Denver, Colorado — Dozens of kids cheered on a festively decked-out plane in Denver on Saturday when the pilot announced their destination for the day: the North Pole.

More than 100 children, some of whom have serious health issues, were then taken on a roughly 45-minute flight near the city before landing back at Denver International Airport and being towed to a hangar transformed by United Airlines employees and volunteers into the North Pole.

Streamers, paper snowflakes and tufts of cotton resembling feathery snow dotted the plane and seats. Flight personnel paraded a bubble machine up and down the aisle to shouts of “bubbles, bubbles, bubbles” from the excited children. Holiday songs played in the background and there were apple snacks and juice for all.

Before landing, the children were asked to close their window shades. When they opened, the kids were met by the sight of a waiting Santa and Mrs. Claus and a host of elves. An ice cream truck was on hand and the children received gifts.

Bryce Bosley, 6, was tickled to see Santa and all the North Pole had to offer.

“The North Pole is fun because there’s games, food, and all the activities are really fun,” he said.

United Capt. Bob Zimmermann, the holiday flight’s pilot, was struck by the joy and wonder of the youngsters.

“Throughout the year I’ll think of the fantasy flight,” he said. “When life seems to get tough or I want to complain about something, I remember these kids and the joy and the love and what this feels like, and it just keeps my life in perspective.”

United partnered with Make-A-Wish Colorado, Girls Inc., Children’s Hospital Colorado and Rocky Mountain Down Syndrome Association to invite Denver-area kids ages 3 to 10 years on the flight.

For more than 30 years, United has staged its annual “fantasy flights” to fictional North Poles at airports around the world to bring holiday cheer to children and their families.

This year they took place in 13 cities, starting Dec. 5 in Honolulu and then in Washington, Houston, Los Angeles, London, Chicago, San Francisco, Tokyo, Cleveland and Fort Lauderdale, Florida, and on the island of Guam. Newark, New Jersey, also had a flight Saturday.

Jonna McGrath, United’s vice president for operations at its Denver hub, has participated in 29 flights and said it is one of her favorite days of the year.

“It gives them a day where they are away from some of the challenges they face in their day-to-day life,” said McGrath, who was dressed as an elf. “Bringing a little magic and some gifts to their holiday season is something they’ll never forget.”
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The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend. 

The movie starring Aaron Taylor-Johnson earned only $11 million, according to studio estimates Sunday, making it one of the worst openings for a Marvel-adjacent property. Its box office take was even less than the film “Madame Web.” 

The weekend’s other major studio release was Warner Bros.’ animated “The Lord of the Rings: The War of the Rohirrim,” which made $4.6 million. Made for about $30 million, the movie is set 183 years before the events of “The Lord of the Rings” films and was fast-tracked to ensure New Line did not lose the rights to Tolkien’s novels. Peter Jackson, Fran Walsh and Philippa Boyens have been working on future live-action films for the franchise. 

Meanwhile, the top of the charts again belonged to “Moana 2” and “Wicked.” 

“Moana” added $26.6 million to its domestic total in its third weekend and $57.2 million internationally, bringing its global tally to $717 million. It’s now the fourth highest grossing film of the year, surpassing “Dune: Part Two.” 

“Wicked,” which is in its fourth weekend, brought in another $22.5 million to take second place. The Universal musical has made over $359 million domestically and over $500 million worldwide. 

“Gladiator II” also made $7.8 million, bringing its domestic total to $145.9 million in four weeks. 

“Kraven the Hunter” is the latest misfire from Sony in its attempt to mine the Spider-Man universe for spin-off franchises without the lucrative web slinger himself. “Kraven” joins “Madame Web” and “Morbius” in franchise additions that fell flat with both audiences and critics. The one exception on this rollercoaster journey has been the “Venom” trilogy, which has made over $1.8 billion worldwide. 

