The papal thriller “Conclave” won best ensemble and Timothée Chalamet took best actor at the 31st Screen Actors Guild Awards on Sunday, a pair of twists that added a few final wrinkles to an unusually unpredictable awards season.

In winning the guild’s top award, Edward Berger’s Vatican-set drama triumphed just as the Catholic Church was praying for the health of Pope Francis, who remained in critical condition Sunday after an asthmatic respiratory crisis. “Conclave” dramatizes the fictional election of a new pope. Earlier in the evening onstage, Isabella Rossellini shared the cast’s best wishes for Pope Francis.

All the momentum going into the SAG Awards was with Sean Baker’s “Anora,” which had won with the producers, directors and writers guilds. Now, with “Conclave” winning with the actors and at the BAFTAs, what will nab best picture in a week’s time at the Academy Awards is, again, anyone’s guess.

“Wow,” said “Conclave” star Ralph Fiennes taking the stage. “I’ve not been elected to speak. I’ve been designated to speak on behalf of our conclave, our ensemble.”

That wasn’t the only surprise in the ceremony held at the Shrine Auditorium in Los Angeles and streamed lived by Netflix. Chalamet’s best actor win upset “The Brutalist” star Adrien Brody and put the 29-year-old on course to possibly win his first Academy Award.

Chalamet looked visibly surprised when his name was announced at the ceremony. But once he reached the staged, the “A Complete Unknown” star spoke with composure and confidence.

“The truth is, this was 5 ½ years of my life,” said Chalamet. “I poured everything I had into playing this incomparable artist, Mr. Bob Dylan, a true American hero. It was the honor of a lifetime playing him.”

He then added: “The truth is, I’m really in pursuit of greatness. I know people don’t usually talk like that, but I want to be one of the greats.”

The other Oscar favorites — Demi Moore, Zoe Saldaña and Kieran Culkin — all won. The SAG Awards are closely watched as an Oscar preview. Their picks don’t always align exactly with those of the film academy, but they often nearly do.

The last three best ensemble winners — “Oppenheimer,” “Everything Everywhere All at Once” and “CODA” — all went on to win best picture at the Oscars. All but one of the SAG acting winners of the last three years has also won the Oscar. (The sole exception was Lily Gladstone, who won SAG’s award for female actor last year for “Killers of the Flower Moon,” but the Oscar trophy went to Emma Stone for “Poor Things”.)

Moore seemingly solidified her Oscar chances by following up her Golden Globe win for her performance in “The Substance.” Moore, whose campaign was boosted by her speech about being pigeonholed a “popcorn actress,” has traded awards with “Anora” breakthrough Mikey Madison.

“What we believe is so much more powerful than what we think,” said Moore. “The saying, ‘I’ll believe it when I see it’ — the reality is when I believe it, I will see it.”

The SAG Awards unfolded against the backdrop of the aftermath of the devastating wildfires that began in early January. Those fires forced the guild to cancel its in-person nominations announcement and launch a disaster relief fund for SAG-AFTRA members affected. Host Kristen Bell introduced attending firefighters as “the most attractive tables” among a sea of stars.

Jane Fonda, 87, given the guild’s Life Achievement Award, provided the evening with its most passionately political moment. Fonda, a famed activist, spoke indirectly about President Donald Trump’s administration.

“We are in our documentary moment,” said Fonda. “This is it. And it’s not a rehearsal.”

Fonda added that “woke just means you give a damn about other people.”

“A whole lot of people are going to be hurt by what’s happening, by what’s coming our way,” said Fonda. “We are going to need a big tent to resist what’s coming at us.”

Jean Smart, who had advocated for canceling award shows because of the wildfires, won best female actor in a comedy series for “Hacks.” Smart didn’t attend, but participated in a pre-taped introduction as her character, Deborah Vance.

Also not in attendance: Martin Short, though he upset Jeremy Allen White to win best male actor in a comedy series for “Only Murders in the Building.” The Hulu series also won for best comedy ensemble.

“Wait, we never win. This is so weird,” said Selena Gomez. “Marty and Steve (Martin) aren’t here because, you know, they don’t really care.”

Colin Farrell won his first SAG award, for his performance in “The Penguin” and also became the first winner ever introduced, by Jamie Lee Curtis, as “the man who gave me COVID at the Golden Globes.” Farrell bounded to the stage and promptly responded, “Guilty as charged,” before blaming Brendan Gleeson for giving it to him.

The night’s first televised award went to Culkin, who has won just about every award in the category for “A Real Pain.” Gripping the SAG trophy, he could quickly tell the difference.

“It is funny that the heaviest of all awards is given by actors,” said Culkin, who characteristically riffed his way through a rambling acceptance speech before swearing sincerity: “Believe it or not, this actually means a lot to me.”

Netflix’s “Emilia Pérez,” which has seen its awards hopes largely dashed by controversy over old tweets by lead actor Karla Sofia Gascón, took home the award for best female supporting actor, for Oscar favorite Saldaña.

