Billie Eilish went full glam in a huge peach ball gown at the pandemic-delayed Met Gala on Monday night, while fellow host of the evening Amanda Gorman was breathtaking in blue custom Vera Wang with a diamond laurel wreath in her hair.Co-host Timothée Chalamet raced onto Fifth Avenue to take selfies with fans before walking up the steps of the Metropolitan Museum of Art for his entrance after a marching band and gymnast kicked off the long-awaited evening. Last year’s gala was canceled due to the pandemic.This year’s official theme of the fundraiser for the museum’s Costume Institute was “American Independence,” leaving plenty of room for interpretation. Just ask Lil Nas X, who did a Lady Gaga-esque strip tease on the carpet in gold Versace, from cape to armor to embellished jumpsuit. 
Eilish, the belle of the ball, wore Oscar de la Renta. She told Vogue: “It was time for this. I feel like I’ve grown so much over the last few years.”Chalamet had sneakers on his feet but diamonds on his look. Chalamet called his look “a bit of everything,” just like America.Gorman’s dress, which included more than 3,000 hand-sewn crystals, was made to evoke a starry night sky. She told Vogue she felt like Lady Liberty, reimagined. Her crown, the star poet said, was a nod to publishing. Another of the hosts, Naomi Osaka, wanted to celebrate all her cultures — Japan, Haitian and the U.S. — and picked a Louis Vuitton gown designed in collaboration with her sister, Mari Osaka. It was a swirly blue, aqua and purple print with long black ruffle sleeves and a wide red sash.If this gala produced a trend, it’s huge statement sleeves, with some stars and stripes thrown in. There was a smattering of red, as in the red, white and blue of the American flag. Karlie Kloss wore red Carolina Herrera with huge ruffles at the neck and sleeves. Jennifer Hudson also chose red sans sleeves. Also in red: Ella Emhoff, the daughter of the country’s second gentleman, Doug Emhoff, and Vice President Kamala Harris. She wore a trouser look with a sheer top and a crystal design in all the right places.Dan Levy took the party’s theme to the extreme in a blue confection from Loewe. It had, according to the brand, “printed leg of mutton sleeves” on a polo shirt with an applique of two men kissing. Leon Bridges, meanwhile, honored his home state of Texas in a white cowboy hat and a blue suede fringe jacket. “It’s all about embodying the aesthetic of Texas,” said Bridges, with jewels in his hair.Yara Shahidi wore silver custom Dior complete with a head piece. She said she was inspired by Josephine Baker. Emma Chamberlain went for a gold mini with cutouts at the waist and chunky mirror and chain detail. Harris Reed put Iman in a huge golden hat.Gala overseer Anna Wintour arrived early with a wave to the crowd accompanied by her pregnant daughter, Bee, in a floral design with ruffles at the neck.Along with oh-so-many jumpsuits, there were plenty of classic red carpet looks and a wave of gold, the latter including a Peter Dundas look worn by Mary J. Blige. It plunged to the belly button and beyond at the front and back. Megan Fox, fresh from hear appearance at the MTV VMAs, also wore embellished Dundas, a red body hugger with crisscrossing at the front and sides. MJ Rodriguez, the “Pose” star and first transgender performer to pick up an Emmy nomination in a major acting category, wore an old glam, black-and-white corseted look from Thom Brown. The designer called it a modern-day twist on classic American sportswear. She attended the gala with purpose.”Not a lot of trans girls like myself get this opportunity,” she said. “The human condition is what I’m here for.”U.S. Rep. Alexandria Ocasio-Cortez showed up in an Aurora James gown of white with a message splashed in red across the back: “Tax the Rich.”The evening had its share of what-the-heck moments, like a couple of horse heads on dresses and a green-haired Frank Ocean carrying a fake baby with a green face to match. Thom Browne gave the walking fashion statement Erykah Badu an extra-tall top hat with a bulky black look, a bunch of crystals and chunky bling around her neck.Her purse was a black leather dachshund.Dundas also dressed Ciara, who honored Seahawks hubby Russell Wilson with his No. 3 emblazoned on her lime green sequined gown. She added a little something extra — a Super Bowl ring — and carried a bedazzled purse in the shape of a football.She said the designer was inspired by the sporty vibe of the late great Geoffrey Beene.
The gala, which raises money for the museum’s Costume Institute, was pushed last year from its traditional May berth and morphed this year into a two-part affair marking the institute’s 75th anniversary. It coincides with the opening of “In America: A Lexicon of Fashion,”  the first of a two-part exhibition at the Met’s Anna Wintour Costume Center. Organizers invited 400 guests, or about a third the number that usually attend.
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George Wein, an impresario of 20th century music who helped found the Newport Jazz and Folk festivals and set the template for gatherings everywhere from Woodstock to the south of France, died Monday. Wein, 95, died “peacefully in his sleep” in his New York City apartment, said Carolyn McClair, a family spokesperson. A former jazz club owner and aspiring pianist, Wein launched the Newport Jazz Festival in 1954 under pouring rain and with a lineup for the heavens — Billie Holiday and Dizzy Gillespie, Ella Fitzgerald and Lester Young. Louis Armstrong was there the following year and Duke Ellington made history in 1956, his band’s set featuring an extraordinary, 27-chorus solo from saxophonist Paul Gonsalves that almost single-handedly revived the middle-aged Ellington’s career. Wein led the festival for more than 50 years, and performers would include virtually every major jazz star, from Miles Davis and Thelonious Monk to Charles Mingus and Wynton Marsalis. Just in 1965, the bill featured Frank Sinatra, Count Basie, John Coltrane, Ellington, Gillespie, Davis and Monk.  FILE – Wynton Marsalis performs at the Newport Jazz Festival in Newport, Rhode Island, on August 6, 2011.The success of Newport inspired a wave of jazz festivals in the U.S., and Wein replicated his success worldwide, his other projects including the New Orleans Jazz & Heritage Festival and the Grande Parade du Jazz in Nice, France. His multiday, all-star gatherings were also a model for rock festivals, whether Woodstock in 1969 or the Lollapalooza tours of recent years.  Critic Gene Santoro observed in 2003 that without Wein, “everything from Woodstock to Jazz at Lincoln Center might have happened differently — if it happened at all.” Wein “can justifiably claim to have invented, developed and codified the contemporary popular music festival,” Santoro wrote. The idea for Newport came in part from locals Louis and Elaine Lorillard, who urged Wein to organize a jazz festival in their resort community in Rhode Island. Elaine Lorillard, a socialite, complained that the summer scene was “terribly boring.” Her tobacco-heir husband backed her up with a $20,000 donation. Wein had never known of a large-scale jazz festival, so, in the spirit of the music, he improvised — seeking to combine the energy and musicality of a Harlem jazz club with the ambience of a summer classical concert in Tanglewood. “What was a festival to me?” Wein later said. “I had no rulebook to go by. I knew it had to be something unique, that no jazz fan had ever been exposed to.” FILE – In this 1963 file photo, Joan Baez and Bob Dylan perform at the festival in Newport, Rhode Island.In 1959, Wein joined with Pete Seeger and began a companion folk festival that would feature early performances by Joan Baez and Jose Feliciano among others and track the evolution of Bob Dylan from earnest troubadour to rule-breaking rock star.  Dylan’s show in 1963 helped establish him as the so-called “voice of his generation,” but by 1965 he felt confined by the folk community and turned up at Newport with an electric band. The response was mostly positive, but there were enough boos from the crowd and conflicts backstage — Wein rejected the legend that Seeger tried to cut the power cables to Dylan’s amps — to make Dylan’s appearance a landmark in rock and folk history. In his memoir, “Myself Among Others,” Wein remembered confronting Dylan as he left the stage and insisted he return to play something acoustic. Years later, Wein remained moved by memories of hearing Dylan sing “It’s All Over Now, Baby Blue,” a farewell ballad in more ways than one. “It was a farewell to the idealism and purity of the folk revival,” Wein wrote. “There was no turning back — not for Dylan, not for anyone.” The Newport festivals have led to numerous films and concert albums, notably Murray Lerner’s Oscar-nominated 1967 documentary “Festival!” with Dylan, Johnny Cash and Howlin’ Wolf among the performers. Wein would later bring in Led Zeppelin, Sly and the Family Stone and James Brown and other rock and rhythm and blues acts. In 2020, when Newport went virtual because of the pandemic, Wein introduced Mavis Staples from his home in Manhattan.  Wein himself had been a pianist since childhood and he maintained an active music career, releasing “Wein, Women and Song,” “Swing That Music” and several other albums and making yearly appearances at the Newport festival with his Newport All-Stars band. He was named a “Jazz Master” in 2005 by the National Endowment for the Arts and received an honorary Grammy in 2014. Years earlier, President Bill Clinton brought his saxophone to the White House stage for a celebration of the Newport Jazz Festival. The Newport festival lasted despite ongoing conflicts, whether objections from the locals in Newport, the declining appeal of jazz, or the demands and resentments of the musicians. In the mid-1970s, he was struggling financially and became among the first popular music promoters to work with corporate sponsors, notably the makers of Kool cigarettes.  In 2005, he sold his company Festival Productions Inc. to Festival Network LLC and took on a more limited role at Newport. Six years later, he established the nonprofit Newport Festivals Foundation to oversee the summertime events. “I want the festivals to go on forever,” Wein told The Associated Press at the time. “With me it’s not a matter of business. This is my life.” 
