote David A. Gross, a film consultant who publishes a newsletter for Franchise Entertainment. “The writer/director’s movies out-earn other original thrillers by a wide margin, and that’s true here, but this start is not on the level of recent Shyamalan films.” 

The live action “Harold and the Purple Crayon,” adapted from the classic kids’ book, also didn’t make much of a mark in theaters. The Sony Pictures release debuted with $6 million. It, too, got dinged by critics (28% fresh on Rotten Tomatoes), though audiences (an A- CinemaScore) liked it more. “Harold and the Purple Crayon,” which stars Zachary Levi, cost about $40 million to make.

“Twisters,” the Universal Pictures disaster film, continues to kick up a storm at the box office. It held in second place with $22.7 million in its third weekend. Lee Isaac Chung’s sequel to the 1996 original, starring Glen Powell, Daisy Edgar-Jones and Anthony Ramos, has racked up $195.6 million domestically. While it has made less of an impression overseas, “Twisters” is holding particularly well in North American theaters, down just 35% from the week prior.

Hollywood closed July with its best month in a year and its first $1 billion month since July 2023. While comparisons to last year aren’t favorable — July was when “Barbie” and “Oppenheimer” launched — a pair of Walt Disney Co. releases in “Inside Out 2” and “Deadpool & Wolverine” (the two top films of the year) powered a banner month for the movie industry.

There will still be reminders, though, of harder times in cinemas earlier in the spring and early summer, when a sparse release calendar and a few notable flops put the box office at a deficit. On Friday, AMC Theatres, the largest North American chain, posted a $32.8 million loss for the second quarter of 2024.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Monday. 

1. “Deadpool & Wolverine,” $97 million. 

2. “Twisters,” $22.7 million. 

3. “Trap,” $15.6 million. 

4. “Despicable Me 2,” $11.3 million. 

5. “Inside Out 2,” $6.7 million. 

6. “Harold and the Purple Crayon,” $6 million. 

7. “Longlegs,” $4.1 million. 

8. “A Quiet Place: Day One,” $1.4 million. 

9. “Daaru Na Peenda Hove,” $615,782. 

10. “Bad Boys: Ride or Die,” $600,000.
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PARIS — Faith leaders gathered with Olympic officials Sunday morning in front of Notre Dame Cathedral to celebrate how “faith and sport can complement each other,” in the words of International Olympic Committee President Thomas Bach.

The 2024 Paris Games got off to a rocky start with many religious groups around the world, including the Vatican. They criticized a scene in the opening ceremony seen as mocking Christianity by evoking “The Last Supper” and featuring drag queens, though the performers and the ceremony’s artistic director denied being inspired by Leonardo da Vinci’s painting.

“We wanted to show that the most important thing is peace,” Catholic Bishop Emmanuel Gobilliard said at the gathering. It was modeled after the first such interfaith meeting, organized by modern Olympics founder Pierre de Coubertin in the 1924 Paris Games.

Far from the controversy, in an inconspicuous tent-like structure tucked away at the end of the athletes’ village in Paris, ordained and lay representatives from the five major global religions have taken up that mantle, providing spiritual comfort to Olympians.

Representatives of Buddhism, Christianity, Hinduism, Islam and Judaism worked for months to set up a shared hall where the more than 10,500 athletes and their staff can find information about worship and speak with a chaplain.

For the first half of the Games, many seem to have found their way there to have a quiet moment away from the overwhelming pressure of competition.

“Some of the athletes who come to pray, I think they came to give up their pressure, to take some time to get out of their own heads,” said the Rev. Jason Nioka, a former judo champion who’s in charge of the largest contingent of Olympic chaplains, about 40 Catholic priests, nuns and lay faithful.

Each religion got 50 square meters (538 square feet) of the structure provided by the Paris Games organizing committee, with instructions to comply with France’s secularism laws that strictly prescribe the role of religion in public spaces.

What the faith leaders have done with the space is itself a wordless message of dialogue, tolerance and welcome — beginning with redistributing the size of the different rooms based on the expected number of faithful.

The door between the small Jewish room and the Muslim space, about twice its size but equally sparingly adorned, is often kept open.

“Here it’s very symbolic,” said Rabbi Moshe Lewin, vice president of the Conference of European Rabbis and one of the Jewish chaplains. “The conviviality, that’s the image that we should transmit.”

“People smile when they see an imam and a rabbi together,” added Najat Benali, president of the Coordination of Muslim Associations of Paris, who leads the Muslim chaplaincy. “We do ‘geo-fraternity,’ not geopolitics.”