The R-rated “Kraven the Hunter” was directed by J.C. Chandor and faced a number of delays, partly due to the Hollywood strikes. It was shot nearly three years ago and originally slated to hit theaters in January 2023. The film cost a reported $110 million to produce and was co-financed by TSG. Internationally, it made $15 million, but its potential for longevity appears limited: It currently carries a 15% “fresh” rating on Rotten Tomatoes and got a C grade on CinemaScore from opening weekend audiences. 

“It’s not always a guarantee that you’ll be able to connect with audiences when you have a spinoff character,” said Paul Dergarabedian, the senior media analyst for Comscore. “General audiences seem to want to know exactly what they’re getting.” 

Several awards contenders opened in limited release over the weekend, including Paramount’s “September 5” about ABC’s coverage of the Munich Olympics hostage crisis. Amazon MGM and Orion’s “Nickel Boys,” based on Colson Whitehead’s Pulitzer-winner about an abusive reform school in Florida, opened in two theaters in New York. It averaged $30,422 per screen and will be expanding to Los Angeles before going nationwide in the coming weeks. 

Some big hitters are on the way in the home stretch of the 2024 box office. “Mufasa” and “Sonic the Hedgehog 3” will hit in the coming weeks along with a bevy of arthouse and adult releases like “Babygirl,” “Nosferatu” and “A Complete Unknown.” 

The box office has seen a dramatic recovery since June, when it was down nearly 28% from the previous year. The deficit now stands at 4.8%. 

Final domestic figures will be released Monday. Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore: 

1. “Moana 2,” $26.6 million. 

2. “Wicked,” $22.5 million. 

3. “Kraven the Hunter,” $11 million. 

4. “Gladiator II,” $7.8 million. 

5. “Red One,” $4.6 million. 

6. “Lord of the Rings: The War of the Rohirrim,” $4.5 million. 

7. “Interstellar” (rerelease), $3.3 million. 

8. “Pushpa: The Rule — Part 2,” $1.6 million. 

9. “The Best Christmas Pageant Ever,” $1.4 million. 

10. “Queer,” $790,954. 
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ATHENS, GREECE — Slowly, almost imperceptibly at first, a smile spreads across the little girl’s face. Blinking behind her glasses, she inches her wheelchair forward and gently reaches out to stroke the tiny gray horse.

Soon, 9-year-old Josifina Topa Mazuch is beaming as she leads Ivi, a specially trained miniature horse, standing no taller than her pink wheelchair, through the school hallway.

“I really want them to come again,” Josifina said of Ivi and a second miniature horse, Calypso, after a November morning visit to her Athens primary school for children with special needs. “They made me feel really happy.”

Ivi and Calypso are two of eight miniature horses from Gentle Carousel Greece, a Greek offshoot of Florida-based charity Gentle Carousel Miniature Therapy Horses offering visits to hospitals, rehabilitation centers and care homes.

Trained over two years to work comfortably in confined environments and with vulnerable children and adults, the tiny equines, which stand about 75 centimeters tall, provide a form of pet therapy that carers say offers valuable interactions and learning experiences, particularly to people confined to hospitals or care homes.

But the charity they are part of is struggling to make ends meet — run by one woman who funds the entire operation herself, with one assistant and no support team.

How it all began

Started in 2014 by Mina Karagianni, an interior architect and designer, the Athens operation is the only one affiliated with the Florida-based charity outside the United States. Karagianni came across Gentle Carousel while scouring the internet for information on caring for an abandoned Shetland pony she had rescued.

When she saw photos of the charity’s work in pediatric oncology wards, “I was touched and I was moved, and I said: ‘OK, we have to bring this to Greece,'” she said.

It took months to track down and persuade the U.S. charity to work with her, and even longer to obtain the requisite permits and arrange transport to bring the horses over. But after incessant efforts, six already trained miniature horses stepped off a flight from Florida via Frankfurt in November 2013.

Entirely self-funded through her day job, Karagianni now has a total of eight horses — the American six, one that was later born in Greece, and Billy, the rescued pony.

Karagianni transformed her family land in Rafina, a seaside area east of Athens, into Magic Garden, complete with stables, a paddock for the horses to run free every day, a small café and an area to host children’s parties and baptisms.

