berlin — Forget SpongeBob SquarePants, Sesame Street and the sourdough starter craze — a depressed German loaf of bread named Bernd das Brot is celebrating his 25th anniversary as the reluctant star of a children’s television program that accidentally became equally popular with adults.  

A cult classic in Germany, Bernd das Brot (Bernd the Bread) is a puppet renowned for his deep, gloomy voice, his perpetual pessimism and his signature expression, “Mist!” (Think “Crap!” in English.)  

Played and voiced by puppeteer Jorg Teichgraeber, Bernd is a television presenter who wants nothing to do with TV and can’t wait to go home to stare at the wallpaper. This year, his friends — a sheep and a flower bush — are urging him to become a bread influencer.  

Born as a sketch on the back of a napkin in a pizzeria, Bernd was drawn by Tommy Krappweis, who modeled it after co-creator Norman Coster’s face. The duo had been asked to come up with mascots for KiKA, a German children’s public television channel.

Comic artist Georg Graf von Westphalen designed Bernd as a pullman loaf — white bread typically sliced for sandwiches — with short arms and a permanent scowl. Bernd channels German stereotypes with his grumpy disposition, penchant for complaining, and dry sense of humor and irony.  

Bernd’s first episode aired on KiKA in 2000 alongside his more optimistic pals, Chili the Sheep and Briegel the Bush. 

A reluctant popularity  

Because KiKA is a children’s channel, there was typically dead air from 9 p.m. to 6 a.m. 

On Jan. 1, 2003, the network put Bernd’s short episodes into the night loop for the first time. The move brought an adult audience into Bernd’s world, often those sitting at home and smoking pot, or returning after a long night of partying.  

The night loop cemented his popularity as a German cult classic.  

In 2004, Bernd won the Adolf Grimme Prize, the German television equivalent of an Emmy. The jury said he represents “the right to be in a bad mood.”  

“Bernd shows you that you are less vulnerable with humor and self-irony. And perhaps the most important point is: It’s totally OK if you don’t feel well sometimes. That’s completely fine,” Krappweis said in a KiKA Q&A about Bernd’s anniversary.  

Bernd’s broken heart 

Bernd is depressed for a multitude of reasons, including his failed attempt to be the mascot for a bakery’s advertising campaign (that’s how he ended up as a TV presenter, as a last resort).  

But it’s in Episode 85 that we finally learn about Bernd’s broken heart. “A long, long time ago I fell in love with a beautiful, slim baguette. She was so incredibly charming and funny,” Bernd tells Chili and Briegel. 

But unfortunately it was in vain. “She only had eyes for this run-of-the-mill multigrain bread with its 10 types of grain. It was so depressing.”  

The kidnapping 

Despite Bernd’s best efforts — one of his catchphrases is “I would like to leave this show” — the episodes have never become stale. He sings, he dances, he’s been to space. He’s the star of merchandise, a video game and headlines like “Give Us Our Daily Bernd.”  

He was even kidnapped. In 2009, his 2-meter-tall statue was stolen from his traditional place outside the town hall in Erfurt, where KiKA is based.  

A claim of responsibility surfaced on YouTube, by sympathizers of a group of demonstrators who were protesting a company that had produced cremation ovens for the Nazis’ Auschwitz extermination camp. The demonstrators, however, denied involvement in Bernd’s kidnapping, and the video was removed from the internet.  

Bernd was held hostage for nearly two weeks before being discovered unharmed in an abandoned barracks.  

KiKA is honoring Bernd’s 25th anniversary, despite his complaints. New episodes, an update to his hit song, and online activities for kids and adults alike will be featured.  

The celebrations are at hand, as Bernd’s birthday is Feb. 29. The latest series will premiere in September as Bernd, Chili and Briegel launch the social media channel “Better with Bernd” in their efforts to make him into a bread influencer.  

The trio will present inventions to make school, and life, easier for viewers, but naturally their concoctions backfire. Bernd instead becomes a defluencer — and an involuntary trendsetter. 
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LONDON — Singer Charli XCX, whose album Brat inspired a cultural phenomenon last summer, was the big winner at the BRIT Awards, Britain’s pop music honors, in London on Saturday, picking up five prizes.