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Broadway will welcome back musical lovers and playgoers this fall as theaters in New York City reopen at 100% capacity despite an ongoing threat of the spread of COVID-19. Tina Trinh reports.Camera: Tina Trinh, Janine Phakdeetham      Produced by: Tina Trinh   
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Novak Djokovic’s bid for the first calendar-year Grand Slam in men’s tennis since 1969 ended one victory short with a 6-4, 6-4, 6-4 loss to Daniil Medvedev in the U.S. Open final on Sunday.  Medvedev’s surprisingly lopsided triumph gave him his first major championship and prevented Djokovic from winning what would have been the record 21st of his career.  The No. 1-ranked Djokovic entered this match 27-0 in 2021 at the sport’s four most important tournaments, enduring the burdens of expectations and pressure that came along with his two-track pursuit of history over the past seven months and, in New York, the past two weeks.  He beat Medvedev in the Australian Open final on a hard court in February, then added titles on clay at the French Open in June and Wimbledon on grass in July.  But Djokovic, a 34-year-old from Serbia, couldn’t get to 28-0. He simply was far from his best on this particular day.  He made mistakes, 38 unforced errors in all. He wasn’t able to convert a break chance until it was too little, too late. He showed frustration, too, destroying his racket by pounding it three times against the court after one point, drawing boos from the Arthur Ashe Stadium crowd and a code violation from the chair umpire.A lot of Djokovic’s issues had to do with the No. 2-ranked Medvedev, who used his 6-foot-6 (1.98-meter) frame to chase down everything and respond with seemingly effortless groundstrokes — much the way Djokovic wears down foes — and delivered pinpoint serving.Djokovic reached his record-equaling 31st Grand Slam final with six victories on the hard courts of Flushing Meadows. But he could not quite get the last one he wanted.  He remains tied with Roger Federer and Rafael Nadal with 20 major titles.And the last man to sweep a season’s singles trophies at the Slams remains Rod Laver, who did it twice — in 1962 and 1969 — and was in the stands Sunday. The last woman to accomplish the feat was Steffi Graf in 1988.Instead, Djokovic joins Jack Crawford in 1933 and Lew Hoad in 1956 as men who won a year’s first trio of Grand Slam tournaments and made it all the way to the U.S. Open final before losing. 
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Disney announced Friday that all of its films slated for release by the end of the year will be exclusively screened in cinemas first, bringing relief to theaters anxious to reconnect with audiences after the coronavirus pandemic devastated their industry.The animated film Encanto will be released on the big screen Nov. 24 and will not appear on Disney’s on-demand video platform until Dec. 24, the company said in a statement.Other planned projects, including The Last Duel by Ridley Scott, Eternals by Marvel Studios and West Side Story by Steven Spielberg, will be screened in theaters for at least 45 days before they are released elsewhere.The decision was eagerly awaited by traditional cinemas after the entertainment giant recently chose to release a series of big productions such as Black Widow, Jungle Cruise and Cruella on its Disney+ platform, diverting part of their revenue.Black Widow actor Scarlett Johansson has sued Disney, accusing the company of breach of contract and costing her millions of dollars in box office revenue after it released the film on its video platform.Two years ago, Disney was producing content for both theaters and television channels, but it now has direct access to its audience via streaming, a trend accelerated by the pandemic.In mid-August, Disney boss Bob Chapek said he favored “flexibility” and the ability to “follow the consumer wherever he goes.”During a presentation of the company’s financial results, he said “when theaters reopened, there was immense reluctance from the public to return.”Warner Bros. studios has also been heavily criticized for its decision to release all of its new movies for the rest of the year on its HBO Max platform. 
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United States Soccer Federation President Cindy Parlow Cone said Friday the body hopes to “equalize” World Cup prize money for its men’s and women’s national teams as part of efforts to settle ongoing litigation with its women footballers. In an open letter addressed to U.S. fans, Parlow Cone said the gulf in prize money paid out by FIFA in the men’s and women’s tournaments was “by far the most challenging issue” facing U.S. Soccer in pay negotiations with men’s and women’s teams. The question of World Cup prize money formed a prominent part of a lawsuit filed by the U.S. women’s soccer team in 2019, which accused the USSF of “stubbornly refusing” to pay its men and women players equally.  FILE – Cindy Parlow Cone of U.S. Soccer attends a meeting of the organization’s board of directors in Chicago, Dec. 6, 2019.A federal judge later rejected the claim of pay discrimination, but the U.S. women have appealed. The 2019 lawsuit cited the discrepancy in World Cup prize money payments paid to the two teams in 2014 and 2015.  The U.S. men received $5.375 million for reaching the round of 16 at the 2014 World Cup, while the women received $1.725 million for winning the 2015 tournament. The USSF has argued that its hands are tied because the prize money is set by FIFA, which awarded $38 million to France for winning the 2018 men’s World Cup in Russia, but only $4 million to the American women for winning the 2019 Women’s World Cup. “FIFA alone control those funds,” Parlow Cone said in her letter on Friday. “And U.S. Soccer is legally obligated to distribute those funds based on our current negotiated collective bargaining agreements with the men’s and women’s teams.” However, Parlow Cone said U.S. Soccer wants to bring the men’s and women’s national teams together to “rethink how we’ve done things in the past.” “To that end, we have invited the players and both Players Associations to join U.S. Soccer in negotiating a solution together that equalizes World Cup prize money between the USMNT and USWNT,” she wrote. “Until FIFA equalizes the prize money that it awards to the Men’s and Women’s World Cup participants, it is incumbent upon us to collectively find a solution. “U.S. Soccer is ready and willing to meet with both groups of players as soon as possible and as often as needed to determine that innovative solution.”  Parlow Cone said the USSF had wanted to negotiate a single collective bargaining agreement covering men’s and women’s teams but had met resistance. Accordingly, the USSF is negotiating separate agreements. U.S. Soccer said the body “will be offering the USMNT and the USWNT the exact same contract, just as we have in past negotiations.”  “That means offering CBAs that include equalized FIFA prize money, identical game bonuses and identical commercial and revenue sharing agreements.” A spokeswoman for the U.S. women’s team said Parlow Cone’s letter showed that the USSF “finally acknowledged that they pay women less than men and must correct this ongoing disparity by reaching an equal pay collective bargaining agreement and resolving the ongoing lawsuit.  “Letters to fans are not a substitute.” 