At the time, she was open for visits every weekend, charging a small entrance fee to help cover running costs – specialized food for the horses, wood shavings for their bedding, grooming material, veterinarian visits and transportation to and from hospitals and care homes. She also began visiting schools and setting up an education program.

From 2014 when Gentle Carousel Greece first opened until the first COVID-19 lockdowns in 2020, Karagianni said her little equine team saw roughly 12,000 children.

Hard times

But the lockdowns took their toll. Karagianni had to shut down the café and hasn’t been able to reopen since.

With even the tiny income from the café drying up, and Karagianni herself facing a health issue that took her out for 1 ½ years, “we fell apart,” she said. Unable to meet utility bills, both the electricity and water companies cut off her supply, leaving her relying on neighbors for water for the horses.

“I’m just starting to get myself back together again now,” she said. “With a lot of financial difficulties. But what can I do? I’m trying.”

She’s got the utilities running again, but still owes thousands of euros. Approaches to companies and institutions for funding have been unsuccessful so far. “Maybe I just don’t know how to ask properly,” Karagianni said.

Running Gentle Carousel single-handedly is taking its toll. “I’m making super-human efforts,” said Karagianni, who at 68 wonders for how long she can go on and is searching for someone to ensure the program’s continuity.

“I’m doing what I can. But I can’t do it alone,” she said. “I can’t do it without a team.”

The joy they bring to children

Despite her financial struggles, Karagianni said seeing the horses’ effect, particularly on children, makes her determined to continue for as long as she can.

During a visit to the Athens special needs primary school, staff lined up children in wheelchairs so each could spend a few moments with the horses. Some reached out to stroke them; others bent their heads forward over the miniature horses for a kiss.

“It’s incredible, the reactions. It’s like something awakens their senses,” said special needs teacher Eleni Volikaki.

The state-run school, which shares facilities with a private charity for disabled children, ELEPAP, caters to children aged 6-14 with cognitive or mobility problems, or both. Anything that encourages the children to make even small hand gestures, such as reaching out to stroke a horse, “is very important for us. Especially when it’s spontaneous and comes directly from the child and isn’t instigated by us,” Volikaki said.

“We saw things we didn’t expect. We saw children with autism, or children who are generally afraid of animals, coming very close, letting the ponies get close to them,” Volikaki said. “And we saw … spontaneous contact that under other circumstances we wouldn’t see.”

Equines also help adults

The tiny horses don’t just enchant children.

In the seaside area of Nea Makri northeast of Athens, residents of an adult psychiatric care home gather to greet Omiros – Homer in Greek – a 12-year-old miniature gray and white stallion with a flowing mane and blue eyes.

Some show their excitement at the long-anticipated visit. Others are shyer at first, but nearly all eventually approach Omiros, leading him around the home’s recreation room or simply whispering to him.

The interaction is invaluable, said social worker Alex Krokidas, who heads the staff at the Iasis home.

“It offers, even if only briefly, the chance to create a bond that isn’t threatening, that has tenderness, quietness,” Krokidas said. “Let’s not forget, these people have faced many difficulties in their lives.”

Meeting Omiros and having a few moments each with him “gives them the opportunity to be a bit calmer, to not feel threatened, to stroke the animal,” Krokidas said. “All of that is very therapeutic, it is deeply therapeutic.”

Giorgos, one of the residents, initially kept his distance before letting Omiros come close. He leaned his head near the flowing mane.

“He gave me a beautiful feeling when he was here,” he said after Omiros headed back into the recreation room. “Now that it’s gone, I feel an absence.” 
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WELLINGTON, NEW ZEALAND — A New Zealand man playing his first-ever competitive Scrabble game in Spanish, a language he doesn’t speak, has won the board game’s Spanish-language world title.

Nigel Richards, a professional player who holds five English-language world titles, won the Spanish world Scrabble championships in Granada, Spain, in November, losing one game out of 24.

Richards started memorizing the language’s Scrabble word list a year ago, his friend Liz Fagerlund -– a New Zealand Scrabble official -– told The Associated Press.