Brat, which inspired fans to film themselves dancing to its tracks and whose lime green cover look was adopted by U.S. presidential hopeful Kamala Harris’ campaign on social media after the singer referenced her in a post, won the coveted album of the year category.

Charli XCX, who had led nominations, was also named artist of the year and best dance act. Her single Guess, featuring Billie Eilish, won song of the year, beating tracks including the Beatles’ Now and Then. 

The 32-year-old pop star won her first BRIT, songwriter of the year, earlier this week.

“I’ve always felt like an outsider in the industry but particularly in the British music industry and so it feels really nice to be recognized on this album,” she said as she received the album of the year award.

“I would just like to share this with all artists who have ever felt that they need to compromise to be recognized and to have their moment in the sun because I think I’m living proof that maybe it takes a long time, but … you don’t need to compromise your vision.”

Jazz quintet Ezra Collective was named group of the year.

“This moment right here is because of the great youth clubs and great teachers and the great schools that support young people playing music,” drummer Femi Koleoso said in one of several of the night’s acceptance speeches that called for more support for young musicians and grassroots venues.

U.S. singer Chappell Roan won international artist of the year while her track Good Luck, Babe! won international song of the year.

Espresso singer Sabrina Carpenter was named as the first international recipient of the global success award, which recognizes artists with “phenomenal global sales,” following in the footsteps of One Direction, Adele, Ed Sheeran and Sam Smith.

The ceremony also featured a tribute dedicated to late One Direction singer Liam Payne, who died in October after falling from a third-floor hotel room balcony in Buenos Aires, shocking fans of the boy band, one of the most popular of all time. 
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NEW YORK — David Johansen, the last surviving member of the glam and protopunk band the New York Dolls who later performed as his campy, pompadoured alter ego, Buster Poindexter, has died. He was 75. 

Johansen died Friday at his home in New York City, according to Rolling Stone, citing a family spokesperson. It was revealed in early 2025 that he had stage 4 cancer and a brain tumor. 

The New York Dolls were forerunners of punk and the band’s style — teased hair, women’s clothes and lots of makeup — inspired the glam movement that took up residence in heavy metal a decade later in bands like Faster Pussycat and Motley Crue. 

“When you’re an artist, the main thing you want to do is inspire people, so if you succeed in doing that, it’s pretty gratifying,” Johansen told The Knoxville News-Sentinel in 2011. 

Rolling Stone once called the Dolls “the mutant children of the hydrogen age” and Vogue called them the “darlings of downtown style, tarted-up toughs in boas and heels.” 

“The New York Dolls were more than musicians; they were a phenomenon. They drew on old rock ‘n’ roll, big-city blues, show tunes, the Rolling Stones and girl groups, and that was just for starters,” Bill Bentley wrote in “Smithsonian Rock and Roll: Live and Unseen.” 

The band never found commercial success and was torn by internal strife and drug addictions, breaking up after two albums by the middle of the decade. In 2004, former Smiths frontman and Dolls admirer Morrissey convinced Johansen and other surviving members to regroup for the Meltdown Festival in England, leading to three more studio albums. 

In the 1980s, Johansen assumed the persona of Buster Poindexter, a pompadour-styled lounge lizard who had a hit with the kitschy party single “Hot, Hot, Hot” in 1987. He also appeared in such movies as “Candy Mountain,” “Let It Ride,” “Married to the Mob” and had a memorable turn as the Ghost of Christmas Past in Bill Murray-led hit “Scrooged.” 

Johansen was in 2023 the subject of Martin Scorsese and David Tedeschi’s documentary “Personality Crisis: One Night Only,” which mixed footage of his two-night stand at the Cafe Carlyle in January 2020 with flashbacks through his wildly varied career and intimate interviews. 

“I used to think about my voice like: ‘What’s it gonna sound like? What’s it going to be when I do this song?’ And I’d get myself into a knot about it,” Johansen told The Associated Press in 2023. “At some point in my life, I decided: ‘Just sing the (expletive) song. With whatever you got.’ To me, I go on stage and whatever mood I’m in, I just claw my way out of it, essentially.” 

David Roger Johansen was born to a large, working-class Catholic family on Staten Island, his father an insurance salesman. He filled notebooks with poems and lyrics as a young man and liked a lot of different music — R&B, Cuban, Janis Joplin and Otis Redding. 