 
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It will be the Big Apple battle of teenagers in Saturday’s U.S. Open final after Britain’s Emma Raducanu became the first qualifier to reach the title clash at a major, joining Canadian Leylah Fernandez as the duo continued their giant-killing spree.The final under the lights at the colossal Arthur Ashe Stadium between Fernandez and Raducanu will be the first major final in the Open Era across both the men’s and women’s game to feature two unseeded players.It will also mark the first Grand Slam final to be contested by two teenagers since the 1999 U.S. Open between Serena Williams and Martina Hingis.Both Raducanu, 18, and Fernandez, who turned 19 this week, were yet to be born then.”We first encountered each other because I was born in Toronto and she was Canadian, so we kind of, like, made a little relationship back then,” said Raducanu, whose parents moved to England when she was two-years-old.”But, yeah, then I played her at junior Wimbledon. Obviously since then we’ve both come very far in our games and as people. Yeah, I’m sure it’s going to be extremely different to when we last encountered each other.”But we’re both playing good tennis so it will be a good match.”Fernandez was the first to book her spot with yet another upset on Thursday as she took down second seed Aryna Sabalenka 7-6(3) 4-6 6-4 in the first semi-final on Thursday night.Raducanu did not take much longer, wrapping up her contest against Greek Maria Sakkari 6-1 6-4 in 84 minutes to become the first British woman to reach a major final since Virginia Wade won Wimbledon in 1977.Playing in just her fourth tour-level tournament, Raducanu has not dropped a set in New York – the first woman to make the U.S. Open final without dropping a set since German Angelique Kerber in 2016.”Honestly I just can’t believe it. A shock. Crazy,” she said, beaming from her ubiquitous smile. “To be in a Grand Slam final at this stage of my career, yeah, I have no words.”Their fearless tennis has endeared both to the fans and the crowd will have a tough choice in deciding who they would want to back on Saturday.”They are both young. They play fearless. They have nothing to lose playing against us,” said Sakkari. “I have to give credit to both of them, both of the young girls, that they take their chances. They’re out there fighting for that title.”A win in the final would see Raducanu jump to 24th in the rankings, a massive climb after starting the hardcourt major ranked 150th in the world.Left-handed Fernandez, who can make her top-20 debut by climbing to number 19 with the U.S. Open title, has been no less impressive.The Canadian had shown en route to the semi-final that she can beat anyone, with victories over four-time major winner and defending champion Naomi Osaka, three-time Grand Slam winner Kerber in the fourth round and fifth-seeded Elina Svitolina in the quarter-finals.She looked at sea against the power of big-hitting Sabalenka at the start of the match, but soon found her groove as her Belarusian opponent squandered her chances.It was her third win in four matches against top-five players in the world.”Impossible is nothing,” she said. “Like my dad would tell me all the time there’s no limit to my potential to what I can do. Every day we just got to keep working hard, we got to keep going for it.”I think I’ve been doing some things incredible. I don’t know. It’s like I think one word that really stuck to me is ‘magical’ because not only is my run really good but also the way I’m playing right now.”
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Derek Jeter was simply Derek Jeter on his special day — smooth as silk. On a cloudy Wednesday afternoon, with fans chanting his name, the former New York Yankees star shortstop and captain was inducted into the Baseball Hall of Fame after a long wait necessitated by the pandemic.Greeted by raucous cheers in a crowd that included NBA luminaries Michael Jordan and Patrick Ewing, several of his former teammates, and Hall of Fame Yankees manager Joe Torre on the stage behind him, Jeter took the stage after fellow inductees from the Class of 2020 Ted Simmons, Larry Walker and the late Marvin Miller were honored. Jeter was touched by the moment and acknowledged how different the ceremony seemed in the wake of the recent deaths of 10 Hall of Famers.”I’m so honored to be inducted with you guys and linked to you forever,” he said. “The Hall of Fame is special because of those who are in it. We’ve lost way too many Hall of Famers over the last 20 months. These are all Hall of Famers who would have or could have been here, so for that reason it’s not the same.”What was the same was the adoration displayed by the fans, who always marveled at his consistency.Salute to fans”I had one goal in my career, and that was to win more than everyone else, and we did that, which brings me to the Yankee fans,” Jeter said as the fans erupted again. “Without question, you helped me get here today as much as any individual I’ve mentioned.”He gave much of the credit to his parents, who were in the audience with Jeter’s wife, Hannah, and their two young daughters.”Mom, you taught me any dream is attainable as long as you work harder than everyone else. You drilled that in my head over and over and over and you led me to believe it,” Jeter said. “You told me never to make excuses, you wouldn’t allow me to use the word ‘can’t.’ Dad, you’ve been the voice of reason. You taught me to be patient, to listen and think before I speak. You’ve always been there for advice and to this day you’re the first person I go to. I know when I retired you said you played every game with me and I know you recall from time to time telling me, ‘You keep building that resume.’ Look where it’s gotten us today.”The ceremony was delayed a year because of the coronavirus pandemic, but it didn’t matter much to Walker, the second Canadian elected to the Hall of Fame. He gave up hockey when he was 16 to focus on baseball. He was selected in his 10th and final year on the writers’ ballot after a stellar career with Montreal, Colorado and St. Louis that included 383 homers and three batting titles.’Go after those dreams'”It’s taken a little longer to reach this day [but] for all your support I’ve received throughout the years from my home country, I share this honor with every Canadian,” said Walker, who retired in 2005. “I hope that all you Canadian kids out there that have dreams of playing in the big leagues that see me here today gives you another reason to go after those dreams. To my adopted home, the United States, I thank you for allowing this Canadian kid to come into your country to live and play your great pastime. I think we’re all pretty fortunate to have two amazing countries side by side.”Simmons, 72, who starred in a 21-year career with the St. Louis Cardinals, Milwaukee Brewers and Atlanta Braves, punctuated his speech to thank four pioneers of free agency — Curt Flood, Catfish Hunter, Andy Messersmith and Marvin Miller — “who changed the lives of every player on this stage today by pushing the boundaries of player rights.””Marvin Miller made so much possible for every major league player from my era to the present and the future,” the former catcher said. “I could not be more proud to enter this great hall with this great man. Even though my path has been on the longer side, I wouldn’t change a thing. However we get here, none of us arrives alone. I’m no exception.”Transformed the gameMiller, who transformed baseball on the labor front by building a strong players union and led the charge for free agency in the mid-1970s, was honored posthumously. Four years before he died at 95 in 2012, Miller respectfully asked to be removed from consideration for the Hall of Fame after being passed over several times.”One thing a trade union leader learns to do is how to count votes in advance. Whenever I took one look at what I was faced with, it was obvious to me it was not gonna happen,” Miller, head of the Major League Baseball Players Association from 1966 to 1983, wrote in 2008. “If considered and elected, I will not appear for the induction if I’m alive. If they proceed to try to do this posthumously, my family is prepared to deal with that.”The family didn’t. Instead, Don Fehr, who was hired by Miller to be the union’s general counsel in 1977 and succeeded him eight years later, had the honor.”Of all the players I had the privilege to represent, I want to thank you, Marvin,” said Fehr, now the head of the National Hockey League Players Association. “Baseball was not the same after your tenure as it was before. It was and is much better for everyone. You brought out the best of us and you did us proud.”The virus forced the Hall of Fame to cancel last year’s ceremony and this year’s was moved from its customary slot on a Sunday in late July to a midweek date.