For Netflix’s second time around streaming the awards, it inserted ads sporadically, like a traditional broadcast. Last year, downtimes were occupied by backstage interviews. Audio issues occasionally marred the broadcast, including brief interruptions of Fonda’s speech.

After romps at the Emmys and Golden Globes, “Shōgun” kept up its dominance. The FX series won best drama series ensemble, along with acting awards for Hiroyuki Sanada, Anna Sawai and for best stunt ensemble. The corresponding award for film went to the stunt performer ode “The Fall Guy.”
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Los Angeles — Former Vice President Kamala Harris stepped on the NAACP Image Awards stage Saturday night with a sobering message, calling the civil rights organization a pillar of the Black community and urging people to stay resilient and hold onto their faith during the tenure of President Donald Trump.

“While we have no illusions about what we are up against in this chapter in our American story, this chapter will be written not simply by whoever occupies the oval office nor by the wealthiest among us,” Harris said after receiving the NAACP’s Chairman’s Award. “The American story will be written by you. Written by us. By we the people.”

The 56th annual Image Awards was held at the Pasadena Civic Auditorium in the Los Angeles area.

Harris, defeated by Trump in last year’s presidential election, was the first woman and the first person of color to serve as vice president. She had previously been a U.S. senator from California and the state’s attorney general.

In her first major public appearance since leaving office, Harris did not reference her election loss or Trump’s actions since entering the Oval Office, although Trump mocked her earlier in the day at the Conservative Political Action Conference.

Harris spoke about eternal vigilance, the price of liberty, staying alert, seeking the truth and America’s future.

“Some see the flames on our horizons, the rising waters in our cities, the shadows gathering over our democracy and ask ‘What do we do now?'” Harris said. “But we know exactly what to do, because we have done it before. And we will do it again. We use our power. We organize, mobilize. We educate. We advocate. Our power has never come from having an easy path.”

Other winners of the Chairman’s prize have included former President Barack Obama, the late Rep. John Lewis and the late actor Ruby Dee.

NAACP Hall of Fame

Harris was honored during the ceremony along with the Wayans family. The family was inducted into the NAACP Image Awards Hall of Fame in recognition of pioneering contributions to film, TV, sketch and stand-up comedy that have shaped Hollywood for decades.

Keenen Ivory Wayans, Damon Wayans Sr., Marlon Wayans, Shawn Wayans, Kim Wayans and Damon Wayans Jr. each were recognized.

Marlon Wayans, whose guest appearance on Peacock’s “Bel-Air” was up for an NAACP award, shared how Keenen Ivory Wayans sparked the family’s rise.

“He raised us all like Jedis,” he said. “We wouldn’t be here if it wasn’t for our big brother.”

Marlon Wayans joked that when his brother told their mom he was leaving college for comedy, she said, “Boy, I’ve known you your whole life, and you ain’t never said nothing funny. That’s the funniest thing you’ve said.”

The crowd erupted in laughter, a fitting tribute to a family that has kept audiences laughing for more than three decades.

The family has a long list of credits. Keenen Ivory Wayans created the sketch comedy series “In Living Color” in 1990 and directed the 2000 slasher spoof “Scary Movie,” which was written by Marlon Wayans and Shawn Wayans, who also wrote and starred in “White Chicks” in 2004. Damon Wayan’s had a starring role in the 1995 comedy “Major Payne,” and currently co-stars with son Damon Wayans Jr. in the CBS sitcom “Poppa’s House,” which was nominated for an NAACP Award. The pair also were nominated for their acting on the show.

Damon Wayans Jr. has acted in two of the most critically acclaimed comedies in recent years: “Happy Endings” and “New Girl.” Kim Wayans, a comedian, actor and director, also received praise for her work in the 2011 drama “Pariah.”

Entertainer of the year

Keke Palmer expressed her surprise after her name was called as winner of the coveted entertainment of the year.

“Oh my gosh. Guys, I didn’t think I was going to win,” said Palmer, who paid homage to fellow nominee Cynthia Erivo’s Oscar-nominated performance in “Wicked.”

Palmer starred in the buddy comedy “One of Them Days,” which debuted No. 1 at the box office last month. She also won an Emmy for her hosting efforts on NBC’s “Password.”

“It’s such an amazing category to be in with all these people,” Palmer said. “It’s a beautiful night. It’s Black History Month, y’all. It’s so important we all come here together and celebrate one another with one another.”

Other nominees included Kendrick Lamar, Kevin Hart and Shannon Sharpe.

Awards recognize LA residents impacted by wildfires

Image Awards host Deon Cole honored residents of the nearby Altadena neighborhood who were affected by January’s devastating Los Angeles-area wildfires.

A video of the fire devastation played before actor Morris Chestnut took the stage.