The Dolls — the final original lineup included guitarists Sylvain Sylvain and Johnny Thunders, bassist Arthur Kane and drummer Jerry Nolan — rubbed shoulders with Lou Reed and Andy Warhol in the Lower East Side of Manhattan the early 1970s. 

They took their name from a toy hospital in Manhattan and were expected to take over the throne vacated by the Velvet Underground in the early 1970s. But neither of their first two albums — 1973’s “New York Dolls,” produced by Todd Rundgren, nor “Too Much Too Soon” a year later produced by Shadow Morton — charted. 

“They’re definitely a band to keep both eyes and ears on,” read the review of their debut album in Rolling Stone, complimentary of their “strange combination of high pop-star drag and ruthless street arrogance.” 

Their songs included “Personality Crisis” (“You got it while it was hot/But now frustration and heartache is what you got”), “Looking for a Kiss” (I need a fix and a kiss”) and a “Frankenstein” (Is it a crime/For you to fall in love with Frankenstein?”) 

Their glammed look was meant to embrace fans with a nonjudgmental, noncategorical space. “I just wanted to be very welcoming,” Johansen said in the documentary, “’cause the way this society is, it was set up very strict — straight, gay, vegetarian, whatever… I just kind of wanted to kind of like bring those walls down, have a party kind of thing.” 

Rolling Stone magazine, reviewing their second album, called them “the best hard-rock band in America right now” and called the wiry, gravelly-voiced Johansen a “talented showman, with an amazing ability to bring characters to life as a lyricist.” 

Decades later, the Dolls’ influence would be cherished. Rolling Stone would list their self-titled debut album at Number 301 of the 500 Greatest Albums of All Time, writing “it’s hard to imagine the Ramones or the Replacements or a thousand other trash-junky bands without them.” 

The Dolls, representing rock at its most debauched, were divisive. In 1973, they won the Creem magazine poll categories as the year’s best and worst new group. They were nominated several times for The Rock & Roll Hall of Fame but never got in. 

By the end of their first run, the Dolls were being managed by legendary promoter Malcolm McLaren, who would later introduce the Sex Pistols to the Dolls’ music. Culture critic Greil Marcus in “Lipstick Traces: A Secret History of the Twentieth Century” writes the Dolls played him some of their music and he couldn’t believe how bad they were. 

After the first demise of the Dolls, Johansen started his own group, the David Johansen band, before reinventing himself yet again in the 1980s as Buster Poindexter. 

He is survived by his wife, Mara Hennessey, and a stepdaughter, Leah Hennessey. 
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CAIRO — Observant Muslims the world over will soon be united in a ritual of daily fasting from dawn to sunset as the Islamic holy month of Ramadan starts.

For Muslims, it’s a time of increased worship, religious reflection, charity and good deeds. Socially, it often brings families and friends together in festive gatherings around meals to break their fast.

Ramadan is followed by the Islamic holiday of Eid al-Fitr.

Ramadan’s religious rituals and spiritual essence unite diverse Muslim communities around the world. The plights of some fellow Muslims and some issues that have resonance beyond borders — including conflicts and political turmoil — can become part of the focus of the month’s prayers, giving or advocacy for many.

This year, Ramadan is approaching as the fragile ceasefire deal — which has paused over 15 months of war between Israel and Hamas, which the U.S., the U.K. and other Western countries have designated a terror group — nears the end of its first phase. Israel’s military offensive has killed over 48,000 Palestinians, according to Gaza’s Health Ministry, and destroyed vast areas of Gaza.

The war was sparked by an Oct. 7, 2023, attack on Israel in which Hamas-led fighters killed some 1,200 people and took about 250 hostages. For some Muslims, Ramadan also comes amid changes in their countries. In the Middle East, for instance, this will be the first Ramadan for Syrians since the Syrian government fell in a stunning end to decades of the Assad family rule.

When is Ramadan? Ramadan is the ninth month of the Islamic lunar calendar; the month cycles through the seasons. The start of the month traditionally depends on the sighting of the crescent moon. This year, the first day is expected to be on or around March 1. The actual start date may vary among Muslim communities due to declarations by multiple Islamic authorities around the globe on whether the crescent has been sighted or different methodologies used to determine the start of the month.