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The first trial in the “Operation Varsity Blues” college admissions bribery scandal will begin this week, with the potential to shed light on investigators’ tactics and brighten the spotlight on a secretive school selection process many have long complained is rigged to favor the rich.Jury selection is beginning Wednesday in federal court in Boston in the case against two parents — former casino executive Gamal Abdelaziz and former Staples and Gap Inc. executive John Wilson — who are accused of paying hundreds of thousands of dollars to help get their kids into the University of Southern California by falsely presenting them as athletic recruits.Though they were among dozens of prominent parents, athletic coaches and others arrested across the country when the case exploded into the headlines over two years ago, theirs is the first to go to trial. Defense attorneys are expected to argue that their clients believed their payments were legitimate donations and that USC’s treatment of their children was routine for parents with deep pockets.”The government appears to want to present its one-sided evidence that the ‘school wasn’t okay’ with granting preferential admissions treatment for donations while at the same time blocking the defendants’ evidence that, in fact, the school was okay with this arrangement,” the two executives’ lawyers wrote in a court filing.Prosecutors say the defense is merely trying to muddy the waters in a clear-cut case of lying and fraud.Since March 2019, a parade of wealthy parents has pleaded guilty to paying heavily to help get their children into elite schools with rigged test scores or bogus athletic credentials. The group — including TV actresses Felicity Huffman and Lori Loughlin and Loughlin’s fashion designer husband, Mossimo Giannulli — have received punishments ranging from probation to nine months behind bars. Now, prosecutors face the challenge of convincing a jury that two of the few remaining parents still fighting are guilty. Abdelaziz, of Las Vegas, is accused of paying $300,000 to the sham charity run by the scheme’s mastermind — admissions consultant Rick Singer — to get his daughter into USC as a basketball recruit. Prosecutors say Abdelaziz signed off on an athletic profile that touted the girl as a star, even though she didn’t even make the cut for her high school varsity team. Wilson, who heads a Massachusetts private equity firm, is charged with paying $220,000 to have his son designated as a USC water polo recruit and an additional $1 million to help get his twin daughters into Harvard and Stanford. Prosecutors say Singer told Wilson he couldn’t secure spots for both girls on Stanford’s sailing team because – according to Singer — the coach “has to actually recruit some real sailors so that Stanford doesn’t … catch on.” An attorney for Abdelaziz declined to comment ahead of the trial, and a lawyer for Wilson didn’t respond to messages seeking comment. Defense attorneys have argued in court documents that their clients had no knowledge of any false information submitted about their children. They say USC can’t be a victim of fraud because the school regularly rewarded donors by giving their kids special treatment in admissions.Prosecutors have accused the defense of trying to turn the case into a trial on USC’s admissions policies instead of whether the parents agreed to lie and trump up their children’s athletic credentials. USC has said it wasn’t aware of Singer’s scheme until 2018 when it began cooperating with investigators.The judge told the defense at a recent hearing that “USC is not on trial.” The parents’ attorneys would be allowed to introduce evidence that the school admitted other unqualified students whose parents donated, the judge said, only if the defendants were aware of it at the time they paid the alleged bribes.Opening statements are expected on Monday. Among issues likely to influence jury selection is the wealth of the defendants.Defense attorneys had sought to block prosecutors from introducing evidence about their incomes, wealth, spending or lifestyles, saying it would do nothing other than “unfairly prejudice the jury.” But U.S. District Judge Nathaniel Gorton said such evidence could show the parents were motivated “to have their children admitted to elite universities so they could maintain or improve their status in the community.” Singer, the admissions consultant who began cooperating with the FBI in 2018 and recorded his phone calls with parents, has pleaded guilty and was long expected to be a key witness for the government. But prosecutors have not yet said whether they intend to call him to the stand.Defense attorneys have seized on notes revealed in court documents last year in which Singer claimed investigators told him to lie to get parents to make incriminating statements. In the notes Singer took on his phone in 2018, Singer said the agents instructed him to say he told the parents the payments were bribes. The agents have denied pressuring Singer to lie, but putting Singer on the stand could present the defense with an opportunity to attack his credibility. “He can be directly confronted on statements suggesting that he may have in fact been pressured in saying certain things … which could be devastating to the prosecution if the jury believes that,” said Brad Bailey, a former federal prosecutor in Massachusetts who isn’t involved in the case.But at the same time, not calling Singer could be even more problematic for prosecutors by allowing the defense “to raise more questions that really could result in reasonable doubt,” said Bailey, now a defense attorney. Wilson is also fighting another legal battle after filing a defamation lawsuit against Netflix in April over its portrayal of him in its “Operation Varsity Blues” documentary. Wilson’s lawyers wrote that Singer deceived him and insist that his son was not a fake athlete, but “an invited member of the United States Olympic water polo development program” with grades and test scores that “were more than sufficient to gain admission to USC.” Another parent who was supposed to go on trial with Abdelaziz and Wilson pleaded guilty last month to paying $500,000 to get her son into USC as a football recruit though he wouldn’t really play on the team. Marci Palatella, the chief executive officer of a California liquor distribution company, was the 33rd parent to plead guilty in the case.Three other parents are scheduled to go to trial in January. The sprawling Varsity Blues case has been prosecuted out of Boston because authorities there began investigating the scheme years ago thanks to a tip from an executive targeted in a securities fraud probe.
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U.S. (gridiron) football great Sam “Bam” Cunningham, whose performance against Alabama in a 1970 game is credited for prompting major college football programs in the southern United States to integrate their teams with Black players, has died at the age of 71.   The University of Southern California, where Cunningham played his collegiate years, said he died Tuesday at his home near Los Angeles.   Cunningham was a sophomore (second-year student) running back when he rushed for 135 yards and two touchdowns to lead USC to a 42-21 rout of Alabama, one of college football’s most dominant programs both in the southern U.S. as well as nationally. His performance led Paul “Bear” Bryant, Alabama’s legendary head coach, to begin recruiting Black players to his then-predominantly White team, with other college coaches in the south doing the same. The late Jerry Claiborne, a longtime college football coach who was one of Bryant’s assistants, said Cunningham “did more for integration in 60 minutes (the length of a football game) than Martin Luther King did in 20 years.” Cunningham later said the game did not change how White people felt about Blacks, but that Black players “were accepted because they could help their program win football games.” Cunningham became an All-American standout for USC during his three years on the team, capping his collegiate career by scoring four touchdowns in a 42-17 win over Ohio State in the 1973 Rose Bowl, securing the Trojans the national championship for the 1972 season. Cunningham, who earned his nickname for his powerful head-on running style, went on to play nine seasons with the National Football League’s New England Patriots, becoming the franchise’s all-time leading runner with 5,453 yards.  He helped lead the Patriots to a record-setting 3,165 single-season rushing yards in 1978, which stood until it was broken in 2019 by the Baltimore Ravens.   Patriots owner Robert Kraft praised Cunningham as a player who “made a tremendous impact, both on and off the field.” Cunningham was elected into the College Football Hall of Fame in 2010, the same year he was inducted in the Patriots Hall of Fame. His younger brother Randall, was a standout NFL quarterback for 16 seasons. Some information for this report came from the Associated Press and Reuters. 
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Britney Spears’ father filed Tuesday to end the court conservatorship that has controlled the singer’s life and money for 13 years. James Spears filed his petition to terminate the conservatorship in Los Angeles Superior Court. “As Mr. Spears has said again and again, all he wants is what is best for his daughter,” the document says. “If Ms. Spears wants to terminate the conservatorship and believes that she can handle her own life, Mr. Spears believes that she should get that chance.” Judge Brenda Penny, who oversees the case, will need to approve the move. Britney Spears’ attorney, Matthew Rosengart, said in an email the filing “represents another legal victory for Britney Spears — a massive one — as well as vindication for Ms. Spears.” James Spears had been the target of much of the anger surrounding the conservatorship from both his daughter and the public. A petition from Britney Spears’ attorney to remove him was to be heard at the next hearing in the case on September 29. James Spears said in a filing on August 12 that he was planning to step down as the conservator of her finances but offered no timetable. He gave up his control over her life decisions in 2019, keeping only his role overseeing her money.  He has repeatedly said there is no justification for his removal, and he has acted only in his daughter’s best interest. The conservatorship was established in 2008 when Britney Spears began to have very public mental struggles as media outlets obsessed over each moment, hordes of paparazzi aggressively followed her everywhere, and she lost custody of her children.  Tuesday’s filing cites how Britney Spears’ “impassioned plea” to end the legal arrangement in a June 23 speech in court gave a jolt to those who wanted to see her freed from it, quoting from the transcript of that afternoon.  “I just want my life back,” Britney Spears said. “And it’s been 13 years and it’s enough. It’s been a long time since I’ve owned my money. And it’s my wish and my dream for all of this to end without being tested.” Tuesday’s filing notes that Britney Spears said she did not know she could file a petition to end the conservatorship, which she has yet to do. It says that Penny’s decision to allow her to select Rosengart as her attorney demonstrates that the court trusts her with major choices. And it says evidence shows she has apparently “demonstrated a level of independence” by doing things like driving herself around Southern California. It also cites her desire to make her own decisions on therapy and other medical care. Spears had said in her June 23 speech that she was being compelled under the conservatorship to take certain medications and to use an intrauterine device for birth control against her will. James Spears called for a court investigation of these and other allegations, saying they were issues that were beyond his control because he had stepped down as conservator of his daughter’s person, handing the role to court-appointed professional Jodi Montgomery. Rosengart said when he was hired in July that he intended to help end the conservatorship, and questioned whether it needed to be established in the first place, though he had not yet filed to terminate it. He said instead that his first priority was getting rid of James Spears, whom he challenged to resign on the spot in his first appearance before the court. In his email responding to the request to terminate, Rosengart indicated that his tactics wouldn’t change. “It appears that Mr. Spears believes he can try to avoid accountability and justice,” Rosengart said, “including sitting for a sworn deposition and answering other discovery under oath, but as we assess his filing (which was inappropriately sent to the media before it was served on counsel) we will also continue to explore all options.” Britney Spears gave the conservatorship’s initial existence credit for keeping her career afloat, though she has now put her work entirely on hold for more than two years. Fans objecting to her circumstances and seeing what they believed were pleas for help in the pop star’s Instagram posts began calling online to #FreeBritney, and began appearing outside her court hearings to protest. Famous names from Miley Cyrus to Britney Spears’ former boyfriend, Justin Timberlake, have joined the outcry in recent months, especially after Britney Spears made a pair of passionate speeches to the court in June and July. Penny, the judge with the ultimate power over the conservatorship, has not appeared inclined to end it before, but she has also never been presented with such a clear opportunity. 