The Hindu space also welcomes visitors with blessings by a small water fountain as chanting resounds from a volunteer’s cellphone. It’s the most exuberantly decorated space, with statues from India and a recreated temple structure in painted polyester foam.

In the middle is the Christian area, where Catholics, Protestants and Orthodox share an altar with a large Bible flanked by a cross and icons. Next to it hangs a poster with a quote about faith by U.S. star gymnast Simone Biles.

Last week, three athletics competitors from Australia, Finland and Jamaica walked in to pray, and faith leaders asked if they could join them.

“It was like a little Pentecost,” said Anne Schweitzer, who’s coordinating about three dozen Protestant chaplains.

She discovered one of the three athletes, a silver medalist, is also quoted in the Gospel edition called “More Precious than Gold,” created for the Games and available to visitors there and at churches across Olympic host cities.

Some Catholics, as well as volunteers in the village, have gone next door to meditate in the Buddhist space, said Luc Charles, a Zen monk with the Buddhist Union of France.

“It’s the occasion to get to know each other better,” he added.
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LOS ANGELES — Aerosmith says Steven Tyler’s voice has been permanently damaged by a vocal cord injury last year and the band will no longer tour.

The iconic band behind hits such as “Love in an Elevator” and “Livin’ on the Edge” posted a statement Friday announcing the cancellation of remaining dates on its tour and provided an update on Tyler’s voice.

“He has spent months tirelessly working on getting his voice to where it was before his injury. We’ve seen him struggling despite having the best medical team by his side. Sadly, it is clear that a full recovery from his vocal injury is not possible,” the statement said. “We have made a heartbreaking and difficult, but necessary, decision — as a band of brothers — to retire from the touring stage.”

Tyler announced he injured his vocal cords in September during a show on the band’s Peace Out: The Farewell Tour. Tyler said in an Instagram statement at the time that the injury caused bleeding but that he hoped the band would be back after postponing a few shows.

Tyler’s soaring vocals have powered Aerosmith’s massive catalog of hits since its formation in 1970, including “Dream On,” “Walk This Way” and “Sweet Emotion.” They were near the start of a 40-date farewell tour when Tyler was injured.

“We’ve always wanted to blow your mind when performing. As you know, Steven’s voice is an instrument like no other,” the band said in Friday’s statement to fans.

“It has been the honor of our lives to have our music become part of yours,” the band said. “In every club, on every massive tour and at moments grand and private you have given us a place in the soundtrack of your lives.”

Aerosmith is a Rock & Roll Hall of Fame inductee and a four-time Grammy-winning band. In addition to Tyler, its members are Joe Perry, Brad Whitford, Tom Hamilton and Joey Kramer.
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PARIS — LGBTQ+ athletes, officials and observers have warned that a deluge of hateful comments misidentifying female boxer Imane Khelif in the Paris Olympics as transgender or a man could pose dangers for the LGBTQ+ community and female athletes.

The concerns come as famous figures — from former U.S. President Donald Trump to Harry Potter author J.K. Rowling — have railed against the Algerian boxer after her Italian competitor Angela Carini quit their bout Thursday. They and other social media comments falsely claimed Khelif was a man fighting a woman.

The comments have rippled across social media, pulling Khelif and Taiwanese boxer Lin Yu-Ting into the larger social contention about women in sports.

International Olympic Committee spokesperson Mark Adams said Friday that Khelif “was born female, was registered female, lived her life as a female, boxed as a female, has a female passport.”

He warned “not turn it into some kind of witch hunt.”

Some athletes and LGBTQ+ observers worry that hateful comments from critics — and the IOC failing to address a larger global conversation before the Olympics — have already started to vilify transgender, nonbinary and other LGBTQ+ people at an event championing inclusion. It comes as expanding interpretations of gender identity have spurred a larger political tug-of-war, often centered around sports.

While the Paris Olympics has pushed an agenda of openness and a record 193 openly LGBTQ+ athletes are competing, a performance by drag queens during the opening ceremony faced intense backlash from religious conservatives and others contending that it mocked the Leonardo da Vinci’s Last Supper. Some performers and the opening ceremony’s artistic director say they have received threats.

Nikki Hiltz, one of the world’s top middle-distance runners competing in the women’s category for the U.S. Olympic team, has faced such hateful comments firsthand. Assigned female at birth, Hiltz identifies as nonbinary.