Why and how do Muslims fast? Fasting is one of the Five Pillars of Islam, along with the profession of faith, prayer, almsgiving, and pilgrimage. Muslims see various meanings and lessons in observing the fast. It’s regarded as an act of worship to attain God-conscious piety and one of submission to God.

The devout see benefits including practicing self-restraint, growing closer to God, cultivating gratitude and empathizing with people who are poor and hungry.

The daily fast in Ramadan includes abstaining from all food and drink – not even a sip of water is allowed – from dawn to sunset before breaking the fast in a meal known as “iftar” in Arabic.

Those fasting are expected to also refrain from bad deeds, such as gossiping, and to increase good deeds.

Muslims typically stream into mosques for congregational prayers and dedicate more time for religious contemplation and the reading of the Quran, the Muslim holy book. Charity is a hallmark of Ramadan.

Among other ways of giving, many seek to provide iftar for those in need, distributing Ramadan boxes filled with pantry staples, handing out warm meals alongside such things as dates and juice or helping hold free communal meals. Muslims eat a pre-dawn meal, called “suhoor,” to hydrate and nurture their bodies ahead of the daily fast.

Are there exemptions from fasting? Yes. There are certain exemptions from fasting, such as for those who are unable to because of illness or travel. Those unable to fast due to being temporarily ill or traveling need to make up for the missed days of fasting later.

What are some cultural and social traditions associated with Ramadan? Muslims are ethnically and racially diverse and not all Ramadan traditions are rooted in religion. Some customs may transcend borders, while others can differ across cultures.

Many social rituals center on gathering and socializing after the daily fast. Some Muslims decorate their homes, put out Ramadan-themed tableware and centerpieces or throng to markets and Ramadan bazaars.

In Egypt, the Arab world’s most populous country, Ramadan is typically a festive time. Colorful lanterns, in different shapes and sizes, dangle from children’s hands and adorn homes or the entrances of buildings and stores. Ramadan songs may be played to welcome the month.

Ramadan’s soundscape in Egypt has traditionally included the pre-dawn banging on drums by a “mesaharati” who roams neighborhoods, calling out to the faithful, sometimes by name, to awake them for the suhoor meal.

New tv shows, communal meals

A lineup of new television series is another fixture of the month in some countries, and advertisers compete for the attention of viewers.

In various regions, some Muslims worry that the month is being commercialized, and that an emphasis on decorations, TV shows, outings or lavish iftar banquets, especially in the social media era, can detract from Ramadan’s religious essence.

Others feel that a balance can be struck and that, done in moderation, such rituals are part of the month’s festive spirit.

In Indonesia, some Ramadan rituals vary across regions, reflecting the diversity of local cultures.

People in Indonesia’s deeply conservative Aceh province slaughter animals during Meugang festivities. The meat is cooked and shared in a communal feast with family, friends, poor people and orphans.

Hundreds of residents in Tangerang, a city just outside the capital of Jakarta, flock to the Cisadane River to wash their hair with rice straw shampoo and welcome the fasting month with a symbolic spiritual cleansing.

Across Sumatra island, after evening prayers, many boys and girls parade through the streets, carrying torches and playing Islamic songs.

In India, where the country’s Muslim minority encompasses more than 200 million people, stalls lining many streets sell such things as dates, sweets and freshly cooked food.

At night, some New Delhi neighborhoods become lively as Muslims head to mosques to attend prayers. Some Indian Muslims also visit Sufi shrines decorated with lights and colorful flowers.

In the United States, where Muslims make up a diverse minority, gathering at mosques and Islamic centers when possible for iftar meals and prayers provides many Muslim families with a sense of community.

Some Muslims also organize or attend interfaith iftar meals. Some big U.S. retailers have started catering to Ramadan shoppers, selling such things as Ramadan-themed decor. 
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Academy Award-winning actor Gene Hackman likely died on Feb. 17, the last day there was any activity on his pacemaker, Santa Fe County Sheriff Adan Mendoza said Friday. “According to the pathologist,” Mendoza said, “that is a very good assumption that was his last day of life,” nine days before investigators found his body.

The bodies of Hackman, 95, and his wife, Betsy Arakawa, 64, a classical pianist, were found, along with the dead body of one of their three dogs, Wednesday in their home in the southwestern U.S. state of New Mexico.