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Disabled fashion designers have long struggled against discrimination, especially in developing countries such as Malawi. To combat the problem, Malawian fashion brand House of Xandria on Saturday organized the country’s first fashion show featuring creations by designers with disabilities.  Lameck Masina reports from Blantyre.
Camera: Dan Kumwenda
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Brazil soccer great Pele said on Monday that he was recovering in a hospital from surgery to remove a tumor from his colon. Pele, the only player to win three World Cups, did not say whether the tumor was malignant, but the 80-year-old former Santos and New York Cosmos player said he was feeling good. “Last Saturday I underwent surgery to remove a suspicious lesion in the right colon,” he wrote in a social media post. “The tumor was identified during the tests I mentioned last week.” The Albert Einstein hospital in Sao Paulo said in a statement that it was keeping Pele in intensive care but expected to transfer him to a room on Tuesday. The tumor has been sent for tests, it added. “Luckily, I am used to celebrating big victories with you,” Pele wrote. “I am facing up to this match with a smile on my face, a lot of optimism and happiness for being surrounded by the love of my family and friends.” The news came just hours after a Brazilian news outlet said Pele had spent six days in hospital after going in for his annual medical. It also came days after Pele refuted reports he had fainted and 18 months after his son Edinho said his father was depressed, something the star quickly denied. As a player, Pele was famous for rarely getting injured, but he has suffered from hip problems for years and cannot walk unaided. His public appearances were already being cut before the COVID-19 pandemic, and since then, he has made few unnecessary forays outside his house near Santos.  
 
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Jean-Paul Belmondo, star of the iconic French New Wave film “Breathless,” whose crooked boxer’s nose and rakish grin went on to make him one of the country’s most recognizable leading men, has died at 88.  His death was confirmed Monday by the office of his lawyer, Michel Godest. No cause of death was given. Belmondo’s career spanned half a century. In the 1960s, he embodied a new type of male movie star, one characterized by pure virility rather than classic good looks. He went on to appear in more than 80 films and worked with a variety of major French directors, from Francois Truffaut to Claude Lelouch and Jean-Luc Godard, whose 1960 movie “Breathless” (“Au Bout de Souffle” in its original French title) brought both men lasting acclaim. Belmondo’s career choices were equally varied, from acclaimed art house films to critically lukewarm action and comedy films later in his career. His unconventional looks — flattened nose, full lips and muscular frame — allowed him to play roles from thug to police officer, thief to priest, Cyrano de Bergerac to an unshakable secret agent. Belmondo was also a gifted athlete who often did his own stunts. Reaction from celebritiesFrench President Emmanuel Macron called the actor a “national treasure” in an homage on Twitter and Instagram, recalling the actor’s panache, his laugh and his versatility. Belmondo was at once a “sublime hero” and “a familiar figure,” Macron wrote. “In him, we all recognize ourselves.” FILE – French actor Jean-Paul Belmondo and Italian actress Claudia Cardinale attend a cocktail party in the Foreign Press Association in Rome, Nov. 3, 1960.France bounded into Belmondo mode at news of his death, with praise from politicians of all stripes pouring in. The media played old movie clips that caught the athletic Belmondo in the heart-stopping acrobatics he was known to love, from sliding down a rooftop to climbing up a rope ladder from a moving convertible. “I’m devastated,” an emotional Alain Delon, another top cinema star, said of the death of his longtime friend on CNews.  Even Paris police headquarters offered its condolences for Belmondo, who played a police officer in numerous films, tweeting that “a great movie cop has left us.”  Early lifeBelmondo, affectionately known as Bebel, was born on April 9, 1933, in the Paris suburb of Neuilly-sur-Seine into an artistic family. His father was renowned sculptor Paul Belmondo and his mother, Sarah Rainaud-Richard, was a painter. Belmondo played soccer and trained as a boxer before quitting school at 16. He took up acting in the 1950s at the Paris Conservatory, where one of his teachers, Pierre Dux, famously told him that his career as a leading man was doomed because of his looks. People would burst into laughter if they saw an actress in Belmondo’s arms, Dux said, according to biographer Bertrand Tessier. French theater critic Jean-Jacques Gautier wasn’t impressed either, once saying, “Mr. Belmondo will never enjoy success with his ruffian’s mug.” At his final conservatory competition, the jury failed to give him the recognition he thought he deserved — so he gave the judges an obscene parting gesture. The star began acting in small provincial theaters and caught the eye of aspiring filmmaker Godard in Paris in 1958, who asked him to appear in a short film. At first, Belmondo didn’t take Godard seriously. “I spoke to my wife about it, and she said, ‘Go ahead. If (Godard) hassles you, punch him,'” Belmondo told the Liberation newspaper in 1999. Belmondo was given his first important role by director Claude Sautet in “Classe tous risques” (Consider All Risks), in which he starred alongside Lino Ventura in 1960. The same year, Godard called Belmondo back to appear in “Breathless” — which became one of the breakthrough films of the French New Wave. The movement, which included Truffaut, grouped filmmakers of the late 1950s and 1960s who abandoned traditional narrative techniques and were known for their mood of youthful iconoclasm. FILE – French actor Jean-Paul Belmondo, center, is congratulated by actors on stage during the ceremony of the 42nd Cesar Film Awards, at the Salle Pleyel, in Paris, Feb. 24, 2017.Belmondo played opposite American actress Jean Seberg, who appeared as the street-smart aspiring reporter who, in the film’s key moment, sold the International Herald Tribune on the Champs-Elysees in Paris. Belmondo sometimes said he acted in Godard’s first film and would act in his last. But he didn’t link his name exclusively with one director and worked with most of France’s top filmmakers — and many of Europe’s well-known actresses, including Jeanne Moreau and Sophia Loren. Following the huge success of “Breathless,” Belmondo showed the vast array of his talent and his versatility in dramas (“Leon Morin, pretre”), arthouse movies (“Moderato Cantabile”) and blockbusters (“Cartouche”). In “Un Singe en hiver,” a French classic directed by Henri Verneuil in 1962, Belmondo impressed the legendary Jean Gabin. “You won’t tell me anymore: ‘If only I had a young Gabin.’ You have him!” Gabin told the director about Belmondo.  In Truffaut’s 1969 “Mississippi Mermaid,” Belmondo played a tobacco farmer and starred opposite Catherine Deneuve. Belmondo and Danish-born Anna Karina played a couple on the run in Godard’s 1965 “Pierrot le Fou.” Belmondo also won a Cesar — the French equivalent of an Oscar — for his role in Lelouch’s 1988 film “Itinerary of a Spoiled Child,” his final big success. Later rolesDuring the second half of his career, Belmondo opted for high-paying roles in commercially successful action films. He played a tough detective in “Cop or Hooligan,” and a World War II ace in “Champion of Champions.” In the 1980s, Belmondo returned to the stage, his first love, and won back the doubting critics. His comeback role was in a 1987 Paris production of “Kean,” about an actor famous for his uncontrollable temper and genius. Belmondo, who had recovered from a stroke in 2001, is survived by three children, Florence, Paul, and Stella Eva Angelina. Another daughter, Patricia, died in 1994. Funeral arrangements weren’t immediately known. 