“Homes were lost, stores destroyed, countless lives shattered and over two dozen souls gone forever,” said Chestnut, a Los Angeles native who referenced impacted areas such as Altadena, the Pacific Palisades and Malibu.

“But what was not lost is the spirit of our community,” said Chestnut, who noted 22 Altadena residents attended the show on Saturday. Many in the audience stood and applauded.

Cole shifted tone and brightened the mood with a comedic prayer for Kanye West’s wife to find more clothes after her barely-there Grammys look and for Shannon Sharpe to finally size up his T-shirts.

The opening act was a lead-up to the evening’s first award: Queen Latifah as best actress in a drama series for her role in “The Equalizer.”

Chappelle honored

Dave Chappelle was honored with the President’s Award for his “thought-provoking humor.”

Accepting the award, Chappelle talked about the NAACP’s push against negative portrayals of Black people in media and the importance of representation.

“Every opportunity we get, we just keep chipping away at this monster of a machine,” he said.

Past recipients of the President’s Award include Jay-Z, Lauryn Hill, Usher, Rihanna and John Legend.
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Linda Facci has a unique and charming job. Using just a few tools and a lot of felt, she makes hyper realistic sculptures that, if they weren’t so small, it would be hard to tell them apart from the real thing.  Anna Nelson met up with Facci to talk about her art. Anna Rice narrates her story. (Videographer: Vladimir Badikov, Natalia Latukhina )
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New York — “Captain America: Brave New World” soared on opening weekend but crashed down in its second go-around with audiences. 

“Brave New World,” the latest sign that the Marvel machine isn’t quite what it used to be, remained No. 1 at the box office in its second frame with $28.2 million in ticket sales, according to studio estimates Sunday. But after a debut of $100 million over four days and $88 million over three days, that meant a steep drop of 68%. 

While blockbusters often see significant slides in their second weekends, only two previous MCU titles have fallen off so fast: 2023’s “The Marvels,” which fell 78%, and 2023’s “Ant-Man and the Wasp: Quantumania,” which dropped 70%. 

The Anthony Mackie-led “Captain America” installment has been slammed by critics, and audiences also have graded it poorly, with a “B-” CinemaScore. “Brave New World,” which fans had hoped would right the Marvel ship, has been largely met as another example of a once impenetrable brand struggling to recapture its pre- “Avengers: Endgame” aura of invincibility. 

Still, “Brave New World” has quickly grossed $289.4 million worldwide, with international sales nearly reaching $150 million. And with few big-budget offerings arriving in theaters in the coming weeks, it will have scant competition through much of March. 

The biggest new release of the weekend was Oz Perkins’ “The Monkey,” the director’s follow-up to his 2024 horror hit, “Longlegs.” Adapted from a Stephen King short story, “The Monkey” opened with $14.2 million for Neon, the second-best debut for the indie distributor. The best? “Longlegs,” which launched with $22.4 million. 

Neon had much to celebrate over the weekend. Its top awards contender, “Anora,” by Sean Baker, continues to gather momentum into next Sunday’s Academy Awards. The best-picture favorite added wins at the Independent Spirit Awards on Saturday. 

Perkins, Neon and Blumhouse, which partnered in the release of “The Monkey,” have found a productive low-budget collaboration, with more on the way. Even if “The Monkey” doesn’t reach the heights of “Longlegs” ($126.9 million globally), Perkins and Neon return with “Keeper” this October. 

“The Monkey,” starring Tatiana Maslany and Theo James, revolves around an old monkey toy found in an attic. Reviews have been good (77% fresh on Rotten Tomatoes), though audiences were less impressed, giving it a C+ CinemaScore. Horror films, though, typically grade low. 

As it did with “Longlegs,” Neon leaned into cryptic promotion for “The Monkey,” along with some macabre marketing. A funeral premiere was held at Los Angeles’ Immanuel Presbyterian Church, and fan screenings took place at the Hollywood Cemetery. The film, produced by James Wan, cost $10 million to make. 

Lionsgate’s “The Unbreakable Boy” opened with a paltry $2.5 million in 1,687 theaters. The Christian-themed Jon Gunn-directed film starring Zachary Levi and Meghann Fahy, is about parents who learn their son is autistic and has brittle bone disease. 

“Paddington in Peru,” the third installment of the marmalade-mad bear, fell to third place in its second weekend. It grossed $6.5 million in 3,890 locations, bringing its two-week total to $25.2 million. “Paddington in Peru” has been most popular overseas, where its collected $150 million thus far. 

“Ne Zha 2,” the animated Chinese juggernaut, took in $3.1 million from 800 theaters in its second weekend. In China, the sequel has grossed $1.7 billion this month, setting numerous box-office records. Those totals put “Ne Zha 2” past “Inside Out 2” ($1.66 billion) as the highest grossing animated film ever. 

Top 10 movies by domestic box office 

With final domestic figures releasing Monday, this list factors in the estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. 

1. “Captain America: Brave New World,” $28.2 million. 