The initial findings of autopsies on the couple revealed that Hackman and his wife both tested negative for carbon monoxide poisoning and “no external trauma” was reported to either of them.  Mendoza said, “There were no apparent signs of foul play.”

However, the couple’s “manner and cause of death has not been determined,” according to the sheriff. “The official results of the autopsy and toxicology reports are pending.”

Investigators have retrieved an assortment of prescription and over-the-counter medications, in addition to cellphones and records from medical diagnostics testing from the house.

“I’m pretty confident there is no foul play,” Mendoza said Friday on The Today Show. He said the autopsy results “will steer us in the right direction” in determining what happened to Hackman and his wife.

Without the autopsy, the sheriff said, it is difficult to determine how long the couple had been dead.

A search warrant affidavit issued Thursday said the circumstances surrounding the couple’s deaths were “suspicious enough in nature to require a thorough search and investigation.”

Mendoza told The Today Show that several doors around the house were unlocked and one door in the rear of the house was open. Earlier reports said the front door was open.

Hackman’s body was found near the rear of the house, while his wife’s body was found in a bathroom. The dead dog’s body was found in a dog crate, not far from Arakawa’s body. The couple had three German shepherds. The other two dogs were found alive and healthy at the property.

The search warrant affidavit also revealed that police called the Santa Fe Fire Department and the New Mexico Gas Company to Hackman’s residence, but no toxic fumes or leaky pipes were found on the grounds.

Storied career

Hackman had a lengthy career on stage and screen, including appearing in Broadway shows, on television and in more than 80 films.

He won an Oscar for best actor for his role in the 1971 film The French Connection and a best supporting Oscar for the 1992 film Unforgiven.

Hackman’s resume featured three other Oscar nominations, including his breakout role in Bonnie and Clyde in 1967 as well as I Never Sang for My Father in 1970 and Mississippi Burning in 1988.

His work crossed genres as he appeared in action movies, thrillers and off-beat comedies.

In addition to his award-nominated works, he was also known for roles in films such as The Poseidon Adventure, Young Frankenstein, Superman, Hoosiers, The Birdcage, and The Royal Tenenbaums.

His last film was Welcome to Mooseport in 2004.

His loss was immediately felt throughout the entertainment community as fellow artists praised him on social media. Director Francis Ford Coppola and actor Morgan Freeman were among those who posted their remembrances of the actor.

“The loss of a great artist, always cause for both mourning and celebration,” Coppola posted on Instagram. “Gene Hackman a great actor, inspiring and magnificent in his work and complexity. I mourn his loss and celebrate his existence and contribution.” Hackman starred in Coppola’s 1974 film The Conversation.

Freeman posted on Instagram: “One of the personal highlights of my career was bringing the French Film Gardé a Vue (Under Suspicion) to life with the incredibly gifted Gene Hackman. And of course… Unforgiven. Rest in peace, my friend.”

Some information for this report came from The Associated Press, Agence France-Presse and Reuters.
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Authorities are continuing their investigation into the circumstances surrounding the death of Academy Award-winning actor Gene Hackman, 95, and his wife, Betsy Arakawa, 64, a classical pianist. The couple were found dead, along with one of their dogs, Wednesday in their home in the southwestern U.S. state of New Mexico.  

Investigators have retrieved an assortment of prescription and over-the-counter medications, in addition to cellphones and records from medical diagnostics testing from the house.  

“I’m pretty confident there is no foul play,” Santa Fe County Sheriff Adan Mendoza said Friday on The Today Show. He said the autopsy results “will steer us in the right direction” in determining what happened to Hackman and his wife.  

Without the autopsy, the sheriff said, it is difficult to determine how long the couple had been dead.  

A search warrant affidavit issued Thursday said the circumstances surrounding the couple’s deaths were “suspicious enough in nature to require a thorough search and investigation.” 

Mendoza told The Today Show that several doors around the house were unlocked and one door in the rear of the house was open. Earlier reports said the front door was open.   

Hackman’s body was found near the rear of the house, while his wife’s body was found in a bathroom. The dead dog’s body was found in a dog crate, not far from Arakawa’s body.  The couple had three German shepherds. The other two dogs were found alive and healthy at the property.  

The search warrant affidavit also revealed that police called the Santa Fe Fire Department and the New Mexico Gas Company to Hackman’s residence, but no toxic fumes or leaky pipes were found on the grounds.  