 
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Brazil’s World Cup qualifying match against Argentina was dramatically suspended shortly after it began Sunday as controversy over COVID-19 protocols erupted.The match at Sao Paulo’s Neo Quimica Arena between the two giants of South American football came to a halt when a group of Brazilian public health officials came onto the pitch, triggering a melee involving team staff and players.Argentina’s players trudged off the pitch to the locker room as the furor raged. Argentina captain Lionel Messi later re-emerged from the tunnel without his team shirt on as confusion swept around the stadium.The stunning intervention came just hours after Brazil’s health authorities said four players in Argentina’s squad based in England should be placed in “immediate quarantine” for breaching COVID-19 protocols.According to Brazil’s National Health Surveillance Agency (ANVISA), Premier League players Giovani Lo Celso (Tottenham), Emiliano Martinez (Aston Villa), Emiliano Buendia (Aston Villa) and Cristian Romero (Tottenham) provided “false information” upon their entry to Brazil.Romero, Lo Celso and Martinez were all in the Argentina starting lineup that kicked off Sunday’s game, triggering the intervention onto the field of officials wearing ANVISA shirts.The four Premier League players were accused of failing to disclose that they had spent time in the United Kingdom in the 14 days prior to their arrival.”We got to this point because everything that ANVISA directed, from the first moment, was not fulfilled,” ANVISA director Antonio Barra Torres said on Brazilian television.”(The four players) were directed to remain isolated while awaiting deportation, but they did not comply. They went to the stadium and they entered the field, in a series of breaches,” the official added.A government order dating from June 23 prohibits the entry into Brazilian territory of any foreign person from the United Kingdom, India or South Africa, to prevent the spread of variants of the coronavirus.”ANVISA considers that this situation represents a serious health risk and recommends that the local health authorities (of Sao Paulo) order the immediate quarantine of the players, who are prohibited from taking part in any activity and from remaining on Brazilian territory,” the agency said in a statement earlier Sunday.ANVISA said Brazil’s Federal Police had been notified so that “the necessary measures are taken immediately.”Brazilian website Globoesporte said the Argentina Football Association (AFA) could request an exceptional authorization from authorities in Sao Paulo to allow the players to take the field against Brazil.The controversy comes after nine Brazilians based in the Premier League failed to travel to South America following objections from their clubs.
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Willard Scott, the beloved weatherman who charmed viewers of NBC’s Today show with his self-deprecating humor and cheerful personality, has died. He was 87. His successor on the morning news show, Al Roker, announced that Scott died peacefully Saturday morning surrounded by family. An NBC Universal spokeswoman confirmed the news. No further details were released. “He was truly my second dad and am where I am today because of his generous spirit,” Roker wrote on Instagram. “Willard was a man of his times, the ultimate broadcaster. There will never be anyone quite like him.” “He played such an outsized role in my life and was as warm and loving and generous off-camera as he was on,” Katie Couric tweeted.  Scott began his 65-year career at NBC as an entry-level page at an affiliate station in Washington and rose to become the weather forecaster on the network’s flagship morning show for more than three decades. His trademark was giving on-air birthday greetings to viewers who turned 100 years old by putting their faces on Smucker’s jelly jars and delivering weather updates in zany costumes. According to NBC, he once took up a viewer’s dare to appear in drag to win a $1,000 donation to the USO, the charity for military families, by dressing up as the Brazilian singer Carmen Miranda. The stunt wasn’t new for the genial Scott: He played Bozo the Clown when he hosted a children’s TV show in the 1960s and Ronald McDonald in commercials in the Washington area.  He often dressed as Santa Claus at the National Tree Lighting ceremony throughout the 1980s and co-anchored NBC’s coverage of the Macy’s Thanksgiving Day Parade between 1987 to 1997. In one memorable moment on live television, first lady Barbara Bush gave him a kiss during the 1989 inauguration parade of her husband, President George H.W. Bush.  “[The president] said, ‘I didn’t know you knew Willard Scott.’ I said, ‘I don’t know Willard Scott. I just love that face,’ ” the first lady recalled. Scott handed the reins to Roker in 1996, occasionally filling in for him for the next decade before fully retiring in 2015. He is survived by his wife, Paris Keena, whom he married in 2014, and two daughters with Mary Dwyer Scott, his wife of 43 years until she died in 2002. 
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One of the most important tasks Alice Greenwald has as president and CEO of the 9/11 Memorial and Museum is to educate and inspire a younger generation and make sure the heroism and sacrifices made that day in 2001 are never forgotten.
 
“If you think about 20 years, it is the span of a generation and there are tens of millions of young people, college age and younger, who were born after 2001. [Others] were toddlers, they were infants when 9/11 happened,” she said.
 
“For those of us who witnessed 9/11 20 years ago, it’s seared into our consciousness. We cannot ever not remember what our eyes saw. But for this generation, it’s history to be learned,” Greenwald told Reuters.
 
Ahead of this year’s anniversary, the Museum and Memorial launched a new campaign and fundraiser called The Never Forget Fund, which will support educational initiatives to teach young people about the attack and the global aftermath.
 
Greenwald said the museum – located in lower Manhattan, close to where the World Trade Center collapsed on September 11, 2001 after being struck by two planes hijacked by Islamic militants – offers an important lesson to the younger generation about overcoming extraordinary hardship.
 
“This memorial, this museum tells a story about the best of human nature in response to the worst. And we need to remind this generation that they have the capacity for unity, for hope and for resilience when faced with challenges that you couldn’t imagine and aren’t yet prepared to deal with.”
 
She added, “But you will rise to the occasion and if you come together, you will meet adversity and prevail.”  
 
“This was a seminal event in American and global history that happened here,” said Greenwald. “And we can’t renege on our promise of two decades ago. We will never forget.”
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A popular Rwandan rapper known as Jay Polly died in custody early Thursday, officials and media reports said, the second detained musician to die in mysterious circumstances in less than two years.Polly, whose real name was Joshua Tuyishime, was being held on drugs charges and had just found out that he was due to stand trial in December.The 33-year-old was taken to Muhima hospital in the capital Kigali at around 3:00 am (0100 GMT), its director Pascal Nkubito told AFP.”He was in a bad shape and unresponsive. Doctors tried to revive him but he unfortunately died shortly after,” he said. “The cause of death is not something I want to speculate about. We will know that after the post-mortem.”The musician was arrested at his home in April for hosting a party in violation of Covid regulations and was later paraded along with other suspects in front of the media.Police said Tuyishime and other defendants were found to be drinking and in possession of marijuana and fake negative Covid certificates. He had denied the charges but requests for bail were rejected.Parties are strictly prohibited in Rwanda because of the coronavirus pandemic and thousands of people have been detained for breaking restrictions aimed at curbing the spread of the disease. Some have been forced to spend the night in open-air stadiums and to listen to Covid-19 guidelines on loudspeakers, while others have been held for weeks in detention facilities.’Cultural icon’Rwandans took to Twitter to pay tribute to Tuyishime, with one describing him as a “cultural icon who contributed so much to our music.”In February last year, Kizito Mihigo, whose music was banned by the regime of President Paul Kagame, was found dead in his cell, just days after he was caught trying to flee the country.Police said Mihigo, a survivor of the Rwandan genocide whose gospel songs angered Kagame’s government, had committed suicide by hanging himself from his cell window using bedsheets.Mihigo, who was sentenced to 10 years in jail in 2015 for conspiracy against the government but later released on pardon, was captured trying to cross the border in Rwanda’s south.He fell foul of the ruling Rwandan Patriotic Front in 2013 after composing songs that questioned the government’s tight control of the legacy of the 1994 tragedy. His music, once popular among the ruling elite, was swiftly banned. Two years later he was accused of terrorism and raising support for an opposition political movement and sentenced to 10 years in prison.His lawyers said prosecutors had little evidence to jail him. He was released on presidential pardon in September 2018.Mihigo and Polly are not the first figures to die in mysterious circumstances while in police custody in Rwanda.Last year, a former director-general in Kagame’s office was found dead in a military jail after being sentenced to 10 years for corruption. In 2015, Kagame’s personal doctor, Emmanuel Gasakure, was shot dead in custody by police.Kagame, who has been in power since 1994, has been accused of ruling with an iron fist, clamping down on all forms of dissent and jailing or exiling opposition politicians.Human Rights Watch (HRW), among other groups, has accused Kagame’s regime of summary executions, unlawful arrests and torture in custody.