2. “The Monkey,” $14.2 million. 

3. “Paddington in Peru,” $6.5 million. 

4. “Dog Man,” $5.9 million. 

5. “Ne Zha 2,” $3.1 million. 

6. “Heart Eyes,” $2.9 million. 

7. “Mufasa: The Lion King,” $2.5 million. 

8. “The Unbreakable Boy,” $2.5 million. 

9. “Chhaava,” $1.5 million. 

10. “One of Them Days,” $1.4 million. 
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ROME — Pope Francis, in critical condition with a complicated lung infection, rested well during a peaceful night following a respiratory crisis and blood transfusions, the Vatican said Sunday.

Vatican spokesperson Matteo Bruni’s one-line statement didn’t mention if Francis was up or eating breakfast. “The night passed quietly, the pope rested.”

The brief update came after doctors said the 88-year-old pope, who had part of one lung removed as a young man, was in critical condition. On Saturday morning, he suffered a prolonged asthmatic respiratory crisis while being treated for pneumonia and a complex lung infection.

The pope received “high flows” of oxygen to help him breathe. He also received blood transfusions after tests showed low counts of platelets, which are needed for clotting, the Vatican said in a late update.

The Saturday statement also said that the pontiff “continues to be alert and spent the day in an armchair although in more pain than yesterday.” Doctors said the prognosis was “reserved.”

Doctors have said Francis’ condition is touch-and-go, given his age, fragility and pre-existing lung disease.

Main threat facing pope is sepsis

They have warned that the main threat facing Francis would be the onset of sepsis, a serious infection of the blood that can occur as a complication of pneumonia. As of Friday, there was no evidence of any sepsis, and Francis was responding to the various drugs he is taking, the pope’s medical team said in their first in-depth update on the pope’s condition.

Saturday’s blood tests showed that he had developed a low platelet count, a condition called platelopenia or thrombocytopenia. Platelets are cell-like fragments that circulate in the blood that help form blood clots to stop bleeding or help wounds heal. Low platelet counts can be caused by a number of things, including side effects from medicines or infections, according to the U.S. National Institutes of Health.

Francis, who has chronic lung disease and is prone to bronchitis in winter, was admitted to Gemelli hospital on Feb. 14 after a weeklong bout of bronchitis worsened.

Doctors first diagnosed the complex viral, bacterial and fungal respiratory tract infection and then the onset of pneumonia in both lungs. They prescribed “absolute rest” and a combination of cortisone and antibiotics, along with supplemental oxygen when he needs it.

Speculation that Francis might resign

Meanwhile, the Vatican hierarchy went on the defensive to tamp down rumors and speculation that Francis might decide to resign. There is no provision in canon law for what to do if a pope becomes incapacitated. Francis has said that he has written a letter of resignation that would be invoked if he were medically incapable of making such a decision. The pope remains fully conscious, alert, eating and working.

The Vatican secretary of state, Cardinal Pietro Parolin, gave a rare interview to Corriere della Sera to respond to speculation and rumors about a possible resignation. It came after the Vatican issued an unusual and official denial of an Italian media report that said Parolin and the pope’s chief canonist had visited Francis in the hospital in secret. Given the canonical requirements to make a resignation legitimate, the implications of such a meeting were significant, but the Vatican flat-out denied that any such meeting occurred.

Parolin said such speculation seemed “useless” when what really mattered was the health of Francis, his recovery and return to the Vatican.

“On the other hand, I think it is quite normal that in these situations uncontrolled rumors can spread or some misplaced comment is uttered. It is certainly not the first time it has happened,” Parolin was quoted as saying. “However, I don’t think there is any particular movement, and so far I haven’t heard anything like that.”

Holy Year celebrations continue

Deacons, meanwhile, were gathering at the Vatican for their special Holy Year weekend. Francis got sick at the start of the Vatican’s Holy Year, the once-every-quarter-century celebration of Catholicism. This weekend, Francis was supposed to have celebrated deacons, a ministry in the church that precedes ordination to the priesthood.

In his place, the Holy Year organizer was to celebrate Sunday’s Mass, the Vatican said. And for the second consecutive weekend, Francis is skipping his traditional Sunday noon blessing, which he could have delivered from Gemelli if he were up to it.

“Look, even though he’s not [physically] here, we know he’s here,” said Luis Arnaldo Lopez Quirindongo, a deacon from Ponce, Puerto Rico, who was at the Vatican on Saturday for the Jubilee celebration. “He’s recovering, but he’s in our hearts and is accompanying us, because our prayers and his go together.” 
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TOKYO — Yoshiko Abe is about to turn 89, but that hasn’t stopped her from going to the gym every day and trying the free-of-charge makeup course at her housing complex.  

“It was really helpful,” she said, all smiles and glowing after putting on foundation and pink lipstick, something she hadn’t done in years.  

Japan has the largest percentage of older citizens than any other country in the world. More than a quarter of Japan’s  population is 65 and older, at 36 million people. In about a decade, the ratio will be one in three.  