Storied career 

Hackman had a lengthy career on stage and screen, including appearing in Broadway shows, on television and in more than 80 films. 

He won an Oscar for best actor for his role in the 1971 film The French Connection and a best supporting Oscar for the 1992 film Unforgiven.  

Hackman’s resume featured three other Oscar nominations, including his breakout role in Bonnie and Clyde in 1967 as well as I Never Sang for My Father in 1970 and Mississippi Burning in 1988.  

His work crossed genres as he appeared in action movies, thrillers and off-beat comedies.  

In addition to his award-nominated works, he was also known for roles in films such as The Poseidon Adventure, Young Frankenstein, Superman, Hoosiers, The Birdcage, and The Royal Tenenbaums.  

His last film was Welcome to Mooseport in 2004.  

His loss was immediately felt throughout the entertainment community as fellow artists praised him on social media. Director Francis Ford Coppola and actor Morgan Freeman were among those who posted their remembrances of the actor.   

“The loss of a great artist, always cause for both mourning and celebration,” Coppola posted on Instagram. “Gene Hackman a great actor, inspiring and magnificent in his work and complexity. I mourn his loss and celebrate his existence and contribution.” Hackman starred in Coppola’s 1974 film The Conversation.  

Freeman posted on Instagram: “One of the personal highlights of my career was bringing the French Film Gardé a Vue (Under Suspicion) to life with the incredibly gifted Gene Hackman. And of course… Unforgiven. Rest in peace, my friend.”  

Some information for this report came from The Associated Press, Agence France-Presse and Reuters.
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MOSCOW — Soviet chess grandmaster Boris Spassky, who was famously defeated at the height of the Cold War, has died at 88, the Russian Chess Federation announced Thursday.

“The tenth world champion Boris Spassky has died at 88,” the Russian Chess Federation said in a statement on its website, calling this a “great loss for the country.”

The statement did not say when exactly he died or from what cause.

Spassky is best remembered for his duel with American Bobby Fischer in 1972, which was emblematic of the confrontation between East and West.

The iconic Cold War duel has been the subject of numerous books, documentaries and films. Most notably it inspired the Walter Tevis novel The Queen’s Gambit, which was adapted into the acclaimed Netflix series in 2020.

Spassky became world champion in 1969 and held the title until he played the match that would define his career, facing the eccentric American prodigy.

With the Soviet Union having dominated the game for years, Spassky faced a must-win situation and initially took the lead.

But the American roared back to win, ending an unbroken streak of Soviet world champions since 1948.

Although the loss was a slap in the face for Moscow, Spassky admitted decades later it was a relief to be rid of a “colossal responsibility.”

Born in 1937 in Leningrad, now St. Petersburg, Spassky showed prodigious talent early, becoming junior world champion and the youngest grandmaster in history at the time at 18. 
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The first of two seasons of Gabriel Garcia Marquez’s masterpiece One Hundred Years of Solitude has hit the screen. Netflix is currently working on the second season of this attempt to bring the author’s sprawling masterpiece to the screen. Veronica Villafane has the story.
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Oscar-winning American actor Gene Hackman and his wife were found dead Wednesday at their home in the southwestern U.S. state of New Mexico.

Authorities said they were investigating what caused their deaths but that foul play was not suspected as a factor.

Authorities said they went to the home to do a welfare check and found the 95-year-old Hackman and his wife, 64-year-old pianist Betsy Arakawa, dead along with their dog.

Hackman had a lengthy career on stage and screen, including appearing in Broadway shows, on television and in more than 80 films.

He won an Oscar for best actor for his role in the 1971 film The French Connection and a best supporting Oscar for the 1992 film Unforgiven.

Hackman’s resume featured three other Oscar nominations, including his breakout role in Bonnie and Clyde in 1967 as well as I Never Sang for My Father in 1970 and Mississippi Burning in 1988.

His work crossed genres as he appeared in action movies, thrillers and offbeat comedies.

In addition to his award-nominated works, he was also known for roles in films such as The Poseidon Adventure, Young Frankenstein, Superman, Hoosiers, The Birdcage, and The Royal Tenenbaums.

His last film was Welcome to Mooseport in 2004.

Some information for this report came from The Associated Press, Agence France-Presse and Reuters. 
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