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Ed Asner, the burly and prolific character actor who became a star in middle age as the gruff but lovable newsman Lou Grant, first in the hit comedy “The Mary Tyler Moore Show” and later in the drama “Lou Grant,” died Sunday. He was 91.  Asner’s representative confirmed the actor’s death in an email to The Associated Press. Asner’s official Twitter account included a note from his children: “We are sorry to say that our beloved patriarch passed away this morning peacefully. Words cannot express the sadness we feel. With a kiss on your head- Goodnight dad. We love you.”Built like the football lineman he once was, the balding Asner was a journeyman actor in films and TV when he was hired in 1970 to play Lou Grant on “The Mary Tyler Moore Show.” For seven seasons he was the rumpled boss to Moore’s ebullient Mary Richards (He called her “Mary,” she called him “Mr. Grant”) at the fictional Minneapolis TV newsroom where both worked. Later, he would play the role for five years on “Lou Grant.”The part brought Asner three best supporting actor Emmys on “Mary Tyler Moore” and two best actor awards on “Lou Grant.” He also won Emmys for his roles in the miniseries “Rich Man, Poor Man” (1975-1976) and “Roots” (1976-1977).He had more than 300 acting credits and remained active throughout his 70s and 80s in a variety of film and TV roles. In 2003, he played Santa Claus in Will Ferrell’s hit film “Elf.” He was John Goodman’s father in the short-lived 2004 CBS comedy “Center of the Universe” and the voice of the elderly hero in the hit 2009 Pixar release, “Up.” More recently, he was in such TV series as “Forgive Me” and “Dead to Me.”Nonetheless, Asner told The Associated Press in 2009 that interesting roles were hard to come by.”I never get enough work,” he said. “It’s the history of my career. There just isn’t anything to turn down, let me put it that way.””I’d say most people are probably in that same boat, old people, and it’s a shame,” he said.As Screen Actors Guild president, the liberal Asner was caught up in a political controversy in 1982 when he spoke out against U.S. involvement with repressive governments in Latin America. “Lou Grant” was canceled during the furor that followed and he did not run for a third SAG term in 1985.Asner discussed his politicization in a 2002 interview, noting he had begun his career during the McCarthy era and for years had been afraid to speak out for fear of being blacklisted.Then he saw a nun’s film depicting the cruelties inflicted by El Salvador’s government on that country’s citizens.”I stepped out to complain about our country’s constant arming and fortifying of the military in El Salvador, who were oppressing their people,” he said.Former SAG President Charlton Heston and others accused him of making un-American statements and of misusing his position as head of their actors union.”We even had bomb threats at the time. I had armed guards,” Asner recalled.The actor blamed the controversy for ending the five-year run of “Lou Grant,” although CBS insisted declining ratings were the reason the show was canceled.Asner’s character had caught on from the first episode of “Mary Tyler Moore,” when he told Mary in their initial meeting, “You’ve got spunk. … I hate spunk!” The inspired cast included Ted Knight as Ted Baxter, the dimwitted news anchor, Gavin MacLeod as Murray Slaughter, the sarcastic news writer, and Betty White as the manipulative, sex-obsessed home show hostess Sue Ann Nivens. Valerie Harper and Cloris Leachman, playing Mary’s neighbors, both saw their characters spun off into their own shows.”Mary Tyler Moore” was still a hit when the star decided to pursue other interests, and so it was brought to an end in the seventh season with a hilarious finale in which all of the principals were fired except for the bumbling Baxter.Asner went immediately into “Lou Grant,” his character moving from Minneapolis to Los Angeles to become city editor of the Tribune, a crusading newspaper under the firm hand of Publisher Margaret Pynchon, memorably played by Nancy Marchand.Although the show had its light moments, its scripts touched on a variety of darker social issues that most series wouldn’t touch at the time, including alcoholism and homelessness. Asner remained politically active for the rest of his life and in 2017 published the book “The Grouchy Historian: An Old-Time Lefty Defends Our Constitution Against Right-Wing Hypocrites and Nutjobs.”Asner, born in Kansas City, Missouri, in 1929, almost became a newsman in real life. He studied journalism at the University of Chicago until a professor told him there was little money to be made in the profession.He quickly switched to drama, debuting as the martyred Thomas Becket in a campus production of T.S. Eliot’s “Murder in the Cathedral.”He eventually dropped out of school, going to work as a taxi driver and other jobs before being drafted in 1951. He served with the Army Signal Corps in France.Returning to Chicago after military service, he appeared at the Playwrights Theatre Club and Second City, the famed satire troupe that launched the careers of dozens of top comedians.Later, in New York, he joined the long-running “The Threepenny Opera” and appeared opposite Jack Lemmon in “Face of a Hero.”Arriving in Hollywood in 1961 for an episode of television’s “Naked City,” Asner decided to stay and appeared in numerous movies and TV shows, including the film “El Dorado,” opposite John Wayne, and the Elvis Presley vehicles “Kid Galahad” and “Change of Habit.” He was a regular in the 1960s political drama series “Slattery’s People.”He was married twice, to Nancy Lou Sykes and Cindy Gilmore, and had four children, Matthew, Liza, Kate and Charles.
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The Arc de Triomphe has seen parades, protests and tourists galore, but never before has the war monument in Paris been wrapped in silver and blue recyclable polypropylene fabric. That’s about to happen next month in a posthumous art installation designed by artists Christo and Jeanne-Claude.”Christo has wrapped museums, parliaments as in Germany, but a monument like this? Not really. This is the first time. This is the first monument of this importance and scale that he has done,” Vladimir Yavachev, the late collaborating couple’s nephew, told The Associated Press.Preparations have already started on the Napoleon-era arch, where workers are covering statues to protect them from the wrapping.The idea for L’Arc de Triomphe, Wrapped was formed in 1961, when Christo and Jeanne-Claude lived in Paris. Jeanne-Claude died in 2009, and in spite of Christo’s death in May 2020, the project carried on.”He wanted to complete this project. He made us promise him that we will do it,” Yavachev told The Associated Press.It was to be realized last fall, but the COVID-19 pandemic delayed the installation.The $16.4 million project is being self-financed through the sale of Christo’s preparatory studies, drawings, scale models and other pieces of work, Yavachev said.Visitors to the foot of the Arc de Triomphe during the installation, scheduled for Sept. 18-Oct. 3, will be able to touch the fabric, and those climbing to the top will step on it when they reach the roof terrace, as intended by the artists.Born in Bulgaria in 1935, Christo Vladimirov Javacheff met Jeanne-Claude Denat de Guillebon, born in Morocco on the exact same day as him, in Paris in 1958.The artists were known for elaborate, temporary creations that involved blanketing familiar public places with fabric, such as Berlin’s Reichstag and Paris’ Pont Neuf bridge, and creating giant site-specific installations, such as a series of 7,503 gates in New York City’s Central Park and the 39-kilometer Running Fence in California.Yavachev plans on completing another one of his uncle and aunt’s unfinished projects: a 150-meter-tall pyramid-like mastaba in Abu Dhabi.”We have the blueprints, we just have to do it,” he said. 