No wonder the young-at-heart, like Abe, is a growing target for Japan Inc.  

The market for older people is estimated to grow to more than 100 trillion yen ($650 billion) in size this year, according to a study by Mizuho Bank. And that business isn’t just about remedies for sicknesses and old folks’ homes but taps into solid consumerism.

The growth of artificial intelligence and robotics also offers promise for such services and gadgetry. Akira Shimizu, professor of business at Keio University, calls them “cool grandpas and cute grannies” who remain sensitive to trends, including the latest luxury and health products.  

“They think about the clothing and makeup that express their style,” he said. 

From luxury cruises and “oldies” rock concerts, companies are leveraging the fact that older people these days remain active, go out with friends and on dates, so they want to dress up and look good, said Shimizu.  

Maintaining one’s looks is good physical exercise because it takes hand agility to open cosmetics tubes and draw eyebrows nicely, and massaging the face gets one’s saliva glands going, according to Miwa Hiraku, the makeover class instructor from the Japanese cosmetics company Shiseido.  

Shiseido Co., which started out as a pharmacy in 1872, said that makeup is not just good for your physical well-being but also your soul.  

The company has been holding free makeup courses for older people across the country.

“Putting on makeup works as a switch to turn on your energy at the start of your day,” said Hiraku, who vows to wear makeup even at 100. “It’s not just about looking beautiful. It’s about living a long healthy life.” 

Yoshihiko Hotta, 85, the only man in the class of about 30 people, didn’t try the rouge but happily put on the hand cream and went along with all the exercise routines. While acknowledging he felt some effects of aging like sore legs, he declared with conviction: “I don’t think age is relevant.” 
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LOS ANGELES — Sean Baker, whose low-budget movie “Anora” is the front-runner for next weekend’s Oscars, delivered an impassioned plea to “keep indie film alive” as he won top prize at the Spirit Awards on Saturday. 

The annual Film Independent Spirit Awards ceremony, held in a giant tent at Los Angeles’ Santa Monica beach, only celebrates movies made for less than $30 million. 

Baker, long a leading figure of the U.S. independent movie circuit, who is now shooting to mainstream success, won best feature and best director for “Anora,” which was shot for $6 million.  

“Indie film is struggling right now more than ever,” Baker said. 

“I personally do not have children, but I know for a fact that if I did, I would not be able to make the movies that I make,” warned one of the United States’ most respected directors. 

His latest film “Anora” portrays Ani, a stripper and escort, whose whirlwind marriage to the son of a Russian oligarch rapidly unravels in disastrous circumstances. 

Mikey Madison, who plays Ani, won best lead performer honors at the Spirit Awards. 

Having launched at the Cannes film festival last May, where it won the Palme d’Or, “Anora” became an arthouse hit, grossing $40 million worldwide. 

It is widely tipped to win best picture at the Oscars. 

But Baker warned that the collapse of DVD sales, which once supported up-and-coming filmmakers, means creatives like him rarely make any money even when their movies succeed in theaters. 

He warned that major Hollywood studios swallow profits, refuse to “green light” movies tackling controversial subjects, and force directors to cast actors based on “how many followers they have on social media.” 

“I’m an indie film lifer … the system has to change, because this is simply unsustainable,” he said. 

Stars attending the low-key Spirit Awards gala included Emma Stone, Demi Moore, Michelle Yeoh and Jesse Eisenberg, who won best screenplay for “A Real Pain.” 

Kieran Culkin also won best supporting performance for the comedy about two polar opposite U.S. cousins retracing their Jewish heritage in Poland. 

“Flow,” a Latvian, dialogue-free animation about animals banding together to survive a mysterious flood, won best international film. 

Best documentary went to “No Other Land,” about the destruction of a village in the occupied West Bank. 

It is the favorite to win the same prize at the Academy Awards on March 2, yet still has not been able to find a distributor in the United States. 

“Nickel Boys,” another Oscar best picture nominee, about historic abuse at a Florida school and shot entirely from the first-person perspective, won best cinematography. 

“September 5,” about the terrorist massacre of Israeli athletes at the 1972 Munich Olympics, won best editing.  

The Spirit Awards will not affect this year’s Oscars, as voting has already ended for the season-capping 97th Academy Awards. 
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Following the news of Jorge Bergoglio’s health, churches across the country are joining in prayer. In this video we visit the most emblematic places in his hometown. Argentine faithful share prayers and reflect on the importance of having an Argentine Pope.

Click here for the full story in Spanish. 
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new york — Jerry Butler, a premier soul singer of the 1960s and ’70s whose rich, intimate baritone graced such hits as “For Your Precious Love,” “Only the Strong Survive” and “Make It Easy on Yourself,” has died at age 85.

Butler’s niece, Yolanda Goff, told the Chicago Sun-Times that Butler — whose show business nickname, “The Iceman,” was given to him for his understated style — died Thursday at his home in Chicago.