“He can’t understand why other people can’t just do the same thing,” she said. “He can look at a block of words together, and once they go into his brain as a picture he can just recall that very easily.”

In second place was defending champion Benjamín Olaizola of Argentina, who won 18 of his games.

Nothing like the New Zealander’s feat had ever happened in Spanish Scrabble, said Alejandro Terenzani, a contest organizer.

“It was impossible to react negatively, you can only be amazed,” Terenzani said. “We certainly expected that he would perform well, but it is perhaps true that he surpassed our expectations.”

Richards has done this before. In 2015, he became the French language Scrabble world champion, despite not speaking French, after studying the word list for nine weeks. He took the French title again in 2018.

Recognized in international Scrabble over his three-decade career as the greatest player of all time, Richards’ Spanish language victory was notable even by his standards, other players said.

While compensating for different tile values in English and Spanish Scrabble, Richards also had to contend with thousands of additional seven, eight and nine letter words in the Spanish language -– which demand a different strategy.

Richards in 2008 was the first player ever to hold the world, U.S. and British titles simultaneously, despite having to “forget” 40,000 English words that do not appear in the American Scrabble word list to triumph in the U.S.

His victories are legendary in the Scrabble community, and games analyzed in YouTube videos watched by tens of thousands.

Scrabble does not require players to know the definitions of words, only what combinations of letters are allowed in a country’s version of the game, but native speakers have “a huge leg up,” American Scrabble player Will Anderson said in a video summarizing Richards’ Spanish win.

Richards’ mother, Adrienne Fischer, told a New Zealand newspaper in 2010 that he did not excel at English in school, never attended university and took a mathematical approach to the game rather than a linguistic one.

“I don’t think he’s ever read a book, apart from the dictionary,” she said.

Fagerlund said Richards impressed her when he arrived at his first Scrabble club meeting at age 28. Two years later, in 1997, he cycled 350 kilometers from Christchurch to the city of Dunedin, won the New Zealand title on his first attempt and cycled home again.

At the Spanish event he was shy and modest, organizer Terenzani said, but happily posed for photos and spoke with fans who approached him.

“Although he did so in English, of course,” Terenzani added.

What motivates Richards, who now lives in Malaysia, is a mystery. He never speaks to reporters.

“I get lots of requests from journalists wanting to interview him and he’s not interested,” Fagerlund said. “He doesn’t understand what all the hoo-ha is about.”
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NEW DELHI — A popular actor in southern India was released from jail on bail on Saturday, a day after he was arrested by police in connection with a stampede that led to the death of a woman at the premiere of his movie earlier this month.

A 35-year-old woman died and her 8-year-old son was critically injured in the stampede, which occurred during the screening of Allu Arjun’s release for Pushpa 2: The Rule in southern Telangana state’s Hyderabad city on December 4.

Arjun was arrested after the woman’s husband filed a case against him, his security team and the theater’s management for not informing police of the actor’s plan to attend the screening, which resulted in a larger-than-expected crowd. Police charged the actor, his security team and the theater’s management staff with culpable homicide not amounting to murder.

Police have already arrested the theater’s owner and two of his employees in connection with the case.

A local court on Friday ordered the actor to spend 14 days in jail, but within hours the Telangana High Court granted him bail. However, the actor had to spend the night in jail because prison authorities did not receive a copy of the bail until late Friday, the Press Trust of India reported.

The accident happened after the 41-year-old actor made a surprise appearance at a local theater where the movie was being screened. As his fans surged toward the venue, the theater’s main gate collapsed, resulting in the stampede.

The actor did not comment on the police charges or his arrest. But shortly after the accident, Arjun wrote on the social platform X that he was “heartbroken by the tragic incident.” He later announced financial assistance of $29,000 for the woman’s family and promised to take care of the medical expenses for her injured son.