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The late Cambodian American writer Anthony Veasna So once reportedly described his work as “post-khmer genocide queer stoner fiction,” a narrowly defined niche blown wide open by widespread critical acclaim for his collection of short stories, Afterparties.So’s book is hailed as an exciting and highly original work that captures what it is like to grow up in contemporary American society as a child of Cambodian refugees. Enthusiasm for So’s work bridges seemingly dissimilar universes – literary critics who see its universal appeal and the Cambodian American community that sees family.Uniting the two are So’s vivid descriptions – full of humor and compassion – of families grappling with the traumas of surviving the murderous Khmer Rouge while navigating the cultural dislocation and socio-economic challenges of refugee resettlement.Until now, most depictions of Cambodians in English-language writing and film have been memoirs, nonfiction books and a few well-known movies that focus on an older generation’s stories of surviving the Khmer Rouge killing fields — the “purification” of Cambodia that resulted in the deaths of at least 1.7 million people in a quest by Pol Pot to create an agrarian Marxist utopia in the 1970s.As The New Yorker magazine observed, “Classics of immigrant storytelling can feel sparse and solemn. The stories in So’s Afterparties fill the silence, spilling over with transgressive humor and exuberant language.”The Man Behind Cambodia’s Khmer Rouge ‘Died Easier Than the People He Killed’Cambodians found little comfort in the death of Nuon Chea, believed to be the mastermind behind the Khmer Rouge regime that killed 1.7 million of its countrymen between 1975-1979 “He writes the voices of our Cambodian elders in a way that just feels so accurate,” Monica Sok, a poet who was a friend of So’s, told a recent panel discussion at Book Passage, a Bay Area bookstore. Sok said that as she read So’s work, “I was always thinking like: ‘Yeah, I do know an auntie like that, I know an auntie who thinks she knows how I should live my life.”‘Immense promise’The well-known American literary house Ecco launched Afterparties in early August, printing 100,000 copies after it reportedly signed a $300,000 deal for two books with So, who died in December 2020 of an accidental drug overdose at his home in San Francisco. Another book based on segments from an unfinished novel is expected in 2023.The New Yorker, which first published some of his early stories, described So’s death at 28 as “cutting short a literary career of extraordinary achievement and immense promise.”The headline of a glowing Washington Post review called Afterparties “a bittersweet testament to the late author’s talents.”Alexander Torres, the writer who was So’s partner for seven years, told VOA Khmer “the humor, the lightheartedness, the jokes, but also the really beautiful descriptions” are what made So’s writing unique with a style that “combines humor with high art and with low art.”Younger perspectiveSo’s writing captures the second generation’s perspective on the effects of lingering trauma and other issues at the heart of the Cambodian American community, while touching on more universal contemporary themes such as the complexities of race, youth and sexuality.As any Cambodian born to Khmer Rouge survivors can attest, the horror stories and traumas inflicted by the murderous 1970s regime are part of growing up.So’s sharp observations about his parents’ coping mechanisms and the effects of their traumas on their children offer an unflinching look at the multigenerational impact of war and violence. Yet, he never overlooks the humor and absurdity this can create for an Americanized second generation. In one incident he describes a father shouting at a teen drinking iced water: “There were no ice cubes in the genocide!”Afterparties contains nine short stories, including Somaly Serey, Serey Somaly, about the Buddhist belief in reincarnation set in an Alzheimer’s and dementia unit. Generational Differences is about a 1989 shooting at Cleveland Elementary School in Stockton, a small California city that is home to one of the largest Cambodian communities in the U.S. Most of the victims were children of Southeast Asian descent. Five died. So’s mother, who worked at the school, witnessed the violence.Cambodian Refugees ‘Accomplished So Much’New photography book bears witness to resilience of Cambodians who created a close-knit community in a poor Chicago neighborhood after fleeing war, genocide So’s book built on a reputation from work published in various outlets, including a 2018 story in n+1 magazine called Superking Son Scores Again, about a legendary badminton player turned grocery store owner who tries to relive his glory days.Mark Krotov, the magazine’s co-editor and publisher, told VOA Khmer that So’s work would likely affect many young writers. “There is so much wisdom in it, there is so much adventure … so much risk-taking, so much beauty, so much intelligence, so much provocation. And all those things in combination suggest to me that this is the book that’s going to be remembered,” Krotov said in a recent phone interview.N+1 magazine recently established an award called “Anthony Veasna So’s Fiction Prize” in his honor. The first recipient is Trevor Shikaze, a writer for n+1 from Canada.‘Centering’ Cambodian AmericansSo’s parents fled northwestern Cambodia’s Battambang province and settled as refugees in Stockton, a river city in California’s Central Valley. His father ran an auto repair shop and his mother worked as a civil servant. So was born in Stockton in 1992.Cambodian American intellectuals said So’s fiction masterfully conveyed their experiences, family life and sense of community.“Reading through Afterparties, it was so resonant, it was so refreshing, to see the Cambodian diaspora, which is not represented in literature – apart from the survival literature,” said So’s friend Sok.“Anthony is really centering Cambodian people in America and the second generation as well, those who are born in this country and inheriting their parents’ traumas, but also trying to find their own way in life,” she added.Sokunthary Svay, a Cambodian American writer and librettist from New York City, told VOA Khmer, “I think what makes his writing particularly important for our diaspora is that he would speak about experiences that a lot of us knew growing up here in the States.”So was from a large family, and all the children were high-achieving students. He graduated from Stanford University, where he enrolled for computer science and graduated with a degree in English, a switch that initially dismayed his family. He earned his MFA in fiction at Syracuse University.’Cambodian Space Project’ Brings Psychedelic Rock Back to US

        The Cambodian Space Project, long on the forefront of a local rock'n'roll revival, is a band making good with their pre-Khmer Rouge Cambodia sound.The Cambodian-Australian group, kicked off a mini-U.S. tour on Tuesday with a performance at the Kennedy Center's Millennium Stage. Channthy Kak, 38, also known as Srey Thy, said she was honored to have been invited to perform at the Washington venue, where the band played their original brand of psychedelic rock, before heading to New York City and…

According to his sister, Samantha Lamb, So loved television shows and movies and he discovered his talent while trying to write a script for a television show about a Cambodian American family based on his own life.Lamb reacted to So’s stories with recognition. “OK yes, yes, that is the story about my grandma’s sister, that’s the story about my aunt,” Lamb told VOA Khmer. “This person represents this person in my family.”Processing genocideLamb said Khmer Rouge-era experiences are a recurrent theme in So’s work, as “it is a big part of who we are and growing up my parents talked about it all the time.”In Duplex, a story published in The New Yorker, So wrote, “I had grown up hearing the stories of the genocide, worked to help build our new American identities, and mourned, alongside everyone else in my family, the gaps in our history that could never be recovered.”Lamb said her brother found a way to process this family history and turn it into a new, contemporary experience.His work “tells the stories of the Cambodian genocide, but from a young person’s perspective,” Lamb said. “There hasn’t really been any book or movie or TV show about Cambodians in the Western eyes, you know in the American eyes, that has been about just like who we are as Cambodian Americans now. So, I think that’s what makes it more relatable to people.”According to Lamb, the family continues to struggle with So’s death, although they are immensely proud to see his writing being so well received. His father sleeps in So’s bed to console himself, while his mother is going to a therapist and their grandmother is claiming So may soon be reincarnated.“I am pregnant right now,’’ Lamb said, ‘’and it is a boy. … And especially my grandma has been like ‘Oh! Anthony is coming back. He is being reincarnated.’”  
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Soccer superstar Cristiano Ronaldo is heading back to England to play for the team where he became a legend.Manchester United said Friday that it had reached an agreement to bring the 36-year-old Portuguese forward back to Old Trafford, where the storied club plays.”Manchester United is delighted to confirm that the club has reached agreement with Juventus for the transfer of Cristiano Ronaldo, subject to agreement of personal terms, visa and medical,” a statement from the team read.”Cristiano, a five-time Ballon d’Or winner, has so far won over 30 major trophies during his career, including five Champions League titles, four FIFA Club World Cups, seven league titles in England, Spain and Italy, and the European Championship for his native Portugal.”In his first spell for Manchester United, he scored 118 goals in 292 games. Everyone at the club looks forward to welcoming Cristiano back to Manchester,” the statement concluded.Ronaldo said on Thursday that he no longer wanted to play for Juventus of the Italian league.While details of the move were not officially made public, The Associated Press said the transfer fee would be $29.5 million. Ronaldo had a year left on his contract with Juventus. His contract with United is for two years.Ronaldo played previously for Manchester United from 2003 to 2009 when he left to play for Spanish team Real Madrid before moving on to Juventus.Manchester United manager Ole Gunnar Solskjaer, who played alongside Ronaldo at the club, said, “He is the greatest player of all time, if you ask me.”“Such a tremendous human being as well. … Everyone who’s played with him, I think, has a soft spot for him,” Solskjaer said.United no doubt hopes Ronaldo can help the team win the Premier League championship, something it hasn’t done since 2013.Some information for this report came from The Associated Press.
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