“Transphobia is going crazy at these Olympics,” Hiltz wrote on a post on Instagram responding to the boxing debate. “Anti-trans rhetoric is anti-woman. These people aren’t ‘protecting women’s sport,’ they are enforcing rigid gender norms, and anyone who doesn’t fit into those norms is targeted and vilified.”

The controversy is rooted in claims by the International Boxing Association that Khelif and Lin failed unspecified and untransparent eligibility tests for women’s competition, which the IOC called “a sudden and arbitrary decision” from a governing body it has banned from the Olympics since 2019.

While some sports have detailed guidelines about transgender athletes and hormone levels in competitions, boxing is relying on rules dating to the 2016 Olympics that say the threshold for eligibility is what appears on an athlete’s passport amid a larger rift between the IBA and the IOC.

“The current aggression against these two athletes is based entirely on this arbitrary decision (by the IBA), which was taken without any proper procedure,” said Adams of the IOC. “These dangerous, misogynistic and baseless attacks can lead to misinformation.”

Athletes have faced “quite a few cases of online aggression,” said Adams of the IOC. He said it is the responsibility of the Olympic body to “look after” the athletes and “make sure that they’re safe.”

Though some like Cyd Zeigler, co-founder of Outsports, a site that tracks LGBTQ+ participation in the Olympics, say failures by the IOC to provide clarity before the Games has hurt both female athletes and LGBTQ+ competitors, both of whom have long fought for recognition.

“The issue is not the athlete trying to compete, it’s whoever is making the policy,” Zeigler said. “The awful part of this is the vitriol over the last two days has been aimed at these athletes.”

Zeigler said the backlash is likely to stifle LGBTQ+ public participation in the Games in the future despite activists saying the Olympics have taken major strides in recent years.

“By trying to bury the issue they knew was coming, transphobic (people) begin to direct the conversation,” Zeigler said. “We can have conversations about the inclusion of trans athletes. There are thoughtful conversations to have. It is the vitriol, the nasty, horrible, graphic, ghastly language that gets used around this that eats at me.”

Former athletes like Belgium’s Charline Van Snick, 33, a former judo medalist in the 2012 Games, said the testing and comments about Khelif and Hamori’s bodies are undoing years of work by female athletes to push back against stigma.

While many say they have seen major progress in recent years, Ilona Maher, a star of the U.S. women’s rugby team, broke out in tears in a social media post before the Olympics following comments claiming she was a man.

“There are some women with more testosterone, or different kinds of body,” Van Snick said. “In judo, you are fighting, and you have to stay a woman, what is accepted of a woman. If you look too much like a man, they say, ‘Oh, she’s a man.’ But I’m a woman” who could beat a man in the sport.
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NANTERRE, France — The party for Léon Marchand spread beyond the pool, quickly sweeping across Paris.

At Stade de France, hosting the first night of track and field, an enormous ovation broke out when Marchand won his fourth gold medal of the Olympics. The roar was so loud that the first heat of the 400-meter run in the decathlon was delayed.

At the French Olympic house, nearly 20,000 gathered outside to watch Marchand cap his dominating run at the pool, including 19-year-old Arthur Oursel.

“He’s a hero,” Oursel said. “He’s our hero.”

With French President Emmanuel Macron among the more than 15,000 fans cheering him on in a rugby stadium-turned-natatorium, Marchand soared to another runaway victory in the 200-meter individual medley Friday night.

“I don’t think anything went wrong this week,” Marchand said. “It was just perfect.”

The 22-year-old French phenomenon left no doubt he’ll be remembered as one of the biggest stars of the Summer Games in his home country. He finished in an Olympic record of 1 minute, 54.06 seconds, just missing Ryan Lochte’s 13-year-old world mark.

That was about the only thing he didn’t accomplish in six magical days at La Defense Arena, previously winning the 400 IM, 200 butterfly and 200 backstroke — the latter two about two hours apart in the same session.

Marchand became only the fourth swimmer in Olympic history to win four individual golds at a single Games.

The others? Michael Phelps, who did it in both 2004 and 2008; Mark Spitz in 1972; and East German Kristin Otto in 1988.

Heady company, indeed.

“That’s crazy. Those guys are legends,” Marchand said. “I don’t think I have realized it yet. Maybe I will in a few days.”

The silver went to Britain’s Duncan Scott, a body length behind at 1:55.31. China’s Wang Shun grabbed the bronze in 1:56.00, edging out American Carson Foster for a spot on the podium.