A member of the Rock and Roll Hall of Fame and a three-time Grammy Award nominee, Butler was a voice for two major soul music hubs: Chicago and Philadelphia.

Along with childhood friend Curtis Mayfield, he helped found the Chicago-based Impressions and sang lead on the breakthrough hit “For Your Precious Love,” a deeply emotional, gospel-influenced ballad that made Butler a star before age 20.

A decade later, in the late ’60s, he joined the Philadelphia-based production team of Kenneth Gamble and Leon Huff, who worked with him on “Only the Strong Survive,” “Hey Western Union Man” and other hits. His albums “Ice on Ice” and “The Iceman Cometh” are regarded as early models for the danceable, string-powered productions that became the classic “Sound of Philadelphia.”

Butler was also a songwriter, collaborating with Otis Redding on “I’ve Been Loving You Too Long,” a signature ballad for Redding; and with Gamble and Huff on “Only the Strong Survive,” later covered by Elvis Presley, among others. His credits also included “For Your Precious Love,” “Never Give You Up” (with Gamble and Huff) and “He Will Break Your Heart,” which Butler helped write after he began thinking about the boyfriends of the groupies he met on the road.

“You go into a town; you’re only going to be there for one night; you want some company; you find a girl; you blow her mind,” Butler told Rolling Stone in 1969. “Now you know that girl hasn’t been sitting in town waiting for you to come in. She probably has another fellow and the other fellow’s probably in love with her; they’re probably planning to go through the whole thing, right? But you never take that into consideration on that particular night.”

Link to Mayfield

Butler was the son of Mississippi sharecroppers who moved north to Chicago when he was 3, part of the era’s “Great Migration” of Black people out of the South. He loved all kinds of music as a child and was a good enough singer that a friend suggested he come to a local place of worship, the Traveling Souls Spiritualist Church, presided over by the Reverend A.B. Mayfield. Her grandson, Curtis Mayfield, soon became a close friend. (Mayfield died in 1999.)

In 1958, Mayfield and Butler, along with Sam Gooden and brothers Arthur and Richard Brooks, recorded “For Your Precious Love” for Vee-Jay Records. The group called itself the Impressions, but Vee-Jay, eager to promote an individual star, advertised the song as sung by Jerry Butler and the Impressions, leading to estrangement between Butler and the other performers and to an unexpected solo career.

“Fame didn’t change me as much as it changed the people around me,” Butler wrote in his memoir, Only the Strong Survive, published in 2000.

One of his early solo performances was a 1961 cover of “Moon River,” the theme from the film “Breakfast at Tiffany’s.” Butler was the first performer to hit the charts with what became a pop standard, but “Moon River” would be associated with Andy Williams after the singer was chosen to perform it at the Academy Awards, a snub Butler long resented.

His other hits, some recorded with Mayfield, included “Find Another Girl” and “I’m A-Telling You.” By 1967, his formal style seemed out of fashion, but Butler was impressed by the new music coming out of Philadelphia and received permission from his record label, Mercury, to work with Gamble and Huff. The chemistry, Butler recalled, was so “fierce” they wrote hits such as “Only the Strong Survive” in less than an hour. 

“Things just seem to fall into place,” Butler told Ebony magazine in 1969. “We lock ourselves in a room, create stories about lovers, compose the music, then write the lyrics to match the music.”

By the 1980s, Butler’s career had faded, and he was becoming increasingly interested in politics. Encouraged by the 1983 election of Harold Washington, Chicago’s first Black mayor, he ran successfully for the Cook County Board of Commissioners in 1985 and was re-elected repeatedly, even after supporting a controversial sales tax increase in 2009. He retired from the board in 2018.

Butler was married for 60 years to Annette Smith, who died in 2019, and with her had twin sons. Many of his generational peers had struggled financially and he worked to help them. He chaired the Rhythm & Blues Foundation, which provides a wide range of assistance to musicians, and pushed the industry to provide medical and retirement benefits.

Butler considered himself relatively lucky, even if he did pass on the chance to own a part of Gamble and Huff’s Philadelphia International recording company.

“You know, I have lived well. My wife probably would say I could’ve lived better,” Butler told the Chicago Reader in 2011. “Did I make 40, 50 million dollars? No. Did I keep one or two? Yes. The old guys on the street used to say, ‘It’s not how much you make. It’s how much you keep.’ ”
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MAYVILLE, NEW YORK — A New Jersey man was convicted Friday of attempted murder for stabbing author Salman Rushdie multiple times on a New York lecture stage in 2022.

Jurors, who deliberated for less than two hours, also found Hadi Matar, 27, guilty of assault for wounding a man who was on stage with Rushdie at the time.

Matar ran onto the stage at the Chautauqua Institution where Rushdie was about to speak on Aug. 12, 2022, and stabbed him more than a dozen times before a live audience. The attack left the 77-year-old prizewinning novelist blind in one eye.