Deadly stampedes are relatively common in India, where large crowds gather in small areas with shoddy infrastructure and few crowd safety measures.
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The U.S. mid-Atlantic state of Maryland may seem like an odd place for hula dancing. Yet every weekend, dancers gather in downtown Silver Spring to practice the ancient form of storytelling, despite the thousands of miles between them and Hawaii, the tropical island state where hula was born. VOA’s Keith Lane has the story.
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BEIJING — The former coach of the Chinese men’s national football team has received a 20-year-prison sentence for bribery, Chinese state media reported Friday.

Liu Tie, who once played in the English Premier League as a midfielder for Everton, was found guilty of “leveraging his positions” as head coach of the national football and national selection team to receive bribes of more than 50 million yuan (about $7 million), by a court in the city of Xianning in the central Hubei province.

Liu coached the Chinese men’s team between January 2020 and December 2021. He was also charged with taking bribes between 2015 to 2019, when he worked for local football clubs.

The investigation into Liu’s conduct began in November 2022. He pleaded guilty to bribery and corruption in March of this year.

His sentencing is the latest in a series of high-profile corruption cases involving Chinese football.

In March, the former president of the Chinese Football Association, Chen Xuyuan, was sentenced to life in prison for bribery. Earlier this week, three other CFA officials received prison sentences for bribery, according to state media.
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SAN FRANCISCO — A photojournalist who captured one of the most enduring images of World War II — the U.S. Marines raising the flag on the Japanese island of Iwo Jima — had a block in downtown San Francisco named for him Thursday.

Joe Rosenthal, who died in 2006 at age 94, was working for The Associated Press in 1945 when he took the Pulitzer Prize-winning photo.

After the war, he went to work as a staff photographer for the San Francisco Chronicle, and for 35 years until his retirement in 1981, he captured moments of city life both extraordinary and routine.

Rosenthal photographed famous people for the paper, including a young Willie Mays getting his hat fitted as a San Francisco Giant in 1957, and regular people, including children making a joyous dash for freedom on the last day of school in 1965.

The 600 block of Sutter Street, near downtown’s Union Square, became Joe Rosenthal Way after a short ceremony Thursday morning. The Marines Memorial Club, which sits on the block, welcomed the street’s new name.

Aaron Peskin, who heads the San Francisco Board of Supervisors, welcomed the city’s political elite, military officials and members of Rosenthal’s family to toast the late photographer, who was born in Washington, D.C., to Russian Jewish immigrant parents.

The famous photo became the centerpiece of a war bonds poster that helped raise $26 billion in 1945. Tom Graves, chapter historian for the USMC Combat Correspondents Association, which pushed for the street naming, said the image helped win the war.

“But I’ve grown over the years to appreciate also his role as a San Francisco newspaper photographer who, as Supervisor Peskin says, went to work every day photographing the city where we all live, we all love,” he said.

Graves and others said they look forward to tourists and locals happening upon the street sign, seeing Rosenthal’s name for perhaps the first time, and then going online to learn about the photographer with the terrible eyesight but an eye for composition.

Rosenthal never considered himself a wartime hero, just a working photographer lucky enough to document the courage of soldiers.

When complimented on his Pulitzer Prize-winning photo, Rosenthal said: “Sure, I took the photo. But the Marines took Iwo Jima.”
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Rovaniemi, Finland — Shuffling across icy ground on a cold December afternoon, lots of tourist groups poured into Santa Claus Village, a winter-themed amusement park perched on the edge of the Arctic Circle.

They frolic in the snow, take a reindeer sleigh ride, sip a cocktail in an ice bar or even meet Saint Nick himself in the capital of Finnish Lapland, Rovaniemi, which happily calls itself the “official hometown of Santa Claus.”

The Santa Claus Village theme park, which attracts more than 600,000 people annually, is especially popular during the holiday season.

“This is like my dream came true,” beamed Polish visitor Elzbieta Nazaruk. “I’m really excited to be here.”

Tourism is booming in Rovaniemi — which has hotel and restaurant owners, as well as city officials, excited as it brings lots of money to the town. However, not everyone is happy about the onslaught of visitors, 10 times the town’s population, each year at Christmas time.