What a night for France

A packed house at La Defense Arena came to cheer on their favorite son one more time. They chanted, sang Sweet Caroline, waved the French tricolor flag and unveiled a huge tifo in the upper deck.

After Marchand touched the wall, he held up four fingers — one for every gold. He climbed from the pool, pumped his fists, then held out his arms as if to say, “What more could you want?”

Not a thing.

He had done it all, more than fulfilling the expectations of his nation and the comparisons to Phelps, who was here to cheer Marchand on. What might have been a burden to some athletes only seemed to push Marchand to even greater heights.

Macron shook Marchand’s hand during Friday’s celebration and sent his congratulations via social media.

“The impossible isn’t French!” Macron wrote in French. “Four home gold medals and a new Olympic record — it’s historic. It’s Leon Marchand.”

Marchand certainly enjoyed his moment, which his American coach Bob Bowman — Phelps’ coach, in an appropriate touch — had encouraged him to do.

He led the fans behind the podium in a cheer before climbing to the top step one more time. The crowd erupted in its most rousing rendition yet of La Marseillaise — though, of course, they’ve had plenty of chances to work on the French national anthem this week.

Chants of “Léon! Léon! Léon!” filled the arena as soon as the anthem was done. Someone held up a sign that simply said “Merci Léon.”

“I’m extremely proud,” Marchand said, “to be French.”

Australian gold for McEvoy, McKeown

Before Marchand’s triumph, Cameron McEvoy and Kaylee McKeown won more gold for Australia.

McEvoy touched first in the 50 freestyle, denying Caeleb Dressel a repeat in swimming’s most frantic event. McKeown followed with a victory in the 200 backstroke to become the first female swimmer to sweep the back at two straight Summer Games.

Asked if she could’ve envisioned such an accomplishment, McKeown said, “Not in a million years.”

McEvoy became the first Australian man to win gold at these games, and McKeown quickly boosted her country’s total to an Olympics-leading seven golds overall — three more than both the U.S. and Marchand, who is essentially a country unto himself.

McKeown noted what an amazing time this is for women’s sports, following in the footsteps of athletes such as Simone Biles and Caitlin Clark in raising the profile of female athletes.

“Not just the Aussie girls, but the whole world and female sports has been unreal this year,” McKeown said.

McEvoy made it from one end of the pool to the other in 21.25, edging Benjamin Proud of Britain by five-hundredths of a second. Florent Manaudou of France gave the home crowd another thrill by taking the bronze in 21.56.

Dressel, who won five gold medals at the Tokyo Olympics, finished sixth in 21.61.

McKeown rallied again, just as she did in the 100 backstroke, to chase down perennial American runner-up Regan Smith. The winning time was an Olympic record of 2:03.73, breaking the mark that Missy Franklin set at the 2012 London Games.

Another silver for Regan Smith

Smith touched in 2:04.26 for the fifth silver medal of her career, to go along with a single bronze. She has yet to win gold.

The bronze went to Canada’s Kylie Masse in 2:05.57.

Smith insisted that she was satisfied with the result, even though a gold medal remained just out of reach.

“That’s one of my fastest times ever. I think I really gave Kaylee a run for it and I made things really close and exciting. So I’m thrilled with it.”

Dressel comes up short

The American star qualified in two individual events, and he won’t be winning a medal in either of them.

Shortly after his sixth-place showing in the 50 freestyle, he returned to the pool for the semifinals of the 100 butterfly — another of the events he won in Tokyo.

Dressel couldn’t pull off the grueling double, managing only the 13th-fastest time to miss out on the final Saturday night.

He did anchor the U.S. to gold in the 4×100-meter freestyle relay for the eighth gold medal of his career.

It was a disappointing showing for one of the biggest stars of the Tokyo Games, but not all that unexpected given what he’s been through.

A year after the pandemic-delayed 2021 Olympics, Dressel walked away from swimming in the middle of the world championships.

He desperately needed a break to recapture his love of swimming, which is still a bit of a work in progress. Dressel seems much happier now, welcoming his first child about five months ago, but he couldn’t recapture that blazing speed from three years ago.

“Obviously not my best work,” Dressel said. “I’ve had a lot of fun, but this hasn’t been my best week. I don’t think I need to shy away from that.”

He has one more relay to go in Paris, giving him another shot at his ninth career gold.

Dressel would like to go out on a high note, because these Games have been “a little heartbreaking, a little heartbreaking for sure.”

After leaving the pool deck, he broke down in tears.
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