Rushdie was the key witness during seven days of testimony, describing in graphic detail his life-threatening injuries and long and painful recovery.

Matar, sitting at the defense table, looked down but had no obvious reaction when the jury delivered the verdict. As he was led out of the courtroom in handcuffs, he quietly uttered, “Free Palestine,” echoing comments he has frequently made while entering and leaving the trial.

His public defender, Nathaniel Barone, said Matar was disappointed but also well-prepared for the verdict.

District Attorney Jason Schmidt played a slow-motion video of the attack for the jury Friday during his closing argument, pointing out the assailant as he emerged from the audience, walked up a staircase to the stage and broke into a run toward Rushdie.

“I want you to look at the unprovoked nature of this attack,” Schmidt said. “I want you to look at the targeted nature of the attack. There were a lot of people around that day but there was only one person who was targeted.”

Assistant public defender Andrew Brautigan told the jury that prosecutors have not proved that Matar intended to kill Rushdie. The distinction is important for an attempted-murder conviction.

“You will agree something bad happened to Mr. Rushdie, but you don’t know what Mr. Matar’s conscious objective was,” Brautigan said.

Matar had knives with him but no gun or bomb, his attorneys have said previously. And in response to testimony that the injuries were life-threatening, they have noted that Rushdie’s heart and lungs were uninjured.

Schmidt said while it’s not possible to read Matar’s mind, “it’s foreseeable that if you’re going to stab someone 10 or 15 times about the face and neck, it’s going to result in a fatality.”

Schmidt reminded jurors about the testimony of a trauma surgeon, who said Rushdie’s injuries would have been fatal without quick treatment.

He also slowed down video showing Matar approaching the seated Rushdie from behind and reaching around him to stab at his torso with a knife. Rushdie raises his arms and rises from his seat, walking and stumbling for a few steps with Matar hanging on, swinging and stabbing until they both fall and are surrounded by onlookers who rush in to separate them.

Rushdie is seen flailing on the ground, waving a hand covered in bright red blood. Schmidt freezes on a frame showing Rushdie, his face also bloodied, as he’s surrounded by people.

“We’ve shown you intent,” Schmidt said.

The recordings also picked up the gasps and screams from audience members who had been seated to hear Rushdie speak with City of Asylum Pittsburgh founder Henry Reese about keeping writers safe. Reese suffered a gash to his forehead, leading to the assault charge against Matar.

The judge set sentencing for April 23. Matar could receive up to 25 years in prison.
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MUMBAI, INDIA — Even for the world’s most-populous nation, the scale of a Hindu religious festival being held in India’s northern city of Prayagraj since mid-January is staggering. Surpassing previous numbers, the Maha Kumbh Mela that wraps up Wednesday has drawn more than half a billion devotees in the last six weeks, according to officials.

The government of Uttar Pradesh, where the festival is being held, claims that this year’s event is the largest congregation in human history for a religious, cultural and social event.

Those who have taken a holy dip in waters that Hindus believe cleanses them of their sins and helps attain salvation include ordinary devotees from all walks of life, billionaires, Prime Minister Narendra Modi, politicians and Bollywood stars. Others went to simply witness the mesmerizing panorama of the religious spectacle that unfolds along the confluence of two rivers, the Ganges and the Yamuna, where Hindus believe a third, mythical river also exists.

Among the first rush of pilgrims to attend the Kumbh Mela when it began last month was Deepinderr Singh Bindra, a resident of Gurugram in North India. “It was the accumulation of my spiritual journey following my visit to several Hindu pilgrim sites in the last few years,” he said. He took an early morning dip on three consecutive days and “found it a surreal, deeply satisfying experience.”

The pull of the Maha or great Kumbh Mela, which is held every 12 years, became even greater for many devotees because this year’s event was considered special — it coincided with an alignment of the planets and stars that occurs once in 144 years.

The festival was marred by a stampede on Jan. 29 that killed 30 pilgrims who were trampled amid the rush to take part in the bathing on a day considered particularly auspicious.

That tragedy, however, failed to dampen the fervor as millions continued to pour into the vast temporary tented township that covers a stretch of 4,000 hectares, or 40 square kilometers, along the banks of the river. The tented township includes roads, hospitals, toilets and free community kitchens run by volunteers. A platform made of sandbags stretches along the Ganges riverbank for devotees to take part in the ritual immersion.

But for many like Mumbai resident Nikhil Shirodkar, joining the festival was not just about the dip in the river but a once-in-a-lifetime experience that offered a chance for a connection with age-old Hindu traditions.

“I went more as a spiritual seeker and not with the belief that the dip cleanses one’s sins,” he said.

He spent three days sleeping on the floor like an ascetic and helping serve meals to people.

“It was an eye opener. Everybody was reaching out to each other. On the roadside some would be serving tea, others biscuits, to the pilgrims who kept pouring in. It had an impact on my outlook,” Shirodkar said.