“We are worried about the overgrowth of tourism. Tourism has grown so rapidly, it’s not anymore in control,” said 43-year-old Antti Pakkanen, a photographer and member of a housing network that in September organized a rally through the city’s streets.

It’s a feeling that has been echoed in other popular European travel destinations, including Barcelona, Amsterdam, Malaga and Florence.

Across the continent, locals have protested against “over-tourism” — which generally describes the tipping point at which visitors and their cash stop benefiting residents and instead cause harm by degrading historic sites, overwhelming infrastructure and making life markedly more difficult for those who live there.

Now, it seems to have spread north, all the way to the edges of the Arctic Circle.

Rovaniemi counted a record 1.2 million overnight visitors in 2023, almost 30 percent growth on 2022, after rebounding from pandemic travel disruptions.

“Nordic is a trend,” Visit Rovaniemi CEO Sanna Karkkainen, said as she stood in an ice restaurant, where snow carvers were working nearby.

“People want to travel to cool countries to see the snow, to see the Northern Lights, and, of course, to see Santa Claus,” she added.

Thirteen new flight routes to Rovaniemi Airport opened this year, bringing passengers from Geneva, Berlin, Bordeaux and more. Most tourists come from European countries like France, Germany and the UK, but Rovaniemi’s appeal has also spread further.

Hotel availability is scarce this winter, and Tiina Maatta, general manager of the 159-room Original Sokos Hotel, expects 2024 to break more records.

Local critics of mass tourism say many apartment buildings in Rovaniemi’s city center are also used for accommodation services during peak season and are thus no longer available for residential use. They say the proliferation of short-term rentals has driven up prices, squeezed out long-term residents, and turned its city center into a “transient space for tourists.”

Finnish law prohibits professional accommodation services in buildings intended for residential use, so campaigners are calling on authorities to act.

“The rules must be enforced better,” said Pakkanen.

Not everyone agrees. Mayor Ulla-Kirsikka Vainio notes some make “good money” on short-term rentals.

Either way, stricter regulations likely won’t be in place to impact this winter season, and despite the unease expressed by locals, mass tourism to Rovaniemi is probably only going to grow in 2025 — as visitors want to experience the unique atmosphere up north, especially during the holiday season.

“It’s Christmas time and we would love to see the Northern Lights,” says Joy, a visitor from Bangkok. “Rovaniemi seems to be a good place.”
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MONTREAL — Powered by TikTok, the song Je te laisseai des mots by Quebecer Patrick Watson has become the first French-language song to surpass 1 billion listens on Spotify, the streaming platform announced Tuesday.

“It’s a dizzying number,” Canadian singer-songwriter Patrick Watson posted on Facebook on Wednesday. “It’s a huge number, almost impossible to comprehend.”

“I grew up in Montreal and am extremely proud that a French song has crossed the language barrier,” continued Patrick Watson. The Quebec artist thus ranks ahead of other French-speaking artists with global influence, such as the Belgian Stromae or the Franco-Malian Aya Nakamura.

Patrick Watson, represented by the Montreal independent label Secret City Records, composed this song almost 15 years ago, for the film Mothers and Daughters with Catherine Deneuve released in 2009.

The piano-vocal song saw renewed interest in 2019 on YouTube in a video pairing the melody with archival footage.

The melancholic anthem was then used to accompany scenes of everyday life in tens of thousands of videos on TikTok during the COVID-19 pandemic, with users adding melodrama to snippets of their everyday lives.

Celebrities like Justin Bieber also helped make the song popular among a wide audience.

“The modern pop song is now the soundtrack to people’s home movies,” Watson told the Canadian newspaper Globe and Mail in 2022, speaking of its viral popularity.

“The modern hit is the song that makes your daily life more interesting and romantic” on social networks, he added.

Je te laisserai des mots was the most-streamed French-language song worldwide on Spotify over the past 12 months, the platform announced in September, surpassing tracks like Stromae’s Alors on danse.

Patrick Watson’s music has been featured in the popular American TV series Grey’s Anatomy and The Walking Dead, and he and his eponymous band won the prestigious Canadian Polaris Music Prize in 2007. 
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