Others, especially overseas visitors, were drawn to it by a sense of curiosity. Twenty-one-year-old Lucinda Pernell, who had come from Australia to India to attend a yoga camp, decided to attend after learning from her photographer friend about the festival’s immense scale.

“It was overwhelming because there were just so many people, which a Westerner like me has never seen. But I found it amazing. It was a kind of organized chaos, but what I will take back with me is that people respected each other. There was a sense of belief,” she said, recalling the experience.

On one of the days that she was there, considered an especially auspicious day, an estimated 35 million took a dip in the waters in Prayagraj — that’s more people than the population of Australia.

She visited the camp for Naga sadhus, the ash-smeared, often naked Hindu ascetics, who armed with tridents lead the religious spectacle. It’s one of the most dramatic sights of the festival.

At this year’s festival, the sacred coexisted with high technology, as underwater drones and artificial intelligence systems were used to monitor the crowds and improve safety.

The Kumbh Mela also reflected the growing synergy between religion and politics since Prime Minister Modi’s right-wing Bharatiya Janata party came to power 10 years ago, according to political analyst Nilanjan Mukhopadhyay. Giant billboards of Modi stood high at the festival site.

“The open, publicized participation of top political leaders at a religious festival is not something you witnessed in the past,” he said, pointing out that lines between religion and the state have been increasingly blurred. Besides Modi, who took a dip in the river, the Uttar Pradesh state government, led by a Hindu monk, held a Cabinet meeting at the site of the festival.

Reasserting a Hindu cultural identity has been part of the BJP’s agenda. Under the rule of the country’s erstwhile Mughal rulers, the city where it took place was earlier known as Allahabad. It was renamed Prayagraj in 2018 by the BJP state government in a bid to restore its identity as a Hindu pilgrimage center.

Mukhopadhyay also pointed out that the elaborate facilities built for the festival at a cost of over $8 billion, included upscale accommodations, airport and railway expansions and new roads. “With facilities like air-conditioned tents and roads, the rich and upper middle classes no longer had to trek for miles as devotees did in earlier days. So for many of them, attending the Kumbh transitioned from a purely religious pilgrimage into a social talking point,” he said.

Questions have been raised about the water in which the devotees immerse themselves. A report by the federal government’s Central Pollution Control Board earlier this month said that there were high levels of contamination in a key bathing place. But the Uttar Pradesh state government rejected the report, saying authorities were continuously monitoring water in the rivers to maintain its quality.

At last count provided by the state government, 550 million had attended the festival. With five more days to go until it culminates on Wednesday, which is considered another auspicious day, those numbers will rise.

Among those who plan to travel to Prayagraj on that day is Bindra, the resident of Gurugram. “I will be going again to take another dip,” he said. “It is a calling for me.”
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Archaeologists in Egypt say they have unearthed the ancient tomb of King Thutmose II, the first discovery in 100 years of a tomb of an Egyptian royal.

The discovery near Luxor is the first of a pharaonic royal tomb since the treasures of Tutankhamun’s tomb were found over a century ago in 1922, Egypt’s Ministry of Tourism and Antiquities said Tuesday.

Thutmose’s tomb was found west of the Valley of the Kings, one of the world’s most important archaeological sites and home to the burial sites of many ancient Egyptian royals and nobles, including Tutankhamun, also known as King Tut.

Thutmose, an ancestor of Tutankhamun, lived nearly 3,500 years ago. His wife, Queen Hatshepsut, was one of the few women known to have ruled Egypt. Her mortuary temple is on the west bank of the Nile at Luxor, not far from where her husband’s tomb was found.

Thutmose was a king of ancient Egypt’s 18th dynasty. His tomb was the last undiscovered tomb of that group.

An archaeology team found the entrance to Thutmose’s tomb in October 2022, according to the online magazine Archaeology News, but they thought it was likely the burial site of a queen. As they dug deeper, they found inscriptions referring to Thutmose II as the “deceased king” and Hatshepsut.

The tomb flooded soon after the king’s burial, damaging most of its contents, but some funerary furniture was recovered. Egypt’s antiquities ministry said Tuesday the discovery of the tomb is “one of the most significant archaeological breakthroughs in recent years.”

Professor Mohamed Abdel-Badel, who heads Egypt’s Antiquities Sector, told Archaeology News that the team “recovered and restored fallen plaster fragments” that had blue inscriptions on them, including from the Book of the Amduat, which the website described as “a key funerary text used in royal burials.”

Thutmose’s tomb can now be listed among the wonders of ancient Egypt that draw hordes of tourists to the country. Last year, Egypt hosted 15.7 million tourists and aims to attract 18 million visitors in 2025, according to Agence France-Presse. Egypt may reach that goal with the long-awaited opening this year of the Grand Egyptian Museum at the foot of the legendary pyramids in Giza.

Some information for this report came from Reuters and Agence France-Presse.
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